5377 Résultats
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined. In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to(...)
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined. In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to(...)
Titre:
Culture strike: art and museums in an age of protest
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined. In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Culture strike: art and museums in an age of protest
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined. In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Classification:
livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Hip-hop Architecture
Hip-hop Architecture
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$52.50
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"This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This(...)
$52.50
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"This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This(...)
Titre:
Hip-hop Architecture
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$52.50
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"This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other." As architecture grapples with its own racist legacy, "Hip-Hop architecture" outlines a powerful new manifesto- the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that embody the creative energies in hip-hop, it is a newly expanding design philosophy which sees architecture as a distinct part of hip-hop's cultural expression, and which uses hip-hop as a lens through which to provoke new architectural ideas. Examining the present and the future of "Hip-Hop architecture," the book also explores its historical antecedents and its theory, placing it in a wider context both within architecture and within Black and African American movements. Throughout, the work is illustrated with inspirational case studies of architectural projects and creative practices, and interspersed with interludes and interviews with key architects, designers, and academics in the field. This is a vital and provocative work that will appeal to architects, designers, students, theorists, and anyone interested in a fresh view of architecture, design, race and culture.
Hip-hop Architecture
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$52.50
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"This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other." As architecture grapples with its own racist legacy, "Hip-Hop architecture" outlines a powerful new manifesto- the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that embody the creative energies in hip-hop, it is a newly expanding design philosophy which sees architecture as a distinct part of hip-hop's cultural expression, and which uses hip-hop as a lens through which to provoke new architectural ideas. Examining the present and the future of "Hip-Hop architecture," the book also explores its historical antecedents and its theory, placing it in a wider context both within architecture and within Black and African American movements. Throughout, the work is illustrated with inspirational case studies of architectural projects and creative practices, and interspersed with interludes and interviews with key architects, designers, and academics in the field. This is a vital and provocative work that will appeal to architects, designers, students, theorists, and anyone interested in a fresh view of architecture, design, race and culture.
Classification:
livres
livres
Publication:
avril 2021
avril 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$27.00
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
$27.00
(disponible en magasin)
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
Sujet:
Publications du CCA
Publications du CCA
Publication:
janvier 2022
janvier 2022
Titre:
The Museum Is Not Enough, Num.10-14
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$27.00
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
The Museum Is Not Enough, Num.10-14
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$27.00
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Résumé:
As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
Classification:
livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Publications du CCA
Publications du CCA
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livres
livres
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$76.00
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Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea,(...)
$76.00
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Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea,(...)
Sujet:
Création de mode
Création de mode
Publication:
septembre 2022
septembre 2022
Titre:
Atelier Zanolli: Fabrics, fashion, craft 1905-1939
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$76.00
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Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea, and Zoe Zanolli. The cultural and stylistic influences manifested in the Zanollis’ visually appealing products range from the avant-garde to an aesthetic forged by a spirit of intellectual national defense against the increasing threat of the totalitarian regimes in Nazi Germany, fascist Italy, and the communist Soviet Union, that was prevalent in Switzerland in the 1930s. Driven by a striving for artistic self-realization, the atelier defied the many economic challenges of the period and carried out many commissions for Zurich’s leading textile businesses and department stores. This book traces the history of Atelier Zanolli, places its work in the context of the growth of Zurich and the Swiss textile industry in the first half of the twentieth century, and for the first time positions the “Zanolli style” internationally. More than six hundred images show the wealth of colors and shapes in a veritable cosmos of textiles and crafted objects, as well as templates, sketches, private photographs, business cards, and letters. The essays illuminate the techniques and work processes used, discuss entire motif families and unique designs, and grant rare comprehensive insight into the tastes of the time.
Atelier Zanolli: Fabrics, fashion, craft 1905-1939
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$76.00
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Résumé:
Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea, and Zoe Zanolli. The cultural and stylistic influences manifested in the Zanollis’ visually appealing products range from the avant-garde to an aesthetic forged by a spirit of intellectual national defense against the increasing threat of the totalitarian regimes in Nazi Germany, fascist Italy, and the communist Soviet Union, that was prevalent in Switzerland in the 1930s. Driven by a striving for artistic self-realization, the atelier defied the many economic challenges of the period and carried out many commissions for Zurich’s leading textile businesses and department stores. This book traces the history of Atelier Zanolli, places its work in the context of the growth of Zurich and the Swiss textile industry in the first half of the twentieth century, and for the first time positions the “Zanolli style” internationally. More than six hundred images show the wealth of colors and shapes in a veritable cosmos of textiles and crafted objects, as well as templates, sketches, private photographs, business cards, and letters. The essays illuminate the techniques and work processes used, discuss entire motif families and unique designs, and grant rare comprehensive insight into the tastes of the time.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Création de mode
Création de mode
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livres
livres
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$17.95
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Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia,(...)
