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Les différents intervenants du festival ont été invités à prolonger leurs expositions au sein des pages du catalogue. Ainsi, celui-ci est cette année le lieu d’une expérimentation confiée au studio londonien Abäke. Les graphistes ont décidé de présenter la rétrospective du festival dans deux ouvrages séparés, l’un en anglais et l’autre en français. 96 et 92 pages
22e festival international de l'affiche et du graphisme de Chaumont 2011
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Les différents intervenants du festival ont été invités à prolonger leurs expositions au sein des pages du catalogue. Ainsi, celui-ci est cette année le lieu d’une expérimentation confiée au studio londonien Abäke. Les graphistes ont décidé de présenter la rétrospective du festival dans deux ouvrages séparés, l’un en anglais et l’autre en français. 96 et 92 pages
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This is a book by a company that dislikes advertising as much as anyone. Yet, it makes adverts. It has worked with global brands to produce fashion collections and promoted a town with a mass wedding. It creates advertising with more human, truthful communications. The company's name is KesselsKramer. In Advertising for People Who Don't Like Advertising Kesselskramer(...)
Advertising for people who don't like advertising
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This is a book by a company that dislikes advertising as much as anyone. Yet, it makes adverts. It has worked with global brands to produce fashion collections and promoted a town with a mass wedding. It creates advertising with more human, truthful communications. The company's name is KesselsKramer. In Advertising for People Who Don't Like Advertising Kesselskramer describes its journey, its creative approach, and gets in touch with thinkers it admires. It asks them to explain what they do and don't like about advertising... and how to make the business better.
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Eduardo Souto de Moura (b.1952) is one of Portugal's leading architects, but gained wider international recognition when he won the Pritzker Prize in 2011. He collaborated with Álvaro Siza before establishing his own architectural studio in 1980. Since then, he has completed more than 100 projects ranging from private houses to larger projects such as the stadium in Braga(...)
Eduardo Souto de Moura: 30 years, selected projects
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Eduardo Souto de Moura (b.1952) is one of Portugal's leading architects, but gained wider international recognition when he won the Pritzker Prize in 2011. He collaborated with Álvaro Siza before establishing his own architectural studio in 1980. Since then, he has completed more than 100 projects ranging from private houses to larger projects such as the stadium in Braga (2004), the venue for the 2004 European Championships. This volume, coordinated by Camilo Rebelo, presents a set of projects through sketches and drawings. The book includes texts by Nuno Grande, Isabel Clara and Eduardo Souto de Moura himself.
Architecture, monographies
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The city does not exist without landscape, nor landscape without the city. The original landscape is always reflected in the form of the city. But how is architectonic coherence between the city and the landscape really achieved? This book sketches the development of the urban landscape from the Renaissance to the present. The examples include urban landscapes and parks(...)
Metropolitan landscape architecture: urban parks and landscapes
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The city does not exist without landscape, nor landscape without the city. The original landscape is always reflected in the form of the city. But how is architectonic coherence between the city and the landscape really achieved? This book sketches the development of the urban landscape from the Renaissance to the present. The examples include urban landscapes and parks in Rome, Paris, London, Berlin, New York, Amsterdam, Barcelona, Boston, Hamburg, Frankfurt and Cologne.
Paysages urbains
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The focus of this edition of El Croquis is the Spanish office RCR Arquitectes. Presenting an extensive overview of their work during the past five years, the magazine also includes an essay by Josep María Montaner and an interview with the architects by William Curtis. Explore a variety of projects by RCR such as the La Lira Theatre public space, the La Cuisine Art(...)
El croquis 162: RCR architectes, 2007-2012
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The focus of this edition of El Croquis is the Spanish office RCR Arquitectes. Presenting an extensive overview of their work during the past five years, the magazine also includes an essay by Josep María Montaner and an interview with the architects by William Curtis. Explore a variety of projects by RCR such as the La Lira Theatre public space, the La Cuisine Art Centre, a school in Font Romeu, the meeting point in La Fosca, the New Sants station complex and many others.
Revues
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Plus d'une centaine de termes utilisés pendant la révolte étudiante définis en au plus 500 mots par des lexicographes engagés (écrivains, musiciens, comédiens, journalistes, enseignants, étudiants, intellectuels).
novembre 2012
Dictionnaire de la révolte étudiante: du carré rouge au printemps québécois
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Plus d'une centaine de termes utilisés pendant la révolte étudiante définis en au plus 500 mots par des lexicographes engagés (écrivains, musiciens, comédiens, journalistes, enseignants, étudiants, intellectuels).
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New issue in store! Nouveau numéro en librairie!
Canadian architect, December 2012, v.57, n.12
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New issue in store! Nouveau numéro en librairie!
Revues
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New issue in store! Nouveau numéro en magasin!
Pin-Up 13, Fall/Winter 2012/2013
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New issue in store! Nouveau numéro en magasin!
Revues
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances,(...)
Joseph Beuys: every man Is an artist
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
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The contributors to this book explore how dynamic displays of costume have helped visualize certain key concerns of modernity, such as movement, time, transience and gender identity. Above all, the essays highlight the immense transformative potential of costume and fashion, both in the moving image and beyond.
Birds of paradise : costume as cinematic spectacle
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The contributors to this book explore how dynamic displays of costume have helped visualize certain key concerns of modernity, such as movement, time, transience and gender identity. Above all, the essays highlight the immense transformative potential of costume and fashion, both in the moving image and beyond.
Création de mode