5514 Résultats
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"On the dance floor," a visual and literary compendium of nightclub revelries and sweat-soaked gymnasiums on-screen and off. Featuring deep dives into cinema’s most iconic dance moments and contributions from dance world legends, On the Dance Floor spins out from high school proms and house parties to discos, raves, and the joys of dancing on your own. Features a(...)
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"On the dance floor," a visual and literary compendium of nightclub revelries and sweat-soaked gymnasiums on-screen and off. Featuring deep dives into cinema’s most iconic dance moments and contributions from dance world legends, On the Dance Floor spins out from high school proms and house parties to discos, raves, and the joys of dancing on your own. Features a(...)
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On the dance floor: Spinning out on screen
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"On the dance floor," a visual and literary compendium of nightclub revelries and sweat-soaked gymnasiums on-screen and off. Featuring deep dives into cinema’s most iconic dance moments and contributions from dance world legends, On the Dance Floor spins out from high school proms and house parties to discos, raves, and the joys of dancing on your own. Features a foreword by Cher; dance floor dispatches from Charli XCX, Ryan Heffington, Lizzy Goodman, and more; conversations with filmmakers and choreographers including Whit Stillman and Kate Beckinsale; and original essays from writers such as Rachel Tashjian and Marlowe Granados.
On the dance floor: Spinning out on screen
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"On the dance floor," a visual and literary compendium of nightclub revelries and sweat-soaked gymnasiums on-screen and off. Featuring deep dives into cinema’s most iconic dance moments and contributions from dance world legends, On the Dance Floor spins out from high school proms and house parties to discos, raves, and the joys of dancing on your own. Features a foreword by Cher; dance floor dispatches from Charli XCX, Ryan Heffington, Lizzy Goodman, and more; conversations with filmmakers and choreographers including Whit Stillman and Kate Beckinsale; and original essays from writers such as Rachel Tashjian and Marlowe Granados.
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livres
livres
Publication:
septembre 2024
septembre 2024
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livres
livres
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$67.98
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
Titre:
Object lessons: the Bauhaus and Harvard
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Object lessons: the Bauhaus and Harvard
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$67.98
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$52.95
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most(...)
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most(...)
Publication:
janvier 2016
janvier 2016
Titre:
Belyayevo forever: a Soviet microrayon on its way to the UNESCO list
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most expansive programme of industrialised construction the world has ever seen. Belyayevo’s buildings, and the desolate spaces between them, are identical to thousands of others, but is it different? Kuba Snopek argues that it is. Home to many of the artists of the Moscow Conceptualism school, the place was written into the character of their art. Snopek argues that this intangible heritage is the key to saving a neighbourhood many feel has had its day. But as Russia comes to terms with ist Soviet legacy, will such arguments fall on deaf ears?
Belyayevo forever: a Soviet microrayon on its way to the UNESCO list
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$52.95
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Résumé:
Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most expansive programme of industrialised construction the world has ever seen. Belyayevo’s buildings, and the desolate spaces between them, are identical to thousands of others, but is it different? Kuba Snopek argues that it is. Home to many of the artists of the Moscow Conceptualism school, the place was written into the character of their art. Snopek argues that this intangible heritage is the key to saving a neighbourhood many feel has had its day. But as Russia comes to terms with ist Soviet legacy, will such arguments fall on deaf ears?
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livres
livres
Publication:
janvier 2016
janvier 2016
Classification:
livres
livres
Titre:
Architects draw
Architects draw
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Architects Draw offers a practical and invaluable way to help students and would-be sketchers translate what they see onto the page, not as an imitation of reality, but as a comprehensive union of voids and solids, light and shadows, lines and shapes. For over forty years revered Cooper Union professor and artist Sue Gussow has taught aspiring architects of varying(...)
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Architects Draw offers a practical and invaluable way to help students and would-be sketchers translate what they see onto the page, not as an imitation of reality, but as a comprehensive union of voids and solids, light and shadows, lines and shapes. For over forty years revered Cooper Union professor and artist Sue Gussow has taught aspiring architects of varying(...)
