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Switzerland’s first dedicated research design journal, ‘Raddar’ aims to strike a balance between solid scholarly content and attractive graphic design. For its inaugural issue, it explores the theme “function” with a range of approaches in various analyses, case studies, and contributions from Roberto Casati, Anna-Maria Meister, and more. The journal’s cover is also a(...)
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Switzerland’s first dedicated research design journal, ‘Raddar’ aims to strike a balance between solid scholarly content and attractive graphic design. For its inaugural issue, it explores the theme “function” with a range of approaches in various analyses, case studies, and contributions from Roberto Casati, Anna-Maria Meister, and more. The journal’s cover is also a(...)
Titre:
Raddar 01 : fonctions / functions
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Switzerland’s first dedicated research design journal, ‘Raddar’ aims to strike a balance between solid scholarly content and attractive graphic design. For its inaugural issue, it explores the theme “function” with a range of approaches in various analyses, case studies, and contributions from Roberto Casati, Anna-Maria Meister, and more. The journal’s cover is also a creative work in its own right, designed this time by Formafantasma, the Amsterdam-based studio headed by Andrea Trimarchi and Simone Farresin. Carefully folded and perforated, it is divided into partitions that point to the possibility of cutting the paper into different segments and thereby providing a variety of possibilities.
Raddar 01 : fonctions / functions
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Switzerland’s first dedicated research design journal, ‘Raddar’ aims to strike a balance between solid scholarly content and attractive graphic design. For its inaugural issue, it explores the theme “function” with a range of approaches in various analyses, case studies, and contributions from Roberto Casati, Anna-Maria Meister, and more. The journal’s cover is also a creative work in its own right, designed this time by Formafantasma, the Amsterdam-based studio headed by Andrea Trimarchi and Simone Farresin. Carefully folded and perforated, it is divided into partitions that point to the possibility of cutting the paper into different segments and thereby providing a variety of possibilities.
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livres
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Publication:
mai 2019
mai 2019
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Revues
Revues
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Dernier numéro disponible en librairie! New issue available at the bookstore!
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Dernier numéro disponible en librairie! New issue available at the bookstore!
Titre:
Liberté no 310: repenser la souveraineté
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Dernier numéro disponible en librairie! New issue available at the bookstore!
Liberté no 310: repenser la souveraineté
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Dernier numéro disponible en librairie! New issue available at the bookstore!
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novembre 2015
novembre 2015
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Revues
Revues
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Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25(...)
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Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25(...)
Titre:
Texte zur Kunst 100: the canon
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Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25 years, we have also doubtlessly played a crucial part in shaping a particular discourse, even normativizing it to some degree. Could it even be said that TzK has established a canon in its own right? With this issue, we now take stock of what TzK’s relationship to the canon might be, and moreover, what the notion of canonicity in 2015 might now represent.
Texte zur Kunst 100: the canon
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Our 100th issue is dedicated to the question of the “canon.” We take up this theme with an interest in reflecting on the journal’s own role in the field of contemporary art — one that, when first initiated in 1990, was markedly counter-canonical, vigorously contesting certain methods of critique while supporting others. And yet, we pause here to acknowledge that after 25 years, we have also doubtlessly played a crucial part in shaping a particular discourse, even normativizing it to some degree. Could it even be said that TzK has established a canon in its own right? With this issue, we now take stock of what TzK’s relationship to the canon might be, and moreover, what the notion of canonicity in 2015 might now represent.
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Publication:
décembre 2015
décembre 2015
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Tacet is a research publication dedicated to sound arts and experimental music. Published annually and bilingually (French, English), its ambition is to create an interdisciplinary and international space of reflection for this practices, in all its aesthetic diversity. The fourth issue is on the theme of utopias. Mixing science-fiction short stories, theoretical analysis(...)
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Tacet is a research publication dedicated to sound arts and experimental music. Published annually and bilingually (French, English), its ambition is to create an interdisciplinary and international space of reflection for this practices, in all its aesthetic diversity. The fourth issue is on the theme of utopias. Mixing science-fiction short stories, theoretical analysis(...)
Titre:
Tacet no.4 : the sounds of utopia
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Tacet is a research publication dedicated to sound arts and experimental music. Published annually and bilingually (French, English), its ambition is to create an interdisciplinary and international space of reflection for this practices, in all its aesthetic diversity. The fourth issue is on the theme of utopias. Mixing science-fiction short stories, theoretical analysis and artists' writings, this issue addresses utopian and dystopian futures of our sound cultures.
Tacet no.4 : the sounds of utopia
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Tacet is a research publication dedicated to sound arts and experimental music. Published annually and bilingually (French, English), its ambition is to create an interdisciplinary and international space of reflection for this practices, in all its aesthetic diversity. The fourth issue is on the theme of utopias. Mixing science-fiction short stories, theoretical analysis and artists' writings, this issue addresses utopian and dystopian futures of our sound cultures.
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Publication:
janvier 2016
janvier 2016
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Revues
Revues
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Titre:
Liberté no.311
Liberté no.311
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Liberté no.311
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Liberté no.311
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Publication:
février 2016
février 2016
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Revues
Revues
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HOLO 2
HOLO 2
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Wobbly drawing machines with personality, a roomful of light bulbs that pulse the syncopated rhythm of a hundred heartbeats, bouncing an encoding of Beethoven’s Moonlight Sonata off the moon—HOLO returns to further explore the frontiers of twenty-first century creativity.
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Wobbly drawing machines with personality, a roomful of light bulbs that pulse the syncopated rhythm of a hundred heartbeats, bouncing an encoding of Beethoven’s Moonlight Sonata off the moon—HOLO returns to further explore the frontiers of twenty-first century creativity.
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HOLO 2
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Wobbly drawing machines with personality, a roomful of light bulbs that pulse the syncopated rhythm of a hundred heartbeats, bouncing an encoding of Beethoven’s Moonlight Sonata off the moon—HOLO returns to further explore the frontiers of twenty-first century creativity.
HOLO 2
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Wobbly drawing machines with personality, a roomful of light bulbs that pulse the syncopated rhythm of a hundred heartbeats, bouncing an encoding of Beethoven’s Moonlight Sonata off the moon—HOLO returns to further explore the frontiers of twenty-first century creativity.
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décembre 2016
décembre 2016
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to(...)
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to(...)
Titre:
Texte zur Kunst 101: Polarities
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to position themselves. What’s particularly striking, we argue, is that this trend toward polarization is happening despite the popular tendency, in recent decades, to speak of increased unification. How, then, can such polarization be reconciled with the dominant, and inherently continuous, neoliberal system—one characterized by the global economy’s promise of inclusiveness; utopian visions of peace (if not survival) via the “singularity” of screen, mind, and body; and a European Union as project of post-Soviet unification, striving to push all conflict to its periphery? What do we make of this growing difference between the ideals of technological/smooth space (where the art world often resides, swiftly neutralizing any resistance as “content”) and the broadening expanses of material unrest? Could the image of polarization be something not to avoid but to engage, at least as a potentially generative model, for understanding true opposition within a continuous system—for times that are anything but free from ideological division?
Texte zur Kunst 101: Polarities
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to position themselves. What’s particularly striking, we argue, is that this trend toward polarization is happening despite the popular tendency, in recent decades, to speak of increased unification. How, then, can such polarization be reconciled with the dominant, and inherently continuous, neoliberal system—one characterized by the global economy’s promise of inclusiveness; utopian visions of peace (if not survival) via the “singularity” of screen, mind, and body; and a European Union as project of post-Soviet unification, striving to push all conflict to its periphery? What do we make of this growing difference between the ideals of technological/smooth space (where the art world often resides, swiftly neutralizing any resistance as “content”) and the broadening expanses of material unrest? Could the image of polarization be something not to avoid but to engage, at least as a potentially generative model, for understanding true opposition within a continuous system—for times that are anything but free from ideological division?
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livres
livres
Publication:
mars 2016
mars 2016
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Revues
Revues
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Detail 5 2021 : brick work
Detail 5 2021 : brick work
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
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Detail 5 2021 : brick work
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The latest issue is now available at the bookstore.
Detail 5 2021 : brick work
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The latest issue is now available at the bookstore.
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mai 2021
mai 2021
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Revues
Revues
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Accattone n.07
Accattone n.07
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Accattone #7 deals with open-air domesticity and the diplomatic hospitality of land. It presents intellectual and architectural projects, both contemporary and historical, for alternative modes of living.
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Accattone #7 deals with open-air domesticity and the diplomatic hospitality of land. It presents intellectual and architectural projects, both contemporary and historical, for alternative modes of living.
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Accattone n.07
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Accattone #7 deals with open-air domesticity and the diplomatic hospitality of land. It presents intellectual and architectural projects, both contemporary and historical, for alternative modes of living.
Accattone n.07
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Accattone #7 deals with open-air domesticity and the diplomatic hospitality of land. It presents intellectual and architectural projects, both contemporary and historical, for alternative modes of living.
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Publication:
mai 2021
mai 2021
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Revues
Revues
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Deuxième numéro de la revue critique Dixit dans lequel les voix de l'architecte Yony Santos de l'agence d'architecture suisse TYPICALOFFICE et de Marina Otero Verzier, directrice de recherche au Het Nieuwe Instituut (HNI), se confrontent autour du thème « A Matter of Data ».
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Deuxième numéro de la revue critique Dixit dans lequel les voix de l'architecte Yony Santos de l'agence d'architecture suisse TYPICALOFFICE et de Marina Otero Verzier, directrice de recherche au Het Nieuwe Instituut (HNI), se confrontent autour du thème « A Matter of Data ».
Titre:
Dixit n.02 : A Matter of Data
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Deuxième numéro de la revue critique Dixit dans lequel les voix de l'architecte Yony Santos de l'agence d'architecture suisse TYPICALOFFICE et de Marina Otero Verzier, directrice de recherche au Het Nieuwe Instituut (HNI), se confrontent autour du thème « A Matter of Data ».
Dixit n.02 : A Matter of Data
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Deuxième numéro de la revue critique Dixit dans lequel les voix de l'architecte Yony Santos de l'agence d'architecture suisse TYPICALOFFICE et de Marina Otero Verzier, directrice de recherche au Het Nieuwe Instituut (HNI), se confrontent autour du thème « A Matter of Data ».
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livres
livres
Publication:
juin 2021
juin 2021
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Revues
Revues
