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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the(...)
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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the(...)
Titre:
I am a monument : on learning from Las Vegas
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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the virtues ofthe "ordinary and ugly" above the "heroic and original"qualities of architectural modernism. In this provocative rereading of an iconic text, Aron Vinegar argues that to read "Learning from Las Vegas" only as an exemplary postmodernist text - to understand it, for example, as a call for pastiche or as ironic provocation - is to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text.
I am a monument : on learning from Las Vegas
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Résumé:
"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the virtues ofthe "ordinary and ugly" above the "heroic and original"qualities of architectural modernism. In this provocative rereading of an iconic text, Aron Vinegar argues that to read "Learning from Las Vegas" only as an exemplary postmodernist text - to understand it, for example, as a call for pastiche or as ironic provocation - is to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text.
Classification:
livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$87.00
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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd(...)
$87.00
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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd(...)
Publication:
décembre 2005, Vienna
décembre 2005, Vienna
Titre:
Splitterwerk : whoop to the duck ! / es lebe die Ente!, buildings and projects
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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd Wright’s open plan, Adolf Loos’ Raumplan or Margarete Schütte Lihotzky’s Frankfurt Kitchen find their contemporary continuation in the Graz Apartment. In the 21st century, the walls have a custom-made world of images which allows functions to be added “on demand”. The investigation of experimental surfaces has led Splitterwerk to fundamentally reassess imagery in architecture. It is a revival of a different nature for the "duck" (R. Venturi / D. Scott Brown) which calls for a further paradigm shift in architecture.
Splitterwerk : whoop to the duck ! / es lebe die Ente!, buildings and projects
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$87.00
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Résumé:
"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd Wright’s open plan, Adolf Loos’ Raumplan or Margarete Schütte Lihotzky’s Frankfurt Kitchen find their contemporary continuation in the Graz Apartment. In the 21st century, the walls have a custom-made world of images which allows functions to be added “on demand”. The investigation of experimental surfaces has led Splitterwerk to fundamentally reassess imagery in architecture. It is a revival of a different nature for the "duck" (R. Venturi / D. Scott Brown) which calls for a further paradigm shift in architecture.
Classification:
livres
livres
Publication:
décembre 2005, Vienna
décembre 2005, Vienna
Classification:
livres
livres
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$80.00
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of(...)
$80.00
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of(...)
Publication:
décembre 2009
décembre 2009
Titre:
First works: emerging architectural experimentation of the 1960s and 1970s
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book, accompanying a major travelling exhibition, presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices, including Archigram, Aldo Rossi, Robert Venturi, Renzo Piano, Peter Eisenman, Herzog & de Meuron and Zaha Hadid. Alongside these ‘first works’, 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects’ subsequent careers.
First works: emerging architectural experimentation of the 1960s and 1970s
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book, accompanying a major travelling exhibition, presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices, including Archigram, Aldo Rossi, Robert Venturi, Renzo Piano, Peter Eisenman, Herzog & de Meuron and Zaha Hadid. Alongside these ‘first works’, 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects’ subsequent careers.
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livres
livres
Publication:
décembre 2009
décembre 2009
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livres
livres
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$52.95
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"A House for My Mother" features 25 houses designed over the last 50 years by various architects for their mothers, fathers, in-laws, and extended families. Included are the well-known works of recognized designers as well as early works from promising young (...)
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"A House for My Mother" features 25 houses designed over the last 50 years by various architects for their mothers, fathers, in-laws, and extended families. Included are the well-known works of recognized designers as well as early works from promising young (...)
Titre:
A house for my mother : architects build for their families
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"A House for My Mother" features 25 houses designed over the last 50 years by various architects for their mothers, fathers, in-laws, and extended families. Included are the well-known works of recognized designers as well as early works from promising young architects. Extensive interviews with the architects and their families reveal the various joys and difficulties of these very personal commissions. The houses offer innovative and affordable designs, in a variety of styles and building materials, for homes ranging from city dwellings to beach houses and mountain retreats. As the architects were generally given broad control over the design, these homes showcase the ideas that characterize their work. The architects in this collection include Natalye Appel, Peter Bohlin, Walter Chatham, Charles Gwathmey, Steven Izenour, Donna Kacmar, Robert Kahn, Mark and Jean Larson, Joanna Lombard and Denis Hector, Robert Luchetti, Suzanne Martinson, Richard Meier, Charles Menefee, Mark Simon, Laurinda Spear and Bernardo Fort-Brescia, Robert Venturi, and Paul Westlake.
