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254 pages : illustrations (chiefly color) ; 27 cm
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254 pages : illustrations (chiefly color) ; 27 cm
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London : Koenig Books : Co-edition with Barbican Art Gallery, 2009.
London : Koenig Books : Co-edition with Barbican Art Gallery, 2009.
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Radical nature : art and architecture for a changing planet, 1969-2009 / [edited by Francesco Manacorda and Ariella Yedgar].
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254 pages : illustrations (chiefly color) ; 27 cm
Radical nature : art and architecture for a changing planet, 1969-2009 / [edited by Francesco Manacorda and Ariella Yedgar].
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254 pages : illustrations (chiefly color) ; 27 cm
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London : Koenig Books : Co-edition with Barbican Art Gallery, 2009.
London : Koenig Books : Co-edition with Barbican Art Gallery, 2009.
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137 pages : illustrations ; 27 x 30 cm
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137 pages : illustrations ; 27 x 30 cm
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Essen : Museum Folkwang ; Göttingen : Edition Folkwang/Steidl, [2012]., ©2012.
Essen : Museum Folkwang ; Göttingen : Edition Folkwang/Steidl, [2012]., ©2012.
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Arbeit = Work / Chris Killip.
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137 pages : illustrations ; 27 x 30 cm
Arbeit = Work / Chris Killip.
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137 pages : illustrations ; 27 x 30 cm
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Essen : Museum Folkwang ; Göttingen : Edition Folkwang/Steidl, [2012]., ©2012.
Essen : Museum Folkwang ; Göttingen : Edition Folkwang/Steidl, [2012]., ©2012.
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![Five minutes city : architecture and [im]mobility](/img-bookstore/g-8fLW45kD9B9-2F56_gKQO180E=/700x1003/MIG-14543.jpg)
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and(...)
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and(...)
Titre:
Five minutes city : architecture and [im]mobility
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and inspiring brief; he asked participants to redesign the cities of Rotterdam and New York in a way that everything is reachable within five minutes. A series of serious questions arise from the challenging brief: 'What will such a city look like? What happens to such an hypothesis if cars are the only mode of transport? What will such a city look like when it is only accessed by public transport? Or by walking?' How one can extend the knowledge of compact or dense cities? How fast cities can be? Is increased speed an ideal concept for future cities? Is development of new infrastructure sustainable for cities in future? Can Rotterdam become such a city? Is it possible to upscale Manhattan? How does mobility affects the working and living qualities of the cities and how is mobility shaping cities?
Five minutes city : architecture and [im]mobility
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and inspiring brief; he asked participants to redesign the cities of Rotterdam and New York in a way that everything is reachable within five minutes. A series of serious questions arise from the challenging brief: 'What will such a city look like? What happens to such an hypothesis if cars are the only mode of transport? What will such a city look like when it is only accessed by public transport? Or by walking?' How one can extend the knowledge of compact or dense cities? How fast cities can be? Is increased speed an ideal concept for future cities? Is development of new infrastructure sustainable for cities in future? Can Rotterdam become such a city? Is it possible to upscale Manhattan? How does mobility affects the working and living qualities of the cities and how is mobility shaping cities?
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livres
livres
Publication:
octobre 2003, Rotterdam
octobre 2003, Rotterdam
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Architecture, monographies
Architecture, monographies
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livres
livres
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In focus : Eugène Atget
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized(...)
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized(...)
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Monographies photo
Monographies photo
Publication:
juin 2000, Los Angeles
juin 2000, Los Angeles
Titre:
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris—Man Ray and his studio assistant, Berenice Abbott—who appreciated the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks. Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. "In Focus: Eugène Atget" also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Francoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, president, California College of Arts and Crafts.
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris—Man Ray and his studio assistant, Berenice Abbott—who appreciated the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks. Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. "In Focus: Eugène Atget" also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Francoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, president, California College of Arts and Crafts.
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livres
livres
Publication:
juin 2000, Los Angeles
juin 2000, Los Angeles
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Monographies photo
Monographies photo
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livres
livres
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$27.95
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As London emerged from the devastation of the Second World War, planners and policymakers sought to rebuild the city in ways that would reshape the behavior of its citizens as much as it would its buildings and infrastructure—a program defined by a strong emphasis on civic order and conservative values of national community. One of the groups most significantly affected(...)
