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Our global thirst for energy and raw materials is increasing all the time. Year after year, humanity exhausts large quantities of mineral resources; the areas of the world in which we drill and dig for oil, gas, coal, gravel, clay and ore are becoming more and more remote, and the range of resources demanded is expanding constantly. Lusitania is a prime example of this(...)
Redesigning wounded landscape : the IBA workshop of Lusatia
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Our global thirst for energy and raw materials is increasing all the time. Year after year, humanity exhausts large quantities of mineral resources; the areas of the world in which we drill and dig for oil, gas, coal, gravel, clay and ore are becoming more and more remote, and the range of resources demanded is expanding constantly. Lusitania is a prime example of this kind of resource depletion. Unrestrained open-pit mining during the nineteenth and twentieth centuries has devastated the region, and ten years ago this "wounded landscape" became the subject of an International Building Exhibition dedicated to providing creative designs for a post-mining landscape. What are the possibilities of such landscapes? What methods and processes may be applied in regions beyond Lusatia? In Redesigning Wounded Landscapes, ten authors explore these questions, looking at the region and the project from a wide range of perspectives.
Architecture contemporaine
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This work accompanies an exhibtion of James' work at the University of Toronto Art Centre. The exhibition features photographs from the past twenty years. Selections from his early panoramas, from his projects on the work of Frederick Law Olmsted, Asbestos mining in Quebec, and the Mexican border at Tijuana, as well as urban images of Paris, Montreal, and Toronto are included.
Geoffrey James : past / present / future
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This work accompanies an exhibtion of James' work at the University of Toronto Art Centre. The exhibition features photographs from the past twenty years. Selections from his early panoramas, from his projects on the work of Frederick Law Olmsted, Asbestos mining in Quebec, and the Mexican border at Tijuana, as well as urban images of Paris, Montreal, and Toronto are included.
Monographies photo
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The indigenous imperative to honor nature is undermined by federal laws approving resource extraction through mining and drilling. Formal protections exist for Native American religious expression, but not for the places and natural resources integral to ceremonies. Under what conditions can traditional beliefs be best practiced? "Recovering the Sacred" features a(...)
Recovering the sacred: The power of naiming and claiming
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The indigenous imperative to honor nature is undermined by federal laws approving resource extraction through mining and drilling. Formal protections exist for Native American religious expression, but not for the places and natural resources integral to ceremonies. Under what conditions can traditional beliefs be best practiced? "Recovering the Sacred" features a wealth of native research and hundreds of interviews with indigenous scholars and activists.
Autochtone
Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site(...)
Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site visits, archival material as well as text contributions by invited authors.
Monographies photo
Teju Cole: Pharmakon
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Bringing together a sequence of subtle and disquieting photographs with a dozen compact short stories, ''Pharmakon'' is a surprising new work from the singular mind of Teju Cole. The photographs were taken across the globe and extend the oblique point of view he developed in ''Fernweh'' (2020). Interspersed among the images are texts that emerge like intimate signals from(...)
Teju Cole: Pharmakon
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Bringing together a sequence of subtle and disquieting photographs with a dozen compact short stories, ''Pharmakon'' is a surprising new work from the singular mind of Teju Cole. The photographs were taken across the globe and extend the oblique point of view he developed in ''Fernweh'' (2020). Interspersed among the images are texts that emerge like intimate signals from our age of crisis, mining further the exquisite linguistic control that characterizes Cole’s novels ''Open City'' (2011) and ''Tremor'' (2023). The result is a work of strange beauty that startles and consoles in equal measure.
Monographies photo
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In recent years, former industrial buildings are increasingly becoming repurposed into modern venues for cultural expression. Factories, production halls, and even mining facilities are transformed into exhibition spaces, theatres, museums, and artist’s studios. In this issue, discover the Buda Art Centre in Kortrijk by 51N4E, OMA’s Prada Foundation Art Museum, the(...)
