vidéo
Description:
1 streaming video file (1 hr., 41 sec.) : sound, colour
[Montréal] : CCA, [2018]
Guido Beltramini : what was history for patrons and architects in Bologna in 1579?.
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1 streaming video file (1 hr., 41 sec.) : sound, colour
vidéo
[Montréal] : CCA, [2018]
livres
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1 portfolio ([1] leaf, 12, [1] leaves of plates) : color illustrations, plan ; 15 x 20 cm + 1 volume (37 pages ; 18 cm)
Amsterdam : Jan D. Brouwer, [1864?]
Het Paleis voor Volksvlijt te Amsterdam : 12 chromolithographische platen voorstellende het uit- en inwendige van het gebouw, benevens platten grond / naar de natuur geteekend door W. Hekking Jr. ; met verklarenden tekst van P.H. Witkamp = Das Ausstellungs Gebäude zu Amsterdam : 12 chromolithogr: Abbildungen nebst Plan / nach der Natur gezeichnet von W. Hekking Jr. ; mit erklärendem Texte von P.H. Witkamp = The Crystal Palace at Amsterdam : 12 chromolithographs from nature and engraved plan / designed by W. Hekking Jr. ; with a description by P.H. Witkamp = Le Palais de l'industrie à Amsterdam : 12 dessins chromolithographiés d'après nature avec plan / dessiné par W. Hekking Jr. ; redigé par P.H. Witkamp.
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1 portfolio ([1] leaf, 12, [1] leaves of plates) : color illustrations, plan ; 15 x 20 cm + 1 volume (37 pages ; 18 cm)
livres
Amsterdam : Jan D. Brouwer, [1864?]
archives
Description:
still image
[1988]
Stadtbaukasten Il Gioco della capitale = Capital game. [electronic resource].
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still image
archives
[1988]
$58.00
(disponible sur commande)
Résumé:
Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City(...)
Partners in design: Alfred H. Barr Jr. and Philip Johnson
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Résumé:
Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.
Architecture, monographies
livres
Description:
28 pages : illustrations, plans ; 23 cm
Wien : Wagner Druck und Verlag, [1932]
Wettbewerb Das wachsende Haus : Sonder-Katalog.
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28 pages : illustrations, plans ; 23 cm
livres
Wien : Wagner Druck und Verlag, [1932]
livres
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133, [3] pages : illustrations (chiefly color), plans ; 30 cm
[Baden, Switzerland] : Lars Müller, [2006], ©2006
Yad Vashem : Moshe Safdie : the architecture of memory.
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133, [3] pages : illustrations (chiefly color), plans ; 30 cm
livres
[Baden, Switzerland] : Lars Müller, [2006], ©2006
$75.00
(disponible en magasin)
Résumé:
A pioneer of Italian radical design, Gaetano Pesce remains one of the world’s greatest living creators—the critic Joseph Giovannini once called him the “perennial enfant terrible of iconoclastic design”. Now in his 80s, Pesce works daily from his New York studio, inventing ambitious, remote-controlled cabinets, gargantuan resin vases, and gold-leaf covered cupboards, each(...)
Out in the world with Gaetano Pesce
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$75.00
(disponible en magasin)
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A pioneer of Italian radical design, Gaetano Pesce remains one of the world’s greatest living creators—the critic Joseph Giovannini once called him the “perennial enfant terrible of iconoclastic design”. Now in his 80s, Pesce works daily from his New York studio, inventing ambitious, remote-controlled cabinets, gargantuan resin vases, and gold-leaf covered cupboards, each wearing the impressions of imperfect, unique gestures. This 116-page book is an intimate, left-of-center ode to Pesce’s work, with a focus on his furniture. It includes an extended conversation between Pesce and art critic Sophie Haigney, unusually playful portraits by Duane Michals, and newly-commissioned photographs from around the world, featuring his chairs from collectors and museums. With a limited-edition print run, this book functions as a portable exhibition: a new lens through which to understand the forever surprising, funny, and provocative design icon.
Design, monographies
livres
Description:
71 pages : illustrations, plans, portraits ; 30 cm
Aachen : Mies van der Rohe-Haus Aachen, ©2011.
Ein Mies-Haus für Emil Nolde : Ausstellung anlässlich der Feier zum 125. Geburtstag von Ludwig Mies van der Rohe in seiner Geburtsstadt Aachen, 28. März bis 15. April, präsentiert vom Mies van der Rohe-Haus Aachen e.V. in der Räumen der Sparkasse Aachen, Münsterplatz am Dom / [Text, Rudolf Bertig].
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71 pages : illustrations, plans, portraits ; 30 cm
livres
Aachen : Mies van der Rohe-Haus Aachen, ©2011.
Take away
$49.95
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Résumé:
Founded in 1987, the design collection of the Museum of Design Zurich now has more than 15,000 exhibits, 20,000 examples of packaging and the Archive for Swiss Design and is the first and most comprehensive of its type in Switzerland. "Take away" is the first in a series of publications which presents treasures from the collection on a specific theme. Like the(...)
Design industriel
février 2006, Ludwigsburg, Zürich
Take away
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Founded in 1987, the design collection of the Museum of Design Zurich now has more than 15,000 exhibits, 20,000 examples of packaging and the Archive for Swiss Design and is the first and most comprehensive of its type in Switzerland. "Take away" is the first in a series of publications which presents treasures from the collection on a specific theme. Like the exhibition of the same name, the focus here is the contentious world of items used in mobile food culture: stacking plates, paper cups, pizza boxes, picnic baskets as well as things like mini toothbrushes, folding furniture and much more. This book shows just how much mobile eating shapes our lives, with all its advantages and disadvantages. Not only has it changed what we eat, but also how, where and what we use to eat. Whether fast food, take away, system gastronomy or convenience food.
Design industriel
$34.00
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Résumé:
This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design(...)
Memphis again: Triennale Milano
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design coordinator since the late 1950s, and continued with the research of the radical architecture movements of the 1960s and 1970s, in Florence and Europe. The publication documents the eponymous 2022 Milan exhibition on the group, for which Memphis works were dynamically installed in chronological order in the style of a fashion show, with quotes by critics, architects and designers projected on the walls.
Design industriel