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As London emerged from the devastation of the Second World War, planners and policymakers sought to rebuild the city in ways that would reshape the behavior of its citizens as much as it would its buildings and infrastructure—a program defined by a strong emphasis on civic order and conservative values of national community. One of the groups most significantly affected(...)
Titre:
The spiv and the architect: unruly life in postwar London
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As London emerged from the devastation of the Second World War, planners and policymakers sought to rebuild the city in ways that would reshape the behavior of its citizens as much as it would its buildings and infrastructure—a program defined by a strong emphasis on civic order and conservative values of national community. One of the groups most significantly affected by this new, moralistic climate of reformation and renewal was queer men, whom the police, the media, and lawmakers targeted as an urgent urban problem by marking their lives and desires as criminal and deviant. Richard Hornsey examines how queer men legitimized, resisted, and reinvented this ambitious reconstruction program, which extended from the design of basic public spaces and municipal libraries to private living rooms and home decor. From their association with the urban stereotype of the spiv (slang for a young petty criminal who lived by his wits and shirked legitimate work) and vilification in the tabloids as perverts to the assimilated homosexuals within reformist psychology, Hornsey details how these efforts to transform London fundamentally restructured the experiences and identities of gay men in the city and throughout the country.
The spiv and the architect: unruly life in postwar London
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As London emerged from the devastation of the Second World War, planners and policymakers sought to rebuild the city in ways that would reshape the behavior of its citizens as much as it would its buildings and infrastructure—a program defined by a strong emphasis on civic order and conservative values of national community. One of the groups most significantly affected by this new, moralistic climate of reformation and renewal was queer men, whom the police, the media, and lawmakers targeted as an urgent urban problem by marking their lives and desires as criminal and deviant. Richard Hornsey examines how queer men legitimized, resisted, and reinvented this ambitious reconstruction program, which extended from the design of basic public spaces and municipal libraries to private living rooms and home decor. From their association with the urban stereotype of the spiv (slang for a young petty criminal who lived by his wits and shirked legitimate work) and vilification in the tabloids as perverts to the assimilated homosexuals within reformist psychology, Hornsey details how these efforts to transform London fundamentally restructured the experiences and identities of gay men in the city and throughout the country.
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livres
livres
Publication:
avril 2010
avril 2010
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111 pages : illustrations ; 23 cm
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111 pages : illustrations ; 23 cm
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Los Angeles : The J. Paul Getty Museum, [2013], ©2013
Los Angeles : The J. Paul Getty Museum, [2013], ©2013
Titre:
Architecture in photographs / Gordon Baldwin.
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Description:
111 pages : illustrations ; 23 cm
Architecture in photographs / Gordon Baldwin.
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111 pages : illustrations ; 23 cm
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livres
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Los Angeles : The J. Paul Getty Museum, [2013], ©2013
Los Angeles : The J. Paul Getty Museum, [2013], ©2013
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$54.95
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Malcolm Quantrill made his first visit to Finland half a century ago as a young student from the University of Liverpool, England. Since 1983 Quantrill has published six books on Finnish modern architecture and, in recognition of his contributions to architectural history and theory, he has been the Distinguished Professor of Architecture at Texas A+M University in the(...)
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Malcolm Quantrill made his first visit to Finland half a century ago as a young student from the University of Liverpool, England. Since 1983 Quantrill has published six books on Finnish modern architecture and, in recognition of his contributions to architectural history and theory, he has been the Distinguished Professor of Architecture at Texas A+M University in the(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 1900, Helsinki
janvier 1900, Helsinki
Titre:
The unmade bed of architecture : exchanges between Matti K. Mäkinen and Malcolm Quantrill
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Malcolm Quantrill made his first visit to Finland half a century ago as a young student from the University of Liverpool, England. Since 1983 Quantrill has published six books on Finnish modern architecture and, in recognition of his contributions to architectural history and theory, he has been the Distinguished Professor of Architecture at Texas A+M University in the USA since 1986. Quantrill and Mäkinen have collaborated since 1987, one result being Quantrill's book in honour of Academician Reima Pietilä, One Man's Odyssey in Search of Finnish Architecture (1988). Matti K. Mäkinen is a prominent Finnish architect who served as Director General of the National Board of Public Building from 1985 until 1994. He has published several books and articles on architecture and urban design. Professor Mäkinen is a former President of The Finnish Association of Architects SAFA and an honorary member of the professional institutes of architects in the USA (FAIA) and in Hungary (MÈSZ). Here the authors engage in dialogues as they explore the present state of architecture and its culture. Under such headings as The Balthusian Dilemma, Stealing a Gem, Heroes and Statues, The Elephant and the Butterfly, they address their theme of The Unmade Bed of Architecture.
