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Some thousands of years ago, the world was home to an immense variety of large mammals. From wooly mammoths and saber-toothed tigers to giant ground sloths and armadillos the size of automobiles, these spectacular creatures roamed freely. Then human beings arrived. Devouring their way down the food chain as they spread across the planet, they began a process of voracious(...)
Extinction: a radical history
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Some thousands of years ago, the world was home to an immense variety of large mammals. From wooly mammoths and saber-toothed tigers to giant ground sloths and armadillos the size of automobiles, these spectacular creatures roamed freely. Then human beings arrived. Devouring their way down the food chain as they spread across the planet, they began a process of voracious extinction that has continued to the present. For Ashley Dawson, this is the product of a global attack on the commons, the great trove of air, water, plants and creatures, as well as collectively created cultural forms such as language, that have been regarded traditionally as the inheritance of humanity as a whole. This attack has its genesis in the need for capital to expand relentlessly into all spheres of life. Extinction, Dawson argues, cannot be understood in isolation from a critique of our economic system. To achieve this we need to transgress the boundaries between science, environmentalism and radical politics.
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Concepts such as “new genre public art,” “social practice,” or “socially engaged art” may imply a synergy between the role of art and the role of government in providing social services. Yet the arts and social services differ crucially in terms of their methods and metrics. Socially engaged artists need not be aligned (and may often be opposed) to the public sector and(...)
Théorie de l’art
septembre 2016
Public servants: and the crisis of the common good
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Concepts such as “new genre public art,” “social practice,” or “socially engaged art” may imply a synergy between the role of art and the role of government in providing social services. Yet the arts and social services differ crucially in terms of their methods and metrics. Socially engaged artists need not be aligned (and may often be opposed) to the public sector and to institutionalized systems. In many countries, structures of democratic governance and public responsibility are shifting, eroding, and being remade in profound ways—driven by radical economic, political, and global forces. According to what terms and through what means can art engage with these changes? This volume gathers essays, dialogues, and art projects—some previously published and some newly commissioned—to illuminate the ways the arts shape and reshape a rapidly changing social and governmental landscape. An artist portfolio section presents original statements and projects by some of the key figures grappling with these ideas.
Théorie de l’art
livres
Domus volume 2 1940-1949
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1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in(...)
Domus volume 2 1940-1949
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1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses
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octobre 2008
Design d’intérieur
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In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War(...)
octobre 2008, New York
After the crash: architecture in post-bubble Japan
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In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War II. New Zealand–born architect Thomas Daniell arrived in Japan at the dawn of this turbulent decade. After the Crash is an anthology of essays that draw on first-hand observations of the built environment and architectural culture that emerged from the economically sober post-bubble period of the 1990s. Daniell uses projects and installations by architects such as Atelier Bow Wow, Toyo Ito, and the metabolists to illustrate the new relationships forged, most of necessity, between architecture and society in Japan. Tom Daniell is a practicing architect, critic, and educator who has based himself in Kyoto, Japan since the early 1990s.
Model city blues
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Model City Blues tells the story of how regular people, facing a changing city landscape, fought for their own model of the �ideal city� by creating grassroots plans for urban renewal. Filled with vivid descriptions of significant moments in a protracted struggle, it offers a street-level account of organized resistance to institutional plans to transform New Haven,(...)
Model city blues
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Model City Blues tells the story of how regular people, facing a changing city landscape, fought for their own model of the �ideal city� by creating grassroots plans for urban renewal. Filled with vivid descriptions of significant moments in a protracted struggle, it offers a street-level account of organized resistance to institutional plans to transform New Haven, Connecticut, in the 1960s. Anchored in the physical spaces and political struggles of the city, it brings back to center stage the individuals and groups who demanded that their voices be heard. By reexamining the converging class- and race-based movements of 1960s New Haven, Mandi Jackson helps to explain the city�s present-day economic and political struggles. More broadly, by closely analyzing particular sites of resistance in New Haven, Model City Blues employs multiple academic disciplines to redefine and reimagine the roles of everyday city spaces in building social movements and creating urban landscapes.
Théorie de l’urbanisme
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Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the(...)
Monographies photo
juin 2005, Vienna
Blue : inventing the river Danube
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Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the middle of the 19th century onwards. They depict the development of the continent's second largest river, and its cultural and economic significance for central and south-easthern Europe. The river as it is today is the theme of the artistic work by Iosif Kiraly (Bucharest)and Sophie Ristelhueber (Paris). In winter and spring 2004/2005 the two photographers travelled along the Danube, eastwards and westwards. Kiraly visited places that have been shaped by the industrial age. Ristelhueber followed the Danube along its last few miles to Sulina, the place where the Danube ends and the Black Sea begins.
Monographies photo
City and environmnent
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For the first time in history, more than half the people of the world live in cities. Comprehending the impact of this widespread urbanization requires an awareness of the complex relationships between cities and natural ecosystems. This book moves beyond the anti-urban lamentations that often dominate today's academic discourse to examine the evolution of cities and to(...)
Théorie de l’urbanisme
juin 2006, Philadelphia
City and environmnent
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For the first time in history, more than half the people of the world live in cities. Comprehending the impact of this widespread urbanization requires an awareness of the complex relationships between cities and natural ecosystems. This book moves beyond the anti-urban lamentations that often dominate today's academic discourse to examine the evolution of cities and to illuminate the roles that humans play in shaping their environments, both natural and constructed. Christopher G. Boone and Ali Modarres argue that understanding the multiple forces of urbanization requires a holistic approach to the interactions of social, cultural, economic, political, and environmental factors. Without casting judgments, " City and environment " seeks to engage readers in an exploration of cities from a truly global perspective. Throughout, it illuminates the social-ecological systems of cities not as an academic exercise—although informing academic audiences is one of its goals—but ultimately to help transform cities into livable and ecologically sustainable environments.
Théorie de l’urbanisme
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Nurturing health, hope, and community, gardeners in cities and suburbs are reclaiming lost commons, transforming vacant lots into vibrant plots, turning waste into compost, and recreating what was once the most productive agriculture in recorded human history. In a history that has been hidden in plain sight, working-class gardeners have consistently played an outsized(...)
Tiny gardens everywhere: The past, present, and future of the self-provisioning city
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Nurturing health, hope, and community, gardeners in cities and suburbs are reclaiming lost commons, transforming vacant lots into vibrant plots, turning waste into compost, and recreating what was once the most productive agriculture in recorded human history. In a history that has been hidden in plain sight, working-class gardeners have consistently played an outsized role. In London, they devised ways to feed themselves when wage labor fell short. In Paris, a superabundance of horse manure in the streets nourished urban gardens that fed two million residents. In Berlin, gardeners built social safety nets for those marginalized by the state. In Washington, DC, African American migrants brought rural traditions of self-provisioning that were later disrupted by “urban renewal.” In rustbelt Mansfield, Ohio, farming ex-cons grow hope for the city’s future. In post-Soviet Estonia, shared gardens became lifelines for survival amid economic upheaval. And in Amsterdam, activists are reclaiming sustainable farming practices in a sinking landscape oversaturated with fertilizers.
Jardins
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This book investigates the characteristics of today's built environment: no longer simply a city but increasingly large conurbations made up of a number of development clusters, linked by transport routes. The diffusion of the once compact city into a city web, the 'meta city' is mirrored by changes in society from communities with strong social cohesion and interest in(...)
Cities without cities : an interpretation of the Zwischenstadt
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This book investigates the characteristics of today's built environment: no longer simply a city but increasingly large conurbations made up of a number of development clusters, linked by transport routes. The diffusion of the once compact city into a city web, the 'meta city' is mirrored by changes in society from communities with strong social cohesion and interest in their towns and cities to individuals pursing their own goals, with global social links and little interest in their own town or city other than the quality of their personal space. The account is complex and on a number of levels; social, philosophical, economic and environmental. The difficulties in managing or even controlling the city web, divided arbitrarily into areas of limited size and political power, are enormous. Areas compete with each other rather than co-operate. The book provides a better understanding of this new type of urban form and argues for a change in planning systems for better management.
Théorie de l’urbanisme
Off the radar
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Architectural design is not limited by geographical, economic or political boundaries. However, the majority of the architecture brought to the world's attention tends to be concentrated in a few countries and located in the wealthier nations of Europe and North America. This "Architectural Design" title seeks to present recent architecture that is situated beyond these(...)
Off the radar
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Architectural design is not limited by geographical, economic or political boundaries. However, the majority of the architecture brought to the world's attention tends to be concentrated in a few countries and located in the wealthier nations of Europe and North America. This "Architectural Design" title seeks to present recent architecture that is situated beyond these familiar boundaries and outside the customary centres of architectural debate. It focuses on architecture that positively benefits from being at the periphery. By presenting work from countries as diverse as Iceland, Guinea, Canada, Portugal, Chile, New Zealand and India, it highlights buildings designed to respond to climatic extremes, remote sites and a broad range of social settings. It also identifies architects who are exploring the potential of materials and limited resources. This work has not only been sought out for attention, but is documented and connected through interviews with selected architects and international contributors who are designing, researching and building at the edge.
Architecture du Canada