5166 Résultats
Classification:
vidéo
vidéo
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Description:
1 online resource (1 video file (36 minutes)) : sound, color
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Publication:
London, England : Pidgeon Digital, 1996.
London, England : Pidgeon Digital, 1996.
Titre:
Space, Event, Movement / [presented by] Bernard Tschumi (Bernard Tschumi Architects).
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Description:
1 online resource (1 video file (36 minutes)) : sound, color
Space, Event, Movement / [presented by] Bernard Tschumi (Bernard Tschumi Architects).
Actions:
Description:
1 online resource (1 video file (36 minutes)) : sound, color
Classification:
vidéo
vidéo
Publication:
London, England : Pidgeon Digital, 1996.
London, England : Pidgeon Digital, 1996.
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Roman Signer
Roman Signer
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$59.95
(disponible sur commande)
Résumé:
Since the mid 1970s Roman Signer has examined the forces of the elements – air, fire, earth and water – in a combination of performance (documented by photography and video) and sculpture (the physical remains of his acts). With a Dadaist love for the absurd, his artworks include Race (1981), in which the artist races a rocket across a field (hopelessly behind from the(...)
$59.95
(disponible sur commande)
Résumé:
Since the mid 1970s Roman Signer has examined the forces of the elements – air, fire, earth and water – in a combination of performance (documented by photography and video) and sculpture (the physical remains of his acts). With a Dadaist love for the absurd, his artworks include Race (1981), in which the artist races a rocket across a field (hopelessly behind from the(...)
Publication:
juin 2006, London
juin 2006, London
Titre:
Roman Signer
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Prix:
$59.95
(disponible sur commande)
Résumé:
Since the mid 1970s Roman Signer has examined the forces of the elements – air, fire, earth and water – in a combination of performance (documented by photography and video) and sculpture (the physical remains of his acts). With a Dadaist love for the absurd, his artworks include Race (1981), in which the artist races a rocket across a field (hopelessly behind from the outset, the artist loses by nearly the entire length); Action at Hotel Weissbad (1992), in which an ordinary table is shot out a hotel window, the resulting photographs showing a table flying incongruously over a sleepy Swiss village; Power of Rain (1974), in which rainwater gathers slowly in a funnel until its force shatters a block of plaster; and Bicycle with Rockets (1991), the photographs of which show a fiery bicycle flying through the gallery like a demon comet. Often Signer will exhibit in the gallery the remains of an event not witnessed by the public, such as four empty barrels and a violently splattered wall, the remains of an explosion of paint in the gallery space (Portrait Gallery, 1993), or four sand piles with perfectly round craters on each, the neat result of four simultaneous explosions at their peaks (Cones of Sand, 1988). Roman Signer’s work has been exhibited at major venues across Europe and North America, as well as important international exhibitions such as Documenta 8 (1987), Skulptur Projekte in Munster (1997) and the 48th Venice Biennale (1999), in which he represented Switzerland.
Roman Signer
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$59.95
(disponible sur commande)
Résumé:
Since the mid 1970s Roman Signer has examined the forces of the elements – air, fire, earth and water – in a combination of performance (documented by photography and video) and sculpture (the physical remains of his acts). With a Dadaist love for the absurd, his artworks include Race (1981), in which the artist races a rocket across a field (hopelessly behind from the outset, the artist loses by nearly the entire length); Action at Hotel Weissbad (1992), in which an ordinary table is shot out a hotel window, the resulting photographs showing a table flying incongruously over a sleepy Swiss village; Power of Rain (1974), in which rainwater gathers slowly in a funnel until its force shatters a block of plaster; and Bicycle with Rockets (1991), the photographs of which show a fiery bicycle flying through the gallery like a demon comet. Often Signer will exhibit in the gallery the remains of an event not witnessed by the public, such as four empty barrels and a violently splattered wall, the remains of an explosion of paint in the gallery space (Portrait Gallery, 1993), or four sand piles with perfectly round craters on each, the neat result of four simultaneous explosions at their peaks (Cones of Sand, 1988). Roman Signer’s work has been exhibited at major venues across Europe and North America, as well as important international exhibitions such as Documenta 8 (1987), Skulptur Projekte in Munster (1997) and the 48th Venice Biennale (1999), in which he represented Switzerland.
