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"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet(...)
Mute icons: pressing dichotomy in contemporary architecture
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"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet engaging architectural images. No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object and building, absolute and unstable, anticipated and strange, manifest and withdrawn, such is the dichotomy of mute icons. Dwelling in the paradox between silence and sign and aiming to debunk a false dichotomy between critical discourse, a pursue of formal novelty and the attainment of social ethics, "Mute icons" reaffirms the cultural need and socio-political relevance of the architectural image, suggesting a much-needed resolution to the present but incorrect antagonism between formal innovation, social responsibility and economic austerity. Intersecting relevant historical antecedents and polemic theoretical speculations with original design concepts and provocative representations of P-A-T-T-E-R-N-S recent work, the book aspires to stimulate authentic speculations on the real.
Théorie de l’architecture
Piranesi unbound
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A draftsman, printmaker, architect, and archaeologist, Giovanni Battista Piranesi (1720–78) is best known today as the virtuoso etcher of the immersive and captivating ''Views of Rome'' and the darkly inventive ''Imaginary Prisons.'' Yet Carolyn Yerkes and Heather Hyde Minor argue that his single greatest art form- one that combined his obsessions most powerfully and that(...)
Piranesi unbound
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A draftsman, printmaker, architect, and archaeologist, Giovanni Battista Piranesi (1720–78) is best known today as the virtuoso etcher of the immersive and captivating ''Views of Rome'' and the darkly inventive ''Imaginary Prisons.'' Yet Carolyn Yerkes and Heather Hyde Minor argue that his single greatest art form- one that combined his obsessions most powerfully and that he pursued throughout his career- was the book. ''Piranesi unbound'' provides a fundamental reinterpretation of Piranesi by recognizing him, first and foremost, as a writer, illustrator, printer, and publisher of books. Featuring nearly two hundred of Piranesi’s engravings and drawings, including some that have never been published before, this visually stunning book returns Piranesi’s artworks to the context for which he originally produced them: a dozen volumes that combine text and image, archaeology and imagination, erudition and humor. Drawing on new research, ''Piranesi unbound'' uncovers the social networks in which Piranesi published, including the readers who bought, read, and debated his books. It reveals his habit of raiding the wastepaper pile for cast-off sheets upon which to draw and fuse printed images and texts. It shows how, even after his books were bound, they were subject to change by Piranesi and others as pages were torn out and added.
Théorie de l’art
Architects on dwelling
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While most books on architecture focus on the architectural outcome itself, ''Architects on dwelling'' takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit(...)
Architects on dwelling
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While most books on architecture focus on the architectural outcome itself, ''Architects on dwelling'' takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit and how those places in turn inform the manner in which we live, in ways beyond lifestyle and personal taste. Through contributions by Stephen Hoey, Henry McKeown & Ian Alexander, James Mitchell, Stacey Philips, Christopher Platt, Adrian Stewart, and Miranda Webster—most of whom are Scotland-based practitioners as well as teachers in The Glasgow School of Art—it reveals the unique values and qualities that inform their design processes. In their essays, they focus mostly on one exemplary building, explaining how and why they design the way they do. Dick van Gameren, Simon Henley, and Graeme Hutton, distinguished experts and themselves architect-educators, place this work within an international context and provide insightful comment about what these design approaches inform us about contemporary design in Scotland. Complemented with a wide range of images, these essays both illuminate the architects’ motivations and inspirations and celebrate their featured works.
Théorie de l’architecture
Ad Astra
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''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the(...)
septembre 2021
Ad Astra
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''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the hospital community, are transformed by means of a collaboration between art and neuroscience to generate astral images, and ultimately, a collective artwork representing a collection of prayers, hopes and fears. Rooted in deep human experiences,''Ad Astra'' gives voice to the range of emotions and the cycle of life and death that the hospital context is witness to daily. In compliment to the permanent multimedia artwork installed in the library, the book presents a tightly knit set of relationships among the various elements that compose the project, including messages, portraits, neurological diagrams, video-stills, citations, and texts. An introductory essay by Claire Moeder creatively illuminates the core interests of the project while the graphic design by Criterium echoes the installation with material means. The book is a nomadic archive and tactile object that was created to travel beyond the primary site of medical library, and ultimately towards the stars.
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and(...)
Architecture of life: Soviet modernism and the human sciences
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, ''Architecture of life'' explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured.
Théorie de l’architecture
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Otto Neurath’s famous "Modern man in the making," first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed "Isotype" (International System of Typographic Picture Education). At a time that saw new mass(...)
