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In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona(...)
Paris primitive : Jacques Chirac's museum on the quai branly
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In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Muséologie
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$75.00
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Cemetery and landscape studies have been hallmarks of North African archaeology for more than one hundred years. "Mortuary landscapes of North Africa" is the first book to combine these two fields by considering North African cemeteries within the context of their wider landscapes. This unique perspective allows for new interpretations of notions of identity, community,(...)
novembre 2006, Toronto, Buffalo, London
Mortuary landscapes of North Africa
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Cemetery and landscape studies have been hallmarks of North African archaeology for more than one hundred years. "Mortuary landscapes of North Africa" is the first book to combine these two fields by considering North African cemeteries within the context of their wider landscapes. This unique perspective allows for new interpretations of notions of identity, community, imperial influence, and sacred space. Based on a wealth of material research from current fieldwork, this collection of essays investigates how North African funerary monuments acted as regional boundaries, markers of identity and status, and barometers of cultural change. The essays cover a broad range in terms of space and time – from southern Libya to eastern Algeria, and from the seventh century BCE to the seventh century CE. A comprehensive introduction explains the importance of the 'landscape perspective' that these studies bring to North African funerary monuments, while individual case-studies address such topics as the African way of death among the Garamantes, the ritual reasons for the location of certain Early Christian tombs, Punic burials, Roman cupula tombs, and the effects of rapid state formation and imperial incorporation on tomb builders.
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novembre 2006, Toronto, Buffalo, London
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The book documents a unique accumulation of superlatives. Light is shed on two business strategies attempting to realise mankind’s pri- mordial dreams. The scene is the world’s largest self-supporting hall in a small village close to Berlin. At the end of the 1990s, the firm CargoLifter AG attracted international attention with its vision of(...)
juillet 2006, Amsterdam
Making the impossible possible : the dream flying the dream of paradise
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The book documents a unique accumulation of superlatives. Light is shed on two business strategies attempting to realise mankind’s pri- mordial dreams. The scene is the world’s largest self-supporting hall in a small village close to Berlin. At the end of the 1990s, the firm CargoLifter AG attracted international attention with its vision of con- structing the world’s largest heavy-lift airship. By building an architecturally outstanding hangar, the company demonstrated pioneering spirit and gave rise to huge media response. After the enterprise failed, the hall was sold to a consortium of Asian firms that then presented the next superlative. The former hangar was converted into the Tropical Islands Dome, Europe’s largest indoor tropical paradise. The authors Gerlinde Schuller (Information Design Studio, Amsterdam) and Claudia Weber (artist, Berlin) compare these two visions on their paths to implementation, while simultaneously putting them in the context of current international events. The documentation is supplemented with text contributions by: Sam Jacob (FAT Ltd., London), Dingeman Kuilman (Premsela Design Foundation, Amsterdam), Jochen Becker (critic and curator, Berlin) and Prof. Dr. Bernd Kriegesmann (Institute for Applied Innovation Research, Bochum).
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
Ives Maes & David Campany in Conversation
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Monographies photo
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With steps leading down to the water’s edge, stepwells are inverted buildings that descend several stories below ground. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once. Stepwells create a visual and spatial experience unlike any other, in which the below-ground remains(...)
To reach the source: The stepwells of India
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With steps leading down to the water’s edge, stepwells are inverted buildings that descend several stories below ground. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once. Stepwells create a visual and spatial experience unlike any other, in which the below-ground remains connected to the sun and sky above. There are thousands of stepwells across the Indian Subcontinent, many of them 500-1,000 years old, each one different from the other. Most lie abandoned and overlooked, in varying states of preservation or, more often, disrepair, but they remain beautiful and compelling. The 48 photographs in this book were made across India to convey the beauty and diversity of these structures and the striking ambiances they elicit. A brief text accompanies the images to provide history and context, interspersed with several architectural drawings by Tanvi Jain. The images seek to give readers a sense of what it feels like to immerse oneself in such a unique, meditative space, and to be impelled towards the very source of life: water.
Monographies photo
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The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. This book discusses the architectural thinking of the time through an examination of the design of(...)
1960s University buildings: The golden age of British modern architecture
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The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. This book discusses the architectural thinking of the time through an examination of the design of university buildings. While there were notable buildings being built in other spheres, no other field of architecture provided the opportunity to express those ideas as freely, while also reflecting innovative new thinking about education and society. Somehow, the university buildings of the 1960s seemed to represent the cutting edge of modern architecture in the UK. This book provides the first critical analysis and overview of these buildings, designed by some of the leading British architects of the period including Basil Spence, Leslie Martin, Alison and Peter Smithson, Denys Lasdun, Powell and Moya and James Stirling. By placing the buildings in a wider social, cultural and political context, it examines the combination of circumstances and attitudes that produced results that are equally admired and detested and allows us to understand how we might replicate or avoid them in the future.
