6832 Résultats
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
Publication:
mars 2008, Texas
mars 2008, Texas
Titre:
John Chamberlain The Foam Sculpture
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
John Chamberlain The Foam Sculpture
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
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mars 2008, Texas
mars 2008, Texas
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Since the sixties, the American artist Keith Sonnier has introduced light into his sculptures and installations. In collaboration with architects Baumschlager & Eberle, Sonnier has recently created a light installation for an underground passage in the Munich Re Group building. Neon lighting bathes the corridors in intense colour, thereby taking on a spatial quality. (...)
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Since the sixties, the American artist Keith Sonnier has introduced light into his sculptures and installations. In collaboration with architects Baumschlager & Eberle, Sonnier has recently created a light installation for an underground passage in the Munich Re Group building. Neon lighting bathes the corridors in intense colour, thereby taking on a spatial quality. (...)
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Titre:
Keith Sonnier : sculpture light space
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Since the sixties, the American artist Keith Sonnier has introduced light into his sculptures and installations. In collaboration with architects Baumschlager & Eberle, Sonnier has recently created a light installation for an underground passage in the Munich Re Group building. Neon lighting bathes the corridors in intense colour, thereby taking on a spatial quality. For the new parish church of St. Franciscus in Steyr-Resthof in Upper Austria by the architects Riepl & Rieple, Sonnier developed an all-embracing concept whereby light is the sign of a liturgical venue and constitutes the focal point of an entire neighbourhood.
Keith Sonnier : sculpture light space
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Since the sixties, the American artist Keith Sonnier has introduced light into his sculptures and installations. In collaboration with architects Baumschlager & Eberle, Sonnier has recently created a light installation for an underground passage in the Munich Re Group building. Neon lighting bathes the corridors in intense colour, thereby taking on a spatial quality. For the new parish church of St. Franciscus in Steyr-Resthof in Upper Austria by the architects Riepl & Rieple, Sonnier developed an all-embracing concept whereby light is the sign of a liturgical venue and constitutes the focal point of an entire neighbourhood.
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juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
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94 p. : ill. en coul. ; 25 x 28 cm
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94 p. : ill. en coul. ; 25 x 28 cm
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[Wavre] : Mardaga ; [Liège] : Façons de voir, ©2010.
[Wavre] : Mardaga ; [Liège] : Façons de voir, ©2010.
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Natura humana : installations réalisées en extérieur : Bob Verschueren / [textes, John Grande ... et al.].
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94 p. : ill. en coul. ; 25 x 28 cm
Natura humana : installations réalisées en extérieur : Bob Verschueren / [textes, John Grande ... et al.].
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94 p. : ill. en coul. ; 25 x 28 cm
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[Wavre] : Mardaga ; [Liège] : Façons de voir, ©2010.
[Wavre] : Mardaga ; [Liège] : Façons de voir, ©2010.
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3 volumes : illustrations (some color), maps ; 26 cm
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3 volumes : illustrations (some color), maps ; 26 cm
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Oxford ; New York : Oxford University Press, 2009.
Oxford ; New York : Oxford University Press, 2009.
Titre:
The Grove encyclopedia of Islamic art and architecture / edited by Jonathan M. Bloom and Sheila S. Blair.
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3 volumes : illustrations (some color), maps ; 26 cm
The Grove encyclopedia of Islamic art and architecture / edited by Jonathan M. Bloom and Sheila S. Blair.
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3 volumes : illustrations (some color), maps ; 26 cm
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Oxford ; New York : Oxford University Press, 2009.
Oxford ; New York : Oxford University Press, 2009.
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159 pages : illustrations (some color) ; 28 cm
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159 pages : illustrations (some color) ; 28 cm
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New York : Solomon R. Guggenheim Foundation, 1979.
New York : Solomon R. Guggenheim Foundation, 1979.
Titre:
The planar dimension : Europe, 1912-1932 / by Margit Rowell.
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159 pages : illustrations (some color) ; 28 cm
The planar dimension : Europe, 1912-1932 / by Margit Rowell.
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159 pages : illustrations (some color) ; 28 cm
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New York : Solomon R. Guggenheim Foundation, 1979.
New York : Solomon R. Guggenheim Foundation, 1979.
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53 pages : illustrations ; 14 x 22 cm.
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53 pages : illustrations ; 14 x 22 cm.
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Montréal : Galerie Amrad African Arts, [1988], ©1988.
Montréal : Galerie Amrad African Arts, [1988], ©1988.
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Tabourets : Asante stools / par E.A. Dagan.
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53 pages : illustrations ; 14 x 22 cm.
Tabourets : Asante stools / par E.A. Dagan.
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53 pages : illustrations ; 14 x 22 cm.
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Montréal : Galerie Amrad African Arts, [1988], ©1988.
Montréal : Galerie Amrad African Arts, [1988], ©1988.
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458 pages, 21 leaves, 8 leaves of plates illustrations, maps 31 cm
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458 pages, 21 leaves, 8 leaves of plates illustrations, maps 31 cm
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Oslo, Dreyer [1973]
Oslo, Dreyer [1973]
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Norske stavkirker. Dekor og utstyr. Utg. av Riksantikvaren.
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458 pages, 21 leaves, 8 leaves of plates illustrations, maps 31 cm
Norske stavkirker. Dekor og utstyr. Utg. av Riksantikvaren.
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458 pages, 21 leaves, 8 leaves of plates illustrations, maps 31 cm
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Oslo, Dreyer [1973]
Oslo, Dreyer [1973]
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$54.00
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Résumé:
The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent(...)
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The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent(...)
Titre:
Isa Genzken: sculpture as world receiver
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The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent works seen in Genzken’s studio.
Isa Genzken: sculpture as world receiver
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The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent works seen in Genzken’s studio.
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septembre 2017
septembre 2017
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artéfacts
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1 model : metal ; 21 x 11 x 10 cm
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1 model : metal ; 21 x 11 x 10 cm
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[approximately 1925] ([Bridgeport, Conn.] : Jennings Brothers)
[approximately 1925] ([Bridgeport, Conn.] : Jennings Brothers)
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[Gloucester Fishermen's Memorial]
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1 model : metal ; 21 x 11 x 10 cm
[Gloucester Fishermen's Memorial]
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1 model : metal ; 21 x 11 x 10 cm
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artéfacts
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[approximately 1925] ([Bridgeport, Conn.] : Jennings Brothers)
[approximately 1925] ([Bridgeport, Conn.] : Jennings Brothers)
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138 unnumbered pages : illustrations (some color) ; 31 cm.
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138 unnumbered pages : illustrations (some color) ; 31 cm.
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Amsterdam : Roma Publications ; Kanazawa : Keijiban, [2023], ©2023
Amsterdam : Roma Publications ; Kanazawa : Keijiban, [2023], ©2023
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Batia Suter : exosphere = 鎧 / concept and photography, Batia Suter. Batia Suter : exosphere = kai / concept and photography, Batia Suter.
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138 unnumbered pages : illustrations (some color) ; 31 cm.
Batia Suter : exosphere = 鎧 / concept and photography, Batia Suter. Batia Suter : exosphere = kai / concept and photography, Batia Suter.
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138 unnumbered pages : illustrations (some color) ; 31 cm.
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Amsterdam : Roma Publications ; Kanazawa : Keijiban, [2023], ©2023
Amsterdam : Roma Publications ; Kanazawa : Keijiban, [2023], ©2023
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