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Since the middle of the eighteenth century, political thinkers of all kinds--radical and reactionary, professional and amateur--have been complaining about “bureaucracy.” But what, exactly, are they complaining about? In The Demon of Writing, Ben Kafka offers a critical history and theory of one of the most ubiquitous, least understood forms of media: paperwork.(...)
The demon of writing: powers and failures of paperwork
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Since the middle of the eighteenth century, political thinkers of all kinds--radical and reactionary, professional and amateur--have been complaining about “bureaucracy.” But what, exactly, are they complaining about? In The Demon of Writing, Ben Kafka offers a critical history and theory of one of the most ubiquitous, least understood forms of media: paperwork. States rely on records to tax and spend, protect and serve, discipline and punish. But time and again, this paperwork proves to be unreliable. Examining episodes that range from the story of a clerk who lost his job and then his mind in the French Revolution to an account of Roland Barthes’s brief stint as a university administrator, Kafka reveals the powers, the failures, and even the pleasures of paperwork. Many of its complexities, he argues, have been obscured by the comic-paranoid style that characterizes much of our criticism of bureaucracy. Kafka proposes a new theory of what Karl Marx called the “bureaucratic medium.”
Théorie de l’architecture
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In this publication, Daniel Purdy surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than(...)
On the ruins of Babel : architectural metaphor in German thought
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In this publication, Daniel Purdy surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum. Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.
Théorie de l’architecture
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Rational self-interest is often seen as being at the heart of liberal economic theory. In The Power at the End of the Economy Brian Massumi provides an alternative explanation, arguing that neoliberalism is grounded in complex interactions between the rational and the emotional. Offering a new theory of political economy that refuses the liberal prioritization of(...)
The power at the end of the economy
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Rational self-interest is often seen as being at the heart of liberal economic theory. In The Power at the End of the Economy Brian Massumi provides an alternative explanation, arguing that neoliberalism is grounded in complex interactions between the rational and the emotional. Offering a new theory of political economy that refuses the liberal prioritization of individual choice, Massumi emphasizes the means through which an individual’s affective tendencies resonate with those of others on infra-individual and transindividual levels. This nonconscious dimension of social and political events plays out in ways that defy the traditional equation between affect and the irrational. Massumi uses the Arab Spring and the Occupy Movement as examples to show how transformative action that exceeds self-interest takes place. Drawing from David Hume, Michel Foucault, Gilles Deleuze, Niklas Luhmann and the field of nonconsciousness studies, Massumi urges a rethinking of the relationship between rational choice and affect, arguing for a reassessment of the role of sympathy in political and economic affairs.
Théorie/ philosophie
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In ''Couplets,'' Brian Massumi presents twenty-four essays that represent the full spectrum of his work during the past thirty years. Conceived as a companion volume to ''Parables for the virtual,'' ''Couplets'' addresses the key concepts of ''Parables'' from different angles and contextualizes them, allowing their stakes to be more fully felt. Rather than organizing the(...)
Couplets: travels in speculative pragmatism
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In ''Couplets,'' Brian Massumi presents twenty-four essays that represent the full spectrum of his work during the past thirty years. Conceived as a companion volume to ''Parables for the virtual,'' ''Couplets'' addresses the key concepts of ''Parables'' from different angles and contextualizes them, allowing their stakes to be more fully felt. Rather than organizing the essays chronologically or by topic, Massumi pairs them into couplets to encourage readers to make connections across conventional subject matter categories, to encounter disjunctions, and to link different phases in the evolution of his work. In his analyses of topics ranging from art, affect, and architecture to media theory, political theory, and the philosophy of experience, Massumi charts a field on which a family of conceptual problems plays out in ways that bear on the potentials for acting and perceiving the world. As an essential guide to Massumi's oeuvre, ''Couplets'' is both a primer for his new readers and a supplemental resource for those already engaged with his thought.
Théorie/ philosophie
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In this collection, leading scholars in the fields of philosophy, literary theory, and cultural criticism engage Rancière’s work, illuminating its originality, breadth, and rigor, as well as its place in current debates. They also explore the relationships between Rancière and the various authors and artists he has analyzed, ranging from Plato and Aristotle to Flaubert,(...)
Théorie/ philosophie
septembre 2009
Jacques Rancière : history, politics, aesthetics
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In this collection, leading scholars in the fields of philosophy, literary theory, and cultural criticism engage Rancière’s work, illuminating its originality, breadth, and rigor, as well as its place in current debates. They also explore the relationships between Rancière and the various authors and artists he has analyzed, ranging from Plato and Aristotle to Flaubert, Rossellini, Auerbach, Bourdieu, and Deleuze.
Théorie/ philosophie
livres
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In The Location of Culture, Bhabha uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading(...)
Bhabha: the location of culture
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In The Location of Culture, Bhabha uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.
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mars 2004
Théorie/ philosophie
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Biographies and Space presents essays exploring the relationship between biography and space and how specific subjects are used as a means of explaining sets of social, cultural and spatial relationships. Writing about both actual (architectural) and imagined (pictorial) space, the authors consider issues of gender, childhood, sexuality and race, highlighting an(...)
Théorie de l’architecture
avril 2014
Biographies and space : placing the subject in art and architecture
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Biographies and Space presents essays exploring the relationship between biography and space and how specific subjects are used as a means of explaining sets of social, cultural and spatial relationships. Writing about both actual (architectural) and imagined (pictorial) space, the authors consider issues of gender, childhood, sexuality and race, highlighting an increasing fluidity and interaction between theory, methods and history.
Théorie de l’architecture
Deleuze and architecture
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Fifteen essays by interdisciplinary scholars, including John Rajchman (Columbia University), Elizabeth Grosz (Rutgers University), and Brian Massumi (European Graduate School) trace, among other concerns, Deleuze's influence on the emerging biotechnological paradigm and new practices of participatory design. They engage with contemporary approaches to the theory and(...)
Deleuze and architecture
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Fifteen essays by interdisciplinary scholars, including John Rajchman (Columbia University), Elizabeth Grosz (Rutgers University), and Brian Massumi (European Graduate School) trace, among other concerns, Deleuze's influence on the emerging biotechnological paradigm and new practices of participatory design. They engage with contemporary approaches to the theory and practice of architecture and outline radical agendas for the future practice of Deleuzian thought.
Théorie de l’architecture
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In this collection of mediations on what Baudelaire championed (and Michael Fried chastised) as presentness, Lavin investigates the convergence of notions such as liveness, the provisional and the obsolete in revealing qualities of the contemporary. Three sets of essays explore different forms of architectural time, particularly as they shape the differences between(...)
AA words 13: Flash in the pan
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In this collection of mediations on what Baudelaire championed (and Michael Fried chastised) as presentness, Lavin investigates the convergence of notions such as liveness, the provisional and the obsolete in revealing qualities of the contemporary. Three sets of essays explore different forms of architectural time, particularly as they shape the differences between history, theory and criticism as genres of writing.
Théorie de l’architecture
Planet of slums
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From the sprawling barricadas of Lima to the garbage hills of Manila, urbanization has been disconnected from industrialization, even economic growth. Davis portrays a vast humanity warehoused in shantytowns and exiled from the formal world economy. He argues that the rise of this informal urban proletariat is a wholly original development unforeseen by either classical(...)
Planet of slums
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From the sprawling barricadas of Lima to the garbage hills of Manila, urbanization has been disconnected from industrialization, even economic growth. Davis portrays a vast humanity warehoused in shantytowns and exiled from the formal world economy. He argues that the rise of this informal urban proletariat is a wholly original development unforeseen by either classical Marxism or neo-liberal theory
Théorie de l’urbanisme