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There is a creative explosion of work taking place in architecture and design schools exploring materials such as mycelium, clay/earth, engineered timber, bio-based plastics and algae. This handbook of low- and no-carbon materials for architects and designers focuses on sustainable materials, their sourcing, technical properties and the processes required for their use in(...)
Sustainable and Regenerative Materials for Architecture: A Sourcebook
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There is a creative explosion of work taking place in architecture and design schools exploring materials such as mycelium, clay/earth, engineered timber, bio-based plastics and algae. This handbook of low- and no-carbon materials for architects and designers focuses on sustainable materials, their sourcing, technical properties and the processes required for their use in architecture. The book showcases new and rediscovered processes for material fabrication, responsible sourcing and creative material design. Material properties (structural, thermal, fire, health and life safety) are described and case studies from around the world illustrate the inventive ways in which these materials have been deployed in the built environment. The book is designed as an introduction to the exciting and rapidly changing world of construction materials. With a better understanding of the social, environmental and economic sustainability of any given material - alongside its technical properties - students of architecture can lead the change in responsible and creative material use.
Architecture écologique
$56.00
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Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different—houses that stand outside of these expectations and instead are conceived to(...)
The manifesto house: Buildings that changed the future of architecture
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Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different—houses that stand outside of these expectations and instead are conceived to embody whole new theories or agendas. We call these "manifesto houses." For the first time, this compelling thread in the history of architecture is surveyed by Owen Hopkins. He brings together a collection of twenty-one such manifesto houses, exploring the visions for architecture conjured by Andrea Palladio, Eileen Gray, Frank Lloyd Wright, Harry Seidler, Lina Bo Bardi, Anupama Kundoo, and Sou Fujimoto, among others. "The manifesto house" looks in detail at the ideas and ambitions embodied in each house, the contexts that shaped them, and their impact and influence on the future of architecture.
Théorie de l’architecture
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Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world.(...)
Medium hot: Images in the age of heat
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Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world. She argues that such practices cannot be divorced from the economic and political conditions of the times. "Medium hot" is a collection of scintillating meditations on the limits of art and technology: the essential handbook for the present conjuncture. The pieces here probe the manufacture and distribution of images in the age of AI and climate change. She asks whether art can be made not only by machines but for machines. She argues against the production of images that heat up the planet, disfranchise workers and fuel the arms trade, and questions whether such creations can even be called art.
Théorie de l’art
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An extreme weather event hit north-eastern Italy in October 2018. The Sirocco wind blew up to 200 kilometres per hour through the Dolomite valleys, knocking some 14 million trees to the ground. The incessant rain caused torrents to overflow, dragging logs and debris downstream. Overnight, the inhabitants of a number of mountain communities in Trentino,Veneto and(...)
Matteo de Mayda: There's no calm after the storm
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An extreme weather event hit north-eastern Italy in October 2018. The Sirocco wind blew up to 200 kilometres per hour through the Dolomite valleys, knocking some 14 million trees to the ground. The incessant rain caused torrents to overflow, dragging logs and debris downstream. Overnight, the inhabitants of a number of mountain communities in Trentino,Veneto and Friuli-Venezia Giulia found their cellars flooded and even their houses torn apart by the winds. More than six years later, the consequences of storm Vaia are still visible and tangible. The slopes of various mountains are barren. The remaining forests have been invaded by the spruce bark beetle: a parasite that feeds on wood. Without the plants, there is no protection against landslides and avalanches. While experts and locals are rolling up their sleeves to try and bring the situation back to normal, the total economic damage has been estimated at three billion euros.
Monographies photo
City : urbanism and its end
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A new understanding of the modern city, its challenges, and why old ideas about urban renewal won’t work. "City : urbanism and its end" begins with a richly textured portrait of New Haven in the early twentieth century, a period of centralized manufacturing, civic vitality, and mixed-use neighborhoods. As social and economic conditions changed, the city confronted its(...)
City : urbanism and its end
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A new understanding of the modern city, its challenges, and why old ideas about urban renewal won’t work. "City : urbanism and its end" begins with a richly textured portrait of New Haven in the early twentieth century, a period of centralized manufacturing, civic vitality, and mixed-use neighborhoods. As social and economic conditions changed, the city confronted its end of urbanism first during the Depression, and then very aggressively during the mayoral reign of Richard C. Lee (1954–70), when New Haven led the nation in urban renewal spending. But government spending has repeatedly failed to restore urban vitality. Rae argues that strategies for the urban future should focus on nurturing the unplanned civic engagements that make mixed-use city life so appealing and so civilized. Cities need not reach their old peaks of population, or look like thriving suburbs, to be once again splendid places for human beings to live and work.
Théorie de l’urbanisme
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In recent years metal as a construction material has been experiencing a renaissance. Its diverse qualities and versatility mean that it is an ideal material for many different applications. Gone are the days when metal was only used for the roofing and facades of industrial sheds. In the meantime architecture and industry have discovered its aesthetic qualities, using(...)
Matériaux et éclairage
octobre 2003, Basel
Metal architecture design and construction
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In recent years metal as a construction material has been experiencing a renaissance. Its diverse qualities and versatility mean that it is an ideal material for many different applications. Gone are the days when metal was only used for the roofing and facades of industrial sheds. In the meantime architecture and industry have discovered its aesthetic qualities, using it to cover theatres, museums, and exhibition buildings with shimmering layers of copper and titanium. It enables extravagant forms to be constructed, and even in low-cost, prefabricated buildings, metal can be used in new and interesting ways. It has become an integral factor in creating intelligent architectural solutions which meet the requirements of clients, investors and architects. ”Metal architecture” documents some 21 international projects which show not only the creative elements but also the economic advantages of metal. Of particular note are the Drive-Inn Restaurant in Slovenia, loft apartments in Los Angeles, and the harbour control tower in Lisbon.
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octobre 2003, Basel
Matériaux et éclairage
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
Photographie- collections
Madrid architectural guide
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This guidebook showcases 150 buildings from the past 100 years starting with one of the most influential urban projects ever: the Gran Vía. This main avenue marked a milestone for Madrid which went from being a historic city to the modern capital that it is today. This intervention had been ongoing for almost two decades with the initial phase of construction reaching(...)
Madrid architectural guide
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This guidebook showcases 150 buildings from the past 100 years starting with one of the most influential urban projects ever: the Gran Vía. This main avenue marked a milestone for Madrid which went from being a historic city to the modern capital that it is today. This intervention had been ongoing for almost two decades with the initial phase of construction reaching completion circa. 1917. A selection of the most relevant buildings thereafter until the present day sheds light on Madrid’s architecture in relation to its inherent historical context, including the need for the reconstruction of built heritage after the Spanish Civil War, the influence of the Franco dictatorship lasting for almost forty years, and the new materials and collaborative architecture that have arisen during the current economic crisis, among other aspects. Seven proposed routes lead us through the different districts that make up the city, as well as those historic epochs that have made Madrid the city it is today.
Guides des villes
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies(...)
Chandigarh rethink: transforming ruralities & edeg(ness) in global urbanities
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies via provocative design studio design work. These introspections are framed within themed contributions from a globally recognized group of scholars who represent the diverse disciplines of architecture, planning, urban design, landscape ecologies and the humanities. As a topical publication on global urbanities transforming a 'signature' urban project, "Chandigarh rethink" anticipates the Buildings-Landscapes-Cultures (blc) program and SARUP's efforts to uniquely aligning urban research, pedagogy and critical design practice towards examining global urbanities that continue to defy normative urban analysis. Beyond serving as an exemplar for globally aware architectural schools nationwide and beyond, it is also directed to serve as an instructive primer for design students and instructors examining global urban sites.
The postconceptual condition
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If, as Walter Benjamin claimed, "it is the function of artistic form […] to make historical content into a philosophical truth” then it is the function of criticism to recover and to complete that truth. Contemporary art makes this work more difficult than ever. Today’s art is a point of condensation for a vast array of social and historical forces, economic and political(...)
The postconceptual condition
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If, as Walter Benjamin claimed, "it is the function of artistic form […] to make historical content into a philosophical truth” then it is the function of criticism to recover and to complete that truth. Contemporary art makes this work more difficult than ever. Today’s art is a point of condensation for a vast array of social and historical forces, economic and political forms, and technologies of image production. Contemporary art, Osborne maintains, expresses this condition through its distinctively postconceptual form. These essays—extending the scope and arguments of Osborne’s Anywhere or Not At All: Philosophy of Contemporary Art—move from a philosophical consideration of the changing temporal conditions of capitalist modernity, via problems of formalism, the politics of art and the changing shape of art institutions, to interpretation and analysis of particular works by Akram Zaatari, Xavier Le Roy and Ilya Kabakov, and the postconceptual situation of a crisis-ridden New Music.
Théorie de l’art