Publication:
juin 2008, New York
juin 2008, New York
Titre:
Architects draw
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Architects Draw offers a practical and invaluable way to help students and would-be sketchers translate what they see onto the page, not as an imitation of reality, but as a comprehensive union of voids and solids, light and shadows, lines and shapes. For over forty years revered Cooper Union professor and artist Sue Gussow has taught aspiring architects of varying abilities how to fully observe and perceive the spaces that make up our physical environment. Gussow skillfully applies architectural language to twenty-five drawing exercises that tackle a variety of forms–from peas in a pod to monkeys, skeletons, dinosaur bones, and the art of Giacometti and Mondrian. She shows, for example, how cut fruit and paper bags reveal that the physical world is made up of planes, dimensions, and enclosed space. Architects Draw features examples from postgraduate architectural practice that explicitly connect drawing to the world of architecture. It also includes a guide to artists' materials, a visual checklist of quick drawing exercises, and other invaluable information that can be detached from the book for quick reference. This unique course provides a solid foundation for anyone interested in using drawing as a visual language to describe architecture. Sue Ferguson Gussow is a figurative painter who works in a wide range of drawing and painting media. A graduate of The Cooper Union, Columbia University, and Tulane University, Gussow has served on the faculties of both the School of Art and The Irwin S. Chanin School of Architecture at The Cooper Union and has taught and lectured at several universities and art institutions, among them Yale, Columbia, Bennington, New York University, Maryland Art Institute, Parsons School of Design and the Frick Collection. Now Professor Emerita of the Irwin S. Chanin School of Architecture of the Cooper Union, she has designed and taught Freehand Drawing for three decades and presently teaches the Advanced Drawing Seminar in the School of Architecture.
Architects draw
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Architects Draw offers a practical and invaluable way to help students and would-be sketchers translate what they see onto the page, not as an imitation of reality, but as a comprehensive union of voids and solids, light and shadows, lines and shapes. For over forty years revered Cooper Union professor and artist Sue Gussow has taught aspiring architects of varying abilities how to fully observe and perceive the spaces that make up our physical environment. Gussow skillfully applies architectural language to twenty-five drawing exercises that tackle a variety of forms–from peas in a pod to monkeys, skeletons, dinosaur bones, and the art of Giacometti and Mondrian. She shows, for example, how cut fruit and paper bags reveal that the physical world is made up of planes, dimensions, and enclosed space. Architects Draw features examples from postgraduate architectural practice that explicitly connect drawing to the world of architecture. It also includes a guide to artists' materials, a visual checklist of quick drawing exercises, and other invaluable information that can be detached from the book for quick reference. This unique course provides a solid foundation for anyone interested in using drawing as a visual language to describe architecture. Sue Ferguson Gussow is a figurative painter who works in a wide range of drawing and painting media. A graduate of The Cooper Union, Columbia University, and Tulane University, Gussow has served on the faculties of both the School of Art and The Irwin S. Chanin School of Architecture at The Cooper Union and has taught and lectured at several universities and art institutions, among them Yale, Columbia, Bennington, New York University, Maryland Art Institute, Parsons School of Design and the Frick Collection. Now Professor Emerita of the Irwin S. Chanin School of Architecture of the Cooper Union, she has designed and taught Freehand Drawing for three decades and presently teaches the Advanced Drawing Seminar in the School of Architecture.
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livres
livres
Publication:
juin 2008, New York
juin 2008, New York
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Description:
xcii, 430 pages : illustrations (some color), maps (some color) ; 21 cm
Description:
xcii, 430 pages : illustrations (some color), maps (some color) ; 21 cm
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Rotterdam : NAi Publishers, ©2007.
Rotterdam : NAi Publishers, ©2007.
Titre:
Wimby! hoogvliet : future, past and present of a new town / [edited by Michelle Provoost ; texts, Annuska Pronkhorst [and others].
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Description:
xcii, 430 pages : illustrations (some color), maps (some color) ; 21 cm
Wimby! hoogvliet : future, past and present of a new town / [edited by Michelle Provoost ; texts, Annuska Pronkhorst [and others].
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xcii, 430 pages : illustrations (some color), maps (some color) ; 21 cm
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livres
livres
Publication:
Rotterdam : NAi Publishers, ©2007.
Rotterdam : NAi Publishers, ©2007.