Classification:
livres
livres
Publication:
juin 2006, London
juin 2006, London
Classification:
livres
livres
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$97.95
(disponible sur commande)
Résumé:
This wide-ranging book provides for the first time a complete view of German Gothic church architecture. Architectural historian Norbert Nussbaum surveys church construction from the early thirteenth to the early sixteenth century in the German-language regions(...)
$97.95
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Résumé:
This wide-ranging book provides for the first time a complete view of German Gothic church architecture. Architectural historian Norbert Nussbaum surveys church construction from the early thirteenth to the early sixteenth century in the German-language regions(...)
Titre:
German gothic church architecture
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$97.95
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Résumé:
This wide-ranging book provides for the first time a complete view of German Gothic church architecture. Architectural historian Norbert Nussbaum surveys church construction from the early thirteenth to the early sixteenth century in the German-language regions of medieval Europe. These areas of the Holy Roman Empire--including Bohemia, Austria, northern Switzerland, Alsace, Silesia, and East Prussia--were hereditary fiefdoms at the time, and their diverse cultures contributed to the extreme variety of German Gothic. Nussbaum looks at this rich period of architectural history from many perspectives and offers an informative tour of dozens of German Gothic churches, spectacular for both their beauty and variety. Soon after the Gothic first influenced German builders in the thirteenth century, it developed in several directions, Nussbaum shows. The differences are reflected in the great cathedral lodges of Cologne and Strasbourg, the conscious poverty of form expressed by the Mendicant orders, and red brick churches on the North Sea and Baltic coasts. A fourteenth-century synthesis of these styles was at last achieved in Prague Cathedral, the only great church financed by a German kaiser, Charles IV. In the fifteenth century, German Late Gothic style--unlike the monarchy-supported style of Germanyís neighbors to the west--evolved as cities undertook the financing of parish churches. This period of design culminated with the construction of transcendent churches early in the sixteenth century, characterized by high, sculptured towers and audacious, sometimes fantastic vault structures.
German gothic church architecture
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Prix:
$97.95
(disponible sur commande)
Résumé:
This wide-ranging book provides for the first time a complete view of German Gothic church architecture. Architectural historian Norbert Nussbaum surveys church construction from the early thirteenth to the early sixteenth century in the German-language regions of medieval Europe. These areas of the Holy Roman Empire--including Bohemia, Austria, northern Switzerland, Alsace, Silesia, and East Prussia--were hereditary fiefdoms at the time, and their diverse cultures contributed to the extreme variety of German Gothic. Nussbaum looks at this rich period of architectural history from many perspectives and offers an informative tour of dozens of German Gothic churches, spectacular for both their beauty and variety. Soon after the Gothic first influenced German builders in the thirteenth century, it developed in several directions, Nussbaum shows. The differences are reflected in the great cathedral lodges of Cologne and Strasbourg, the conscious poverty of form expressed by the Mendicant orders, and red brick churches on the North Sea and Baltic coasts. A fourteenth-century synthesis of these styles was at last achieved in Prague Cathedral, the only great church financed by a German kaiser, Charles IV. In the fifteenth century, German Late Gothic style--unlike the monarchy-supported style of Germanyís neighbors to the west--evolved as cities undertook the financing of parish churches. This period of design culminated with the construction of transcendent churches early in the sixteenth century, characterized by high, sculptured towers and audacious, sometimes fantastic vault structures.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
Classification:
livres
livres
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$76.00
(disponible sur commande)
Résumé:
Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea,(...)
$76.00
(disponible sur commande)
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Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea,(...)
Sujet:
Création de mode
Création de mode
Publication:
septembre 2022
septembre 2022
Titre:
Atelier Zanolli: Fabrics, fashion, craft 1905-1939
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$76.00
(disponible sur commande)
Résumé:
Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea, and Zoe Zanolli. The cultural and stylistic influences manifested in the Zanollis’ visually appealing products range from the avant-garde to an aesthetic forged by a spirit of intellectual national defense against the increasing threat of the totalitarian regimes in Nazi Germany, fascist Italy, and the communist Soviet Union, that was prevalent in Switzerland in the 1930s. Driven by a striving for artistic self-realization, the atelier defied the many economic challenges of the period and carried out many commissions for Zurich’s leading textile businesses and department stores. This book traces the history of Atelier Zanolli, places its work in the context of the growth of Zurich and the Swiss textile industry in the first half of the twentieth century, and for the first time positions the “Zanolli style” internationally. More than six hundred images show the wealth of colors and shapes in a veritable cosmos of textiles and crafted objects, as well as templates, sketches, private photographs, business cards, and letters. The essays illuminate the techniques and work processes used, discuss entire motif families and unique designs, and grant rare comprehensive insight into the tastes of the time.
Atelier Zanolli: Fabrics, fashion, craft 1905-1939
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Prix:
$76.00
(disponible sur commande)
Résumé:
Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea, and Zoe Zanolli. The cultural and stylistic influences manifested in the Zanollis’ visually appealing products range from the avant-garde to an aesthetic forged by a spirit of intellectual national defense against the increasing threat of the totalitarian regimes in Nazi Germany, fascist Italy, and the communist Soviet Union, that was prevalent in Switzerland in the 1930s. Driven by a striving for artistic self-realization, the atelier defied the many economic challenges of the period and carried out many commissions for Zurich’s leading textile businesses and department stores. This book traces the history of Atelier Zanolli, places its work in the context of the growth of Zurich and the Swiss textile industry in the first half of the twentieth century, and for the first time positions the “Zanolli style” internationally. More than six hundred images show the wealth of colors and shapes in a veritable cosmos of textiles and crafted objects, as well as templates, sketches, private photographs, business cards, and letters. The essays illuminate the techniques and work processes used, discuss entire motif families and unique designs, and grant rare comprehensive insight into the tastes of the time.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Création de mode
Création de mode
Classification:
livres
livres
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the(...)
$72.00
(disponible sur commande)
Résumé:
Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the(...)
Sujet:
Jardins
Jardins
Publication:
mars 2005, San Rafael, California
mars 2005, San Rafael, California
Titre:
Peter Walker and Partners : defining the craft
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Prix:
$72.00
(disponible sur commande)
Résumé:
Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the firm re-form the landscape, challenging traditional concepts of design. Through drawing, model-making, computer graphics, and full-size mock-ups, the office moves from defining the program to experimenting with materials and forming the space. The design process, therefore, faithfully reflects the constant exchange occurring with clients, architects, and consultants. A knowledge of history and tradition and an understanding of contemporary needs and patterns of living allow the firm to produce landscapes that are both timeless and unique. This extensive monograph opens with a short essay about the organization and history of the office, the importance of apprenticeship in landscape architectural education, and the particular way that PWP artfully practices the craft of landscape architecture. It features nearly 300 images (with 3 gatefolds) of the firm’s work since 1997, including 16 built landscape projects in the United States, Europe, and Asia. Seven projects in progress include the American Embassy in Beijing, several university campuses, and the World Trade Center Memorial. The 10 site-planning and urban design projects include Millennium Parklands in Sydney, Australia, and the Novartis Headquarters in Basel, Switzerland. Each section begins with a brief introduction by Walker, and the book concludes with four competition entries, including one for 1600 Pennsylvania Avenue.
