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Classification:
livres
livres
Titre:
Judy Chicago-isms
Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic(...)
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic(...)
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Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keefe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.
Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keefe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.
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livres
livres
Publication:
novembre 2023
novembre 2023
Classification:
livres
livres
Titre:
Feminism. Art. Capitalism
Feminism. Art. Capitalism
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$47.00
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and(...)
$47.00
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and(...)
Titre:
Feminism. Art. Capitalism
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$47.00
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"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and its magic), the historical context and impact of postmodernism, and the question of class and social reproduction. Provocative and uncompromising, Feminism. Art. Capitalism. offers an indispensable guide for art history, theory, and practice – inviting readers to confront what claiming art and feminism as sites of resistance actually entails.
Feminism. Art. Capitalism
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$47.00
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Résumé:
"Feminism. Art. Capitalism." calls for a revolutionary rethinking of the feminist struggle and its relation to art. Championing Marxist feminism and focusing on the layers of capitalist hegemony, the book considers the exploitation of enthusiasm in art’s promise of a self-determined subject, the ideological capture of feminism, modernity’s attachment to technology (and its magic), the historical context and impact of postmodernism, and the question of class and social reproduction. Provocative and uncompromising, Feminism. Art. Capitalism. offers an indispensable guide for art history, theory, and practice – inviting readers to confront what claiming art and feminism as sites of resistance actually entails.
Classification:
livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Unpayable Debt
Unpayable Debt
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$36.95
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to(...)
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to(...)
Titre:
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Classification:
livres
livres
Publication:
août 2022
août 2022
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$40.00
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D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs—The "Glossary of undisciplined design" presents a feminist unpacking of the field of graphic design, offering "undisciplinarity" as the solution to a discipline that has historically featured a multitude of dogmatic rules, discriminatory structures and a particularly one-sided canon.(...)
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D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs—The "Glossary of undisciplined design" presents a feminist unpacking of the field of graphic design, offering "undisciplinarity" as the solution to a discipline that has historically featured a multitude of dogmatic rules, discriminatory structures and a particularly one-sided canon.(...)
Titre:
Glossary of undisciplined design
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D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs—The "Glossary of undisciplined design" presents a feminist unpacking of the field of graphic design, offering "undisciplinarity" as the solution to a discipline that has historically featured a multitude of dogmatic rules, discriminatory structures and a particularly one-sided canon. Carried by a decidedly fragmentary and collective backbone, The Glossary of Undisciplined Design combines a multitude of theories and narratives of varying densities and forms, from visual essay, to hands-on experiment, to interview or advertorial, to poem, to speculative tale and scholarly writing.
Glossary of undisciplined design
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D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs—The "Glossary of undisciplined design" presents a feminist unpacking of the field of graphic design, offering "undisciplinarity" as the solution to a discipline that has historically featured a multitude of dogmatic rules, discriminatory structures and a particularly one-sided canon. Carried by a decidedly fragmentary and collective backbone, The Glossary of Undisciplined Design combines a multitude of theories and narratives of varying densities and forms, from visual essay, to hands-on experiment, to interview or advertorial, to poem, to speculative tale and scholarly writing.
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Classification:
livres
livres
Prix:
$65.70
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Résumé:
Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring(...)
$65.70
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Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring(...)
Publication:
novembre 2017
novembre 2017
Titre:
Architecture and feminisms: ecologies, economies, technologies
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$65.70
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Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring specific cases and positions in relation to the themes of the archive, control, work and milieu. The many voices gathered here are united by the task of putting critical concepts and feminist design tools to use in order to offer experimental approaches to the creation of a more habitable world.
Architecture and feminisms: ecologies, economies, technologies
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Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring specific cases and positions in relation to the themes of the archive, control, work and milieu. The many voices gathered here are united by the task of putting critical concepts and feminist design tools to use in order to offer experimental approaches to the creation of a more habitable world.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Classification:
livres
livres
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$28.00
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Résumé:
The Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book. Edited by feminist graphic design collective MMS(...)
$28.00
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The Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book. Edited by feminist graphic design collective MMS(...)
Publication:
mars 2020
mars 2020
Titre:
Natural enemies of books: a messy history of women in printing and typography
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$28.00
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Résumé:
The Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book. Edited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies includes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.
Natural enemies of books: a messy history of women in printing and typography
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$28.00
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Résumé:
The Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book. Edited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies includes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.
Classification:
livres
livres
Publication:
mars 2020
mars 2020
Classification:
livres
livres
Prix:
$36.95
(disponible sur commande)
Résumé:
Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the(...)
$36.95
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the(...)
Titre:
Conversation pieces : community + communication in modern art
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jürgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.
Conversation pieces : community + communication in modern art
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jürgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.
