7279 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Personnes et institutions:
Date:
2003-2005
2003-2005
Titre:
Exhibition at the Smith College, Northampton, Massachusetts (circa 2003)
Actions:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Exhibition at the Smith College, Northampton, Massachusetts (circa 2003)
Actions:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
2003-2005
2003-2005
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
Personnes et institutions:
Date:
2005-2009
2005-2009
Titre:
Parque de Vidago Moradias Turísticas [Parque de Vidago vacation homes], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
Parque de Vidago Moradias Turísticas [Parque de Vidago vacation homes], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
Niveau de description archivistique:
Subseries
Subseries
Date:
2005-2009
2005-2009
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic works
Academic works
Numéro de référence:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Personnes et institutions:
Date:
1995-2011
1995-2011
Titre:
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Niveau de description archivistique:
Series
Series
Date:
1995-2011
1995-2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
Personnes et institutions:
Date:
circa 2000-2002
circa 2000-2002
Titre:
James Stewart Centre for Mathematics, McMaster University, Hamilton, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
James Stewart Centre for Mathematics, McMaster University, Hamilton, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
Niveau de description archivistique:
project
project
Date:
circa 2000-2002
circa 2000-2002
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Drawings and scripts
Drawings and scripts
Numéro de référence:
AP165.S7.SS1
Description:
The Drawings and scripts sub-series, 1980 – 2000, consists of 2538 digital files (2 GB) that document Hoberman’s work in AutoCAD to create his patented transformable designs. The majority of records are AutoCAD drawing files and AutoLISP scripts, dating from the mid to late 1990s. Drawings in the sub-series comprise a variety of Hoberman’s expanding installations, toy products and architectural structures, as well as a series of industrial patents and production drawings that detail the manufacturing and assembly of parts. AutoLISP scripts included in the sub-series were written and used by Hoberman for customized command within the AutoCAD environment as the in-program language. These scripts allowed Hoberman to solve the complex mathematical and geometrical calculations necessary to control the design and engineering of each component of his structures. Notable projects include: Iris Dome at Expo 2000 World's Fair, Hanover (2000); Expanding Hypar at California Science Center, Los Angeles (1998); Expanding Helicoid at Inventor's Hall of Fame, Akron (1998); Expanding Fabric Dome at Centre Georges Pompidou, Paris (1997); Iris Dome at Museum of Modern Art, New York (1994); Geodesic Sphere at Technorama der Shweiz, Winterthur (1993); and Expanding Sphere at Liberty Science Center, Jersey City (1991).
AP165.S7.SS1
Description:
The Drawings and scripts sub-series, 1980 – 2000, consists of 2538 digital files (2 GB) that document Hoberman’s work in AutoCAD to create his patented transformable designs. The majority of records are AutoCAD drawing files and AutoLISP scripts, dating from the mid to late 1990s. Drawings in the sub-series comprise a variety of Hoberman’s expanding installations, toy products and architectural structures, as well as a series of industrial patents and production drawings that detail the manufacturing and assembly of parts. AutoLISP scripts included in the sub-series were written and used by Hoberman for customized command within the AutoCAD environment as the in-program language. These scripts allowed Hoberman to solve the complex mathematical and geometrical calculations necessary to control the design and engineering of each component of his structures. Notable projects include: Iris Dome at Expo 2000 World's Fair, Hanover (2000); Expanding Hypar at California Science Center, Los Angeles (1998); Expanding Helicoid at Inventor's Hall of Fame, Akron (1998); Expanding Fabric Dome at Centre Georges Pompidou, Paris (1997); Iris Dome at Museum of Modern Art, New York (1994); Geodesic Sphere at Technorama der Shweiz, Winterthur (1993); and Expanding Sphere at Liberty Science Center, Jersey City (1991).
