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This book presents all the materials donated by Bruno Munari to the Centro Studi e Archivio della Comunicazione. Thirty years after the first exhibition, the whole fund is being published with new classifications and studies along with two 'historical' essays testifying to the enduring ties between Bruno Munari and the CSAC.
Bruno Munari: Il disegno, il design
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This book presents all the materials donated by Bruno Munari to the Centro Studi e Archivio della Comunicazione. Thirty years after the first exhibition, the whole fund is being published with new classifications and studies along with two 'historical' essays testifying to the enduring ties between Bruno Munari and the CSAC.
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191 pages : illustrations ; 27 cm
Firenze : Alinea, 1995.
Progettare alberghi : la grand hall / a cura di Simone Micheli.
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191 pages : illustrations ; 27 cm
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Firenze : Alinea, 1995.
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Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by(...)
Design, monographies
janvier 2002, Rotterdam
Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by the width of his scope. He designs on the run as it were and the objects he creates seem to be of minor importance among the ideas and activities that surround them. Some products take less than a minute to come alive. He can be sketching ideas about material qualities, production, use and image without having a particular functionality in mind and seeks to minimize effort for everyone involved, the producer, the person who makes the product, the one who sells it and the user too. As a teacher he may be maximizing the effort his students must make in order for them to discover what it means to be a designer. This monography, written by Ida van Zijl, Gert Staal, Schwartz and Ed van Hinte (ed.) and including interviews with, among others, commissioners from VITRA and Authentics, describes and analyses Annink's work as an exhibition and product designer, an educator and a project initiator.
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janvier 2002, Rotterdam
Design, monographies
$42.00
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Digital Design: A Critical Introduction provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it addresses some fundamental questions about creative design with digital media.
Digital design : a critical introduction
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Digital Design: A Critical Introduction provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it addresses some fundamental questions about creative design with digital media.
Expositions en cours
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Over the past few years the debate concerning the traditional relationships between art and design, largely based on a division of ground and on more or less accepted hierarchical relationships, has intensified. New intrigues have built up between art and design, different modalities have to be examined.
Expositions collectives
août 2009
Ac/dc contemporary art contemporary design
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Over the past few years the debate concerning the traditional relationships between art and design, largely based on a division of ground and on more or less accepted hierarchical relationships, has intensified. New intrigues have built up between art and design, different modalities have to be examined.
Expositions collectives
livres
Description:
237 pages : illustrations ; 27 cm.
Santa Monica, CA : Getty Center for the History of Art and the Humanities, 1995.
Building in France, building in iron, building in ferroconcrete / Sigfried Giedion ; introduction by Sokratis Georgiadis ; translation by J. Duncan Berry.
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237 pages : illustrations ; 27 cm.
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Santa Monica, CA : Getty Center for the History of Art and the Humanities, 1995.
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32 leaves : illustrations ; 28 cm
[East Lansing, Mich.] : [Kresge Art Museum], [1990]
Affordable dreams, the Goetsch-Winckler House by Frank Lloyd Wright : guide for educators / by Michele Ferris.
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32 leaves : illustrations ; 28 cm
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[East Lansing, Mich.] : [Kresge Art Museum], [1990]
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23 pages : illustrations, plans ; 22 x 24 cm
[Skopje] : Izdava Sojuzot na društvata na arhitekti na Makedonija i Arhitektonski fakultet Skopje, 1989.
40 godini architektonski fakultet Skopje : 1949-1989.
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23 pages : illustrations, plans ; 22 x 24 cm
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[Skopje] : Izdava Sojuzot na društvata na arhitekti na Makedonija i Arhitektonski fakultet Skopje, 1989.
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Painter, engraver and printer, designer, collector, stylist, refined craftsman, art gallery manager and exhibition promoter, Piero Fornasetti was an extremely rich and complex personality. He designed and made approximately 13,000 objects and decorations. His world is animated by the rigour of project, of art and craftsmanship, but also by unbridled fantasy, surrealist(...)
Piero Fornasetti: one hundred years of practical madness
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Painter, engraver and printer, designer, collector, stylist, refined craftsman, art gallery manager and exhibition promoter, Piero Fornasetti was an extremely rich and complex personality. He designed and made approximately 13,000 objects and decorations. His world is animated by the rigour of project, of art and craftsmanship, but also by unbridled fantasy, surrealist invention and poetry. This book accompanies the exhibition of the Triennale Design Museum, curated by Barnaba Fornasetti, the first grand and unprecedented exhibition in Italy of the artist’s work.
Design, monographies
Focus green 2008
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This catalogue is published to accompany the exhibition Focus Green, Baden-Wüettemberg International Design Award 2008 and Mia Seeger Prize 2008. 18 October - 30 November 2008
Focus green 2008
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$66.00
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This catalogue is published to accompany the exhibition Focus Green, Baden-Wüettemberg International Design Award 2008 and Mia Seeger Prize 2008. 18 October - 30 November 2008
Design industriel