Peter Walker and Partners : defining the craft
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Prix:
$72.00
(disponible sur commande)
Résumé:
Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the firm re-form the landscape, challenging traditional concepts of design. Through drawing, model-making, computer graphics, and full-size mock-ups, the office moves from defining the program to experimenting with materials and forming the space. The design process, therefore, faithfully reflects the constant exchange occurring with clients, architects, and consultants. A knowledge of history and tradition and an understanding of contemporary needs and patterns of living allow the firm to produce landscapes that are both timeless and unique. This extensive monograph opens with a short essay about the organization and history of the office, the importance of apprenticeship in landscape architectural education, and the particular way that PWP artfully practices the craft of landscape architecture. It features nearly 300 images (with 3 gatefolds) of the firm’s work since 1997, including 16 built landscape projects in the United States, Europe, and Asia. Seven projects in progress include the American Embassy in Beijing, several university campuses, and the World Trade Center Memorial. The 10 site-planning and urban design projects include Millennium Parklands in Sydney, Australia, and the Novartis Headquarters in Basel, Switzerland. Each section begins with a brief introduction by Walker, and the book concludes with four competition entries, including one for 1600 Pennsylvania Avenue.
Classification:
livres
livres
Publication:
mars 2005, San Rafael, California
mars 2005, San Rafael, California
Sujet:
Jardins
Jardins
Classification:
livres
livres
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Description:
20 volumes : chiefly illustrations ; 24 x 31 cm.
- Bibliothèque main m 156010 | NA44.M632.2 M5 1986 | v. 1 | Disponible
- Bibliothèque main m 156009 | NA44.M632.2 M5 1986 | v. 2 | Disponible
- Bibliothèque main m 156008 | NA44.M632.2 M5 1986 | v. 3 | Disponible
- Bibliothèque main m 156007 | NA44.M632.2 M5 1986 | v. 4 | Disponible
- Bibliothèque main m 156006 | NA44.M632.2 M5 1986 | v. 5 | Disponible
- Bibliothèque main m 156005 | NA44.M632.2 M5 1986 | v. 6 | Disponible
- Bibliothèque main m 156004 | NA44.M632.2 M5 1986 | v. 7 | Disponible
- Bibliothèque main m 155994 | NA44.M632.2 M5 1986 | v. 8 | Disponible
- Bibliothèque main m 156003 | NA44.M632.2 M5 1986 | v. 9 | Disponible
- Bibliothèque main m 156002 | NA44.M632.2 M5 1986 | v. 10 | Disponible
- Bibliothèque main m 156001 | NA44.M632.2 M5 1986 | v. 11 | Disponible
- Bibliothèque main m 156000 | NA44.M632.2 M5 1986 | v. 12 | Disponible
- Bibliothèque main m 155996 | NA44.M632.2 M5 1986 | v. 13 | Disponible
- Bibliothèque main m 155993 | NA44.M632.2 M5 1986 | v. 14 | Disponible
- Bibliothèque main m 155999 | NA44.M632.2 M5 1986 | v. 15 | Disponible
- Bibliothèque main m 155992 | NA44.M632.2 M5 1986 | v. 16 | Disponible
- Bibliothèque main m 155998 | NA44.M632.2 M5 1986 | v. 17 | Disponible
- Bibliothèque main m 155997 | NA44.M632.2 M5 1986 | v. 18 | Disponible
- Bibliothèque main m 155995 | NA44.M632.2 M5 1986 | v. 19 | Disponible
- Bibliothèque main m 155991 | NA44.M632.2 M5 1986 | v. 20 | Disponible
Description:
20 volumes : chiefly illustrations ; 24 x 31 cm.
Auteur:
- Mies van der Rohe, Ludwig, 1886-1969.,
- Drexler, Arthur.,
- Schulze, Franz, 1927-2019.,
- Mies van der Rohe Archive.
