5377 Résultats
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Alexander Calder is one of the most important and most popular American artists of the twentieth century. This lavishly illustrated volume accompanies an exhibit at the Kunstsammlung Nordrhein-Westfalen in Dusseldorf that focuses on Calder's works of the 1930s and '40s, a period in which the sculptor experimented with a number of wildly different artistic directions. In(...)
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Alexander Calder is one of the most important and most popular American artists of the twentieth century. This lavishly illustrated volume accompanies an exhibit at the Kunstsammlung Nordrhein-Westfalen in Dusseldorf that focuses on Calder's works of the 1930s and '40s, a period in which the sculptor experimented with a number of wildly different artistic directions. In(...)
Publication:
octobre 2013
octobre 2013
Titre:
Alexander Calder - Avant-garde in Motion
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Alexander Calder is one of the most important and most popular American artists of the twentieth century. This lavishly illustrated volume accompanies an exhibit at the Kunstsammlung Nordrhein-Westfalen in Dusseldorf that focuses on Calder's works of the 1930s and '40s, a period in which the sculptor experimented with a number of wildly different artistic directions. In addition to showcasing a large number of Calder's early abstract sculptures, this book also presents key works by his contemporaries, artists such as Piet Mondrian, Joan Miro, and Jean Arp. By setting Calder's work alongside that of other artists, the volume establishes not only lines of influence and differentiation, but also the larger context in which he created his sculptures. Beautiful full-page images of Calder's iconic mobiles and stabiles give a rare sense of Calder's often playful use of space, and enable readers to study his work in detail. An accompanying DVD includes historical and experimental films, avant-garde music, interviews, and a walk through the exhibition, bringing the whole of Calder's achievement to life in unprecedented fashion.
Alexander Calder - Avant-garde in Motion
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Alexander Calder is one of the most important and most popular American artists of the twentieth century. This lavishly illustrated volume accompanies an exhibit at the Kunstsammlung Nordrhein-Westfalen in Dusseldorf that focuses on Calder's works of the 1930s and '40s, a period in which the sculptor experimented with a number of wildly different artistic directions. In addition to showcasing a large number of Calder's early abstract sculptures, this book also presents key works by his contemporaries, artists such as Piet Mondrian, Joan Miro, and Jean Arp. By setting Calder's work alongside that of other artists, the volume establishes not only lines of influence and differentiation, but also the larger context in which he created his sculptures. Beautiful full-page images of Calder's iconic mobiles and stabiles give a rare sense of Calder's often playful use of space, and enable readers to study his work in detail. An accompanying DVD includes historical and experimental films, avant-garde music, interviews, and a walk through the exhibition, bringing the whole of Calder's achievement to life in unprecedented fashion.
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octobre 2013
octobre 2013
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This book documents two complementary urban realities that have played a fundamental role in the imagination, definition and redefinition of the twentieth-century modern city. Shifting away from an understanding of architecture as the construction of monumental masterpieces, the texts collected here assemble the narratives behind the public spaces, housing and social(...)
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This book documents two complementary urban realities that have played a fundamental role in the imagination, definition and redefinition of the twentieth-century modern city. Shifting away from an understanding of architecture as the construction of monumental masterpieces, the texts collected here assemble the narratives behind the public spaces, housing and social(...)
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Casablanca Chandigarh: a report on modernization
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This book documents two complementary urban realities that have played a fundamental role in the imagination, definition and redefinition of the twentieth-century modern city. Shifting away from an understanding of architecture as the construction of monumental masterpieces, the texts collected here assemble the narratives behind the public spaces, housing and social facilities in these two cities, where modern plans have proven unexpectedly resilient and adaptable over time. This perspective is reinforced through visual contributions by Yto Barrada and Takashi Homma—two photographers especially invested in capturing everyday urban life. In a world marked by decolonization and Cold War politics, Casablanca and Chandigarh appear simultaneously as exponents of and countercurrents to modernization and its development perspectives. The book’s three chapters set the context for reading Casablanca and Chandigarh as the results of nuanced, dynamic processes of international exchange driven by the engagement and expertise of a new class of design professionals. As a dossier of actors, alignments and agendas, the book contributes to an alternative historiography of post-war urbanism and to recent reflections on the impact of transnational practice.