A house for my mother : architects build for their families
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"A House for My Mother" features 25 houses designed over the last 50 years by various architects for their mothers, fathers, in-laws, and extended families. Included are the well-known works of recognized designers as well as early works from promising young architects. Extensive interviews with the architects and their families reveal the various joys and difficulties of these very personal commissions. The houses offer innovative and affordable designs, in a variety of styles and building materials, for homes ranging from city dwellings to beach houses and mountain retreats. As the architects were generally given broad control over the design, these homes showcase the ideas that characterize their work. The architects in this collection include Natalye Appel, Peter Bohlin, Walter Chatham, Charles Gwathmey, Steven Izenour, Donna Kacmar, Robert Kahn, Mark and Jean Larson, Joanna Lombard and Denis Hector, Robert Luchetti, Suzanne Martinson, Richard Meier, Charles Menefee, Mark Simon, Laurinda Spear and Bernardo Fort-Brescia, Robert Venturi, and Paul Westlake.
Classification:
livres
livres
Publication:
mai 1999, New York
mai 1999, New York
Sujet:
Architecture résidentielle
Architecture résidentielle
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livres
livres
Prix:
$94.00
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Résumé:
This publication uses the physical evidence of community plans, building typologies and structural systems, and landscape to gain an understanding of the five great migrations that settled William Penn's Commonwealth. The rising industrial culture found its aesthetic counterpart in the architecture of Frank Furness who turned the dross of industry into the gold of design;(...)
$94.00
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This publication uses the physical evidence of community plans, building typologies and structural systems, and landscape to gain an understanding of the five great migrations that settled William Penn's Commonwealth. The rising industrial culture found its aesthetic counterpart in the architecture of Frank Furness who turned the dross of industry into the gold of design;(...)
Publication:
février 2011
février 2011
Titre:
Buildings of Pennsylvania: Philadelphia and eastern Pennsylvania
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This publication uses the physical evidence of community plans, building typologies and structural systems, and landscape to gain an understanding of the five great migrations that settled William Penn's Commonwealth. The rising industrial culture found its aesthetic counterpart in the architecture of Frank Furness who turned the dross of industry into the gold of design; his values continued through his students William L. Price and George Howe and on into the late twentieth century in the careers of Louis Kahn and Robert Venturi. In addition to Philadelphia, the book surveys the rival German-influenced small cities of the Piedmont, the brief but flourishing of wealth in the twin coal country cities, and a host of secondary county towns and villages that carry on vernacular building traditions overlaid with metropolitan architecture serving regional and national clients. This volume includes a glossary, bibliography, and over 400 illustrations (photographs, maps, and drawings). It is a volume in the Buildings of the United States series of the Society of Architectural Historians.
Buildings of Pennsylvania: Philadelphia and eastern Pennsylvania
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This publication uses the physical evidence of community plans, building typologies and structural systems, and landscape to gain an understanding of the five great migrations that settled William Penn's Commonwealth. The rising industrial culture found its aesthetic counterpart in the architecture of Frank Furness who turned the dross of industry into the gold of design; his values continued through his students William L. Price and George Howe and on into the late twentieth century in the careers of Louis Kahn and Robert Venturi. In addition to Philadelphia, the book surveys the rival German-influenced small cities of the Piedmont, the brief but flourishing of wealth in the twin coal country cities, and a host of secondary county towns and villages that carry on vernacular building traditions overlaid with metropolitan architecture serving regional and national clients. This volume includes a glossary, bibliography, and over 400 illustrations (photographs, maps, and drawings). It is a volume in the Buildings of the United States series of the Society of Architectural Historians.
Classification:
livres
livres
Publication:
février 2011
février 2011
Classification:
livres
livres
Prix:
$75.00
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From constructivist textile and clothing designs by Aleksandr Rodchenko and Varvara Stepanova to the soft sculptures of Claes Oldenburg and Louise Bourgeois, twentieth century artists have looked to fabric and other materials to push artistic production beyond the image and the object. Over the past twenty-five years The Fabric Workshop and Museum, an experimental arts(...)
$75.00
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From constructivist textile and clothing designs by Aleksandr Rodchenko and Varvara Stepanova to the soft sculptures of Claes Oldenburg and Louise Bourgeois, twentieth century artists have looked to fabric and other materials to push artistic production beyond the image and the object. Over the past twenty-five years The Fabric Workshop and Museum, an experimental arts(...)
Publication:
mars 2003, Cambridge / London
mars 2003, Cambridge / London
Titre:
New material as new media : the fabric workhop and museum
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From constructivist textile and clothing designs by Aleksandr Rodchenko and Varvara Stepanova to the soft sculptures of Claes Oldenburg and Louise Bourgeois, twentieth century artists have looked to fabric and other materials to push artistic production beyond the image and the object. Over the past twenty-five years The Fabric Workshop and Museum, an experimental arts laboratory in Philadelphia, has evolved into an influential contemporary art museum with a significant permanent collection, collaborating with artists to redefine the boundaries of fabric and other innovative materials including rubber, industrial felt, fiberglass, horse hair, hog intestine, and plastic as artistic media. This book, which accompanies a twenty-five-year retrospective exhibition from the collection, highlights more than fifty artists' projects. The artists, designers, and architects include Marina Abramovic, Doug Aitken, Louise Bourgeois, Chris Burden, Felix Gonzalez-Torres, Ann Hamilton, Howard Hodgkin, Anish Kapoor, Roy Lichtenstein, Glenn Ligon, Robert Morris, Louise Nevelson, Faith Ringgold, Yinka Shonibare, Gary Simmons, Robert Venturi and Denise Scott Brown, Carrie Mae Weems, Rachel Whiteread, and Yukinori Yanagi.
New material as new media : the fabric workhop and museum
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$75.00
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Résumé:
From constructivist textile and clothing designs by Aleksandr Rodchenko and Varvara Stepanova to the soft sculptures of Claes Oldenburg and Louise Bourgeois, twentieth century artists have looked to fabric and other materials to push artistic production beyond the image and the object. Over the past twenty-five years The Fabric Workshop and Museum, an experimental arts laboratory in Philadelphia, has evolved into an influential contemporary art museum with a significant permanent collection, collaborating with artists to redefine the boundaries of fabric and other innovative materials including rubber, industrial felt, fiberglass, horse hair, hog intestine, and plastic as artistic media. This book, which accompanies a twenty-five-year retrospective exhibition from the collection, highlights more than fifty artists' projects. The artists, designers, and architects include Marina Abramovic, Doug Aitken, Louise Bourgeois, Chris Burden, Felix Gonzalez-Torres, Ann Hamilton, Howard Hodgkin, Anish Kapoor, Roy Lichtenstein, Glenn Ligon, Robert Morris, Louise Nevelson, Faith Ringgold, Yinka Shonibare, Gary Simmons, Robert Venturi and Denise Scott Brown, Carrie Mae Weems, Rachel Whiteread, and Yukinori Yanagi.
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livres
livres
Publication:
mars 2003, Cambridge / London
mars 2003, Cambridge / London
Classification:
livres
livres
Prix:
$99.99
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new (...)
$99.99
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new (...)
Publication:
juin 1996, Cambridge, Mass.
juin 1996, Cambridge, Mass.
Titre:
Details of modern architecture - volume 2 : 1928-1988
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Säynätsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
Details of modern architecture - volume 2 : 1928-1988
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Säynätsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
Classification:
livres
livres
Publication:
juin 1996, Cambridge, Mass.
juin 1996, Cambridge, Mass.
Classification:
livres
livres
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$116.00
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Ecological and artistic approaches to designing our environment raise important questions which have to be faced by all designers of urban spaces, gardens or landscape: whether to conserve or to intervene, to rely on natural order or apply man-made means and whether to lend nature a romantic or a technocratic appearance. Which approaches to design and artistic concepts(...)
