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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of(...)
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of(...)
Titre:
Maria Hupfield: Breaking protocol
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations. Building on these exchanges, "Breaking protocol" asks what we can learn from Indigenous, place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.
Maria Hupfield: Breaking protocol
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations. Building on these exchanges, "Breaking protocol" asks what we can learn from Indigenous, place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.
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livres
livres
Publication:
novembre 2023
novembre 2023
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livres
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial,(...)
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial,(...)
Titre:
The Funambulist 50: Redefining our terms
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial, antiracist, queer, feminist, among others) nomenclature surge into public imaginaries, has led to a dilution of this vocabulary’s political meanings. Each contribution of this issue thus proposes a subjective definition of a such a term, the issue acting like a useful glossary to reflect on our struggles.
The Funambulist 50: Redefining our terms
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Welcome to the 50th issue of The Funambulist. For the very first time, the magazine is published both in its original anglophone version and a brand new francophone edition. As such, it is not innocent that this issue tackles the question of language. The achievements of a generation of activists and politically committed intellectuals to have our (anticolonial, antiracist, queer, feminist, among others) nomenclature surge into public imaginaries, has led to a dilution of this vocabulary’s political meanings. Each contribution of this issue thus proposes a subjective definition of a such a term, the issue acting like a useful glossary to reflect on our struggles.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Revues
Revues
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livres
livres
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$20.00
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
Titre:
Why are they so afraid of the lotus?: A series of open questions
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
Why are they so afraid of the lotus?: A series of open questions
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
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livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Social
Social
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livres
livres
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The spaces we design are intuitively connected with stories – stories we have lived, heard from others, and imagined ourselves. When we write these stories, we implicitly design spaces. Spatial stories can therefore be told or written as much as they can be developed through architectural methods. In this book, architect and writer Chiara Dorbolò explores the state of(...)
$34.95
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The spaces we design are intuitively connected with stories – stories we have lived, heard from others, and imagined ourselves. When we write these stories, we implicitly design spaces. Spatial stories can therefore be told or written as much as they can be developed through architectural methods. In this book, architect and writer Chiara Dorbolò explores the state of(...)
Titre:
Liminal places: Seven spatial stories to return home
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$34.95
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The spaces we design are intuitively connected with stories – stories we have lived, heard from others, and imagined ourselves. When we write these stories, we implicitly design spaces. Spatial stories can therefore be told or written as much as they can be developed through architectural methods. In this book, architect and writer Chiara Dorbolò explores the state of transition of liminal places as a universal metaphor for personal life, making explicit the different roles physical space plays in the human experience of the world. In doing so, she touches upon themes ranging from a feminist critique of the architectural profession to the difficult relationship between city and nature.
Liminal places: Seven spatial stories to return home
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The spaces we design are intuitively connected with stories – stories we have lived, heard from others, and imagined ourselves. When we write these stories, we implicitly design spaces. Spatial stories can therefore be told or written as much as they can be developed through architectural methods. In this book, architect and writer Chiara Dorbolò explores the state of transition of liminal places as a universal metaphor for personal life, making explicit the different roles physical space plays in the human experience of the world. In doing so, she touches upon themes ranging from a feminist critique of the architectural profession to the difficult relationship between city and nature.
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livres
livres
Publication:
août 2022
août 2022
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
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$44.95
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological(...)
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological(...)
Titre:
Botanical Drift: protagonists of the invasive herbarium
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection.
Botanical Drift: protagonists of the invasive herbarium
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection.
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livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$37.95
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social(...)
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social(...)
Titre:
Countercurrents: Women's movements in postwar Montreal
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social movements, mounted a multifront campaign against social injustice. Bringing to light previously overlooked archival and oral sources, Amanda Ricci introduces a new cast of characters to the history of feminism in Quebec. The book presents a unique portrait of the resurgence of feminist activism, demonstrating its deep roots in Indigenous and Black communities, its transnational scope, and its wide-ranging inspirations and preoccupations.
Countercurrents: Women's movements in postwar Montreal
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social movements, mounted a multifront campaign against social injustice. Bringing to light previously overlooked archival and oral sources, Amanda Ricci introduces a new cast of characters to the history of feminism in Quebec. The book presents a unique portrait of the resurgence of feminist activism, demonstrating its deep roots in Indigenous and Black communities, its transnational scope, and its wide-ranging inspirations and preoccupations.
Classification:
livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Sociologie (Québec)
Sociologie (Québec)
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livres
livres
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The first installment in nai010’s new ''Women in Architecture'' series, ''Documents and histories'' offers a many-faceted exploration of multivocality in architecture. Catja Edens reflects on the diverse roles of women in architecture; Lara Schrijver's essay strives for a shift from rivalry to cooperation within design practice; Indira van 't Klooster develops a(...)
$87.00
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The first installment in nai010’s new ''Women in Architecture'' series, ''Documents and histories'' offers a many-faceted exploration of multivocality in architecture. Catja Edens reflects on the diverse roles of women in architecture; Lara Schrijver's essay strives for a shift from rivalry to cooperation within design practice; Indira van 't Klooster develops a(...)
Titre:
Women in architecture : Documents and histories
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The first installment in nai010’s new ''Women in Architecture'' series, ''Documents and histories'' offers a many-faceted exploration of multivocality in architecture. Catja Edens reflects on the diverse roles of women in architecture; Lara Schrijver's essay strives for a shift from rivalry to cooperation within design practice; Indira van 't Klooster develops a vocabulary that offers points of access for new analyses; Setareh Noorani focuses on the developments and potential of alternative ways of archiving; and Carolina Quiroga discusses the feminist and participatory architecture of Wilhelmina Jansen and Ada Kuiper-Struyk. Additionally, Documents and Histories includes contributions from Gianna Bottema, Brigitte Louise Hansen, Rixt Hoekstra, Ellen van Kessel, Manon Peyrot, Erica Smeets-Klokgieters and Charlotte Thomas.