Modernisme
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a+u’s July looks at how, even in a city such as New York, where projects are executed on a grand scale, designing spaces to walk, rest, work, and play centers the human experience. The selected projects from Midtown and Lower Manhattan provide but a small cross section of the varying typologies of differing scales currently enhancing the architecture of New York City.(...)
A+U 658 25:07 Manhattan Towers
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a+u’s July looks at how, even in a city such as New York, where projects are executed on a grand scale, designing spaces to walk, rest, work, and play centers the human experience. The selected projects from Midtown and Lower Manhattan provide but a small cross section of the varying typologies of differing scales currently enhancing the architecture of New York City. Projects such as the Moynihan Train Hall by Skidmore Owings & Merrill (SOM) endeavor to preserve the fabric of the city while addressing the increased need for transportation hubs by the expansion of Pennsylvania station to the adjacent historic James A. Farley Building, while adaptive reuse projects such as Gansevoort Peninsula Park by nArchitects are part of a decadeslong effort to transform the industrial waterfront into much needed green spaces and sports facilities. Kohn Pedersen Fox Associates (KPF) addresses the shortage of residential space with projects that integrate the materiality of the building to its context and incorporate the human scale with the urban one. Amid the massive developments taking place, smaller practices such as Worrell Yeung and WORKac seek to preserve urban character, through surgical intervention in their renovation projects.
Revues
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This book offers a comprehensive account of the architecture of Florence, setting the city’s buildings within the political, economic, and cultural contexts in which they were made. The rapid expansion of its banking interests and its wool and textile industries brought Florence prosperity, and it became, under Medici power, the heart of the European Renaissance, and the(...)
Florence : the city and its architecture
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This book offers a comprehensive account of the architecture of Florence, setting the city’s buildings within the political, economic, and cultural contexts in which they were made. The rapid expansion of its banking interests and its wool and textile industries brought Florence prosperity, and it became, under Medici power, the heart of the European Renaissance, and the sponsor of pivotal architectural works. Stretching from the city’s foundation by Julius Caesar in 59 BC to modern times, the text takes a thematic approach. It begins with a historical overview, then moves on to look at buildings associated with the powers of Church and State, followed by the practicalities of building and the main architectural types, ending with modern developments. Buildings covered range from the Duomo, with Brunelleschi’s cupola, and the Palazzo Pitti, to neighbourhood churches and piazzas. Landmark modernist buildings include those by architect Pier Luigi Nervi. The visual wealth of the city is reflected in specially commissioned photography, while original plans and paintings by Florentine masters emphasize the historical context. In addition to a glossary of Italian terms and biographical notes on major figures, the book includes a foldout map with a key to the buildings discussed.
livres
avril 2002, London / New York
Histoire jusqu’à 1900
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and(...)
Space, the city and social theory : social relations and urban forms
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and sexuality; subjectivity and space; experience and everyday practice in the city. The text adopts an international and interdisciplinary approach, drawing on a range of debates on cities and urban life. It brings together classic perspectives in urban sociology and social theory with the analysis of contemporary urban problems and issues. Rather than viewing the urban simply as a backdrop for more general social processes, the discussion looks at how social and spatial relations shape different versions of the city: as a place of social interaction and of solitude; as a site of difference and segregation; as a space of politics and power; as a landscape of economic and cultural distinction; as a realm of everyday experience and freedom. Similarly, it examines how core social categories - such as class, culture, gender, sexuality and community - are shaped and reproduced in urban contexts.
Théorie de l’urbanisme
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This book offers a portrait of the lives and struggles of Palestinians living in the occupied Palestinian territories on the West Bank, in particular the South Hebron Hills and the Jordan Valley. Among the topics highlighted are house demolitions; confrontations between Palestinian shepherds or farmers and Israeli settlers, soldiers, and police; the daily challenges of(...)
The bitter landscapes of Palestine
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This book offers a portrait of the lives and struggles of Palestinians living in the occupied Palestinian territories on the West Bank, in particular the South Hebron Hills and the Jordan Valley. Among the topics highlighted are house demolitions; confrontations between Palestinian shepherds or farmers and Israeli settlers, soldiers, and police; the daily challenges of sheer existence posed by the occupation system, intent on pushing Palestinians off their land; and the tenacity and courage that these conditions require. The book endeavors to impart to the reader a sense of the beauty of the landscape, the sound of the language, the taste of friendships, and the richness of a way of life that is threatened with extinction. Voices of activists, both Palestinian and Jewish, are also present. The introduction sets forth, in brief, the historical context that generated present realities in Palestine as well as the history of the authors’ partnership. The book’s viewpoint reflects many years of activism on the peace and human rights front in Palestine as well as an ongoing conversation between two authors who have experienced together the continually renewed astonishment that comes with such encounters.
Théorie de la photographie