$116.00
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Ecological and artistic approaches to designing our environment raise important questions which have to be faced by all designers of urban spaces, gardens or landscape: whether to conserve or to intervene, to rely on natural order or apply man-made means and whether to lend nature a romantic or a technocratic appearance. Which approaches to design and artistic concepts(...)
Titre:
Ecological aesthetics : art in environmental design : theory and practice
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$116.00
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Ecological and artistic approaches to designing our environment raise important questions which have to be faced by all designers of urban spaces, gardens or landscape: whether to conserve or to intervene, to rely on natural order or apply man-made means and whether to lend nature a romantic or a technocratic appearance. Which approaches to design and artistic concepts are able to unite these seemingly contradictory poles to create sophisticated projects in harmony with nature? In this publication landscape architects, artists, philosophers, social scientists and natural scientists provide answers to these central questions in landscape design and environmental art. Amongst the 17 authors are Jacques Leenhardt (F), Massimo Venturi Ferriolo (I), Udo Weilacher (D), Malcom Miles (GB), Tim Collins (USA) and Jochen Boberg from the MD Berlin with whom this book is co-produced. This volume contains works by more than 50 international artists and landscape architects, among them the internationally renowned Herman Prigann, one of the most active landscape artists. His work is extensively presented here for the first time, and represents four decades of continuing commitment to artistic and ecologically oriented landscape design.
Ecological aesthetics : art in environmental design : theory and practice
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$116.00
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Ecological and artistic approaches to designing our environment raise important questions which have to be faced by all designers of urban spaces, gardens or landscape: whether to conserve or to intervene, to rely on natural order or apply man-made means and whether to lend nature a romantic or a technocratic appearance. Which approaches to design and artistic concepts are able to unite these seemingly contradictory poles to create sophisticated projects in harmony with nature? In this publication landscape architects, artists, philosophers, social scientists and natural scientists provide answers to these central questions in landscape design and environmental art. Amongst the 17 authors are Jacques Leenhardt (F), Massimo Venturi Ferriolo (I), Udo Weilacher (D), Malcom Miles (GB), Tim Collins (USA) and Jochen Boberg from the MD Berlin with whom this book is co-produced. This volume contains works by more than 50 international artists and landscape architects, among them the internationally renowned Herman Prigann, one of the most active landscape artists. His work is extensively presented here for the first time, and represents four decades of continuing commitment to artistic and ecologically oriented landscape design.
Classification:
livres
livres
Publication:
juin 2004, Basel
juin 2004, Basel
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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$65.95
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Anthony Fontenot’s book uncovers the surprisingly libertarian heart of the most influential British and American architectural and urbanist discourses of the postwar period, expressed as a critique of central design and a support of spontaneous order. "Non-design" illuminates the unexpected philosophical common ground between enemies of state support, most prominently(...)
$65.95
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Résumé:
Anthony Fontenot’s book uncovers the surprisingly libertarian heart of the most influential British and American architectural and urbanist discourses of the postwar period, expressed as a critique of central design and a support of spontaneous order. "Non-design" illuminates the unexpected philosophical common ground between enemies of state support, most prominently(...)
Titre:
Non-design: Architecture, liberalism, and the market
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$65.95
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Anthony Fontenot’s book uncovers the surprisingly libertarian heart of the most influential British and American architectural and urbanist discourses of the postwar period, expressed as a critique of central design and a support of spontaneous order. "Non-design" illuminates the unexpected philosophical common ground between enemies of state support, most prominently the economist Friedrich Hayek, and numerous notable postwar architects and urbanists like Robert Venturi, Denise Scott Brown, Reyner Banham, and Jane Jacobs. These thinkers espoused a distinctive concept of 'non-design,' characterized by a rejection of conscious design and an embrace of various phenomenon that emerge without intention or deliberate human guidance. This diffuse and complex body of theories discarded many of the cultural presuppositions of the time, shunning the traditions of modern design in favor of the wisdom, freedom, and self-organizing capacity of the market. Fontenot reveals the little-known commonalities between the aesthetic deregulation sought by ostensibly liberal thinkers and Hayek’s more controversial conception of state power, detailing what this unexplored affinity means for our conceptions of political liberalism. "Non-design" thoroughly recasts conventional views of postwar architecture and urbanism, as well as liberal and libertarian philosophies.