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$45.00
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In contrast to tabula rasa urbanism, this book considers strategies for tabula plena?urban sites that are full of existing buildings of multiple time periods. Such dense sites prompt designers to work between the fields of architecture, historic preservation, and urban planning, developing methods for collaborative authorship and interlocking architectural forms. The book(...)
$45.00
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In contrast to tabula rasa urbanism, this book considers strategies for tabula plena?urban sites that are full of existing buildings of multiple time periods. Such dense sites prompt designers to work between the fields of architecture, historic preservation, and urban planning, developing methods for collaborative authorship and interlocking architectural forms. The book(...)
Titre:
Tabula Plena: forms of urban preservation
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In contrast to tabula rasa urbanism, this book considers strategies for tabula plena?urban sites that are full of existing buildings of multiple time periods. Such dense sites prompt designers to work between the fields of architecture, historic preservation, and urban planning, developing methods for collaborative authorship and interlocking architectural forms. The book grew from a collaboration between the Oslo School of Architecture and Design and Columbia University’s Graduate School of Architecture, Planning and Preservation on the planning of the government quarter in Oslo. Emerging from this process, the book asks larger questions about how we practice, teach, and theorize engagement with existing architecture on an urban scale. It contains a compilation of short essays addressing theoretical questions, a sampling of design projects offering different formal strategies for architectural design, and a series of discussions about pedagogical strategies.
Tabula Plena: forms of urban preservation
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In contrast to tabula rasa urbanism, this book considers strategies for tabula plena?urban sites that are full of existing buildings of multiple time periods. Such dense sites prompt designers to work between the fields of architecture, historic preservation, and urban planning, developing methods for collaborative authorship and interlocking architectural forms. The book grew from a collaboration between the Oslo School of Architecture and Design and Columbia University’s Graduate School of Architecture, Planning and Preservation on the planning of the government quarter in Oslo. Emerging from this process, the book asks larger questions about how we practice, teach, and theorize engagement with existing architecture on an urban scale. It contains a compilation of short essays addressing theoretical questions, a sampling of design projects offering different formal strategies for architectural design, and a series of discussions about pedagogical strategies.
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livres
livres
Publication:
août 2016
août 2016
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livres
livres
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$30.95
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one(...)
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one(...)
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Cornelia Hahn Oberlander: making the modern landscape
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts—one of Vancouver’s most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal.
Cornelia Hahn Oberlander: making the modern landscape
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts—one of Vancouver’s most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal.
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livres
livres
Publication:
octobre 2015
octobre 2015
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livres
livres
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$32.95
(disponible en magasin)
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The Bauhaus, as we know it, never truly existed. Instead, it is a construct of clichés, interpretations, and ideological appropriations. While celebrated as the most important art school of modernity, it also reflected the decline of art and architecture under capitalism. Bauhaus Clouds takes these contradictions as a point of departure. It explores how new narratives,(...)
$32.95
(disponible en magasin)
Résumé:
The Bauhaus, as we know it, never truly existed. Instead, it is a construct of clichés, interpretations, and ideological appropriations. While celebrated as the most important art school of modernity, it also reflected the decline of art and architecture under capitalism. Bauhaus Clouds takes these contradictions as a point of departure. It explores how new narratives,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2025
septembre 2025
Titre:
Bauhaus Clouds. Challenges to the Nebula of Architectural Histories and Archives
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$32.95
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The Bauhaus, as we know it, never truly existed. Instead, it is a construct of clichés, interpretations, and ideological appropriations. While celebrated as the most important art school of modernity, it also reflected the decline of art and architecture under capitalism. Bauhaus Clouds takes these contradictions as a point of departure. It explores how new narratives, centered on architectural archives, shape Bauhaus debates. At the same time, it examines how such narratives influence both architectural culture and society’s broader relationship with building.
Bauhaus Clouds. Challenges to the Nebula of Architectural Histories and Archives
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$32.95
(disponible en magasin)
Résumé:
The Bauhaus, as we know it, never truly existed. Instead, it is a construct of clichés, interpretations, and ideological appropriations. While celebrated as the most important art school of modernity, it also reflected the decline of art and architecture under capitalism. Bauhaus Clouds takes these contradictions as a point of departure. It explores how new narratives, centered on architectural archives, shape Bauhaus debates. At the same time, it examines how such narratives influence both architectural culture and society’s broader relationship with building.