Personnes et institutions:
Date:
1980 - 2000
1980 - 2000
Titre:
Drawings and scripts
Actions:
AP165.S7.SS1
Description:
The Drawings and scripts sub-series, 1980 – 2000, consists of 2538 digital files (2 GB) that document Hoberman’s work in AutoCAD to create his patented transformable designs. The majority of records are AutoCAD drawing files and AutoLISP scripts, dating from the mid to late 1990s. Drawings in the sub-series comprise a variety of Hoberman’s expanding installations, toy products and architectural structures, as well as a series of industrial patents and production drawings that detail the manufacturing and assembly of parts. AutoLISP scripts included in the sub-series were written and used by Hoberman for customized command within the AutoCAD environment as the in-program language. These scripts allowed Hoberman to solve the complex mathematical and geometrical calculations necessary to control the design and engineering of each component of his structures. Notable projects include: Iris Dome at Expo 2000 World's Fair, Hanover (2000); Expanding Hypar at California Science Center, Los Angeles (1998); Expanding Helicoid at Inventor's Hall of Fame, Akron (1998); Expanding Fabric Dome at Centre Georges Pompidou, Paris (1997); Iris Dome at Museum of Modern Art, New York (1994); Geodesic Sphere at Technorama der Shweiz, Winterthur (1993); and Expanding Sphere at Liberty Science Center, Jersey City (1991).
Drawings and scripts
Actions:
AP165.S7.SS1
Description:
The Drawings and scripts sub-series, 1980 – 2000, consists of 2538 digital files (2 GB) that document Hoberman’s work in AutoCAD to create his patented transformable designs. The majority of records are AutoCAD drawing files and AutoLISP scripts, dating from the mid to late 1990s. Drawings in the sub-series comprise a variety of Hoberman’s expanding installations, toy products and architectural structures, as well as a series of industrial patents and production drawings that detail the manufacturing and assembly of parts. AutoLISP scripts included in the sub-series were written and used by Hoberman for customized command within the AutoCAD environment as the in-program language. These scripts allowed Hoberman to solve the complex mathematical and geometrical calculations necessary to control the design and engineering of each component of his structures. Notable projects include: Iris Dome at Expo 2000 World's Fair, Hanover (2000); Expanding Hypar at California Science Center, Los Angeles (1998); Expanding Helicoid at Inventor's Hall of Fame, Akron (1998); Expanding Fabric Dome at Centre Georges Pompidou, Paris (1997); Iris Dome at Museum of Modern Art, New York (1994); Geodesic Sphere at Technorama der Shweiz, Winterthur (1993); and Expanding Sphere at Liberty Science Center, Jersey City (1991).
Niveau de description archivistique:
Sub-series 1
Sub-series 1
Date:
1980 - 2000
1980 - 2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2000.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the redesign of low-income housing development New Holly Park III in South Beacon Hill, outside Seattle, Washington. Oberlander was hired by Daniel Solomon ETC Artchitects to work on the landscape. She worked on this project in the early 2000s. The housing development was original called Holly Park. The project in the redesign of the existing housing development built in the 1940s and adding 219 rentals and 121 owned properties. For the landscaping, Oberlander "planned not only central market park but also numerous pocket parks and a greenhouse" [1]. The project series contains design development drawings, presentation drawings and working drawings, such as site plans, landscape plans, planting plans, and irrigations plans. The drawings also includes housing construction plans used as reference. The project is also documented through correspondence with client, architect, consultant and contractors, specifications, contract, financial documents, plant selection and documentation. The project series also includes photographs of the project and digital photographs of a site visit by Oberlander. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 69.
AP075.S1.2000.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the redesign of low-income housing development New Holly Park III in South Beacon Hill, outside Seattle, Washington. Oberlander was hired by Daniel Solomon ETC Artchitects to work on the landscape. She worked on this project in the early 2000s. The housing development was original called Holly Park. The project in the redesign of the existing housing development built in the 1940s and adding 219 rentals and 121 owned properties. For the landscaping, Oberlander "planned not only central market park but also numerous pocket parks and a greenhouse" [1]. The project series contains design development drawings, presentation drawings and working drawings, such as site plans, landscape plans, planting plans, and irrigations plans. The drawings also includes housing construction plans used as reference. The project is also documented through correspondence with client, architect, consultant and contractors, specifications, contract, financial documents, plant selection and documentation. The project series also includes photographs of the project and digital photographs of a site visit by Oberlander. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 69.