Sujet:
- Mies van der Rohe, Ludwig, 1886-1969 Catalogues raisonnés.,
- Mies van der Rohe, Ludwig, 1886-1969,
- Mies van der Rohe, Ludwig, (1886-1969) Catalogues raisonnés.,
- Mies van der Rohe Archive Catalogs.,
- Mies van der Rohe Archive (New York, N.Y.) Catalogues.,
- Mies van der Rohe Archive,
- Architectural drawing United States 20th century Catalogs.,
- Architectural drawing Europe 20th century Catalogs.,
- Dessin d'architecture États-Unis 20e siècle Catalogues.,
- Dessin d'architecture Europe 20e siècle Catalogues.,
- Architectural drawing,
- Dessin d'architecture États-Unis Vingtième siècle Catalogues.,
- Dessin d'architecture Europe Vingtième siècle Catalogues.,
- Europe,
- United States,
- American architects.,
- Swiss architects.,
- Architecture (object genre) Germany 1910-1970.,
- Architecture (object genre) Europe 1910-1970.,
- Architecture (object genre) United States 1930-1970.,
- Architectural drawings.,
- Unbuilt projects Canada Québec (Province) Montréal 1960-1970.,
- Commercial buildings Canada Ontario Toronto 1960-1970.,
- catalogs (documents),
- Catalogs,
- Catalogues raisonnés,
- Catalogues.
Publication:
New York : Garland Pub., 1986-1992.
New York : Garland Pub., 1986-1992.
Titre:
The Mies van der Rohe Archive / edited by Arthur Drexler ; with introductory notes by Arthur Drexler and Franz Schulze.
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Description:
20 volumes : chiefly illustrations ; 24 x 31 cm.
The Mies van der Rohe Archive / edited by Arthur Drexler ; with introductory notes by Arthur Drexler and Franz Schulze.
Actions:
Exemplaires:
- Bibliothèque main m 156010 | NA44.M632.2 M5 1986 | v. 1 | Disponible
- Bibliothèque main m 156009 | NA44.M632.2 M5 1986 | v. 2 | Disponible
- Bibliothèque main m 156008 | NA44.M632.2 M5 1986 | v. 3 | Disponible
- Bibliothèque main m 156007 | NA44.M632.2 M5 1986 | v. 4 | Disponible
- Bibliothèque main m 156006 | NA44.M632.2 M5 1986 | v. 5 | Disponible
- Bibliothèque main m 156005 | NA44.M632.2 M5 1986 | v. 6 | Disponible
- Bibliothèque main m 156004 | NA44.M632.2 M5 1986 | v. 7 | Disponible
- Bibliothèque main m 155994 | NA44.M632.2 M5 1986 | v. 8 | Disponible
- Bibliothèque main m 156003 | NA44.M632.2 M5 1986 | v. 9 | Disponible
- Bibliothèque main m 156002 | NA44.M632.2 M5 1986 | v. 10 | Disponible
- Bibliothèque main m 156001 | NA44.M632.2 M5 1986 | v. 11 | Disponible
- Bibliothèque main m 156000 | NA44.M632.2 M5 1986 | v. 12 | Disponible
- Bibliothèque main m 155996 | NA44.M632.2 M5 1986 | v. 13 | Disponible
- Bibliothèque main m 155993 | NA44.M632.2 M5 1986 | v. 14 | Disponible
- Bibliothèque main m 155999 | NA44.M632.2 M5 1986 | v. 15 | Disponible
- Bibliothèque main m 155992 | NA44.M632.2 M5 1986 | v. 16 | Disponible
- Bibliothèque main m 155998 | NA44.M632.2 M5 1986 | v. 17 | Disponible
- Bibliothèque main m 155997 | NA44.M632.2 M5 1986 | v. 18 | Disponible
- Bibliothèque main m 155995 | NA44.M632.2 M5 1986 | v. 19 | Disponible
- Bibliothèque main m 155991 | NA44.M632.2 M5 1986 | v. 20 | Disponible
Description:
20 volumes : chiefly illustrations ; 24 x 31 cm.
Classification:
livres
livres
Publication:
New York : Garland Pub., 1986-1992.
New York : Garland Pub., 1986-1992.
Auteur:
- Mies van der Rohe, Ludwig, 1886-1969.,
- Drexler, Arthur.,
- Schulze, Franz, 1927-2019.,
- Mies van der Rohe Archive.