The unmade bed of architecture : exchanges between Matti K. Mäkinen and Malcolm Quantrill
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Malcolm Quantrill made his first visit to Finland half a century ago as a young student from the University of Liverpool, England. Since 1983 Quantrill has published six books on Finnish modern architecture and, in recognition of his contributions to architectural history and theory, he has been the Distinguished Professor of Architecture at Texas A+M University in the USA since 1986. Quantrill and Mäkinen have collaborated since 1987, one result being Quantrill's book in honour of Academician Reima Pietilä, One Man's Odyssey in Search of Finnish Architecture (1988). Matti K. Mäkinen is a prominent Finnish architect who served as Director General of the National Board of Public Building from 1985 until 1994. He has published several books and articles on architecture and urban design. Professor Mäkinen is a former President of The Finnish Association of Architects SAFA and an honorary member of the professional institutes of architects in the USA (FAIA) and in Hungary (MÈSZ). Here the authors engage in dialogues as they explore the present state of architecture and its culture. Under such headings as The Balthusian Dilemma, Stealing a Gem, Heroes and Statues, The Elephant and the Butterfly, they address their theme of The Unmade Bed of Architecture.
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livres
livres
Publication:
janvier 1900, Helsinki
janvier 1900, Helsinki
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$54.50
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What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in(...)
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What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in(...)
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Titre:
The urban condition : space, community, and self in the contemporary metropolis
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What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in the contemporary city being privatized and militarized? How can the urban self still be defined? What role does consumer aestheticism have to play in this? These and many more questions are addressed by this uniquely conceived multidisciplinary study. "The Urban Condition" seeks to interfere in current debates over the future and interpretation of our urban landscapes by reuniting studies of the city as a physical and material phenomenon and as a cultural and mental (arte)fact. The Ghent Urban Studies Team responsible for the writing and editing of this volume is directed by Kristiaan Versluys and Dirk De Meyer at the University of Ghent, Belgium. It is an interdisciplinary research team of young academics that further consists of Kristiaan Borret, Bart Eeckhout, Steven Jacobs, and Bart Keunen. The collective expertise of GUST ranges from architectural theory, urban planning, and art history to philosophy, literary criticism and cultural theory.
The urban condition : space, community, and self in the contemporary metropolis
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What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in the contemporary city being privatized and militarized? How can the urban self still be defined? What role does consumer aestheticism have to play in this? These and many more questions are addressed by this uniquely conceived multidisciplinary study. "The Urban Condition" seeks to interfere in current debates over the future and interpretation of our urban landscapes by reuniting studies of the city as a physical and material phenomenon and as a cultural and mental (arte)fact. The Ghent Urban Studies Team responsible for the writing and editing of this volume is directed by Kristiaan Versluys and Dirk De Meyer at the University of Ghent, Belgium. It is an interdisciplinary research team of young academics that further consists of Kristiaan Borret, Bart Eeckhout, Steven Jacobs, and Bart Keunen. The collective expertise of GUST ranges from architectural theory, urban planning, and art history to philosophy, literary criticism and cultural theory.
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livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
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$42.95
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The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a(...)
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The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a(...)
Sujet:
Architecture écologique
Architecture écologique
Publication:
juin 2000, Barcelona
juin 2000, Barcelona
Titre:
2G 14 : Building in the mountains, recent architecture in Graubünden
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The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a group of young architects educated at the ETH in Zurich, many of whom are former assistants in Zumthor's studio, demonstrate the extraordinary quality of the architectonic production of this small German-speaking region of Switzerland. These increasingly well-known names present a wide range of projects ranging from single-family houses to apartment blocks, schools, and public and commercial buildings of different sorts, yet with similarities in the way they handle materials and settings, a body of work that transcends the borders of the region and attracts the attention of the international architecture world. The introduction by Daniel Bosshard, Miguel Kreisler, Myriam Sterling and Txell Vaquer places the building tradition of Graubünden in its historical context. The Nexus section features a 1913 text by Adolf Loos called "Rules for Those Building in the Mountains", plus Bruno Reichlin's "When Moderns Architects Build in the Mountains" and an extract from Christoph Schaub's video "The Vrin Project".