Modern man in the making. Facsimile
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Otto Neurath’s famous "Modern man in the making," first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed "Isotype" (International System of Typographic Picture Education). At a time that saw new mass media making hitherto unthinkable amounts of information available, Neurath felt the need for a systematic visualization explaining facts, statistical data and comparative numbers in simple ways. The book can be seen as one of the most influential predecessors of today’s infographics. In the visuals, each symbol and color represents a certain group of objects or people, often compared repetitively over a certain time span. The topics covered in the book include diverse social issues of the time like mortality, health, employment, trade, education, mobility, migration and demographics. "Modern man in the making" shows Neurath’s democratic endeavor to make knowledge intelligible and available to all. It is a reminder of graphic art’s ability to inform and create context instead of presenting aesthetic qualities only. The book has inspired generations of designers and has led to sometimes peculiar imitations and further developments.
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to(...)
The future is degrowth: A guide to a world beyond capitalism
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to desirable alternatives to it. Not only in society at large, but also on the left, we are held captive by the hegemony of growth. Even proposals for emancipatory Green New Deals or postcapitalism base their utopian hopes on the development of productive forces, on redistributing the fruits of economic growth and technological progress. Yet growing evidence shows that continued economic growth cannot be made compatible with sustaining life and is not necessary for a good life for all. This book provides a vision for postcapitalism beyond growth. Building on a vibrant field of research, it discusses the political economy and the politics of a non-growing economy. It charts a path forward through policies that democratise the economy, ''now-topias'' that create free spaces for experimentation, and counter-hegemonic movements that make it possible to break with the logic of growth. Degrowth perspectives offer a way to step off the treadmill of an alienating, expansionist, and hierarchical system.
Social
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But(...)
Moonwalk one, the director's cut
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But instead of a simple documentary film, what transpired was a philosophical and poetic record of Man s first attempt to walk on another world. Opening dramatically with another of mankind s great achievements Stonehenge the film puts the triumph of the Moon shot into its proper historical context. Filmed across the World as the mission unfolded, Moonwalk One uniquely captured the essence of Apollo 11 in a way that subsequent documentaries could only mimic. Combined with Charles Morrow s breathtaking, avant-garde score and Laurence Luckinbill s inspiring narration this is a classic film for all time and makes for fascinating viewing today from the perspective of the early 21st Century. As Joseph Gelmis of the New York daily Newsday declared in 1969; Moonwalk One deserves to be a companion piece to Stanley Kubrik s masterwork 2001: A Space Odyssey .
DVD vidéo
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A leading figure in the New Perennial planting movement, garden designer Piet Oudolf emphasizes plant structure as the most important aspect of a successful garden. Form and texture are valued as much as color, and perennials - prized for their beauty throughout a natural life cycle - are used almost exclusively. Oudolf challenges conventional approaches to gardening that(...)
Piet Oudolf : landscapes in landscapes
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A leading figure in the New Perennial planting movement, garden designer Piet Oudolf emphasizes plant structure as the most important aspect of a successful garden. Form and texture are valued as much as color, and perennials - prized for their beauty throughout a natural life cycle - are used almost exclusively. Oudolf challenges conventional approaches to gardening that rely on short-lived bursts of color and constant maintenance and shows the delights of working with versatile, expressive perennials to create lasting, ecologically sound panoramas that relate to the greater landscape and the shifting seasons. This full-color volume features twenty-three of Oudolf's most beautiful public and private gardens, including the widely acclaimed High Line and the Battery in New York City; the Lurie Garden in Millennium Park in Chicago; Wisley, the Royal Horticultural Society Garden in Surrey, England; the Pensthorpe Nature Reserve and Gardens in Norfolk, England; the Trentham Estate in Staffordshire, England; Il Gardino delle Vergini at the 2010 Venice Biennale; the Dream Park in Enkoping, Sweden; and his own perpetually evolving garden in Hummelo, The Netherlands. Text by gardening author Noël Kingsbury places Oudolf's work in context and explains how each garden and the plants selected for it fit the specific environment.
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9/10 Stock Orchard Street, colloquially known as the Straw House, is a house and an office designed by two architects for their own use. Completed in 2000, the buildings were experimental in design, execution and inhabitation, and have resisted categorization, challenged received wisdom and provoked debate, especially among architectural critics. With access to all(...)
Around & About: Stock Orchard Street
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9/10 Stock Orchard Street, colloquially known as the Straw House, is a house and an office designed by two architects for their own use. Completed in 2000, the buildings were experimental in design, execution and inhabitation, and have resisted categorization, challenged received wisdom and provoked debate, especially among architectural critics. With access to all the material records of the project, this book responds to that debate by presenting multi-faceted narratives from a wide range of writers that have been invited to reflect both positively and negatively on what the buildings represent and how they have performed. Using the buildings as the central case study, it situates them in a broader cultural context, revealing the breadth of conversations and issues engaged by architecture. Highly illustrated with original material, including the authors’ own drawings and with specially-commissioned photographs, this book discusses theory, practice, ethics, material culture, the media, narrative, feminism, sustainability and construction, offering illuminating and sometimes surprising conclusions relevant to lay, professional and academic readers. While offering a wide ranging set of approaches and critiques of its subject, this book provides a unique insight into a building’s conception, construction and reception, and in turn facilitates the engagement with the issues facing architectural practice today.
Architecture, monographies