Casablanca Chandigarh: a report on modernization
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This book documents two complementary urban realities that have played a fundamental role in the imagination, definition and redefinition of the twentieth-century modern city. Shifting away from an understanding of architecture as the construction of monumental masterpieces, the texts collected here assemble the narratives behind the public spaces, housing and social facilities in these two cities, where modern plans have proven unexpectedly resilient and adaptable over time. This perspective is reinforced through visual contributions by Yto Barrada and Takashi Homma—two photographers especially invested in capturing everyday urban life. In a world marked by decolonization and Cold War politics, Casablanca and Chandigarh appear simultaneously as exponents of and countercurrents to modernization and its development perspectives. The book’s three chapters set the context for reading Casablanca and Chandigarh as the results of nuanced, dynamic processes of international exchange driven by the engagement and expertise of a new class of design professionals. As a dossier of actors, alignments and agendas, the book contributes to an alternative historiography of post-war urbanism and to recent reflections on the impact of transnational practice.
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livres
livres
Publication:
janvier 2014
janvier 2014
Sujet:
Publications du CCA
Publications du CCA
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livres
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Agnes Martin
Agnes Martin
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Agnes Martin was one of the preeminent painters of the twentieth century, whose work has had a significant influence both on artists of her own time and for subsequent generations. A contemporary of the Abstract Expressionists though often identified with Minimalism, Martin was one of the few women artists who came to prominence in the predominately masculine art world of(...)
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Agnes Martin was one of the preeminent painters of the twentieth century, whose work has had a significant influence both on artists of her own time and for subsequent generations. A contemporary of the Abstract Expressionists though often identified with Minimalism, Martin was one of the few women artists who came to prominence in the predominately masculine art world of(...)
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Agnes Martin
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Agnes Martin was one of the preeminent painters of the twentieth century, whose work has had a significant influence both on artists of her own time and for subsequent generations. A contemporary of the Abstract Expressionists though often identified with Minimalism, Martin was one of the few women artists who came to prominence in the predominately masculine art world of the late 1950s and 1960s, and she became a particularly important role model for younger women artists. This groundbreaking survey provides an overview of Martin's career, from lesser-known early experimental works through her striped and gridded grey paintings and use of color in various formats, to a group of her final pieces that reintroduce bold forms. A selection of drawings and watercolors is also included. With essays by leading scholars that give a context for Martin's work—her life, relationship with other artists, the influence of South-Asian philosophy—alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.
Agnes Martin
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Agnes Martin was one of the preeminent painters of the twentieth century, whose work has had a significant influence both on artists of her own time and for subsequent generations. A contemporary of the Abstract Expressionists though often identified with Minimalism, Martin was one of the few women artists who came to prominence in the predominately masculine art world of the late 1950s and 1960s, and she became a particularly important role model for younger women artists. This groundbreaking survey provides an overview of Martin's career, from lesser-known early experimental works through her striped and gridded grey paintings and use of color in various formats, to a group of her final pieces that reintroduce bold forms. A selection of drawings and watercolors is also included. With essays by leading scholars that give a context for Martin's work—her life, relationship with other artists, the influence of South-Asian philosophy—alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.
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Publication:
février 2015
février 2015
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The Spanish architect Rafael Moneo has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole—not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo’s(...)
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The Spanish architect Rafael Moneo has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole—not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo’s(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juin 2015
juin 2015
Titre:
Rafael Moneo: building, teaching, writing
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The Spanish architect Rafael Moneo has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole—not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo’s education, teaching appointments, and encounters with historians and architects in Europe and the United States, such as Peter Eisenman, Jørn Utzon, and Bruno Zevi. Also included is a discussion of some of the buildings that he has designed, notably the Prado Museum extension and Atocha Station in Madrid. The following section examines in more detail seven key buildings chosen to illustrate crucial developments in Moneo’s thinking, from the Bankinter, Madrid, to the Cathedral of Our Lady of the Angels, Los Angeles. The last a section considers his architectural philosophy: his design approach, his idea of the canon, his theory of composition, his notion of form, and his confrontation with reality—in construction and context.
