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Kunstkammer, art and curiosity cabinets housed in a dedicated room or suite of chambers, were often filled with thousands of diverse and sometimes shocking objects reflecting the bounty of nature and human creativity. These could range from a cherry pit carved with dozens of faces to an intricate drinking cup fashioned from a rhinoceros horn. Whether as a setting for(...)
Kunstkammer: Early modern art and curiosity cabinets in the Holy Roman Empire
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Kunstkammer, art and curiosity cabinets housed in a dedicated room or suite of chambers, were often filled with thousands of diverse and sometimes shocking objects reflecting the bounty of nature and human creativity. These could range from a cherry pit carved with dozens of faces to an intricate drinking cup fashioned from a rhinoceros horn. Whether as a setting for personal contemplation or as a manifestation of the wealth and prestige of its owners, these proto-museums dazzled visitors of the time. This book offers the first in-depth comparative examination of the history, theory, organization, and character of the major Kunstkammern in the Holy Roman Empire.
Théorie de l’art
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Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, ''Vile Days'' brings together for the first time all of those vivid dispatches, too long stuck in archival(...)
Vile days: the village voice art columns, 1985-1988
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Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, ''Vile Days'' brings together for the first time all of those vivid dispatches, too long stuck in archival limbo, so that the fire of Indiana's observations can burn again. In the midst of Reaganism, the grim toll of AIDS, and the frequent jingoism of postmodern theory, Indiana found a way to be the moment's Baudelaire. He turned the art review into a chronicle of life under siege.
Théorie de l’art
Practice of place
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Practice of Place explores the role of social and participatory art practices to consider the contribution of artist and gallery. Proposing present-tense practices including collaboration, commitment, imagination, play, forgiveness, reflexivity and trust, the book looks at the potential for tactics over strategy as a mode of being in place. Texts ask how we might consider(...)
Practice of place
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Practice of Place explores the role of social and participatory art practices to consider the contribution of artist and gallery. Proposing present-tense practices including collaboration, commitment, imagination, play, forgiveness, reflexivity and trust, the book looks at the potential for tactics over strategy as a mode of being in place. Texts ask how we might consider this theory in relation to the gallery as a bordered space, both physical and imagined. Published in collaboration with The Showroom, London. Contributions by Can Altay, Dennis Atkinson, Ricardo Basbaum, Janna Graham, Lawrence Abu Hamdan, Annette Krauss, Maria Lind, Ute Meta Bauer, Christian Nyampeta, Emily Pethick, Filipa Ramos, Louise Shelley, Eva Wisniewska and others
Théorie de l’art
$57.50
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Since it was first published in 1972, Learning from Las Vegas has become a classic in the theory of architecture, and one of the most influential architectural texts of the twentieth century. The treatise by Robert Venturi, Denise Scott Brown, and Steven Izenour enjoys a reputation as a signal work of postmodernism in architecture and urban planning. However, despite of(...)
Théorie de l’urbanisme
octobre 2015
Las Vegas Studio: images from the archives of Robert Venturi and Denise Scott Brown
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Since it was first published in 1972, Learning from Las Vegas has become a classic in the theory of architecture, and one of the most influential architectural texts of the twentieth century. The treatise by Robert Venturi, Denise Scott Brown, and Steven Izenour enjoys a reputation as a signal work of postmodernism in architecture and urban planning. However, despite of the book’s prestige, none of the editions have ever featured high-quality color images of the field research Venturi, Brown, and Izenour conducted in Las Vegas and used to illustrate their argument. Las Vegas Studio presents for the first time these significant photographs in large color reproductions.
Théorie de l’urbanisme
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What aesthetic practices have Palestinians been employing throughout their revolutionary anti-colonial tradition, both historically and in contemporary times? How can we read the performative gestures, image-making techniques, and singing replete inPalestine’s streets as ones embedded within a collective psychosocial and material experience and not as arbitrary isolated(...)
An Echo in Search of its Shadow, Aesthetics of the Repressed
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What aesthetic practices have Palestinians been employing throughout their revolutionary anti-colonial tradition, both historically and in contemporary times? How can we read the performative gestures, image-making techniques, and singing replete inPalestine’s streets as ones embedded within a collective psychosocial and material experience and not as arbitrary isolated events? In An Echo in Search of its Shadow, Aesthetics of the Repressed Adam HajYahia and Haitham Haddad formulate an aesthetic theory of revolt by examining anti-colonial praxis. Unfolding through analysis, image-making, and poetics, HajYahia and Haddad assemble a new framework from which to understand dialectics between the visual and the audial, body and soul, form and content.
Théorie de l’art
Style
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The enduring influence of the architect Gottfried Semper (1803-79) derives less from his monumental buildings in Dresden, Zurich, and Vienna than from his "Style in the technical and tectonic arts" (1860-63). Semper's landmark survey of the motives giving rise to the technical arts (textiles, ceramics, carpentry, masonry) explores the symbolic and material preconditions(...)
Style
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The enduring influence of the architect Gottfried Semper (1803-79) derives less from his monumental buildings in Dresden, Zurich, and Vienna than from his "Style in the technical and tectonic arts" (1860-63). Semper's landmark survey of the motives giving rise to the technical arts (textiles, ceramics, carpentry, masonry) explores the symbolic and material preconditions of style. An extended inquiry into the inner principles of artistic form, this work altered the intellectual field for aesthetics and art history and stands as a vital document in the construction of modern architectural theory. Translated by Harry Francis Mallgrave and Michael Robinson, with an introduction by Harry Francis Mallgrave.
Théorie de l’architecture
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How is the present crisis of left-wing thought to be understood? To what extent does it call into the question the idea of social totality that underpinned Marxism and many other socialist theories? Does the concept of hegemony imply a new logic that goes beyond the essentialism of classical Marxist thought? These are some of the questions that this now seminal book(...)
Théorie/ philosophie
mai 2001, London, New York
Hegemony and socialist strategy : towards a radical democratic politics, second edition
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How is the present crisis of left-wing thought to be understood? To what extent does it call into the question the idea of social totality that underpinned Marxism and many other socialist theories? Does the concept of hegemony imply a new logic that goes beyond the essentialism of classical Marxist thought? These are some of the questions that this now seminal book attempts to answer. It traces the genealogy of the present crisis, from the nineteenth-century debates to the contemporary emergence of new forms of struggle, making it a classic text both for understanding hegemony and for focusing on present social struggles and their significance for democratic theory.
Théorie/ philosophie
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From 1970–1990, architecture experienced a revision as part of the post-modern movement. The critical attitude to the functionalistic Moderne style and the influence of semiotics and philosophical trends, such as phenomenology, on architectural theory led to an increased interest in its history, expression, perception, and context. In addition, architectural heritage and(...)
Re-framing identities: Architecture's turn to history, 1970-1990. East-West central, vol. 3
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From 1970–1990, architecture experienced a revision as part of the post-modern movement. The critical attitude to the functionalistic Moderne style and the influence of semiotics and philosophical trends, such as phenomenology, on architectural theory led to an increased interest in its history, expression, perception, and context. In addition, architectural heritage and the care of architectural monuments gained importance. This development also increasingly challenged the ideologically based division between East and West. Instead of emphasizing the differences, the search was for a joint cultural heritage. The contributions in this volume question terms such as "Moderne" and "post-modern", and show how architecture could again represent local, regional, and national identity.
Théorie de l’architecture
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In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s various movements of contemporary art, culture, and theory, from communism, cosmism and conceptualism to past and future futures.(...)
Cosmic shift: Russian contemporary art writing
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In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s various movements of contemporary art, culture, and theory, from communism, cosmism and conceptualism to past and future futures. With contributions from Barte de Baere, Boris Groys, Ilya and Emilia Kabakov, Anton Vidokle, Bogdan Mamonov, Pavel Pepperstein, Dmitri Prigov and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vast and complex nation built on a contradicting dialectic between the material and the ideal and a culture battling its own histories and ideologies.
Théorie de l’art
Queer
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Rather than a book of queer theory for artists, this is a book of artists’ queer tactics and infectious concepts. By definition, there can be no singular “queer art.” Here, in the first Documents of Contemporary Art anthology to be centered on artists’ writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural(...)
Queer
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Rather than a book of queer theory for artists, this is a book of artists’ queer tactics and infectious concepts. By definition, there can be no singular “queer art.” Here, in the first Documents of Contemporary Art anthology to be centered on artists’ writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action, and as a basis from which to declare inassimilable difference.
Théorie de l’art