$17.95
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Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia,(...)
Titre:
Yayoi Kusuma : Infinity mirror room - Phalli's Field
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Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia, it seemed to embody all that the 1960s was about, while at the same time denying the prevailing aesthetics of its time. The installation itself was a room lined with mirrored panels and carpeted with several hundred brightly polka-dotted soft fabric protrusions into which the visitor was completely absorbed. Kusama simply called it "a sublime, miraculous field of phalluses." A precursor of performance-based feminist art practice, media pranksterism, and "Occupy" movements, Kusama (born in 1929) was once as well known as her admirers - Andy Warhol, Donald Judd, and Joseph Cornell. In this first monograph on an epoch-defining work, Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) "obsessional art." Applin also discusses Kusama's relationship to her contemporaries, particularly those working with environments, abstract-erotic sculpture, and mirrors, and those grappling with such issues as abstraction, eroticism, sexuality, and softness. The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.
Yayoi Kusuma : Infinity mirror room - Phalli's Field
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$17.95
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Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia, it seemed to embody all that the 1960s was about, while at the same time denying the prevailing aesthetics of its time. The installation itself was a room lined with mirrored panels and carpeted with several hundred brightly polka-dotted soft fabric protrusions into which the visitor was completely absorbed. Kusama simply called it "a sublime, miraculous field of phalluses." A precursor of performance-based feminist art practice, media pranksterism, and "Occupy" movements, Kusama (born in 1929) was once as well known as her admirers - Andy Warhol, Donald Judd, and Joseph Cornell. In this first monograph on an epoch-defining work, Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) "obsessional art." Applin also discusses Kusama's relationship to her contemporaries, particularly those working with environments, abstract-erotic sculpture, and mirrors, and those grappling with such issues as abstraction, eroticism, sexuality, and softness. The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.
Classification:
livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Description:
427 pages : illustrations, maps ; 23 cm.
Description:
427 pages : illustrations, maps ; 23 cm.
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Québec : Presses de l'Universite Laval, ©2010.
Québec : Presses de l'Universite Laval, ©2010.
Titre:
Voyage en Orient (1839-1840) : journal d'un voyageur curieux du monde et d'un pionnier de la daguerréotypie / Pierre-Gustave Joly de Lotbinière ; présentation et mise en contexte par Jacques Desautels ; texte du journal établi par Georges Aubin et Renée Blanchet, avec la collaboration de Jacques Desautels.
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Description:
427 pages : illustrations, maps ; 23 cm.
Voyage en Orient (1839-1840) : journal d'un voyageur curieux du monde et d'un pionnier de la daguerréotypie / Pierre-Gustave Joly de Lotbinière ; présentation et mise en contexte par Jacques Desautels ; texte du journal établi par Georges Aubin et Renée Blanchet, avec la collaboration de Jacques Desautels.
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Description:
427 pages : illustrations, maps ; 23 cm.
Classification:
livres
livres
Publication:
Québec : Presses de l'Universite Laval, ©2010.
Québec : Presses de l'Universite Laval, ©2010.
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périodiques
périodiques
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New York : Alexander Montgomery
New York : Alexander Montgomery
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périodiques
périodiques
Publication:
New York : Alexander Montgomery
New York : Alexander Montgomery
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Classification:
périodiques
périodiques
Titre:
Décisions marketing : DM.
Décisions marketing : DM.
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Paris : Association française du marketing, 1993-
Paris : Association française du marketing, 1993-
Classification:
périodiques
périodiques
Publication:
Paris : Association française du marketing, 1993-
Paris : Association française du marketing, 1993-
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livres
livres
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$79.25
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Résumé:
'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always(...)
$79.25
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always(...)
Titre:
Bruno Ninaber van Eyben with compliments
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$79.25
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always keeping in touch with the end product's poetic quality. Among other classics he gave the wristwatch (1973), the neck watch (1976) and the TL lamp (1977) to the world. His watches are still commercially successful. In 1980 Ninaber designed the Dutch coin series with the portrait of H.M. Queen Beatrix and eighteen years later his design won the competition for the Dutch side of the Euro coin. His products grace museum collections in the Netherlands and also abroad, notably at the Museum of Modern Art in New York. Together with Wolfram Peters and Peter Krouwel he founded the industrial design studio n|p|k in 1985. He was its co-director for twelve years. In 1997 he started a new office, Bruno Ninaber van Eyben design & production. It develops high-quality and sometimes more personal products independently and for a limited number of customers, such as the Prime Minister's national gift, the chairperson's gavel for Parliament and the new chain of office for the mayor of Papendrecht, a small town near Rotterdam. "With compliments" is not a traditional monograph. It is mainly a story in images, showing Ninaber's products and sources of inspiration. Short, strong statements underline the images and provide them with a context.
Bruno Ninaber van Eyben with compliments
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$79.25
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always keeping in touch with the end product's poetic quality. Among other classics he gave the wristwatch (1973), the neck watch (1976) and the TL lamp (1977) to the world. His watches are still commercially successful. In 1980 Ninaber designed the Dutch coin series with the portrait of H.M. Queen Beatrix and eighteen years later his design won the competition for the Dutch side of the Euro coin. His products grace museum collections in the Netherlands and also abroad, notably at the Museum of Modern Art in New York. Together with Wolfram Peters and Peter Krouwel he founded the industrial design studio n|p|k in 1985. He was its co-director for twelve years. In 1997 he started a new office, Bruno Ninaber van Eyben design & production. It develops high-quality and sometimes more personal products independently and for a limited number of customers, such as the Prime Minister's national gift, the chairperson's gavel for Parliament and the new chain of office for the mayor of Papendrecht, a small town near Rotterdam. "With compliments" is not a traditional monograph. It is mainly a story in images, showing Ninaber's products and sources of inspiration. Short, strong statements underline the images and provide them with a context.
Classification:
livres
livres
Publication:
janvier 2002, Rotterdam
janvier 2002, Rotterdam
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Prix:
$29.95
(disponible sur commande)
Résumé:
What is a sustainable community? The pressing need to answer this simple question is what prompted John Pierce and Ann Dale to gather the essays in this volume. Communities, Development, and Sustainability across Canada is a timely synthesis of work on how Canadian communities can achieve sustainable development. It bridges the gap between theory and praxis and brings(...)
$29.95
(disponible sur commande)
Résumé:
What is a sustainable community? The pressing need to answer this simple question is what prompted John Pierce and Ann Dale to gather the essays in this volume. Communities, Development, and Sustainability across Canada is a timely synthesis of work on how Canadian communities can achieve sustainable development. It bridges the gap between theory and praxis and brings(...)
Sujet:
Architecture de Montréal
Architecture de Montréal
Publication:
janvier 1900, Vancouver
janvier 1900, Vancouver
Titre:
Communities, development, and sustainability across Canada
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$29.95
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Résumé:
What is a sustainable community? The pressing need to answer this simple question is what prompted John Pierce and Ann Dale to gather the essays in this volume. Communities, Development, and Sustainability across Canada is a timely synthesis of work on how Canadian communities can achieve sustainable development. It bridges the gap between theory and praxis and brings together academics, policy makers, and community activists, all of whom have argued for increased local participation in sustainable community development. Communities have become the weak link in efforts to refashion relations between the environment and the economy. The goal of this book is not simply to describe problems but also to suggest answers, not simply to offer theory but also to promote action, so that Canadian communities can better achieve sustain-able development. The twelve essays are organized into four sections: Vision, Connections, Action, and Assessing Progress. The first and last sections discuss local sustainable development within the context of increasing globalization. The second section approaches sustainable development from the perspective of social evolution and urban systems. The third section, the heart of the book, is comprised of three community case studies, an assessment of the Pacific salmon fishery, and four general discussions of sustainable development. The conclusion reiterates the need to make communities stronger links in sustainable development. The message of "Communities, development, and sustainability across Canada" is clear: it is time for communities themselves to act if they are to achieve sustainable development. This book will prove to be a valuable guide to taking the first steps.
Communities, development, and sustainability across Canada
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Prix:
$29.95
(disponible sur commande)
Résumé:
What is a sustainable community? The pressing need to answer this simple question is what prompted John Pierce and Ann Dale to gather the essays in this volume. Communities, Development, and Sustainability across Canada is a timely synthesis of work on how Canadian communities can achieve sustainable development. It bridges the gap between theory and praxis and brings together academics, policy makers, and community activists, all of whom have argued for increased local participation in sustainable community development. Communities have become the weak link in efforts to refashion relations between the environment and the economy. The goal of this book is not simply to describe problems but also to suggest answers, not simply to offer theory but also to promote action, so that Canadian communities can better achieve sustain-able development. The twelve essays are organized into four sections: Vision, Connections, Action, and Assessing Progress. The first and last sections discuss local sustainable development within the context of increasing globalization. The second section approaches sustainable development from the perspective of social evolution and urban systems. The third section, the heart of the book, is comprised of three community case studies, an assessment of the Pacific salmon fishery, and four general discussions of sustainable development. The conclusion reiterates the need to make communities stronger links in sustainable development. The message of "Communities, development, and sustainability across Canada" is clear: it is time for communities themselves to act if they are to achieve sustainable development. This book will prove to be a valuable guide to taking the first steps.
Classification:
livres
livres
Publication:
janvier 1900, Vancouver
janvier 1900, Vancouver
Sujet:
Architecture de Montréal
Architecture de Montréal