Rafael Moneo: building, teaching, writing
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The Spanish architect Rafael Moneo has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole—not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo’s education, teaching appointments, and encounters with historians and architects in Europe and the United States, such as Peter Eisenman, Jørn Utzon, and Bruno Zevi. Also included is a discussion of some of the buildings that he has designed, notably the Prado Museum extension and Atocha Station in Madrid. The following section examines in more detail seven key buildings chosen to illustrate crucial developments in Moneo’s thinking, from the Bankinter, Madrid, to the Cathedral of Our Lady of the Angels, Los Angeles. The last a section considers his architectural philosophy: his design approach, his idea of the canon, his theory of composition, his notion of form, and his confrontation with reality—in construction and context.
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livres
Publication:
juin 2015
juin 2015
Sujet:
Architecture, monographies
Architecture, monographies
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265 pages, 7 unnumbered pages : illustrations (chiefly color), facsimiles, plans (some color), portraits (some color) ; 27 cm.
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265 pages, 7 unnumbered pages : illustrations (chiefly color), facsimiles, plans (some color), portraits (some color) ; 27 cm.
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Paris : Éditions du Patrimoine, Centre des monuments nationaux, [2021], ©2021
Paris : Éditions du Patrimoine, Centre des monuments nationaux, [2021], ©2021
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E 1027 : renaissance d'une maison en bord de mer / sous la direction de Jean-Louis Cohen ; contributions de Renaud Barrès, Tim Benton et François Goven ; témoignages de Zeev Aram, Caroline Constant, Christian Desplats, Pierre Fauroux, Philippe Garner, Andrew Hodgkinson, Christian Müller, Cloé Pitiot, Jean-Paul Rayon, Magda Rebutato, Joseph Rykwert ; avec la collaboration éditoriale de Christine Desmoulins.
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265 pages, 7 unnumbered pages : illustrations (chiefly color), facsimiles, plans (some color), portraits (some color) ; 27 cm.
E 1027 : renaissance d'une maison en bord de mer / sous la direction de Jean-Louis Cohen ; contributions de Renaud Barrès, Tim Benton et François Goven ; témoignages de Zeev Aram, Caroline Constant, Christian Desplats, Pierre Fauroux, Philippe Garner, Andrew Hodgkinson, Christian Müller, Cloé Pitiot, Jean-Paul Rayon, Magda Rebutato, Joseph Rykwert ; avec la collaboration éditoriale de Christine Desmoulins.
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265 pages, 7 unnumbered pages : illustrations (chiefly color), facsimiles, plans (some color), portraits (some color) ; 27 cm.
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Paris : Éditions du Patrimoine, Centre des monuments nationaux, [2021], ©2021
Paris : Éditions du Patrimoine, Centre des monuments nationaux, [2021], ©2021
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287 pages : illustrations, charts, maps, plans ; 21 cm.
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287 pages : illustrations, charts, maps, plans ; 21 cm.
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Paris : Éditions de la Villette, [2025], ©2025
Paris : Éditions de la Villette, [2025], ©2025
Titre:
Grands ensembles en héritage : l'opération million de Candilis, Josic et Woods (1954-2024) / Korinna Zinovia Weber ; préface de Tom Avermaete.
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287 pages : illustrations, charts, maps, plans ; 21 cm.
Grands ensembles en héritage : l'opération million de Candilis, Josic et Woods (1954-2024) / Korinna Zinovia Weber ; préface de Tom Avermaete.
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287 pages : illustrations, charts, maps, plans ; 21 cm.
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Paris : Éditions de la Villette, [2025], ©2025
Paris : Éditions de la Villette, [2025], ©2025
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150 pages : illustrations (chiefly color) ; 27 x 28 cm
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150 pages : illustrations (chiefly color) ; 27 x 28 cm
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[Paris] : Éditions Loco ; [La Petite-Pierre] : Parc naturel régional des Vosges du nord, [2018]
[Paris] : Éditions Loco ; [La Petite-Pierre] : Parc naturel régional des Vosges du nord, [2018]
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Paysage temps : 20 ans d'observation d'une ruralité française / Thierry Girard.