Classification:
livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Dialogue and translation
Dialogue and translation
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$23.00
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Grafton Architects have long been known for their attunement to questions of site and culture in their buildings, and their recent institutional projects show the firm’s remarkable sensitivities and talents. But Yvonne Farrell and Shelley McNamara—winners of the Silver Lion at the 2012 Venice Biennale and the 2008 World Building of the Year by the World Architecture(...)
$23.00
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Grafton Architects have long been known for their attunement to questions of site and culture in their buildings, and their recent institutional projects show the firm’s remarkable sensitivities and talents. But Yvonne Farrell and Shelley McNamara—winners of the Silver Lion at the 2012 Venice Biennale and the 2008 World Building of the Year by the World Architecture(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2014
novembre 2014
Titre:
Dialogue and translation
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$23.00
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Grafton Architects have long been known for their attunement to questions of site and culture in their buildings, and their recent institutional projects show the firm’s remarkable sensitivities and talents. But Yvonne Farrell and Shelley McNamara—winners of the Silver Lion at the 2012 Venice Biennale and the 2008 World Building of the Year by the World Architecture Festival—are equally drawn to words and ideas. This collection of lectures delivered at Columbia University’s Graduate School of Architecture, Planning, and Preservation (including the Kenneth Frampton Endowed Lecture) highlights their intellectual and literary interests, and includes a dossier of their recent work as well as critical commentary from Kenneth Frampton.
Dialogue and translation
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Grafton Architects have long been known for their attunement to questions of site and culture in their buildings, and their recent institutional projects show the firm’s remarkable sensitivities and talents. But Yvonne Farrell and Shelley McNamara—winners of the Silver Lion at the 2012 Venice Biennale and the 2008 World Building of the Year by the World Architecture Festival—are equally drawn to words and ideas. This collection of lectures delivered at Columbia University’s Graduate School of Architecture, Planning, and Preservation (including the Kenneth Frampton Endowed Lecture) highlights their intellectual and literary interests, and includes a dossier of their recent work as well as critical commentary from Kenneth Frampton.
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livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$72.95
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Josep Lluís Sert (1902–1983) was the last president of CIAM (International Congresses of Modern Architecture) and dean of the Harvard University Graduate School of Design from 1953 to 1969, where he founded the discipline of urban design. His writings offer a new view of his activities in architecture and urban planning, and provide the intellectual context for his own(...)
$72.95
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Josep Lluís Sert (1902–1983) was the last president of CIAM (International Congresses of Modern Architecture) and dean of the Harvard University Graduate School of Design from 1953 to 1969, where he founded the discipline of urban design. His writings offer a new view of his activities in architecture and urban planning, and provide the intellectual context for his own(...)
Titre:
The writings Josep Lluis Sert
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Josep Lluís Sert (1902–1983) was the last president of CIAM (International Congresses of Modern Architecture) and dean of the Harvard University Graduate School of Design from 1953 to 1969, where he founded the discipline of urban design. His writings offer a new view of his activities in architecture and urban planning, and provide the intellectual context for his own work as an architect, much of which is still controversial and often poorly understood. This book includes 16 essays dating from 1951 to 1977, ten of which are previously unpublished. The Writings of Josep Lluís Sert illuminates Sert’s contributions to 20th-century architecture, urban design, and design pedagogy, and makes clear the similarities and differences between his ideas and those of his mentor, Le Corbusier.
The writings Josep Lluis Sert
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Josep Lluís Sert (1902–1983) was the last president of CIAM (International Congresses of Modern Architecture) and dean of the Harvard University Graduate School of Design from 1953 to 1969, where he founded the discipline of urban design. His writings offer a new view of his activities in architecture and urban planning, and provide the intellectual context for his own work as an architect, much of which is still controversial and often poorly understood. This book includes 16 essays dating from 1951 to 1977, ten of which are previously unpublished. The Writings of Josep Lluís Sert illuminates Sert’s contributions to 20th-century architecture, urban design, and design pedagogy, and makes clear the similarities and differences between his ideas and those of his mentor, Le Corbusier.
Classification:
livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