2G 14 : Building in the mountains, recent architecture in Graubünden
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The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a group of young architects educated at the ETH in Zurich, many of whom are former assistants in Zumthor's studio, demonstrate the extraordinary quality of the architectonic production of this small German-speaking region of Switzerland. These increasingly well-known names present a wide range of projects ranging from single-family houses to apartment blocks, schools, and public and commercial buildings of different sorts, yet with similarities in the way they handle materials and settings, a body of work that transcends the borders of the region and attracts the attention of the international architecture world. The introduction by Daniel Bosshard, Miguel Kreisler, Myriam Sterling and Txell Vaquer places the building tradition of Graubünden in its historical context. The Nexus section features a 1913 text by Adolf Loos called "Rules for Those Building in the Mountains", plus Bruno Reichlin's "When Moderns Architects Build in the Mountains" and an extract from Christoph Schaub's video "The Vrin Project".
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livres
livres
Publication:
juin 2000, Barcelona
juin 2000, Barcelona
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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$67.95
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Le Corbusier (1887–1965) is one the most influential architects of the twentieth century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914–1973). Their collaboration on Le Corbusier’s pavilion for the 1937 Paris World Exhibition sparked Jorn’s lifelong fascination with the great(...)
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Le Corbusier (1887–1965) is one the most influential architects of the twentieth century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914–1973). Their collaboration on Le Corbusier’s pavilion for the 1937 Paris World Exhibition sparked Jorn’s lifelong fascination with the great(...)
Titre:
What Moves Us? : Le Corbusier and Asger Jorn in art and architecture
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Le Corbusier (1887–1965) is one the most influential architects of the twentieth century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914–1973). Their collaboration on Le Corbusier’s pavilion for the 1937 Paris World Exhibition sparked Jorn’s lifelong fascination with the great architect and with architecture more broadly as an inherently public form of art. At the same time, Le Corbusier started working in the visual arts and began to move from a rational, technological approach to architecture towards a more poetic, materialist approach. Published in collaboration with the Museum Jorn, Silkeborg, What Moves Us? focuses specifically on the reception of Le Corbusier in Scandinavia, with the relationship between Jorn and Le Corbusier as a thematic thread. The book first highlights the architect’s change of direction and subsequently takes readers through his influence on the young artist. The book’s distinguished contributors explore the relationships that emerged among their artistic theories and practices, including Jorn’s later critique of Le Corbusier. Essays also explore the wider influence of Le Corbusier on Scandinavian architecture and urbanization and consider Le Corbusier alongside the Danish architect Jørn Oberg Utzon and the Aarhus Brutalism movement.
What Moves Us? : Le Corbusier and Asger Jorn in art and architecture
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Le Corbusier (1887–1965) is one the most influential architects of the twentieth century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914–1973). Their collaboration on Le Corbusier’s pavilion for the 1937 Paris World Exhibition sparked Jorn’s lifelong fascination with the great architect and with architecture more broadly as an inherently public form of art. At the same time, Le Corbusier started working in the visual arts and began to move from a rational, technological approach to architecture towards a more poetic, materialist approach. Published in collaboration with the Museum Jorn, Silkeborg, What Moves Us? focuses specifically on the reception of Le Corbusier in Scandinavia, with the relationship between Jorn and Le Corbusier as a thematic thread. The book first highlights the architect’s change of direction and subsequently takes readers through his influence on the young artist. The book’s distinguished contributors explore the relationships that emerged among their artistic theories and practices, including Jorn’s later critique of Le Corbusier. Essays also explore the wider influence of Le Corbusier on Scandinavian architecture and urbanization and consider Le Corbusier alongside the Danish architect Jørn Oberg Utzon and the Aarhus Brutalism movement.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
