Living in Lisbon
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Lisbon is being ravaged by an unprecedented housing crisis. The exponential increase of prices, the combined outcome of the financialisation of housing and the lack of continued investment of public policies, means that every Portuguese person is, or knows someone who is, affected by the crisis. There is a restless public debate, but little has been told about the(...)
Living in Lisbon
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Lisbon is being ravaged by an unprecedented housing crisis. The exponential increase of prices, the combined outcome of the financialisation of housing and the lack of continued investment of public policies, means that every Portuguese person is, or knows someone who is, affected by the crisis. There is a restless public debate, but little has been told about the buildings that will give shape to the political strategies that are being conceived and implemented. Which city do we wish to build to face the problem? What can be the role of architecture in this context? "Living in Lisbon" concisely presents the conjecture and possibilities of action to think about the building of the city. The book includes an overview of the most charismatic architectures resulting from public housing policies that have been built in Lisbon over the course of 50 years of democracy, describes the main projects that are currently on the table, presents analytical visions of the present situation and freely envisions plans for the future in the form of dialogue, essay or manifesto.
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Since Hamas’s attack on Israel last October 7, the term "settler colonialism" has become central to public debate in the United States. A concept new to most Americans, but already established and influential in academic circles, settler colonialism is shaping the way many people think about the history of the United States, Israel and Palestine, and a host of political(...)
On settler colonialism: Ideology, violence, and justice
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Since Hamas’s attack on Israel last October 7, the term "settler colonialism" has become central to public debate in the United States. A concept new to most Americans, but already established and influential in academic circles, settler colonialism is shaping the way many people think about the history of the United States, Israel and Palestine, and a host of political issues. This short book is the first to examine settler colonialism critically for a general readership. By critiquing the most important writers, texts, and ideas in the field, Adam Kirsch shows how the concept emerged in the context of North American and Australian history and how it is being applied to Israel. He examines the sources of its appeal, which, he argues, are spiritual as much as political; how it works to delegitimize nations; and why it has the potential to turn indignation at past injustices into a source of new injustices today. A compact and accessible introduction, rich with historical detail, the book will speak to readers interested in the Middle East, American history, and today’s most urgent cultural-political debates
Théorie/ philosophie
te magazine n.3: Mirroring
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Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from(...)
te magazine n.3: Mirroring
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Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from overarching narratives, to direct our attention to the individual, the local, and to subjects that have long been part of our own lives—a more agile, intuitive mindset. The third issue of te magazine took shape in this context, and chose to confront experiences of 'plight'—plight of the persecuted, of the artists, of the forgotten, and of those living with colonial legacies. How might we, as individuals, transmute plights in order to learn to live in this world? If each piece in this issue can be said to propose a mode of healing, the aim is not only about specific pathologies, but rather to recommend adjustments and defenses in moments of crisis.
Revues
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Since September 11, the war on terrorism, and the war in Iraq, it has been almost impossible to dissociate architecture from its social context. Add to this the massive influence of capitalism on architecture, disturbing demographic developments, and associated political, social, and ecological catastrophes, and the result is a robotic snapshot of a society dominated by(...)
The capsular civilization : on the city in the age of fear
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Since September 11, the war on terrorism, and the war in Iraq, it has been almost impossible to dissociate architecture from its social context. Add to this the massive influence of capitalism on architecture, disturbing demographic developments, and associated political, social, and ecological catastrophes, and the result is a robotic snapshot of a society dominated by fear, exclusion, and simulation. Lieven De Cauter, a leading theoretician on the subject of capsularisation, has worked over the past six years on the essays and articles contained in this book, and has documented and analyzed our changing societies before and after 9/11. For the first time, the link between the global economy, demographic changes, world terror, and the role played by the United States under the Bush admisinstration, are examined in detail in a single publication. De Cauter sketches a realistic and alarming account of the new world order that is an everyday concern for the architects and planners of the contemporary city as well as for its inhabitants and users.
Théorie de l’urbanisme
livres
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Building structures to house the logistical and manufacturing processes of industry is one of the largest and most widespread architectural assignments. The specific functional and economic requirements make precise demands on the designs and planning. The functions of the buildings are often of varying complexity and usually consist of solutions allowing the companies(...)
Structures d’ingénierie
octobre 2004, Basel
Industrial buildings : a design manual
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Building structures to house the logistical and manufacturing processes of industry is one of the largest and most widespread architectural assignments. The specific functional and economic requirements make precise demands on the designs and planning. The functions of the buildings are often of varying complexity and usually consist of solutions allowing the companies to create an individual appearance. The organization of industrial processes together with the wide range of designs and building methods are clearly and practically treated in this design atlas. A systematic section presents the typology, the technical and logistical elements of industrial building in context. In the subsequent section, some 70 designs are described and analysed. Special emphasis is placed on those functions and procedures that inform the design such as production, montage, storage and distribution. JŸrgen Adam is Director of the Institute for Design and Construction at the University of Stuttgart. As an architect and teacher he has followed closely developments in international industrial building, as have the contributing authors, among others Gunther Henn, Klaus Daniels and Fritz Haller.
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octobre 2004, Basel
Structures d’ingénierie
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"Twentieth-Century Type" surveys the significant issues that have shaped the history and evolution of typography and graphic design, showing how current typographic trends are part of a continuously changing movement that can be plotted through the decades. Generously illustrated with over three hundred examples–more than two hundred of which are in color–the book charts(...)
juin 2004, New Haven / London
Twentieth-century type, new & revised edition
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"Twentieth-Century Type" surveys the significant issues that have shaped the history and evolution of typography and graphic design, showing how current typographic trends are part of a continuously changing movement that can be plotted through the decades. Generously illustrated with over three hundred examples–more than two hundred of which are in color–the book charts significant topics including the arrival of mass-production; the birth of the art director; the appearance of the grid (and its subsequent rejection); the coming of non-print media; and the launch of the Macintosh computer and its ushering in of a new generation of designers enfranchised by digital technology. This revised edition of a fundamental work brings the story up to date with new text and images covering type on screen and, in particular, type for the internet. Combining an assessment of the culture of experimentation in contemporary typographic design alongside a clear presentation of the field’s historical context, the book is an informed and accessible source for all students of design and for designers needing an expert overview of typography.
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"Digital Ground" is an architect's response to the design challenge posed by pervasive computing. One century into the electronic age, people have become accustomed to interacting indirectly, mediated through networks. But now as digital technology becomes invisibly embedded in everyday things, even more activities become mediated, and networks extend rather than replace(...)
Théorie de l’architecture
avril 2004, Cambridge, Mass.
Digital ground : architecture, pervasive computing, and environmental knowing
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"Digital Ground" is an architect's response to the design challenge posed by pervasive computing. One century into the electronic age, people have become accustomed to interacting indirectly, mediated through networks. But now as digital technology becomes invisibly embedded in everyday things, even more activities become mediated, and networks extend rather than replace architecture. The young field of interaction design reflects not only how people deal with machine interfaces but also how people deal with each other in situations where interactivity has become ambient. It shifts previously utilitarian digital design concerns to a cultural level, adding notions of premise, appropriateness, and appreciation. Malcolm McCullough offers an account of the intersections of architecture and interaction design, arguing that the ubiquitous technology does not obviate the human need for place. His concept of "digital ground" expresses an alternative to anytime-anyplace sameness in computing; he shows that context not only shapes usability but ideally becomes the subject matter of interaction design and that "environmental knowing" is a process that technology may serve and not erode.
Théorie de l’architecture
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Commissions for buildings and works of art from public authorities or private clients are an important means of promoting art in public areas, and they offer artists the opportunity of realising projects in an architectural space outside that of the museum. For architects these artists often provide a first interpretation of emergent architecture with its spatial(...)
novembre 2003, Basel
Hybrid zones : art and architecture in Basel and Zürich
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Commissions for buildings and works of art from public authorities or private clients are an important means of promoting art in public areas, and they offer artists the opportunity of realising projects in an architectural space outside that of the museum. For architects these artists often provide a first interpretation of emergent architecture with its spatial functions, and in this way they generate so-called “hybrid zones” because the architectural function can also be perceived as a work of art in the context of public art. This book presents in text and image some 20 interventions and projects in Basel and Zurich, created from the 1990's to the present day. Cross references to other European cities help to provide an overview of the international debate, and it initiates a controversial discussion on the present and future possibilities for art and building through statements and text contributions. These are provided by architects including Diener & Diener, Herzog & de Meuron, Peter Märkli, Morger & Degelo, artists such as Renée Levi, Jean Pfaff, Rémy Zaugg, art historians and other experts in relevant fields.
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
mars 2008, Texas
John Chamberlain The Foam Sculpture
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
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"Against the grain" features the work of three studios of the Louis I. Kahn Visiting Assistant Professors at Yale. Marcelo Spina and Georgina Huljich in "Brutal beauty: piles, monoliths and the incongruous whole" explored ways to make mute icons through monolithic form so that the buildings were foreign to their context and difficult to read formally for a film center in(...)
Against the grain: Louis I. Kahn visiting assistant professorship
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"Against the grain" features the work of three studios of the Louis I. Kahn Visiting Assistant Professors at Yale. Marcelo Spina and Georgina Huljich in "Brutal beauty: piles, monoliths and the incongruous whole" explored ways to make mute icons through monolithic form so that the buildings were foreign to their context and difficult to read formally for a film center in Los Angeles. Dan Wood in "Boulevard Triumphant: ecological infrastructure, architecture, modernization, and the image of the city" a studio for a civic center in Gabon that challenged the architectural language in Africa beyond the clichés and nostalgia to create an architecture that embodied a new ambition. Lisa Gray and Alan Organschi in "Timber innovation district: new timber technologies and contemporary high performance wood architecture" researched wood as a material for larger-scale projects for a site on New Haven’s working waterfront, with projects ranging from bridges to manufacturing facilities and multi-family housing. Edited by Jackie Kow and Nina Rappaport the book is designed by MGMT.design and is distributed by Actar D.
Architecture contemporaine