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150 pages : illustrations (chiefly color) ; 27 x 28 cm
Paysage temps : 20 ans d'observation d'une ruralité française / Thierry Girard.
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150 pages : illustrations (chiefly color) ; 27 x 28 cm
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[Paris] : Éditions Loco ; [La Petite-Pierre] : Parc naturel régional des Vosges du nord, [2018]
[Paris] : Éditions Loco ; [La Petite-Pierre] : Parc naturel régional des Vosges du nord, [2018]
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317 pages : color illustrations, color maps, color plans ; 24 cm.
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317 pages : color illustrations, color maps, color plans ; 24 cm.
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[Marseille, France] : Parenthèses, [2013], ©2013
[Marseille, France] : Parenthèses, [2013], ©2013
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Jardins en ville, villes en jardin : Amsterdam, Berlin, Bruxelles, Lyon, Nantes, Paris, Toulouse, Strasbourg = Gardens in the city / sous la direction de Jean-Jacques Terrin ; avec la collaboration de Jean-Baptiste Marie.
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317 pages : color illustrations, color maps, color plans ; 24 cm.
Jardins en ville, villes en jardin : Amsterdam, Berlin, Bruxelles, Lyon, Nantes, Paris, Toulouse, Strasbourg = Gardens in the city / sous la direction de Jean-Jacques Terrin ; avec la collaboration de Jean-Baptiste Marie.
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317 pages : color illustrations, color maps, color plans ; 24 cm.
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[Marseille, France] : Parenthèses, [2013], ©2013
[Marseille, France] : Parenthèses, [2013], ©2013
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xxx, 353 pages : illustrations, maps, charts ; 23 cm
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xxx, 353 pages : illustrations, maps, charts ; 23 cm
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Québec (Québec) : Presses de l'Université du Québec, [2022], ©2022
Québec (Québec) : Presses de l'Université du Québec, [2022], ©2022
Titre:
Une économie écologique pour le Québec : comment opérationnaliser une nécessaire transition / sous la direction de Alejandra Zaga Mendez, Jean-François Bissonnette et Jérôme Dupras ; préface de Thomas Mulcair ; avec la collaboration de Joseph Ament [et 36 autres].
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xxx, 353 pages : illustrations, maps, charts ; 23 cm
Une économie écologique pour le Québec : comment opérationnaliser une nécessaire transition / sous la direction de Alejandra Zaga Mendez, Jean-François Bissonnette et Jérôme Dupras ; préface de Thomas Mulcair ; avec la collaboration de Joseph Ament [et 36 autres].
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xxx, 353 pages : illustrations, maps, charts ; 23 cm
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Québec (Québec) : Presses de l'Université du Québec, [2022], ©2022
Québec (Québec) : Presses de l'Université du Québec, [2022], ©2022
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$41.95
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Résumé:
In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called 'Open House'. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and(...)
$41.95
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In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called 'Open House'. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and(...)
Publication:
avril 2020
avril 2020
Titre:
Gordon Matta-Clark: Open house
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$41.95
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In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called 'Open House'. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece. Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context—sited in spaces abandoned or slated for demolition—Matta-Clark’s “anarchitecture” was almost necessarily ephemeral, surviving as only documentation and sculptural sections. 'Open House' (1972) is the only still-extant architectural piece by Matta-Clark. 'Gordon Matta-Clark: Open House' is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark’s entire oeuvre.
Gordon Matta-Clark: Open house
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$41.95
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In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called 'Open House'. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece. Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context—sited in spaces abandoned or slated for demolition—Matta-Clark’s “anarchitecture” was almost necessarily ephemeral, surviving as only documentation and sculptural sections. 'Open House' (1972) is the only still-extant architectural piece by Matta-Clark. 'Gordon Matta-Clark: Open House' is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark’s entire oeuvre.
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livres
livres
Publication:
avril 2020
avril 2020