Non-design: Architecture, liberalism, and the market
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$65.95
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Résumé:
Anthony Fontenot’s book uncovers the surprisingly libertarian heart of the most influential British and American architectural and urbanist discourses of the postwar period, expressed as a critique of central design and a support of spontaneous order. "Non-design" illuminates the unexpected philosophical common ground between enemies of state support, most prominently the economist Friedrich Hayek, and numerous notable postwar architects and urbanists like Robert Venturi, Denise Scott Brown, Reyner Banham, and Jane Jacobs. These thinkers espoused a distinctive concept of 'non-design,' characterized by a rejection of conscious design and an embrace of various phenomenon that emerge without intention or deliberate human guidance. This diffuse and complex body of theories discarded many of the cultural presuppositions of the time, shunning the traditions of modern design in favor of the wisdom, freedom, and self-organizing capacity of the market. Fontenot reveals the little-known commonalities between the aesthetic deregulation sought by ostensibly liberal thinkers and Hayek’s more controversial conception of state power, detailing what this unexplored affinity means for our conceptions of political liberalism. "Non-design" thoroughly recasts conventional views of postwar architecture and urbanism, as well as liberal and libertarian philosophies.
Classification:
livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
![[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal](/img-bookstore/U2zEypAg4vNoqdQ07aKvxPIdXbM=/700x919/MIG-13694.jpg)
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"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the(...)
$93.95
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"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mai 2004, Cambridge, Massachusetts
mai 2004, Cambridge, Massachusetts
Titre:
[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal
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"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the past fifty years and bear witness to the influential role played by "Perspecta" in a time of crucial debate about the function and future of architecture. This collection (with over 800 pages and 900 images) presents engaging and stimulating essays published in "Perspecta", written by such well-known historians, theorists, and architects as Vincent Scully, Colin Rowe, Roland Barthes, Karsten Harries, K. Michael Hays, Allan Greenberg, Sibyl Moholy-Nagy, John Hejduk, Francesco Dal Co, Bernard Tschumi, and Mark Wigley. "[Re]Reading Perspecta" also assembles the best examples of the richly-illustrated portfolios of projects published over the years, including work by Paul Rudolph, Louis Kahn, Robert Venturi, Eero Saarinen, Charles Moore, Philip Johnson, Peter Eisenman, John Hejduk, Steven Holl, Thomas Leeser, Hani Rashid, and others. The editors introduce each section with essays that offer historical context and critical commentary. "[Re]Reading Perspecta" also includes essays by Kenneth Frampton, K. Michael Hays, Joan Ockman, and Sandy Isenstadt on the history of "Perspecta" and its role in architectural discourse. This selection of the best of "Perspecta" covers a broad and lively spectrum of American architectural design, history, theory, and criticism.
[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal
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Résumé:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the past fifty years and bear witness to the influential role played by "Perspecta" in a time of crucial debate about the function and future of architecture. This collection (with over 800 pages and 900 images) presents engaging and stimulating essays published in "Perspecta", written by such well-known historians, theorists, and architects as Vincent Scully, Colin Rowe, Roland Barthes, Karsten Harries, K. Michael Hays, Allan Greenberg, Sibyl Moholy-Nagy, John Hejduk, Francesco Dal Co, Bernard Tschumi, and Mark Wigley. "[Re]Reading Perspecta" also assembles the best examples of the richly-illustrated portfolios of projects published over the years, including work by Paul Rudolph, Louis Kahn, Robert Venturi, Eero Saarinen, Charles Moore, Philip Johnson, Peter Eisenman, John Hejduk, Steven Holl, Thomas Leeser, Hani Rashid, and others. The editors introduce each section with essays that offer historical context and critical commentary. "[Re]Reading Perspecta" also includes essays by Kenneth Frampton, K. Michael Hays, Joan Ockman, and Sandy Isenstadt on the history of "Perspecta" and its role in architectural discourse. This selection of the best of "Perspecta" covers a broad and lively spectrum of American architectural design, history, theory, and criticism.
Classification:
livres
livres
Publication:
mai 2004, Cambridge, Massachusetts
mai 2004, Cambridge, Massachusetts
Sujet:
Théorie de l’architecture
Théorie de l’architecture
