6157 Résultats
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livres
livres
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Gae Aulenti.
Gae Aulenti.
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71 pages : illustrations, plans ; 24 cm
Description:
71 pages : illustrations, plans ; 24 cm
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Milano : Electa, ©1979.
Milano : Electa, ©1979.
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livres
livres
Publication:
Milano : Electa, ©1979.
Milano : Electa, ©1979.
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livres
livres
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237 pages : illustrations (chiefly color), plans ; 31 cm
Description:
237 pages : illustrations (chiefly color), plans ; 31 cm
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[Fellbach] : Edition Axel Menges, ©2007.
[Fellbach] : Edition Axel Menges, ©2007.
Titre:
Built or unbuilt : architects present their favourite projects = Architekten zeigen ihre Lieblingsprojekte / edited by Ursula Schwitalla.
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237 pages : illustrations (chiefly color), plans ; 31 cm
Built or unbuilt : architects present their favourite projects = Architekten zeigen ihre Lieblingsprojekte / edited by Ursula Schwitalla.
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237 pages : illustrations (chiefly color), plans ; 31 cm
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livres
livres
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[Fellbach] : Edition Axel Menges, ©2007.
[Fellbach] : Edition Axel Menges, ©2007.
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archives
archives
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Description:
4,132 items, 0.01 l.m. of textual records., Arranged by series.
Description:
4,132 items, 0.01 l.m. of textual records., Arranged by series.
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John Hejduk fonds, 1947-2000, predominant 1947-1996.
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4,132 items, 0.01 l.m. of textual records., Arranged by series.
John Hejduk fonds, 1947-2000, predominant 1947-1996.
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4,132 items, 0.01 l.m. of textual records., Arranged by series.
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archives
archives
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livres
livres
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Cura Books 2015
Cura Books 2015
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livres
livres
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Cura Books 2015
Cura Books 2015
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vidéo
vidéo
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1 online resource (1 video file (50 min., 5 sec.)) : sound, color
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1 online resource (1 video file (50 min., 5 sec.)) : sound, color
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[Montréal] : Canadian Centre for Architecture, [2018]
[Montréal] : Canadian Centre for Architecture, [2018]
Titre:
Live annotation : Jonathan Bignell interrupts Open University course A305, episode 1, "An architect at work".
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1 online resource (1 video file (50 min., 5 sec.)) : sound, color
Live annotation : Jonathan Bignell interrupts Open University course A305, episode 1, "An architect at work".
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1 online resource (1 video file (50 min., 5 sec.)) : sound, color
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vidéo
vidéo
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[Montréal] : Canadian Centre for Architecture, [2018]
[Montréal] : Canadian Centre for Architecture, [2018]
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livres
livres
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117 pages : illustrations ; 29 cm
Description:
117 pages : illustrations ; 29 cm
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Reutlingen : Stadt Reutlingen, Baudezernat, ©1990.
Reutlingen : Stadt Reutlingen, Baudezernat, ©1990.
Titre:
Architektur um 1900 in Reutlingen : Katalog zur Ausstellung, 7.-30.9.90 / Manuel Cuadra.
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117 pages : illustrations ; 29 cm
Architektur um 1900 in Reutlingen : Katalog zur Ausstellung, 7.-30.9.90 / Manuel Cuadra.
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117 pages : illustrations ; 29 cm
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livres
livres
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Reutlingen : Stadt Reutlingen, Baudezernat, ©1990.
Reutlingen : Stadt Reutlingen, Baudezernat, ©1990.
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livres
livres
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252 pages : illustrations (chiefly color), plans ; 16 cm
Description:
252 pages : illustrations (chiefly color), plans ; 16 cm
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[Le Mans] : [CAUE de la Sarthe], [2009]
[Le Mans] : [CAUE de la Sarthe], [2009]
Titre:
Ca va barder! Ou comment rhabiller sa maison pour l'hiver.
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252 pages : illustrations (chiefly color), plans ; 16 cm
Ca va barder! Ou comment rhabiller sa maison pour l'hiver.
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252 pages : illustrations (chiefly color), plans ; 16 cm
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livres
livres
Publication:
[Le Mans] : [CAUE de la Sarthe], [2009]
[Le Mans] : [CAUE de la Sarthe], [2009]
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archives
archives
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2 items : maps
Description:
2 items : maps
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Musée des Confluences : competition documents, 2000-2001.
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2 items : maps
Musée des Confluences : competition documents, 2000-2001.
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2 items : maps
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archives
archives
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livres
livres
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$62.50
(disponible sur commande)
Résumé:
Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic(...)
$62.50
(disponible sur commande)
Résumé:
Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic(...)
Titre:
Swiss graphic design : the origins and growth of an international style 1920-1965
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$62.50
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Résumé:
Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. This volume looks at graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline : images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design. This book shows design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film.
Swiss graphic design : the origins and growth of an international style 1920-1965
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$62.50
(disponible sur commande)
Résumé:
Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. This volume looks at graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline : images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design. This book shows design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film.
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livres
livres
Publication:
avril 2006, New Haven
avril 2006, New Haven
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livres
livres
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$37.50
(disponible sur commande)
Résumé:
This book presents excerpts from several interviews with the architectural team of Jacques Herzog and Pierre de Meuron in which artist Rémy Zaugg poses a number of provocative questions relating to the architects' thoughts about architecture and art. These thoughtful and informative discussions offer valuable insights into the architectural concepts that underly the work(...)
$37.50
(disponible sur commande)
Résumé:
This book presents excerpts from several interviews with the architectural team of Jacques Herzog and Pierre de Meuron in which artist Rémy Zaugg poses a number of provocative questions relating to the architects' thoughts about architecture and art. These thoughtful and informative discussions offer valuable insights into the architectural concepts that underly the work(...)
Titre:
Rémy Zaugg / Herzog & de Meuron : an exhibition
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$37.50
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Résumé:
This book presents excerpts from several interviews with the architectural team of Jacques Herzog and Pierre de Meuron in which artist Rémy Zaugg poses a number of provocative questions relating to the architects' thoughts about architecture and art. These thoughtful and informative discussions offer valuable insights into the architectural concepts that underly the work of Herzog & de Meuron, who consciously design their buildings in dialogue with such artists as Joseph Beuys, Thomas Ruff, Helmut Federle and Rémy Zaugg and have developed a practice based on the principle of co-authorship.
Rémy Zaugg / Herzog & de Meuron : an exhibition
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$37.50
(disponible sur commande)
Résumé:
This book presents excerpts from several interviews with the architectural team of Jacques Herzog and Pierre de Meuron in which artist Rémy Zaugg poses a number of provocative questions relating to the architects' thoughts about architecture and art. These thoughtful and informative discussions offer valuable insights into the architectural concepts that underly the work of Herzog & de Meuron, who consciously design their buildings in dialogue with such artists as Joseph Beuys, Thomas Ruff, Helmut Federle and Rémy Zaugg and have developed a practice based on the principle of co-authorship.
Classification:
livres
livres
Publication:
juin 1997, Stuttgart
juin 1997, Stuttgart
Sujet:
Architecture, monographies
Architecture, monographies