Personnes et institutions:
Date:
2000-2005
2000-2005
Titre:
New Holly Park III, Seattle, Washington (2000)
Actions:
AP075.S1.2000.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the redesign of low-income housing development New Holly Park III in South Beacon Hill, outside Seattle, Washington. Oberlander was hired by Daniel Solomon ETC Artchitects to work on the landscape. She worked on this project in the early 2000s. The housing development was original called Holly Park. The project in the redesign of the existing housing development built in the 1940s and adding 219 rentals and 121 owned properties. For the landscaping, Oberlander "planned not only central market park but also numerous pocket parks and a greenhouse" [1]. The project series contains design development drawings, presentation drawings and working drawings, such as site plans, landscape plans, planting plans, and irrigations plans. The drawings also includes housing construction plans used as reference. The project is also documented through correspondence with client, architect, consultant and contractors, specifications, contract, financial documents, plant selection and documentation. The project series also includes photographs of the project and digital photographs of a site visit by Oberlander. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 69.
New Holly Park III, Seattle, Washington (2000)
Actions:
AP075.S1.2000.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the redesign of low-income housing development New Holly Park III in South Beacon Hill, outside Seattle, Washington. Oberlander was hired by Daniel Solomon ETC Artchitects to work on the landscape. She worked on this project in the early 2000s. The housing development was original called Holly Park. The project in the redesign of the existing housing development built in the 1940s and adding 219 rentals and 121 owned properties. For the landscaping, Oberlander "planned not only central market park but also numerous pocket parks and a greenhouse" [1]. The project series contains design development drawings, presentation drawings and working drawings, such as site plans, landscape plans, planting plans, and irrigations plans. The drawings also includes housing construction plans used as reference. The project is also documented through correspondence with client, architect, consultant and contractors, specifications, contract, financial documents, plant selection and documentation. The project series also includes photographs of the project and digital photographs of a site visit by Oberlander. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 69.
Niveau de description archivistique:
Project
Project
Date:
2000-2005
2000-2005
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Littéralement fait de règles, Internet a été conçu comme la norme ultime. Le contenu en ligne respecte ces règles, intentionnelles ou non, et la texture, l’odeur, le poids, la saveur et le temps y sont compressés ensemble pour accommoder les deux dimensions de l’écran. En définitive, les ordinateurs représentent les objets sous forme d’images et transforment le sens en(...)
Littéralement fait de règles, Internet a été conçu comme la norme ultime. Le contenu en ligne respecte ces règles, intentionnelles ou non, et la texture, l’odeur, le poids, la saveur et le temps y sont compressés ensemble pour accommoder les deux dimensions de l’écran. En définitive, les ordinateurs représentent les objets sous forme d’images et transforment le sens en(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
11 novembre 2010 au 6 février 2011
11 novembre 2010 au 6 février 2011
Titre:
ERREUR 404 : l’objet n’est pas en ligne
Actions:
Description:
Littéralement fait de règles, Internet a été conçu comme la norme ultime. Le contenu en ligne respecte ces règles, intentionnelles ou non, et la texture, l’odeur, le poids, la saveur et le temps y sont compressés ensemble pour accommoder les deux dimensions de l’écran. En définitive, les ordinateurs représentent les objets sous forme d’images et transforment le sens en(...)
ERREUR 404 : l’objet n’est pas en ligne
Actions:
Description:
Littéralement fait de règles, Internet a été conçu comme la norme ultime. Le contenu en ligne respecte ces règles, intentionnelles ou non, et la texture, l’odeur, le poids, la saveur et le temps y sont compressés ensemble pour accommoder les deux dimensions de l’écran. En définitive, les ordinateurs représentent les objets sous forme d’images et transforment le sens en(...)
Classification:
expositions
expositions
Date:
11 novembre 2010 au
6 février 2011
11 novembre 2010 au
6 février 2011
Localisation:
Salle octogonale
Salle octogonale
Quantité:
3 ring binder(s)
3 ring binder(s)
Numéro de référence:
PHCON2003:0003
Description:
Binders include colour copies, made from digital images of slides, negatives, and photographs held in a binder, which was lent to CCA for copying in 2003 by the Estate of Gordon Matta-Clark. The photographic materials include some early photographs of Gordon Matta-Clark and his family, but mainly document the following early Matta-Clark projects: Photo-Fry (1969), Agar (1969-1970); Incendiary Wafers (1970-1971); Fire Boy (1971); Garbage Wall (1970); Jacks (1971); Pig Roast (1971); Tree Dance (1971); Belly Curtain (1971); Time Well (1971); Cherry Tree (1971); Winter Garden (1971); Sauna (1973); Food (1971-1973); and Untitled Wall Cutting (Santiago) (1971).
PHCON2003:0003
Description:
Binders include colour copies, made from digital images of slides, negatives, and photographs held in a binder, which was lent to CCA for copying in 2003 by the Estate of Gordon Matta-Clark. The photographic materials include some early photographs of Gordon Matta-Clark and his family, but mainly document the following early Matta-Clark projects: Photo-Fry (1969), Agar (1969-1970); Incendiary Wafers (1970-1971); Fire Boy (1971); Garbage Wall (1970); Jacks (1971); Pig Roast (1971); Tree Dance (1971); Belly Curtain (1971); Time Well (1971); Cherry Tree (1971); Winter Garden (1971); Sauna (1973); Food (1971-1973); and Untitled Wall Cutting (Santiago) (1971).
Personnes et institutions:
Date:
negatives exposed 1943-1971
negatives exposed 1943-1971
Titre:
Working photographs from 1971
Actions:
PHCON2003:0003
Description:
Binders include colour copies, made from digital images of slides, negatives, and photographs held in a binder, which was lent to CCA for copying in 2003 by the Estate of Gordon Matta-Clark. The photographic materials include some early photographs of Gordon Matta-Clark and his family, but mainly document the following early Matta-Clark projects: Photo-Fry (1969), Agar (1969-1970); Incendiary Wafers (1970-1971); Fire Boy (1971); Garbage Wall (1970); Jacks (1971); Pig Roast (1971); Tree Dance (1971); Belly Curtain (1971); Time Well (1971); Cherry Tree (1971); Winter Garden (1971); Sauna (1973); Food (1971-1973); and Untitled Wall Cutting (Santiago) (1971).
Working photographs from 1971
Actions:
PHCON2003:0003
Description:
Binders include colour copies, made from digital images of slides, negatives, and photographs held in a binder, which was lent to CCA for copying in 2003 by the Estate of Gordon Matta-Clark. The photographic materials include some early photographs of Gordon Matta-Clark and his family, but mainly document the following early Matta-Clark projects: Photo-Fry (1969), Agar (1969-1970); Incendiary Wafers (1970-1971); Fire Boy (1971); Garbage Wall (1970); Jacks (1971); Pig Roast (1971); Tree Dance (1971); Belly Curtain (1971); Time Well (1971); Cherry Tree (1971); Winter Garden (1971); Sauna (1973); Food (1971-1973); and Untitled Wall Cutting (Santiago) (1971).
Quantité:
3 ring binder(s)
3 ring binder(s)
Date:
negatives exposed 1943-1971
negatives exposed 1943-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2007.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of Robson Square in Vancouver. This project series concerns work on Robson Square grounds starting from the mid 2000s to early 2010s to which Oberlander participated as landscape architect or consultaing landscape architect. Oberlander worked with Arthur Erickson on the earliest revitalisation projects, but also with other architectural firms, including Grout McTavish Architects. It includes revitisation works, such as sunken plaza revitalization, the Nelson Street Plaza revitalisation, addition of a 'grass wave' or a mound in 2008 for the North Plaza, renovations for the 2010 Vancouver Olympic and Paralympic Games, and Ice Rink Expansion and Revitalisation of Ice Rink Plaza. The project series contains predominantly textual records, including correspondence with client, architects, consultants and contractors, specifications, including landscape specifications, minutes of projects meetings, inspections reports and press clippings and articles on the revitalisation projects. The project is also documented through landscape drawings, such as planting plans, irrigation and grading plans, landscape sections, and details for planters. It also includes sets of building plans used as reference and digital photographs of planting and landscape maintenance. Project series comprises documents related to the preservation of Robson Square, including documentation, articles and clippings, and correspondence.
AP075.S1.2007.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of Robson Square in Vancouver. This project series concerns work on Robson Square grounds starting from the mid 2000s to early 2010s to which Oberlander participated as landscape architect or consultaing landscape architect. Oberlander worked with Arthur Erickson on the earliest revitalisation projects, but also with other architectural firms, including Grout McTavish Architects. It includes revitisation works, such as sunken plaza revitalization, the Nelson Street Plaza revitalisation, addition of a 'grass wave' or a mound in 2008 for the North Plaza, renovations for the 2010 Vancouver Olympic and Paralympic Games, and Ice Rink Expansion and Revitalisation of Ice Rink Plaza. The project series contains predominantly textual records, including correspondence with client, architects, consultants and contractors, specifications, including landscape specifications, minutes of projects meetings, inspections reports and press clippings and articles on the revitalisation projects. The project is also documented through landscape drawings, such as planting plans, irrigation and grading plans, landscape sections, and details for planters. It also includes sets of building plans used as reference and digital photographs of planting and landscape maintenance. Project series comprises documents related to the preservation of Robson Square, including documentation, articles and clippings, and correspondence.
Personnes et institutions:
Date:
1994-2016
1994-2016
Titre:
Robson Square Renewal, Vancouver, British Columbia (2007)
Actions:
AP075.S1.2007.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of Robson Square in Vancouver. This project series concerns work on Robson Square grounds starting from the mid 2000s to early 2010s to which Oberlander participated as landscape architect or consultaing landscape architect. Oberlander worked with Arthur Erickson on the earliest revitalisation projects, but also with other architectural firms, including Grout McTavish Architects. It includes revitisation works, such as sunken plaza revitalization, the Nelson Street Plaza revitalisation, addition of a 'grass wave' or a mound in 2008 for the North Plaza, renovations for the 2010 Vancouver Olympic and Paralympic Games, and Ice Rink Expansion and Revitalisation of Ice Rink Plaza. The project series contains predominantly textual records, including correspondence with client, architects, consultants and contractors, specifications, including landscape specifications, minutes of projects meetings, inspections reports and press clippings and articles on the revitalisation projects. The project is also documented through landscape drawings, such as planting plans, irrigation and grading plans, landscape sections, and details for planters. It also includes sets of building plans used as reference and digital photographs of planting and landscape maintenance. Project series comprises documents related to the preservation of Robson Square, including documentation, articles and clippings, and correspondence.
Robson Square Renewal, Vancouver, British Columbia (2007)
Actions:
AP075.S1.2007.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of Robson Square in Vancouver. This project series concerns work on Robson Square grounds starting from the mid 2000s to early 2010s to which Oberlander participated as landscape architect or consultaing landscape architect. Oberlander worked with Arthur Erickson on the earliest revitalisation projects, but also with other architectural firms, including Grout McTavish Architects. It includes revitisation works, such as sunken plaza revitalization, the Nelson Street Plaza revitalisation, addition of a 'grass wave' or a mound in 2008 for the North Plaza, renovations for the 2010 Vancouver Olympic and Paralympic Games, and Ice Rink Expansion and Revitalisation of Ice Rink Plaza. The project series contains predominantly textual records, including correspondence with client, architects, consultants and contractors, specifications, including landscape specifications, minutes of projects meetings, inspections reports and press clippings and articles on the revitalisation projects. The project is also documented through landscape drawings, such as planting plans, irrigation and grading plans, landscape sections, and details for planters. It also includes sets of building plans used as reference and digital photographs of planting and landscape maintenance. Project series comprises documents related to the preservation of Robson Square, including documentation, articles and clippings, and correspondence.