Women in architecture : Documents and histories
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The first installment in nai010’s new ''Women in Architecture'' series, ''Documents and histories'' offers a many-faceted exploration of multivocality in architecture. Catja Edens reflects on the diverse roles of women in architecture; Lara Schrijver's essay strives for a shift from rivalry to cooperation within design practice; Indira van 't Klooster develops a vocabulary that offers points of access for new analyses; Setareh Noorani focuses on the developments and potential of alternative ways of archiving; and Carolina Quiroga discusses the feminist and participatory architecture of Wilhelmina Jansen and Ada Kuiper-Struyk. Additionally, Documents and Histories includes contributions from Gianna Bottema, Brigitte Louise Hansen, Rixt Hoekstra, Ellen van Kessel, Manon Peyrot, Erica Smeets-Klokgieters and Charlotte Thomas.
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livres
livres
Publication:
octobre 2023
octobre 2023
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
Prix:
$40.00
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Résumé:
Postindustrial transitions and changing cultures of nature have produced an unprecedented degree of fascination with urban biodiversity. The “other nature” that flourishes in marginal urban spaces, at one remove from the controlled contours of metropolitan nature, is not the poor relation of rural flora and fauna. Indeed, these islands of biodiversity underline the(...)
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Postindustrial transitions and changing cultures of nature have produced an unprecedented degree of fascination with urban biodiversity. The “other nature” that flourishes in marginal urban spaces, at one remove from the controlled contours of metropolitan nature, is not the poor relation of rural flora and fauna. Indeed, these islands of biodiversity underline the(...)
Titre:
Natura urbana: Ecological constellations in urban space
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$40.00
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Postindustrial transitions and changing cultures of nature have produced an unprecedented degree of fascination with urban biodiversity. The “other nature” that flourishes in marginal urban spaces, at one remove from the controlled contours of metropolitan nature, is not the poor relation of rural flora and fauna. Indeed, these islands of biodiversity underline the porosity of the distinction between urban and rural. In this volume, Matthew Gandy explores urban nature as a multilayered material and symbolic entity, through the lens of urban ecology and the parallel study of diverse cultures of nature at a global scale. A study of urban nature that draws together different strands of urban ecology as well as insights derived from feminist, posthuman, and postcolonial thought.
Natura urbana: Ecological constellations in urban space
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Postindustrial transitions and changing cultures of nature have produced an unprecedented degree of fascination with urban biodiversity. The “other nature” that flourishes in marginal urban spaces, at one remove from the controlled contours of metropolitan nature, is not the poor relation of rural flora and fauna. Indeed, these islands of biodiversity underline the porosity of the distinction between urban and rural. In this volume, Matthew Gandy explores urban nature as a multilayered material and symbolic entity, through the lens of urban ecology and the parallel study of diverse cultures of nature at a global scale. A study of urban nature that draws together different strands of urban ecology as well as insights derived from feminist, posthuman, and postcolonial thought.
Classification:
livres
livres
Publication:
mars 2022
mars 2022
Sujet:
Paysages urbains
Paysages urbains
Classification:
périodiques
périodiques
Titre:
Radical Philosophy 147
Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake(...)
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake(...)
Titre:
Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake of the radical movements of the 1960s, in philosophy and other fields. Radical Philosophy is not committed to any particular philosophy, ideology or political programme. The purpose of the journal is to provide a forum for debate and discussion of theoretical issues on the left. It encourages the serious and informed discussion of such issues in clear and non-technical language, aimed to reach a wide audience.
Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake of the radical movements of the 1960s, in philosophy and other fields. Radical Philosophy is not committed to any particular philosophy, ideology or political programme. The purpose of the journal is to provide a forum for debate and discussion of theoretical issues on the left. It encourages the serious and informed discussion of such issues in clear and non-technical language, aimed to reach a wide audience.
Classification:
périodiques
périodiques
Publication:
février 2008, London, New York
février 2008, London, New York
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Sigmar Polke
Sigmar Polke
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Stefan Gronert approaches "Girlfriends" through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work’s motivation and depth to become clearer. Gronert analyzes Polke’s relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses(...)
$27.95
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Stefan Gronert approaches "Girlfriends" through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work’s motivation and depth to become clearer. Gronert analyzes Polke’s relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses(...)
Titre:
Sigmar Polke
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Stefan Gronert approaches "Girlfriends" through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work’s motivation and depth to become clearer. Gronert analyzes Polke’s relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses some of the social and political issues to which Girlfriends refers. Considering such topics as the distinction between Polke and Alain Jacquet in their use of photographed material, between Polke’s use of the raster technique and that of Roy Lichtenstein, and the feminist discourse of the time, Gronert draws on a variety of critical interpretations of Polke’s work, including some material that has not yet been translated into English.
Sigmar Polke
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Stefan Gronert approaches "Girlfriends" through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work’s motivation and depth to become clearer. Gronert analyzes Polke’s relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses some of the social and political issues to which Girlfriends refers. Considering such topics as the distinction between Polke and Alain Jacquet in their use of photographed material, between Polke’s use of the raster technique and that of Roy Lichtenstein, and the feminist discourse of the time, Gronert draws on a variety of critical interpretations of Polke’s work, including some material that has not yet been translated into English.
Classification:
livres
livres
Publication:
août 2017
août 2017
Sujet:
Théorie de l’art
Théorie de l’art
