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In this book the author challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique. Considering such artists as Marina Abramovic, James Luna, Felix Gonzalez-Torres, Eduardo Kac, and Ann Hamilton, Blocker investigates the artists and(...)
Seeing witness: visuality and the ethnics of testimony
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In this book the author challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique. Considering such artists as Marina Abramovic, James Luna, Felix Gonzalez-Torres, Eduardo Kac, and Ann Hamilton, Blocker investigates the artists and spectators who look, the technologies they look with, and the forms of power and moral authority that permit their viewing.
Théorie de l’art
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One of the most influential Marxist theorists of the twentieth century, Henri Lefebvre pioneered the study of the modern state in an age of accelerating global economic integration and fragmentation. Shortly after the 1974 publication of his landmark book The Production of Space, Henri Lefebvre embarked on one of the most ambitious projects of his career: a consideration(...)
State, space, world, selected essays
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One of the most influential Marxist theorists of the twentieth century, Henri Lefebvre pioneered the study of the modern state in an age of accelerating global economic integration and fragmentation. Shortly after the 1974 publication of his landmark book The Production of Space, Henri Lefebvre embarked on one of the most ambitious projects of his career: a consideration of the history and geographies of the modern state through a monumental study that linked several disciplines, including political science, sociology, geography, and history. State, Space, World collects a series of Lefebvre’s key writings on the state from this period. Making available in English for the first time the as-yet-unexplored political aspect of Lefebvre’s work, it contains essays on philosophy, political theory, state formation, spatial planning, and globalization, as well as provocative reflections on the possibilities and limits of grassroots democracy under advanced capitalism.
Théorie de l’architecture
Subterranean twin cities
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In Subterranean Twin Cities, geologist, historian, and urban speleologist Greg Brick takes us on an adventurous, educational, and—thankfully—sanitary tour beneath the streets and into the myriad tunnels, caves, and industrial spaces that make up the Twin Cities’ fascinating and surprisingly vast underground landscape. Greg Brick has been exploring, researching, and(...)
Subterranean twin cities
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In Subterranean Twin Cities, geologist, historian, and urban speleologist Greg Brick takes us on an adventurous, educational, and—thankfully—sanitary tour beneath the streets and into the myriad tunnels, caves, and industrial spaces that make up the Twin Cities’ fascinating and surprisingly vast underground landscape. Greg Brick has been exploring, researching, and writing about the St. Paul and Minneapolis underground for more than two decades. The author of Iowa Underground: A Guide to the State’s Subterranean Treasures, he has worked as a hydrogeologist and geologist at environmental consulting firms around the country. His work has been featured in National Geographic Adventure Magazine as well as on the History Channel.
Théorie de l’urbanisme
Art and the end of apartheid
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The first book to fully explore cosmopolitan modern art by black South Africans under apartheid Black South African artists have typically had their work labeled “African art” or “township art,” qualifiers that, when contrasted with simply “modernist art,” have been used to marginalize their work both in South Africa and internationally. In Art and the End of(...)
Art and the end of apartheid
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The first book to fully explore cosmopolitan modern art by black South Africans under apartheid Black South African artists have typically had their work labeled “African art” or “township art,” qualifiers that, when contrasted with simply “modernist art,” have been used to marginalize their work both in South Africa and internationally. In Art and the End of Apartheid,John Peffer considers in depth the work of black South African artists in the decades leading up to the end of apartheid in 1994. Peffer examines painting and graphic art, photography, avant-garde and performance art, and popular and protest art through artist collectives (such as the Thupelo Art Project and the Medu Art Ensemble) and individuals such as Durant Sihlali and Santu Mofokeng. He shows how South African artists imagined what “postapartheid” could mean during the time of apartheid, even as they struggled with immediate issues of censorship, militancy, street violence and torture, and, more broadly, the problem of self-representation and the social role of art.
Théorie de l’art
L.A. under the influence
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In the American city, property rights involve not one but numerous stakeholders, some connected to the parcel by title and others through less formal arrangements, whether political, economic, or cultural. Negotiations between these stakeholders over the use of property are frequently complicated, even convoluted. In L.A. under the Influence, Roger Sherman contends(...)
