5881 Résultats
Classification:
né numérique
né numérique
Numéro de référence:
CD041.S1.004
Description:
File includes both a disk image and digital files carved from the disk image using the Sleuth Kit command line utility tsk_recover. Most common file formats: Unidentified, DVD data file and backup data file, Video Object File (MPEG-2 subset), OLE2 Compound Document Format. One video file contains approximately 25 minutes of an interview with Eva Vescei on June 26, 2012 and used in the film "The Spirit of it... tout était possible !" Other video files, likely containing the rest of the interview, are empty and cannot be watched.
CD041.S1.004
Description:
File includes both a disk image and digital files carved from the disk image using the Sleuth Kit command line utility tsk_recover. Most common file formats: Unidentified, DVD data file and backup data file, Video Object File (MPEG-2 subset), OLE2 Compound Document Format. One video file contains approximately 25 minutes of an interview with Eva Vescei on June 26, 2012 and used in the film "The Spirit of it... tout était possible !" Other video files, likely containing the rest of the interview, are empty and cannot be watched.
Personnes et institutions:
Date:
2014
2014
Titre:
Interview of Eva Hollo Vecsei about Place Bonaventure, Montréal, Québec
Actions:
CD041.S1.004
Description:
File includes both a disk image and digital files carved from the disk image using the Sleuth Kit command line utility tsk_recover. Most common file formats: Unidentified, DVD data file and backup data file, Video Object File (MPEG-2 subset), OLE2 Compound Document Format. One video file contains approximately 25 minutes of an interview with Eva Vescei on June 26, 2012 and used in the film "The Spirit of it... tout était possible !" Other video files, likely containing the rest of the interview, are empty and cannot be watched.
Interview of Eva Hollo Vecsei about Place Bonaventure, Montréal, Québec
Actions:
CD041.S1.004
Description:
File includes both a disk image and digital files carved from the disk image using the Sleuth Kit command line utility tsk_recover. Most common file formats: Unidentified, DVD data file and backup data file, Video Object File (MPEG-2 subset), OLE2 Compound Document Format. One video file contains approximately 25 minutes of an interview with Eva Vescei on June 26, 2012 and used in the film "The Spirit of it... tout était possible !" Other video files, likely containing the rest of the interview, are empty and cannot be watched.
Classification:
né numérique
né numérique
Date:
2014
2014
Personnes et institutions:
Classification:
événements
événements
Actions:
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
18 septembre 2008 , 18h
18 septembre 2008 , 18h
Classification:
événements
événements
Date:
18 septembre 2008
18h
18 septembre 2008
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Personnes et institutions:
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
Titre:
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Niveau de description archivistique:
Project
Project
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
Personnes et institutions:
Classification:
né numérique
Quantité:
25 digital file(s)
né numérique
Quantité:
25 digital file(s)
Numéro de référence:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
Personnes et institutions:
Date:
2006-2014
2006-2014
Titre:
Presentation animations
Actions:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
Presentation animations
Actions:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
Classification:
né numérique
Quantité:
25 digital file(s)
né numérique
Quantité:
25 digital file(s)
Date:
2006-2014
2006-2014
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Futurecasting collection
Futurecasting collection
Numéro de référence:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Personnes et institutions:
Date:
2008-2023
2008-2023
Titre:
Futurecasting collection
Actions:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Futurecasting collection
Actions:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
2008-2023
2008-2023
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Personnes et institutions:
Date:
1982, 2005, predominant 2005
1982, 2005, predominant 2005
Titre:
Colina artificial, International Architecture Biennale Rotterdam, Leeuwarden, Netherlands (2005)
Actions:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Colina artificial, International Architecture Biennale Rotterdam, Leeuwarden, Netherlands (2005)
Actions:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Niveau de description archivistique:
Project
Project
Date:
1982, 2005, predominant 2005
1982, 2005, predominant 2005
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Personnes et institutions:
Date:
2003-2005
2003-2005
Titre:
Exhibition at the Smith College, Northampton, Massachusetts (circa 2003)
Actions:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Exhibition at the Smith College, Northampton, Massachusetts (circa 2003)
Actions:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
2003-2005
2003-2005
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic works
Academic works
Numéro de référence:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Personnes et institutions:
Date:
1995-2011
1995-2011
Titre:
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Niveau de description archivistique:
Series
Series
Date:
1995-2011
1995-2011
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
Personnes et institutions:
Date:
2005-2009
2005-2009
Titre:
Parque de Vidago Moradias Turísticas [Parque de Vidago vacation homes], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
Parque de Vidago Moradias Turísticas [Parque de Vidago vacation homes], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
Niveau de description archivistique:
Subseries
Subseries
Date:
2005-2009
2005-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
Personnes et institutions:
Date:
circa 2000-2002
circa 2000-2002
Titre:
James Stewart Centre for Mathematics, McMaster University, Hamilton, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
James Stewart Centre for Mathematics, McMaster University, Hamilton, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
Niveau de description archivistique:
project
project
Date:
circa 2000-2002
circa 2000-2002
Personnes et institutions:
