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AREA 2 features 100 of the world's most interesting emerging graphic designers, as chosen by 10 of the most respected figures in the field. The book contains over 1,500 images that reveal the talents and trends of contemporary graphic design as it has evolved over the past five years. AREA 2 is an international, up-to-the-minute overview of graphic design today, featuring(...)
novembre 2008, London, New York
Area 2: 100 graphic designers, 10 curators, 10 design classics
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AREA 2 features 100 of the world's most interesting emerging graphic designers, as chosen by 10 of the most respected figures in the field. The book contains over 1,500 images that reveal the talents and trends of contemporary graphic design as it has evolved over the past five years. AREA 2 is an international, up-to-the-minute overview of graphic design today, featuring posters, books, magazines, typography, packaging, and ephemera that has influenced visual culture.
périodiques
Les cahiers de la recherche architecturale et urbaine inter-disciplinarités no.12 / janvier 2003
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Alors que vient d'être lancé le programme pluriannuel 2002-2005 de la recherche architecturale et urbaine, soutenu par le ministère de la Culture et de la Communication, un état des lieux des productions scientifiques dans les écoles d'architecture paraissait opportun. Plutôt que de confier à des experts la rédaction de contributions sur les grandes thématiques(...)
Les cahiers de la recherche architecturale et urbaine inter-disciplinarités no.12 / janvier 2003
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Alors que vient d'être lancé le programme pluriannuel 2002-2005 de la recherche architecturale et urbaine, soutenu par le ministère de la Culture et de la Communication, un état des lieux des productions scientifiques dans les écoles d'architecture paraissait opportun. Plutôt que de confier à des experts la rédaction de contributions sur les grandes thématiques concernées -conception, histoire, usages, technique, etc.-, il a été demandé aux équipes et laboratoires habilités par le bureau de la recherche architecturale et urbaine (Brau) de fournir un texte sur leur position, tant scientifique que pratique, par rapport à un thème fédérateur et d'actualité : l'interdisciplinarité. La parole ainsi donnée aux chercheurs et enseignants-chercheurs reflète la diversité des objets, des approches, des méthodes et des terrains d'investigation, tout en constituant une manière d'autoprésentation. L'unicité de la question posée autorise également des lectures comparatives. Le présent numéro est constitué, outre de ces contributions spécifiques, d'une préface de Jean-Jacques Aillagon, ministre de la Culture et de la Communication, et d'un article généraliste sur l'interdisciplinarité par un chantre de celle-ci, Edgar Morin.
périodiques
janvier 2003, Paris
Revues
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not(...)
TURBA vol. 4 issue 2 : Curating audience-relationships & engagements
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not limited to, dance, music, sound art, theatre, performance art, verbal arts, circus arts, live media arts and inter-arts performance works. With this journal, we aim to create a platform for the exploration of ideas, concepts, constraints, expectations, and contingencies which guide and drive curatorial practices in these fields.
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Contributors: Shane Reiner-Roth, Oliver Wainwright, Julian Rose, Christopher Hawthorne, Dana Cuff, James Rojas, Mark Rios, Victor J. Jones, Chava Danielson, Jia Yi Gu, Christopher Torres, Michael Casper, Mimi Zeiger, Lina Abascal, Nick Murray, Joanne McNeil, Phillip Cox, Renée Lynn Reizman, Alissa Walker, Lyra Kilston, Chelsea Kirk, Caroline Tracey, Claudia Ross, Eric(...)
LARA #2 : Los Angeles Review of Architecture, Nyra Special Issue
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Contributors: Shane Reiner-Roth, Oliver Wainwright, Julian Rose, Christopher Hawthorne, Dana Cuff, James Rojas, Mark Rios, Victor J. Jones, Chava Danielson, Jia Yi Gu, Christopher Torres, Michael Casper, Mimi Zeiger, Lina Abascal, Nick Murray, Joanne McNeil, Phillip Cox, Renée Lynn Reizman, Alissa Walker, Lyra Kilston, Chelsea Kirk, Caroline Tracey, Claudia Ross, Eric Schwartau, Skijler Hutson, Aubrey Bauer, Nora N. Khan, Matthew Specktor, Greg Goldin, Pete Segall, James Graham, D.J. Waldie, Enrique Ramirez, Carolina Miranda, Nicolas Kemper, Aurora Tang, Eva Hagberg, & Marissa Gluck.
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L’exposition « Un monde en commun » sous le commissariat Julie Belisle et Josianne, aura lieu du 2 mai au 26 juillet 2026 à la Fondation Grantham du 5 septembre 2026 au 2 mai 2027 à la Biosphère |'Espace pour la vie. L’exposition rassemble les œuvres des artistes Maude Arès, Geneviève Chevalier, Hannah Claus, Jim Holyoak, Richard Ibghy & Marilou Lemmens, Fre´de´ric(...)
Les Cahiers de la Fondation no. 13 : Un monde en commun/A world in Common
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L’exposition « Un monde en commun » sous le commissariat Julie Belisle et Josianne, aura lieu du 2 mai au 26 juillet 2026 à la Fondation Grantham du 5 septembre 2026 au 2 mai 2027 à la Biosphère |'Espace pour la vie. L’exposition rassemble les œuvres des artistes Maude Arès, Geneviève Chevalier, Hannah Claus, Jim Holyoak, Richard Ibghy & Marilou Lemmens, Fre´de´ric Lavoie, Angela Marsh, Kimberly Orjuela, Taqralik Partridge & Miranda Smitheram. En tentant d’adopter la perspective de l’hirondelle, du mulot ou encore du pissenlit, les œuvres réunies dans cette exposition décentrent notre regard. Elles nous enjoignent à considérer comment le territoire nous accueille et comment nous le partageons avec d’autres espèces, nous invitant à nous engager envers un monde pluriel, solidaire et profondément relationnel. Par des gestes de soin, des approches collaboratives de la création et une attention à l’éthique interspécifique, elles offrent une compréhension étendue de la notion d’hospitalité et nous encouragent à repenser nos manières « d’habiter ». Ensemble, elles explorent la possibilité d’« un monde en commun » où tous les vivants pourraient s’épanouir.
Théorie de l’art
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The book includes a selection of the sketches that Lanfranco Bombelli drafted, first in Paris and later in Barcelona, for the graphics of the exhibitions in the American Trade Centers in Milan, Stockholm, Paris and Frankfurt, from 1963 to 1978, until they were closed, as a continuation of what the Marshall Plan had been. His artistry in geometrical compositions is based(...)
Lanfranco Bombelli : US trade center graphics in Europe, 1963-1977
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The book includes a selection of the sketches that Lanfranco Bombelli drafted, first in Paris and later in Barcelona, for the graphics of the exhibitions in the American Trade Centers in Milan, Stockholm, Paris and Frankfurt, from 1963 to 1978, until they were closed, as a continuation of what the Marshall Plan had been. His artistry in geometrical compositions is based on a minimum of plastic means and inspired by mathematical principles. He depicts in this way new products of technological innovation in the fields of pharmaceutics, design industry or printing among others.
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Our built environment exists in a perpetual state of becoming, caught in a process of creation that is continuous and unending. If we wish to understand architecture today, we must engage with the state of flux that defines it. In 2015, Inflection Volume 02 considers the idea of projection, interrogating its meaning in architecture and the built environment. Bringing(...)
Inflection, journal of the Melbourne school of design vol 2
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Our built environment exists in a perpetual state of becoming, caught in a process of creation that is continuous and unending. If we wish to understand architecture today, we must engage with the state of flux that defines it. In 2015, Inflection Volume 02 considers the idea of projection, interrogating its meaning in architecture and the built environment. Bringing together the work of students, academics and practitioners from Australia and around the world, this issue addresses the trajectories of the architectural design process, the changing role of architects in society, and the continuing state of becoming that defines our cities. Inflection is a student-run design journal based at the Melbourne School of Design, Melbourne University. Born from a desire to stimulate debate and generate ideas, it advocates the discursive voice of students, academics and practitioners.
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Comment réunir dans un nouveau lieu, l'histoire d'un continent et d'une idée ? Située à Bruxelles, dans le quartier européen, en plein cœur du parc Léopold, la Maison de l'histoire européenne a été inaugurée en 2017. Le concours portant sur la rénovation et l'extension d'un bâtiment historique en musée - ancien Institut dentaire George Eastman - a été remporté, en 2011,(...)
Chaix & Morel et Associés / JSWD Architekten: house of European history
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Comment réunir dans un nouveau lieu, l'histoire d'un continent et d'une idée ? Située à Bruxelles, dans le quartier européen, en plein cœur du parc Léopold, la Maison de l'histoire européenne a été inaugurée en 2017. Le concours portant sur la rénovation et l'extension d'un bâtiment historique en musée - ancien Institut dentaire George Eastman - a été remporté, en 2011, par les agences Chaix et Morel et Associés et JSWD Architekten. Sous la direction de Sophie Trelcat, l'ouvrage 'House of European History', conçu par les graphistes Baldinger et Vu-Huu, présente l'histoire du projet architectural, de sa conception à sa réalisation. / How can the history of a continent and an idea be brought together in a new place? In 2009 the European Parliament decided to create an institution dedicated to the history of Europe, an emblematic building located in the heart of the European Quarter in Brussels. The design, a transformation by the team of Chaix & Morel et Associés and JSWD Architekten of an Art Deco building from 1934, was finished in 2017. Their concept addressed how European history could find a spatially sensitive expression. This publication, authored by Sophie Trelcat and designed by Baldinger and Vu-Huu, presents the history of this seminal architectural project from conception to completion.
Architecture, monographies
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This issue is devoted to the Italian designer, artist, and inventor Bruno Munari, whose visual experiments were so iconic as to become a self-evident part of visual culture. At its core is the first English translation of ‘Obvious Code’ (1971), a collection of Munari’s own writings, sketches, and poems about his work. It includes iconic design objects such as the(...)
The Serving Library annual 2019/20 : Bruno Munari Obvious Code
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This issue is devoted to the Italian designer, artist, and inventor Bruno Munari, whose visual experiments were so iconic as to become a self-evident part of visual culture. At its core is the first English translation of ‘Obvious Code’ (1971), a collection of Munari’s own writings, sketches, and poems about his work. It includes iconic design objects such as the Abitacolo, artworks like his series of handmade projection slides, obscure rhymes about the art market, and an original piece from his 'unreadable books' series. Dozens of artists, designers, writers, and curators were invited to annotate Munari’s texts as a testament to the depth of his influence on international art.
Design, monographies
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''Rights of way: The body as witness in public space'' takes our bodily movements as a departure point to cross into the terrains of art, culture, architecture, sociology, literature, and politics, to envision varied forms of witnessing, and apply them to our direct environments. When many must still campaign to claim their stake in the public realm; when hate crimes and(...)
Rights of way: The body as witness in public space
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''Rights of way: The body as witness in public space'' takes our bodily movements as a departure point to cross into the terrains of art, culture, architecture, sociology, literature, and politics, to envision varied forms of witnessing, and apply them to our direct environments. When many must still campaign to claim their stake in the public realm; when hate crimes and acts of institutional violence persist in the public sphere; when cities continue to grapple with the effects of mass surveillance, precarious citizenship, widespread gentrification, and divisive body politics, we seek to question, challenge, and re-envision who have the rights of way. This publication comprises a collection of essays, interviews, texts, and images from a range of artists, researchers, academics, architects, and historians. Together, the contributions question our positions of access and in-access in space, and, in doing so, orchestrate the act of witnessing as a vital component in provid- ing meaning to our cities.
Théorie/ philosophie