C3 375: art as the new industry
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In recent years, former industrial buildings are increasingly becoming repurposed into modern venues for cultural expression. Factories, production halls, and even mining facilities are transformed into exhibition spaces, theatres, museums, and artist’s studios. In this issue, discover the Buda Art Centre in Kortrijk by 51N4E, OMA’s Prada Foundation Art Museum, the Silesian Museum in Katowice, and more. Also in this edition, a feature that explores three ways of designing the landscape in the context of residential architecture. Highlights include houses by Alberto Campo Baeza, Kidosaki Architects Studio, Fougeron Architecture, and Cadaval & Solà-Morales.
Revues
Learning from Las Cuencas
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This publication provides a new perspective on the cultural landscapes of mining across the province of Asturias in north-west Spain. These areas, after undergoing an intense process of industrialisation, have changed considerably within just a few decades. What were once natural valleys with rural economic and social structures came to host bustling, dense urban(...)
Learning from Las Cuencas
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This publication provides a new perspective on the cultural landscapes of mining across the province of Asturias in north-west Spain. These areas, after undergoing an intense process of industrialisation, have changed considerably within just a few decades. What were once natural valleys with rural economic and social structures came to host bustling, dense urban agglomerations. As a result, hybrid architectures have emerged, mutating artefacts which, despite the invisibility of their inevitable marginality, can offer interesting lessons in architecture today. Richly illustrated with photographs and diagrams, it features contributions from noted artists and architects.
Théorie de l’urbanisme
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David T. Hanson's photographs of the coal-mining town of Colstrip, Montana, and the ruined landscape around it were exhibited by John Szarkowski at the Museum of Modern Art in New York in 1986. The work signaled a shift in American landscape photography, away from the cool modernism of the New Topographics. For this publication, Hanson has added 21 images and re-sequenced(...)
David T. Hanson: Colstrip, Montana
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David T. Hanson's photographs of the coal-mining town of Colstrip, Montana, and the ruined landscape around it were exhibited by John Szarkowski at the Museum of Modern Art in New York in 1986. The work signaled a shift in American landscape photography, away from the cool modernism of the New Topographics. For this publication, Hanson has added 21 images and re-sequenced the series. Although the photographs were made in the early 1980s, they are perhaps even more relevant today, given growing concerns about energy production, environmental degradation and climate change. The pictures remain tragic reflections of a despoiled environment.
Monographies photo
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Combining insights from urban studies, cultural geography, and urban sociology with extensive research in South Africa, the author reflects on the implications of Johannesburg’s dual character as a city of fortified enclaves that displays the ostentatious symbols of global integration and the celebrated “enterprise culture” of neoliberal design, and as the “miasmal city”(...)
City of extremes: the spatial politics of Johannesburg
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Combining insights from urban studies, cultural geography, and urban sociology with extensive research in South Africa, the author reflects on the implications of Johannesburg’s dual character as a city of fortified enclaves that displays the ostentatious symbols of global integration and the celebrated “enterprise culture” of neoliberal design, and as the “miasmal city” composed of residual, peripheral, and stigmatized zones characterized by signs of a new kind of marginality. He suggests that the “global cities” paradigm is inadequate to understanding the historical specificity of cities in the Global South, including the colonial mining town turned postcolonial megacity of Johannesburg.
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“Why are Kazakhstan and Montana the same place?” asks one chapter of Kate Brown’s surprising and unusual journey into the histories of places on the margins, overlooked or erased. It turns out that a ruined mining town in Kazakhstan and Butte, Montana—America’s largest environmental Superfund site—have much more in common than one would think thanks to similarities in(...)
Dispatches from dystopia: histories of places not yet forgotten
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“Why are Kazakhstan and Montana the same place?” asks one chapter of Kate Brown’s surprising and unusual journey into the histories of places on the margins, overlooked or erased. It turns out that a ruined mining town in Kazakhstan and Butte, Montana—America’s largest environmental Superfund site—have much more in common than one would think thanks to similarities in climate, hucksterism, and the perseverance of their few hardy inhabitants. Taking readers to these and other unlikely locales, Dispatches from Dystopia delves into the very human and sometimes very fraught ways we come to understand a particular place, its people, and its history.