Sujet:
- Mies van der Rohe, Ludwig, 1886-1969 Catalogues raisonnés.,
- Mies van der Rohe, Ludwig, 1886-1969,
- Mies van der Rohe, Ludwig, (1886-1969) Catalogues raisonnés.,
- Mies van der Rohe Archive Catalogs.,
- Mies van der Rohe Archive (New York, N.Y.) Catalogues.,
- Mies van der Rohe Archive,
- Architectural drawing United States 20th century Catalogs.,
- Architectural drawing Europe 20th century Catalogs.,
- Dessin d'architecture États-Unis 20e siècle Catalogues.,
- Dessin d'architecture Europe 20e siècle Catalogues.,
- Architectural drawing,
- Dessin d'architecture États-Unis Vingtième siècle Catalogues.,
- Dessin d'architecture Europe Vingtième siècle Catalogues.,
- Europe,
- United States,
- American architects.,
- Swiss architects.,
- Architecture (object genre) Germany 1910-1970.,
- Architecture (object genre) Europe 1910-1970.,
- Architecture (object genre) United States 1930-1970.,
- Architectural drawings.,
- Unbuilt projects Canada Québec (Province) Montréal 1960-1970.,
- Commercial buildings Canada Ontario Toronto 1960-1970.,
- catalogs (documents),
- Catalogs,
- Catalogues raisonnés,
- Catalogues.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
207 pages : illustrations (chiefly color) ; 32 cm
Description:
207 pages : illustrations (chiefly color) ; 32 cm
Auteur:
- Young, Cynthia, 1969-,
- Capa, Robert, 1913-1954,,
- International Center of Photography,
Sujet:
- Capa, Robert, 1913-1954 Exhibitions.,
- Capa, Robert, 1913-1954.,
- Capa, Robert 1913-1954,
- Color photography Exhibitions.,
- Photojournalism Exhibitions.,
- Travel photography Exhibitions.,
- Fashion photography Exhibitions.,
- Glamour photography Exhibitions.,
- Photographie en couleurs Expositions.,
- Photographie de presse Expositions.,
- Photographie de voyage Expositions.,
- Photographie de mode Expositions.,
- Photographie de charme Expositions.,
- PHOTOGRAPHY / Individual Photographers / Monographs.,
- Color photography,
- Fashion photography,
- Glamour photography,
- Photojournalism,
- Travel photography,
- Farbfotografie,
- Fotojournalistik.,
- Fotokonst.,
- Fotografer.,
- Fotografi.,
- Russia Pictorial works.,
- Israel Pictorial works.,
- Paris (France) Pictorial works.,
- Norway Pictorial works.,
- Indochina Pictorial works.,
- Hungary Pictorial works.,
- Indochine Ouvrages illustrés.,
- France Paris,
- Hungary,
- Indochina,
- Israel,
- Norway,
- Russia,
- 1940-1954,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Illustrated works.,
- Catalogues d'exposition.
Publication:
Munich : Delmonico Books, Prestel ; New York : International Center of Photography, [2014], ©2014
Munich : Delmonico Books, Prestel ; New York : International Center of Photography, [2014], ©2014
Titre:
Capa in color / Cynthia Young.
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Description:
207 pages : illustrations (chiefly color) ; 32 cm
Capa in color / Cynthia Young.
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Description:
207 pages : illustrations (chiefly color) ; 32 cm
Classification:
livres
livres
Publication:
Munich : Delmonico Books, Prestel ; New York : International Center of Photography, [2014], ©2014
Munich : Delmonico Books, Prestel ; New York : International Center of Photography, [2014], ©2014
Auteur:
- Young, Cynthia, 1969-,
- Capa, Robert, 1913-1954,,
- International Center of Photography,
Sujet:
- Capa, Robert, 1913-1954 Exhibitions.,
- Capa, Robert, 1913-1954.,
- Capa, Robert 1913-1954,
- Color photography Exhibitions.,
- Photojournalism Exhibitions.,
- Travel photography Exhibitions.,
- Fashion photography Exhibitions.,
- Glamour photography Exhibitions.,
- Photographie en couleurs Expositions.,
- Photographie de presse Expositions.,
- Photographie de voyage Expositions.,
- Photographie de mode Expositions.,
- Photographie de charme Expositions.,
- PHOTOGRAPHY / Individual Photographers / Monographs.,
- Color photography,
- Fashion photography,
- Glamour photography,
- Photojournalism,
- Travel photography,
- Farbfotografie,
- Fotojournalistik.,
- Fotokonst.,
- Fotografer.,
- Fotografi.,
- Russia Pictorial works.,
- Israel Pictorial works.,
- Paris (France) Pictorial works.,
- Norway Pictorial works.,
- Indochina Pictorial works.,
- Hungary Pictorial works.,
- Indochine Ouvrages illustrés.,
- France Paris,
- Hungary,
- Indochina,
- Israel,
- Norway,
- Russia,
- 1940-1954,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Illustrated works.,
- Catalogues d'exposition.
Classification:
livres
livres
Actions:
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Description:
223 pages : color illustrations ; 25 cm
Description:
223 pages : color illustrations ; 25 cm
Auteur:
- Hughes, Jim, 1937-,
- Jackson, William Henry, 1843-1942.,
- Detroit Photographic Co.
Sujet:
- Jackson, William Henry, 1843-1942.,
- Jackson, William Henry 1843-1942,
- Jackson, William Henry.,
- Bildband,
- Fotografie,
- Kleurenfotografie.,
- United States Pictorial works.,
- United States,
- USA,
- Photography,
- illustrated books.,
- Illustrated works,
- Ouvrages illustrés.
Publication:
London ; New York : Tauris Parke Books, 1994.
London ; New York : Tauris Parke Books, 1994.
Titre:
The birth of a century : early color photographs of America / text by Jim Hughes ; photographs by William Henry Jackson and the Detroit Photographic Company.
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Description:
223 pages : color illustrations ; 25 cm
The birth of a century : early color photographs of America / text by Jim Hughes ; photographs by William Henry Jackson and the Detroit Photographic Company.
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Exemplaires:
Description:
223 pages : color illustrations ; 25 cm
Classification:
livres
livres
Publication:
London ; New York : Tauris Parke Books, 1994.
London ; New York : Tauris Parke Books, 1994.
Auteur:
- Hughes, Jim, 1937-,
- Jackson, William Henry, 1843-1942.,
- Detroit Photographic Co.
Sujet:
- Jackson, William Henry, 1843-1942.,
- Jackson, William Henry 1843-1942,
- Jackson, William Henry.,
- Bildband,
- Fotografie,
- Kleurenfotografie.,
- United States Pictorial works.,
- United States,
- USA,
- Photography,
- illustrated books.,
- Illustrated works,
- Ouvrages illustrés.
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livres
livres
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Prix:
$105.00
(disponible en magasin)
Résumé:
In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an(...)
$105.00
(disponible en magasin)
Résumé:
In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an(...)
Titre:
Continental drift: Nico Krebs, Taiyo Onorato
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Prix:
$105.00
(disponible en magasin)
Résumé:
In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an expedition to the mystical realms of the East: Eurasia, Central Asia, the foothills of the Himalayas, the forests of Siberia, the Stan Republics, the gigantic expanse of the former Soviet Union. A vast land mass, very few images of which are lodged in our minds, at least no clear and well-defined images, rather a haze of history and global politics. Nico Krebs and Taiyo Onorato went out in search of these images, to reproduce them, and to create them themselves. "Continental drift" is a travel log straddling the fine line between documentation and fiction about unknown lands, their possible past and conjectured future. It relates encounters with the utterly bizarre and inaccessibly alien, as well as with a remarkable openness and lavish hospitality they'd never known before, in striking contrast to their previous trip across the United States (The Great Unreal, now in its third edition at Edition Patrick Frey). Many of the countries and regions they traversed are in the throes of upheaval, caught between thousand-year-old traditions and post-Communist history and geopolitics, religious, territorial and ethnic turmoil, and the spreading desire to jump on the bandwagon of global turbocapitalism. The search for identity here is palpable—a search, along with the attendant confusion, graphically depicted in "Continental drift".
Continental drift: Nico Krebs, Taiyo Onorato
Actions:
Prix:
$105.00
(disponible en magasin)
Résumé:
In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an expedition to the mystical realms of the East: Eurasia, Central Asia, the foothills of the Himalayas, the forests of Siberia, the Stan Republics, the gigantic expanse of the former Soviet Union. A vast land mass, very few images of which are lodged in our minds, at least no clear and well-defined images, rather a haze of history and global politics. Nico Krebs and Taiyo Onorato went out in search of these images, to reproduce them, and to create them themselves. "Continental drift" is a travel log straddling the fine line between documentation and fiction about unknown lands, their possible past and conjectured future. It relates encounters with the utterly bizarre and inaccessibly alien, as well as with a remarkable openness and lavish hospitality they'd never known before, in striking contrast to their previous trip across the United States (The Great Unreal, now in its third edition at Edition Patrick Frey). Many of the countries and regions they traversed are in the throes of upheaval, caught between thousand-year-old traditions and post-Communist history and geopolitics, religious, territorial and ethnic turmoil, and the spreading desire to jump on the bandwagon of global turbocapitalism. The search for identity here is palpable—a search, along with the attendant confusion, graphically depicted in "Continental drift".
Classification:
livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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Prix:
$67.95
(disponible sur commande)
Résumé:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the(...)
$67.95
(disponible sur commande)
Résumé:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
juin 2003, Zurich, Berlin and New York
juin 2003, Zurich, Berlin and New York
Titre:
Robert Frank : London / Wales
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Prix:
$67.95
(disponible sur commande)
Résumé:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the unique atmosphere of the city. He followed British financiers around the City, capturing them in their traditional top hats and long coats, creating images that depict them in a poetic dance with their fog-shrouded environment. He shot pictures of workers, men delivering coal, children playing on the streets, people waiting or relaxing in the parks, and images of poverty. In these photographs he juxtaposed money and work, wealth and poverty, creating a dynamic photographic project that has never been shown before in its entirety. Then, in March 1953, before the impending nationalization of the country's coal mines, Frank travelled to the town of Careau, in Wales, to photograph the coal miners whose lives revolved around their work. One miner, Ben James, and his family became the subject of a picture essay (originally published in a 1955 issue of U.S. Camera) in which Frank downplayed the classic modernist photographic moment in favor of a more provocative form that offered informal, revealing glances rather than an official document. In "Robert Frank: London/Wales", Frank returns for the first time to these old negatives. The volume explores a stylistic transformation in his work, a period of development which saw his mode of photography move from an innovative romanticism to a highly charged, metaphorical realism.
Robert Frank : London / Wales
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Prix:
$67.95
(disponible sur commande)
Résumé:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the unique atmosphere of the city. He followed British financiers around the City, capturing them in their traditional top hats and long coats, creating images that depict them in a poetic dance with their fog-shrouded environment. He shot pictures of workers, men delivering coal, children playing on the streets, people waiting or relaxing in the parks, and images of poverty. In these photographs he juxtaposed money and work, wealth and poverty, creating a dynamic photographic project that has never been shown before in its entirety. Then, in March 1953, before the impending nationalization of the country's coal mines, Frank travelled to the town of Careau, in Wales, to photograph the coal miners whose lives revolved around their work. One miner, Ben James, and his family became the subject of a picture essay (originally published in a 1955 issue of U.S. Camera) in which Frank downplayed the classic modernist photographic moment in favor of a more provocative form that offered informal, revealing glances rather than an official document. In "Robert Frank: London/Wales", Frank returns for the first time to these old negatives. The volume explores a stylistic transformation in his work, a period of development which saw his mode of photography move from an innovative romanticism to a highly charged, metaphorical realism.
Classification:
livres
livres
Publication:
juin 2003, Zurich, Berlin and New York
juin 2003, Zurich, Berlin and New York
Sujet:
Monographies photo
Monographies photo
