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Design for a democratic society was a matter of urgency in bombed-out postwar Europe. Swiss sociologist, journalist, professor and founding father of strollology, Lucius Burckhardt (1925-2003) pioneered the interdisciplinary analysis of man-made environments, and thereby highlighted both the visible and invisible aspects of our cities and social relations. Acutely aware(...)
Théorie de l’architecture
octobre 2012
Lucius Burckhardt writings: rethinking man-made environments
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Design for a democratic society was a matter of urgency in bombed-out postwar Europe. Swiss sociologist, journalist, professor and founding father of strollology, Lucius Burckhardt (1925-2003) pioneered the interdisciplinary analysis of man-made environments, and thereby highlighted both the visible and invisible aspects of our cities and social relations. Acutely aware of how our interventions and decisions shape the world, and how the changing world in turn, shapes us, his life-long focus was not only the prerequisites of architecture, urban planning and design but also their long-term impact. Teaching and practice still owe much to his work. Thus, the first selection of Lucius Burckhardt's texts to appear in English, introduces his groundbreaking theory of environmental design, in retrospective tribute to a prescient thinker.
Théorie de l’architecture
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This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions. In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and(...)
Spheres of action : art and politics
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This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions. In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and Jacques Rancière each adopt a distinctive approach to the making, undoing, and remaking of aesthetic images in contemporary art and their political significance. From Italy, Antonio Negri, Maurizio Lazzarato, Judith Revel, and Franco Berardi each address the "immaterial" situation of contemporary art. From Germany, Peter Sloterdijk, Peter Weibel, and Boris Groys reassess the contemporary legacy of postwar art, demonstrating appropriations of vitalism, structuralism, and deconstruction, respectively.
Théorie de l’art
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This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct "system of communication." "Autopoeisis" comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular(...)
The Autopoiesis of architecture: a new agenda for architecture. Vol. 2
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This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct "system of communication." "Autopoeisis" comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular self-organizing system and has since been transposed into a theory of social systems. This new approach offers architecture an arsenal of general comparative concepts. It allows architecture to be understood as a distinct discipline, which can be analyzed in elaborate detail while at the same time offering insightful comparisons with other subject areas, such as art, science and political discourse
Théorie de l’architecture
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The twelve new essays in this volume use a contemporary context to think through and with Deleuze. Engaging the here and now, the contributors use the Deleuzian theoretical apparatus to think about issues such as military activity in the Middle East, refugees, terrorism, information and communication, and the State. The book is aimed both at specialists of Deleuze and(...)
Deleuze and the contemporary world
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The twelve new essays in this volume use a contemporary context to think through and with Deleuze. Engaging the here and now, the contributors use the Deleuzian theoretical apparatus to think about issues such as military activity in the Middle East, refugees, terrorism, information and communication, and the State. The book is aimed both at specialists of Deleuze and those who are unfamiliar with his work but who are interested in current affairs. Incorporating political theory and philosophy, culture studies, sociology, international studies, and Middle Eastern studies, the book is designed to appeal to a wide audience. Contributors include: Rosi Braidotti, Claire Colebrook, Verena Conley, Eugene Holland, John Marks, Paul Patton, Patricia Pisters, Laurence J. Silberstein, Kenneth Surin and Nicholas Thoburn.
Théorie/ philosophie
$53.00
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The goal of this collaborative, enthusiastic textbook on design history is to create a resource offering a diverse, inclusive view of graphic design history, specifically articulated through the student voice. Design History Reader was led by Kristen Coogan, Associate Professor of Art and Graphic Design at Boston University, who applies the department’s pluralistic(...)
Design history reader: An emerging vision for a new narrative
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The goal of this collaborative, enthusiastic textbook on design history is to create a resource offering a diverse, inclusive view of graphic design history, specifically articulated through the student voice. Design History Reader was led by Kristen Coogan, Associate Professor of Art and Graphic Design at Boston University, who applies the department’s pluralistic approach to the topic. The case studies featured in this book are real-life examples from her students that demonstrate the practical, ubiquitous applications of design theory. They began as a curricular revision and evolved into a new form of design history pedagogy. Already a part of Boston University’s graphic design curriculum, this student-focused reader is an excellent choice for course adoption, or for the bookshelf of an independent aspiring designer.
Théorie du design
The ocean as ground
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A persistent narrative portrays the ocean as an uninhabited space. However, centuries of commercial trade and an expanding network of infrastructures above and below the water’s surface have long challenged this view, prompting researchers to conceptualise the sea as an urbanised environment. While the sea is a global arena where architecture, ecology, infrastructure, and(...)
The ocean as ground
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A persistent narrative portrays the ocean as an uninhabited space. However, centuries of commercial trade and an expanding network of infrastructures above and below the water’s surface have long challenged this view, prompting researchers to conceptualise the sea as an urbanised environment. While the sea is a global arena where architecture, ecology, infrastructure, and politics intersect, its spatial dynamics remain largely uncharted. In a time of planetary urbanisation, ''The Ocean as Ground: An Offshore Theory on Urbanisation'' explores oceans as urban spaces by unveiling forgotten histories, projects, and narratives. How might we understand land urbanisation starting from the oceans? Through the conceptual lens of “ground”, the book invites readers to rethink how we perceive, design, and inhabit the spaces of both land and sea.
Théorie du paysage
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Since Greek antiquity, the human body has been regarded as a microcosm of universal harmony. In this book, an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body's physical,(...)
Théorie de l’architecture
avril 2005, Cambridge, Massachusetts
Body and building : essays on the changing relation of body and architecture
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Since Greek antiquity, the human body has been regarded as a microcosm of universal harmony. In this book, an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body's physical, psychological, and spiritual needs and pleasures. Topics include Greek temples; the churches of Tadao Ando in Japan; Renaissance fortresses and paintings; the body, space, and dwelling in Wright's and Schindler's houses in North America; the corporeal dimension of Carlo Scarpa's landscapes and gardens; theory from Vitruvius to the Renaissance and Enlightenment; and Freudian psychoanalysis. The essays are framed by an appreciation of architectural historian and theorist Joseph Rykwert's influential work on the subject.
Théorie de l’architecture
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''Standpoint Autotheory'' encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by(...)
Théorie de l’art
septembre 2025
Standpoint autotheory: Writing embodied experiences and relational artistic practice
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''Standpoint Autotheory'' encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by questioning dominant epistemologies. The positions assembled in the book are permeated by different modes of thinking and practice such as autoethnography, practices of the self, auto-historia teoría, standpoint theories, strong objectivity and situated knowledge, self-authority, narrativity and storytelling, radical positioning, performative philosophy, autofiction, thinking-feeling, and other methods that, through the interrogation of embodied experiences, illuminate the connections between the personal and the political, as well as the individual and the communal.
Théorie de l’art
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This study illuminates the complex interplay between Deleuze and Guattari's philosophy and architecture. Presenting their wide-ranging impact on late 20th- and 21st-century architecture, each chapter focuses on a core Deleuzian/Guattarian philosophical concept and one key work of architecture which evokes, contorts, or extends it. Challenging the idea that a concept or(...)
Architecture after Deleuze and Guattari
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This study illuminates the complex interplay between Deleuze and Guattari's philosophy and architecture. Presenting their wide-ranging impact on late 20th- and 21st-century architecture, each chapter focuses on a core Deleuzian/Guattarian philosophical concept and one key work of architecture which evokes, contorts, or extends it. Challenging the idea that a concept or theory defines and then produces the physical work and not vice versa, Chris L. Smith positions the relationship between Deleuze and Guattari's philosophy and the field of architecture as one that is mutually substantiating and constitutive. In this framework, modes of architectural production and experimentation become inextricable from the conceptual territories defined by these two key thinkers, producing a rigorous discussion of theoretical, practical, and experimental engagements with their ideas.
Théorie de l’architecture
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"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
One place after another : site-specific art and locational identity
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"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, René¥ Green, Suzanne Lacy, Iñ©§¯ Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Théorie de l’art