Classification:
livres
livres
Publication:
février 2004
février 2004
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$53.95
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Résumé:
These essays show Angela McRobbie reflecting on a range of issues which have political consequence for women, particularly young women, in a context where it is frequently assumed that progress has been made in the last 30 years, and that with gender issues now 'mainstreamed' in cultural and social life, the moment of feminism per se is now passed. McRobbie trenchantly(...)
$53.95
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These essays show Angela McRobbie reflecting on a range of issues which have political consequence for women, particularly young women, in a context where it is frequently assumed that progress has been made in the last 30 years, and that with gender issues now 'mainstreamed' in cultural and social life, the moment of feminism per se is now passed. McRobbie trenchantly(...)
Titre:
The aftermath of feminism: gender, culture and social change
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These essays show Angela McRobbie reflecting on a range of issues which have political consequence for women, particularly young women, in a context where it is frequently assumed that progress has been made in the last 30 years, and that with gender issues now 'mainstreamed' in cultural and social life, the moment of feminism per se is now passed. McRobbie trenchantly argues that it is precisely on these grounds that invidious forms of gender -re-stabilisation are able to be re-established. Consumer culture, she argues, encroaches on the terrain of so called female freedom, appears supportive of female success only to tie women into new post-feminist neurotic dependencies.
The aftermath of feminism: gender, culture and social change
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These essays show Angela McRobbie reflecting on a range of issues which have political consequence for women, particularly young women, in a context where it is frequently assumed that progress has been made in the last 30 years, and that with gender issues now 'mainstreamed' in cultural and social life, the moment of feminism per se is now passed. McRobbie trenchantly argues that it is precisely on these grounds that invidious forms of gender -re-stabilisation are able to be re-established. Consumer culture, she argues, encroaches on the terrain of so called female freedom, appears supportive of female success only to tie women into new post-feminist neurotic dependencies.
Classification:
livres
livres
Publication:
décembre 2008, Los Angeles, London
décembre 2008, Los Angeles, London
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Paris Review Winter 2025
Paris Review Winter 2025
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$26.99
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Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.” Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.” Prose by(...)
$26.99
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Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.” Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.” Prose by(...)
Titre:
Paris Review Winter 2025
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$26.99
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Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.” Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.” Prose by Eve Babitz, Marlene Morgan, Alec Niedenthal, Gwendoline Riley, and Elias Rodriques. Poetry by Millicent Borges Accardi, Monzer Masri, Alice Oswald, Jana Prikryl, and Ed Roberson. Art by Ali Banisadr, Pippa Garner, Joan Jonas, and Mieko Meguro; cover by Adebunmi Gbadebo.
Paris Review Winter 2025
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$26.99
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Résumé:
Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.” Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.” Prose by Eve Babitz, Marlene Morgan, Alec Niedenthal, Gwendoline Riley, and Elias Rodriques. Poetry by Millicent Borges Accardi, Monzer Masri, Alice Oswald, Jana Prikryl, and Ed Roberson. Art by Ali Banisadr, Pippa Garner, Joan Jonas, and Mieko Meguro; cover by Adebunmi Gbadebo.
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Revues
Revues
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livres
livres
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In ''Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism'', Françoise Vergès examines the racial and gendered politics of wasting lands, bodies, and resources and the organized deprivation of clean water, shelter, and access to health services—in other words, the structural denial, along racial lines, of vital needs. Through 38 short sections,(...)
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In ''Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism'', Françoise Vergès examines the racial and gendered politics of wasting lands, bodies, and resources and the organized deprivation of clean water, shelter, and access to health services—in other words, the structural denial, along racial lines, of vital needs. Through 38 short sections,(...)
Titre:
Making the world clean: Wasted lives, wated environment, and racial capitalism
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In ''Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism'', Françoise Vergès examines the racial and gendered politics of wasting lands, bodies, and resources and the organized deprivation of clean water, shelter, and access to health services—in other words, the structural denial, along racial lines, of vital needs. Through 38 short sections, she looks at the social relations that have made cleaning into drudgery and into a racialized, gendered, poorly paid job that is nevertheless necessary for any society to function. She concludes with the proposition of a feminist, decolonial, antiracist, anti-patriarchal, and anti-capitalist politics of cleaning. Or, simply put, of “decolonial cleaning.”
Making the world clean: Wasted lives, wated environment, and racial capitalism
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In ''Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism'', Françoise Vergès examines the racial and gendered politics of wasting lands, bodies, and resources and the organized deprivation of clean water, shelter, and access to health services—in other words, the structural denial, along racial lines, of vital needs. Through 38 short sections, she looks at the social relations that have made cleaning into drudgery and into a racialized, gendered, poorly paid job that is nevertheless necessary for any society to function. She concludes with the proposition of a feminist, decolonial, antiracist, anti-patriarchal, and anti-capitalist politics of cleaning. Or, simply put, of “decolonial cleaning.”
Classification:
livres
livres
Publication:
octobre 2024
octobre 2024
Sujet:
Théorie/ philosophie
Théorie/ philosophie