L.A. under the influence
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In the American city, property rights involve not one but numerous stakeholders, some connected to the parcel by title and others through less formal arrangements, whether political, economic, or cultural. Negotiations between these stakeholders over the use of property are frequently complicated, even convoluted. In L.A. under the Influence, Roger Sherman contends that it is these negotiations, rather than more commonly accepted factors like history, symbolism, and planning, that not only shape a city but also influence the development of its smallest common increment: the individual parcel.
Théorie de l’urbanisme
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Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, this publication shows that architecture’s wartime partnership with corporate America was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken’s reading of magazine(...)
Théorie de l’architecture
février 2009, Minneapolis, London
194X : architecture, planning, and consumer culture on the american home front
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Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, this publication shows that architecture’s wartime partnership with corporate America was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken’s reading of magazine advertisements for Revere Copper and Brass, U.S. Gypsum, General Electric, and other companies that prominently featured the work of leading progressive architects, including Louis I. Kahn, Eero Saarinen, and Walter Gropius.
Théorie de l’architecture
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In this book the author offers a critical, philosophical, and historical inquiry into the characteristics and consequences of this consumer subculture. For Azuma, one of Japan’s leading public intellectuals, otaku culture mirrors the transformations of postwar Japanese society and the nature of human behavior in the postmodern era. He traces otaku’s ascendancy to the(...)
Otaku: Japan's Database Animals
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In this book the author offers a critical, philosophical, and historical inquiry into the characteristics and consequences of this consumer subculture. For Azuma, one of Japan’s leading public intellectuals, otaku culture mirrors the transformations of postwar Japanese society and the nature of human behavior in the postmodern era. He traces otaku’s ascendancy to the distorted conditions created in Japan by the country’s phenomenal postwar modernization, its inability to come to terms with its defeat in the Second World War, and America’s subsequent cultural invasion. More broadly, Azuma argues that the consumption behavior of otaku is representative of the postmodern consumption of culture in general, which sacrifices the search for greater significance to almost animalistic instant gratification.
Théorie de l’architecture
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Although of another place and time, the Bloomsbury group confronted issues that are remarkably current : international crises, war, the value of craft in an industrialized world, women’s rights, environmental protection, and the search for the true, the good, and the beautiful in their art and their lives. This publication, an exhibition catalog produced by the Herbert(...)
A room of their own : the Bloomsbury artists in American collections
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Although of another place and time, the Bloomsbury group confronted issues that are remarkably current : international crises, war, the value of craft in an industrialized world, women’s rights, environmental protection, and the search for the true, the good, and the beautiful in their art and their lives. This publication, an exhibition catalog produced by the Herbert F. Johnson Museum of Art at Cornell University, examines the group’s responses to these issues, providing a valuable mirror on how people can address similar concerns today. A hundred years after the Bloomsbury group was established, their story still resonates and brings together a variety of interests across many artistic and intellectual pursuits.
Théorie de l’art
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In this publication, Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science(...)
Théorie de l’architecture
février 2009, Ithaca, London
The mirror, the window, and the telescope : how Renaissance linear perspective changed our vision of the universe
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In this publication, Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science and technology, ultimately undermining the very medieval Christian cosmic view that gave rise to it in the first place.
Théorie de l’architecture
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Proposals for Liverpool
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Book developped in association with the exhibition The Fifth Floor: ideas taking space, december 2008 to February 2009, Liverpool, Tate Liverpool. This volume collects the Peter Liversidge’s 118 proposals for art exhibitions in the city of Liverpool,The proposals include cleaning and restoring the clocks at the Liverpool Lime Street Station; releasing five gorillas into(...)
Proposals for Liverpool
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Book developped in association with the exhibition The Fifth Floor: ideas taking space, december 2008 to February 2009, Liverpool, Tate Liverpool. This volume collects the Peter Liversidge’s 118 proposals for art exhibitions in the city of Liverpool,The proposals include cleaning and restoring the clocks at the Liverpool Lime Street Station; releasing five gorillas into Liverpool’s Sefton Park; designing a new book jacket logo for Liverpool University Press, etc.
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février 2009, Liverpool
Théorie de l’art