555 Résultats
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Feldman is now widely recognized, alongside John Cage and Edgard Varèse, as one of the foremost American composers of the twentieth century. Despite his reputation, he remains poorly represented in published literature. Feldman loved to talk. This lifelong passion is demonstrated in the many interviews and lectures Morton Feldman gave about his life and work. Over the(...)
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Feldman is now widely recognized, alongside John Cage and Edgard Varèse, as one of the foremost American composers of the twentieth century. Despite his reputation, he remains poorly represented in published literature. Feldman loved to talk. This lifelong passion is demonstrated in the many interviews and lectures Morton Feldman gave about his life and work. Over the(...)
Titre:
Morton Feldman says : selected interviews and lectures 1964-1987
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Feldman is now widely recognized, alongside John Cage and Edgard Varèse, as one of the foremost American composers of the twentieth century. Despite his reputation, he remains poorly represented in published literature. Feldman loved to talk. This lifelong passion is demonstrated in the many interviews and lectures Morton Feldman gave about his life and work. Over the past seven years, editor Chris Villars has collected and published many of Feldman’s interviews online, a selection of which is now available for the first time in this book. The book is certainly an important addition to the literature of Feldman. Morton Feldman says can also be enjoyed for the pleasure that Feldman’s words offer, and for the illumination that they give to anyone who is making work in art or design. Morton Feldman says features 21 interviews and notes on conversations spanning 23 years of Feldman’s life, including conversations with Gavin Bryars, Kevin Volans, and Walter Zimmermann, as well as transcriptions of four Feldman’s lectures, held in Toronto (1982), Johannesburg (1983), and Darmstadt (1984). The publication also contains an introduction by the editor and the first English translation of Sebastian Claren’s biographical notes (originally published in Neither: Die Musik Morton Feldmans). A key element in the book is the photographs from Feldman’s life, which provide a rich accompaniment to the text.
Morton Feldman says : selected interviews and lectures 1964-1987
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Feldman is now widely recognized, alongside John Cage and Edgard Varèse, as one of the foremost American composers of the twentieth century. Despite his reputation, he remains poorly represented in published literature. Feldman loved to talk. This lifelong passion is demonstrated in the many interviews and lectures Morton Feldman gave about his life and work. Over the past seven years, editor Chris Villars has collected and published many of Feldman’s interviews online, a selection of which is now available for the first time in this book. The book is certainly an important addition to the literature of Feldman. Morton Feldman says can also be enjoyed for the pleasure that Feldman’s words offer, and for the illumination that they give to anyone who is making work in art or design. Morton Feldman says features 21 interviews and notes on conversations spanning 23 years of Feldman’s life, including conversations with Gavin Bryars, Kevin Volans, and Walter Zimmermann, as well as transcriptions of four Feldman’s lectures, held in Toronto (1982), Johannesburg (1983), and Darmstadt (1984). The publication also contains an introduction by the editor and the first English translation of Sebastian Claren’s biographical notes (originally published in Neither: Die Musik Morton Feldmans). A key element in the book is the photographs from Feldman’s life, which provide a rich accompaniment to the text.
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livres
livres
Publication:
mars 2006, London
mars 2006, London
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214 pages : illustrations (some color), plans ; 26 cm
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214 pages : illustrations (some color), plans ; 26 cm
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Los Angeles, Calif. : SCI-Arc Press in association with Getty Publications, ©2013.
Los Angeles, Calif. : SCI-Arc Press in association with Getty Publications, ©2013.
Titre:
A confederacy of heretics / edited by Todd Gannon and Ewan Branda.
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214 pages : illustrations (some color), plans ; 26 cm
A confederacy of heretics / edited by Todd Gannon and Ewan Branda.
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214 pages : illustrations (some color), plans ; 26 cm
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Los Angeles, Calif. : SCI-Arc Press in association with Getty Publications, ©2013.
Los Angeles, Calif. : SCI-Arc Press in association with Getty Publications, ©2013.
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livres
livres
Titre:
What time is it?
What time is it?
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The last book that John Berger wrote was this precious little volume about time titled What Time Is It?, now posthumously published for the first time in English by Notting Hill Editions. Berger died before it was completed, but the text has been assembled and illustrated by his longtime collaborator and friend Selçuk Demirel, and has an introduction by Maria Nadotti. (...)
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The last book that John Berger wrote was this precious little volume about time titled What Time Is It?, now posthumously published for the first time in English by Notting Hill Editions. Berger died before it was completed, but the text has been assembled and illustrated by his longtime collaborator and friend Selçuk Demirel, and has an introduction by Maria Nadotti. (...)
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What time is it?
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The last book that John Berger wrote was this precious little volume about time titled What Time Is It?, now posthumously published for the first time in English by Notting Hill Editions. Berger died before it was completed, but the text has been assembled and illustrated by his longtime collaborator and friend Selçuk Demirel, and has an introduction by Maria Nadotti. What Time Is It? is a profound and playful meditation on the illusory nature of time. Berger, the great art critic and Man Booker Prize–winning author, reflects on what time has come to mean to us in modern life. Our perception of time assumes a uniform and ceaseless passing of time, yet time is turbulent. It expands and contracts according to the intensity of the lived moment. We talk of time “saved” in a hundred household appliances; time, like money, is exchanged for the content it lacks. Berger posits the idea that time can lengthen lifetimes once we seize the present moment. “What-is-to-come, what-is-to-be-gained empties what-is.”
What time is it?
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The last book that John Berger wrote was this precious little volume about time titled What Time Is It?, now posthumously published for the first time in English by Notting Hill Editions. Berger died before it was completed, but the text has been assembled and illustrated by his longtime collaborator and friend Selçuk Demirel, and has an introduction by Maria Nadotti. What Time Is It? is a profound and playful meditation on the illusory nature of time. Berger, the great art critic and Man Booker Prize–winning author, reflects on what time has come to mean to us in modern life. Our perception of time assumes a uniform and ceaseless passing of time, yet time is turbulent. It expands and contracts according to the intensity of the lived moment. We talk of time “saved” in a hundred household appliances; time, like money, is exchanged for the content it lacks. Berger posits the idea that time can lengthen lifetimes once we seize the present moment. “What-is-to-come, what-is-to-be-gained empties what-is.”
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Littérature et poésie
Littérature et poésie
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audio
audio
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1 online resource.
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[Place of publication not identified] : e-flux, 2019.
[Place of publication not identified] : e-flux, 2019.
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audio
audio
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[Place of publication not identified] : e-flux, 2019.
[Place of publication not identified] : e-flux, 2019.
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audio
audio
Titre:
The Oldest Barber
The Oldest Barber
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1 online resource (1 audio file)
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Momus 2025
Momus 2025
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audio
audio
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Momus 2025
Momus 2025
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livres
livres
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$60.00
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Hans Hollein (1934–2014), Austria’s only Pritzker Prize laureate and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein’s immense personality. "Hollein calling: Architectural dialogues" explores the Hollein phenomenon from a contemporary(...)
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Hans Hollein (1934–2014), Austria’s only Pritzker Prize laureate and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein’s immense personality. "Hollein calling: Architectural dialogues" explores the Hollein phenomenon from a contemporary(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
janvier 2024
janvier 2024
Titre:
Hollein calling: Architectural dialogues
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Hans Hollein (1934–2014), Austria’s only Pritzker Prize laureate and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein’s immense personality. "Hollein calling: Architectural dialogues" explores the Hollein phenomenon from a contemporary perspective. In dialogue with the positions of a younger generation, this book revaluates and brings back into the current discourse Hollein’s thinking and designs. The first part offers interviews with fifteen European firms in which they talk about their relationship to Hollein and his oeuvre, ranging from profound knowledge or selective admiration of specific aspects to skepticism and criticism. Topics such as cultural identity, visual worlds, design tools, and architecture as an independent cultural production run as a thread through these conversations. The second part features a selection of Hollein’s buildings through sketches, models, photographs, prototypes, and documents from the Archive Hans Hollein, Az W and MAK, Vienna—many of which are published here for the first time—as well as new contextualizing texts. The two sections are connected by a grid of key terms formed from pertinent texts and images.
Hollein calling: Architectural dialogues
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Hans Hollein (1934–2014), Austria’s only Pritzker Prize laureate and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein’s immense personality. "Hollein calling: Architectural dialogues" explores the Hollein phenomenon from a contemporary perspective. In dialogue with the positions of a younger generation, this book revaluates and brings back into the current discourse Hollein’s thinking and designs. The first part offers interviews with fifteen European firms in which they talk about their relationship to Hollein and his oeuvre, ranging from profound knowledge or selective admiration of specific aspects to skepticism and criticism. Topics such as cultural identity, visual worlds, design tools, and architecture as an independent cultural production run as a thread through these conversations. The second part features a selection of Hollein’s buildings through sketches, models, photographs, prototypes, and documents from the Archive Hans Hollein, Az W and MAK, Vienna—many of which are published here for the first time—as well as new contextualizing texts. The two sections are connected by a grid of key terms formed from pertinent texts and images.
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livres
livres
Publication:
janvier 2024
janvier 2024
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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248 pages : illustrations (some color) ; 29 cm
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248 pages : illustrations (some color) ; 29 cm
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Barcelona : Fundació Mies van der Rohe Barcelona : Tenov Books ; [Chicago, Ill.] : Distribution, University of Chicago Press, [2018], ©2018
Barcelona : Fundació Mies van der Rohe Barcelona : Tenov Books ; [Chicago, Ill.] : Distribution, University of Chicago Press, [2018], ©2018
Titre:
Mies van der Rohe : Barcelona 1929.
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248 pages : illustrations (some color) ; 29 cm
Mies van der Rohe : Barcelona 1929.
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248 pages : illustrations (some color) ; 29 cm
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Barcelona : Fundació Mies van der Rohe Barcelona : Tenov Books ; [Chicago, Ill.] : Distribution, University of Chicago Press, [2018], ©2018
Barcelona : Fundació Mies van der Rohe Barcelona : Tenov Books ; [Chicago, Ill.] : Distribution, University of Chicago Press, [2018], ©2018
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xi, 375 pages : illustrations (some color), maps (chiefly color) ; 23 cm
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xi, 375 pages : illustrations (some color), maps (chiefly color) ; 23 cm
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Oakland, California : University of California Press, [2022]
Oakland, California : University of California Press, [2022]
Titre:
A people's guide to New York City / Carolina Bank Muñoz, Penny Lewis, Emily Tumpson Molina.
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xi, 375 pages : illustrations (some color), maps (chiefly color) ; 23 cm
A people's guide to New York City / Carolina Bank Muñoz, Penny Lewis, Emily Tumpson Molina.
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xi, 375 pages : illustrations (some color), maps (chiefly color) ; 23 cm
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Oakland, California : University of California Press, [2022]
Oakland, California : University of California Press, [2022]
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audio
audio
Titre:
Applying Your Attention.
Applying Your Attention.
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1 online resource.
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[Place of publication not identified] : Momus, 2024.
[Place of publication not identified] : Momus, 2024.
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audio
audio
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[Place of publication not identified] : Momus, 2024.
[Place of publication not identified] : Momus, 2024.
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$27.00
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
Sujet:
Publications du CCA
Publications du CCA
Publication:
janvier 2022
janvier 2022
Titre:
The Museum Is Not Enough, Num.10-14
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
The Museum Is Not Enough, Num.10-14
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$27.00
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
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livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Publications du CCA
Publications du CCA