Niveau de description archivistique:
Project
Project
Date:
1994-2016
1994-2016
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S1
Description:
Series 1, Casa La Roca, Caracas, Venezuela, 1995 – 2001, documents the development of a project (unrealized) for a residential home situated among the hills at the southern edge of Caracas. The majority of records were produced between 1995 and 1997. The series consists of sketches, drawings and reprographic copies for the conceptual and design development phases of the project, a wood model and model pieces, photographs of the site, and textual records including correspondence and zoning records. The series also contains an oversized banner printed with an image of the model that was featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998, as well as plans for the show. The digital material in this series consists of an animated rendering of the brick patio wall and photographs of the physical drawings and the model for Casa La Roca. The name of the project, Casa la Roca (in English, “the rock house”), is derived from a large mass of rock that occupies the back of the property. The design utilizes the presence of the rock, in combination with sliding glass doors and windows, to create an “outdoor room” that functions both as a living space and back yard. The design also incorporates the nature of the site through the use of materials such as terracotta block, brick, and tile.
AP179.S1
Description:
Series 1, Casa La Roca, Caracas, Venezuela, 1995 – 2001, documents the development of a project (unrealized) for a residential home situated among the hills at the southern edge of Caracas. The majority of records were produced between 1995 and 1997. The series consists of sketches, drawings and reprographic copies for the conceptual and design development phases of the project, a wood model and model pieces, photographs of the site, and textual records including correspondence and zoning records. The series also contains an oversized banner printed with an image of the model that was featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998, as well as plans for the show. The digital material in this series consists of an animated rendering of the brick patio wall and photographs of the physical drawings and the model for Casa La Roca. The name of the project, Casa la Roca (in English, “the rock house”), is derived from a large mass of rock that occupies the back of the property. The design utilizes the presence of the rock, in combination with sliding glass doors and windows, to create an “outdoor room” that functions both as a living space and back yard. The design also incorporates the nature of the site through the use of materials such as terracotta block, brick, and tile.
Personnes et institutions:
Date:
1995 - 2001
1995 - 2001
Titre:
Casa La Roca, Caracas, Venezuela (1995 - 2001)
Actions:
AP179.S1
Description:
Series 1, Casa La Roca, Caracas, Venezuela, 1995 – 2001, documents the development of a project (unrealized) for a residential home situated among the hills at the southern edge of Caracas. The majority of records were produced between 1995 and 1997. The series consists of sketches, drawings and reprographic copies for the conceptual and design development phases of the project, a wood model and model pieces, photographs of the site, and textual records including correspondence and zoning records. The series also contains an oversized banner printed with an image of the model that was featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998, as well as plans for the show. The digital material in this series consists of an animated rendering of the brick patio wall and photographs of the physical drawings and the model for Casa La Roca. The name of the project, Casa la Roca (in English, “the rock house”), is derived from a large mass of rock that occupies the back of the property. The design utilizes the presence of the rock, in combination with sliding glass doors and windows, to create an “outdoor room” that functions both as a living space and back yard. The design also incorporates the nature of the site through the use of materials such as terracotta block, brick, and tile.
Casa La Roca, Caracas, Venezuela (1995 - 2001)
Actions:
AP179.S1
Description:
Series 1, Casa La Roca, Caracas, Venezuela, 1995 – 2001, documents the development of a project (unrealized) for a residential home situated among the hills at the southern edge of Caracas. The majority of records were produced between 1995 and 1997. The series consists of sketches, drawings and reprographic copies for the conceptual and design development phases of the project, a wood model and model pieces, photographs of the site, and textual records including correspondence and zoning records. The series also contains an oversized banner printed with an image of the model that was featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998, as well as plans for the show. The digital material in this series consists of an animated rendering of the brick patio wall and photographs of the physical drawings and the model for Casa La Roca. The name of the project, Casa la Roca (in English, “the rock house”), is derived from a large mass of rock that occupies the back of the property. The design utilizes the presence of the rock, in combination with sliding glass doors and windows, to create an “outdoor room” that functions both as a living space and back yard. The design also incorporates the nature of the site through the use of materials such as terracotta block, brick, and tile.
Niveau de description archivistique:
Series
Series
Date:
1995 - 2001
1995 - 2001
Personnes et institutions:
