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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,”(...)
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,”(...)
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New Waves: Takashi Homma 2000-2013
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,” philosopher and art critic David LaRocca writes that Homma’s photographs “do not evoke the same response in us every time; they are, we are tempted to say, individual (or at least individuated) to such an extent that like each frame from Homma's camera, each instant in the life of this water-as-wave exists as an enigmatic particularity.” Each photograph therefore, provides a unique lens in which to contemplate the complex relationships that arise in viewing each seascape.
New Waves: Takashi Homma 2000-2013
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,” philosopher and art critic David LaRocca writes that Homma’s photographs “do not evoke the same response in us every time; they are, we are tempted to say, individual (or at least individuated) to such an extent that like each frame from Homma's camera, each instant in the life of this water-as-wave exists as an enigmatic particularity.” Each photograph therefore, provides a unique lens in which to contemplate the complex relationships that arise in viewing each seascape.
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livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$26.95
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's(...)
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's(...)
Titre:
Architecture in the anthropocene: encounters among design, deep time, science and philosophy
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's land, oceans, biosphere and climate have demonstrated that, from a wide variety of perspectives, it is almost certain that humans have initiated a new geological epoch, their own. First labeled the Anthropocene by the chemist Paul Crutzen, the consideration of the merits of the Anthropocene thesis by the International Commission on Stratigraphy and the International Union of Geological Sciences has also garnered the attention of philosophers, historians, and legal scholars, as well as an increasing number of researchers from a range of scientific backgrounds.
Architecture in the anthropocene: encounters among design, deep time, science and philosophy
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's land, oceans, biosphere and climate have demonstrated that, from a wide variety of perspectives, it is almost certain that humans have initiated a new geological epoch, their own. First labeled the Anthropocene by the chemist Paul Crutzen, the consideration of the merits of the Anthropocene thesis by the International Commission on Stratigraphy and the International Union of Geological Sciences has also garnered the attention of philosophers, historians, and legal scholars, as well as an increasing number of researchers from a range of scientific backgrounds.
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livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$62.95
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Houses for a New World is the first comprehensive history of this uniquely American form of domestic architecture and urbanism. Between 1945 and 1965, more than thirteen million houses--most of them in new ranch and split-level styles--were constructed on large expanses of land outside city centers, providing homes for the country's rapidly expanding population.(...)
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Houses for a New World is the first comprehensive history of this uniquely American form of domestic architecture and urbanism. Between 1945 and 1965, more than thirteen million houses--most of them in new ranch and split-level styles--were constructed on large expanses of land outside city centers, providing homes for the country's rapidly expanding population.(...)
Titre:
Houses for a new world: builders and buyers in american suburds 1945-1965
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Houses for a New World is the first comprehensive history of this uniquely American form of domestic architecture and urbanism. Between 1945 and 1965, more than thirteen million houses--most of them in new ranch and split-level styles--were constructed on large expanses of land outside city centers, providing homes for the country's rapidly expanding population. Focusing on twelve developments in the suburbs of Boston, Philadelphia, Chicago, and Los Angeles, Barbara Miller Lane tells the story of the collaborations between builders and buyers, showing how both wanted houses and communities that espoused a modern way of life--informal, democratic, multiethnic, and devoted to improving the lives of their children. The resulting houses differed dramatically from both the European International Style and older forms of American domestic architecture.
Houses for a new world: builders and buyers in american suburds 1945-1965
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Houses for a New World is the first comprehensive history of this uniquely American form of domestic architecture and urbanism. Between 1945 and 1965, more than thirteen million houses--most of them in new ranch and split-level styles--were constructed on large expanses of land outside city centers, providing homes for the country's rapidly expanding population. Focusing on twelve developments in the suburbs of Boston, Philadelphia, Chicago, and Los Angeles, Barbara Miller Lane tells the story of the collaborations between builders and buyers, showing how both wanted houses and communities that espoused a modern way of life--informal, democratic, multiethnic, and devoted to improving the lives of their children. The resulting houses differed dramatically from both the European International Style and older forms of American domestic architecture.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$56.95
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A Handful of Dust is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called(...)
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A Handful of Dust is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called(...)
Titre:
David Campany: a handful of dust, from the cosmic to the domestic
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A Handful of Dust is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem The Waste Land. “I will show you fear in a handful of dust.”
David Campany: a handful of dust, from the cosmic to the domestic
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A Handful of Dust is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem The Waste Land. “I will show you fear in a handful of dust.”
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livres
livres
Publication:
octobre 2015
octobre 2015
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Monographies photo
Monographies photo
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audio
audio
Titre:
Nish Morris.
Nish Morris.
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2020.
[Place of publication not identified] : The Funambulist, 2020.
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audio
audio
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[Place of publication not identified] : The Funambulist, 2020.
[Place of publication not identified] : The Funambulist, 2020.
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livres
livres
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Donad Judd spaces
Donad Judd spaces
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This volume presents a visual survey of Donald Judd's permanently installed living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a nineteenth-century cast-iron building in(...)
$170.00
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This volume presents a visual survey of Donald Judd's permanently installed living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a nineteenth-century cast-iron building in(...)
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Donad Judd spaces
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$170.00
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This volume presents a visual survey of Donald Judd's permanently installed living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a nineteenth-century cast-iron building in Manhattan, to Ayala de Chinati, an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and land surrounding the buildings that comprise Judd’s extant living and working spaces stewarded by Judd Foundation. Each space was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.
Donad Judd spaces
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This volume presents a visual survey of Donald Judd's permanently installed living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a nineteenth-century cast-iron building in Manhattan, to Ayala de Chinati, an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and land surrounding the buildings that comprise Judd’s extant living and working spaces stewarded by Judd Foundation. Each space was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.
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livres
livres
Publication:
septembre 2024
septembre 2024
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Design, monographies
Design, monographies
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Description:
xiii, 352 pages : illustrations ; 29 cm
Description:
xiii, 352 pages : illustrations ; 29 cm
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Philadelphia, Pa. : University of Pennsylvania Press, ©2000.
Philadelphia, Pa. : University of Pennsylvania Press, ©2000.
Titre:
Across the open field : essays drawn from English landscapes / Laurie Olin.
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xiii, 352 pages : illustrations ; 29 cm
Across the open field : essays drawn from English landscapes / Laurie Olin.
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xiii, 352 pages : illustrations ; 29 cm
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Philadelphia, Pa. : University of Pennsylvania Press, ©2000.
Philadelphia, Pa. : University of Pennsylvania Press, ©2000.
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Description:
xiv, 476 pages : illustrations ; 26 cm.
Description:
xiv, 476 pages : illustrations ; 26 cm.
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New York : Fordham University Press, 2014.
New York : Fordham University Press, 2014.
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Sabato Rodia's Towers in Watts : art, migrations, development / edited by Luisa Del Giudice.
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xiv, 476 pages : illustrations ; 26 cm.
Sabato Rodia's Towers in Watts : art, migrations, development / edited by Luisa Del Giudice.
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xiv, 476 pages : illustrations ; 26 cm.
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New York : Fordham University Press, 2014.
New York : Fordham University Press, 2014.
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xiv, 183 pages : illustrations ; 23 x 28 cm
Description:
xiv, 183 pages : illustrations ; 23 x 28 cm
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Stanford, Calif. : Stanford University Press, ©2001.
Stanford, Calif. : Stanford University Press, ©2001.
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Magnificent failure : a portrait of the Western homestead era / John Martin Campbell ; with an introduction by Kenneth W. Karsmizki.
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xiv, 183 pages : illustrations ; 23 x 28 cm
Magnificent failure : a portrait of the Western homestead era / John Martin Campbell ; with an introduction by Kenneth W. Karsmizki.
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xiv, 183 pages : illustrations ; 23 x 28 cm
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Stanford, Calif. : Stanford University Press, ©2001.
Stanford, Calif. : Stanford University Press, ©2001.
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livres
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Far off Metal River : Inuit lands. settler stories, and the making of the contemporary Arctic
Far off Metal River : Inuit lands. settler stories, and the making of the contemporary Arctic
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$32.95
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In 1771, Samuel Hearne, an employee of the Hudson's Bay Company, set off with a group of Dene guides to explore part of the Central Arctic. Twenty-four years later, Hearne's gruesome account of what has become known as the Bloody Falls massacre, an alleged attack by his guides on a camp of sleeping Inuit, was published. In ''Far Off Metal River'', author Emilie Cameron(...)
$32.95
(disponible en magasin)
Résumé:
In 1771, Samuel Hearne, an employee of the Hudson's Bay Company, set off with a group of Dene guides to explore part of the Central Arctic. Twenty-four years later, Hearne's gruesome account of what has become known as the Bloody Falls massacre, an alleged attack by his guides on a camp of sleeping Inuit, was published. In ''Far Off Metal River'', author Emilie Cameron(...)
Titre:
Far off Metal River : Inuit lands. settler stories, and the making of the contemporary Arctic
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$32.95
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In 1771, Samuel Hearne, an employee of the Hudson's Bay Company, set off with a group of Dene guides to explore part of the Central Arctic. Twenty-four years later, Hearne's gruesome account of what has become known as the Bloody Falls massacre, an alleged attack by his guides on a camp of sleeping Inuit, was published. In ''Far Off Metal River'', author Emilie Cameron does not concern herself with whether the murders actually took place (as has been debated since 1795) but instead explores how Hearne's account of the massacre has shaped ongoing colonization and economic exploitation of the North.
Far off Metal River : Inuit lands. settler stories, and the making of the contemporary Arctic
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$32.95
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In 1771, Samuel Hearne, an employee of the Hudson's Bay Company, set off with a group of Dene guides to explore part of the Central Arctic. Twenty-four years later, Hearne's gruesome account of what has become known as the Bloody Falls massacre, an alleged attack by his guides on a camp of sleeping Inuit, was published. In ''Far Off Metal River'', author Emilie Cameron does not concern herself with whether the murders actually took place (as has been debated since 1795) but instead explores how Hearne's account of the massacre has shaped ongoing colonization and economic exploitation of the North.
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livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Autochtone
Autochtone
