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Frank Lloyd Wright presents a stunning overview of the work of this towering American genius, encompassing the entirety of Wright’s long and extraordinarily prolific career. From his earliest work, such as the Home and Studio in Oak Park, IL, of 1889, to the wonderfully evocative textile block houses of Los Angeles of the mid-1920s, to such seminal masterpieces as(...)
Frank Lloyd Wright American master
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Frank Lloyd Wright presents a stunning overview of the work of this towering American genius, encompassing the entirety of Wright’s long and extraordinarily prolific career. From his earliest work, such as the Home and Studio in Oak Park, IL, of 1889, to the wonderfully evocative textile block houses of Los Angeles of the mid-1920s, to such seminal masterpieces as Fallingwater, of 1935, in the Pennsylvania wilderness, and the Solomon R. Guggenheim Museum, of 1956, in New York, the book offers an extraordinarily abundant trove of architectural riches. Featuring more than a hundred discrete works, from the well known to the obscure, expertly discussed in the text of highly respected Wright scholar Kathryn Smith, Frank Lloyd Wright weaves a gorgeous tapestry that will engage the mind and delight the eye.
Architecture, monographies
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How has Berlin’s urban landscape changed in its remarkable transformation from divided city to creative capital? Despite the monumental heritage and grand development projects, Berlin still conjures up images of urban fragmentation and vacant inner-city land. The book reveals the changing nature and complex politics of this open space. A rephotographing of sites between(...)
Spaces of uncertainty: Berlin revisited
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How has Berlin’s urban landscape changed in its remarkable transformation from divided city to creative capital? Despite the monumental heritage and grand development projects, Berlin still conjures up images of urban fragmentation and vacant inner-city land. The book reveals the changing nature and complex politics of this open space. A rephotographing of sites between 2001 and 2016 shows how no man’s land has made way for new apartments and underground hangouts have changed into commercial hubs, but it also transports us to remaining pockets of urban wilderness and unexpected freedom right next to the city’s most iconic squares. The accompanying essays by noted urban thinkers explore this little-known but vital reserve—forcing us to reflect on our unrelenting efforts to chart the future of the city at large.
Théorie de l’urbanisme
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship(...)
septembre 2012
World film locations : Reykjavik
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
Monographies photo
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Almost immediately after the invention of photography, Scottish photographers took their clunky cameras on the road to capture the stories of peoples and communities touched by the forces of British imperialism. For the next thirty years, their journeys would take them far from their homes in the Lowlands to the Canadian wilderness and the treaty ports and rivers of(...)
The global flows of early Scottish photography
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Almost immediately after the invention of photography, Scottish photographers took their clunky cameras on the road to capture the stories of peoples and communities touched by the forces of British imperialism. For the next thirty years, their journeys would take them far from their homes in the Lowlands to the Canadian wilderness and the treaty ports and rivers of China. ''The Global Flows of Early Scottish Photography'' is about the interplay between these photographers' ambitions and the needs and desires of the people they met. Anthony Lee tracks the work of several famous innovators of the art form, including D.O. Hill and Robert Adamson in Edinburgh; the Scottish immigrants William Notman and Alexander Henderson in Montreal; John Thomson in Hong Kong; and Lai Afong. Lee reveals their pictures in the context of migration and the social impact wrought by worldwide trade and competing nationalisms.
Photographie- collections
livres
The city in mind
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In the highly acclaimed "The Geography of Nowhere," James Howard Kunstler declared suburbia "a tragic landscape" and fueled a fierce debate over how we will live in twenty-first-century America. Here, Kunstler turns his discerning eye to urban life in America and beyond in dazzling excursions to classical Rome, the Aztec capital of Tenochtitlan, Louis-Napoleon's Paris,(...)
The city in mind
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In the highly acclaimed "The Geography of Nowhere," James Howard Kunstler declared suburbia "a tragic landscape" and fueled a fierce debate over how we will live in twenty-first-century America. Here, Kunstler turns his discerning eye to urban life in America and beyond in dazzling excursions to classical Rome, the Aztec capital of Tenochtitlan, Louis-Napoleon's Paris, the "gigantic hairball" that is contemporary Atlanta, the ludicrous spectacle of Las Vegas, and more. Seeking to discover what is constant and enduring in cities at their greatest, Kunstler explores how America got lost in suburban wilderness and locates pathways that might lead to civic revival. His authoritative tour is both a concise history of cities and a stunning critique of how they can aid or hinder social and civil progress. By turns dramatic and comic, "The City in Mind" is an exceptional glimpse into the urban condition.
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janvier 2003, New York
Théorie de l’urbanisme
I am Inuit
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Inuit indigenous ethnic groups inhabit an area stretching from North-East Siberia across the Bering Strait to Alaska up to Northern Canada all the way to Greenland. Climate change is already causing significant transformations having all kinds of impacts. For around four million people, the Arctic region is neither a curiosity, nor is it untouched wilderness: It is(...)
I am Inuit
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Inuit indigenous ethnic groups inhabit an area stretching from North-East Siberia across the Bering Strait to Alaska up to Northern Canada all the way to Greenland. Climate change is already causing significant transformations having all kinds of impacts. For around four million people, the Arctic region is neither a curiosity, nor is it untouched wilderness: It is home. Since 2015, photographer Brian Adams from the Inupiaq ethnic group has been traveling through Alaska, capturing the Inuit and their individual stories and finding out how they spend their individual lives in the 21st century. Visiting around 20 communities, he took portraits of the residents and recorded their narratives, sharing these across social media. This project I am Inuit as well as this book has the aim of promoting understanding, dismantling stereotypes as well as misperceptions and connecting the world with Alaskan Inuits, and the Arctic, through common humanity.
Monographies photo
Dwelling for intervals
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Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in(...)
Dwelling for intervals
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Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in Rotterdam, The Netherlands. Finally, the project became a roving para-site called “Knock on Woods” which has temporarily staked claim to land in Holland, France, Portugal, Berlin, Japan, and Canada. Dwelling for Intervals is an independent state, a sculpture, a series of collaborations, an international artist residency, a wilderness, a tree house, a travelling circus and a relative site/situation for temporary doing and undoing. The publication documents both the sites and the on-site work of the residents.
Expositions collectives
Bracket 3, At Extremes
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"Bracket [at Extremes]" includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history(...)
Bracket 3, At Extremes
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"Bracket [at Extremes]" includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history of modern urbanism, architecture and building science has been predicated on an anti-entropic notion of programmatic and social order. But are there scenarios in which a state of extremity or imbalance is productive? Bracket [at Extremes] seeks to understand what new spatial orders emerge in this liminal space. How might it be leveraged as an opportunity for invention? What are the limits of wilderness and control, of the natural and artificial, the real and the virtual? What new landscapes, networks, and urban models might emerge in the wake of destabilized economic, social and environmental conditions?
Revues
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Much has been said about the Arts & crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, "Building with nature: roots of the San Francisco Bay region(...)
Building with nature : inspiration for the arts & crafts home
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Much has been said about the Arts & crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, "Building with nature: roots of the San Francisco Bay region tradition", focuses on the beginnings (1865 and on) of the Bay area shingle style and Arts & crafts collaboration in California, and the origins of the trend toward building simple rustic homes in harmony with nature. Freudenheim explores how and why a small, influential group of Californians (including Joseph Worcester, Bernard Maybeck, Charles Keeler, William Keith, Charles Lummis, A. Page Brown, and others)-all of whom had come from the East or from England-were especially devoted to Ruskin and the Arts & crafts style and how this combined with their dedication to California's natural beauty to create a unique architectural movement.
Histoire jusqu’à 1900