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Titre:
Original Bauhaus Catalogue
Original Bauhaus Catalogue
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$79.00
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Résumé:
The Bauhaus existed for only 14 years in Germany, but for the past 100 years its ideas have been passed on and its products relaunched, imitated, and further developed. Using 14 famous, familiar, or forgotten objects, this book offers 14 case studies. It examines questions such as how did the woman sitting on the tubular-steel chair become the most famous anonymous figure(...)
$79.00
(disponible sur commande)
Résumé:
The Bauhaus existed for only 14 years in Germany, but for the past 100 years its ideas have been passed on and its products relaunched, imitated, and further developed. Using 14 famous, familiar, or forgotten objects, this book offers 14 case studies. It examines questions such as how did the woman sitting on the tubular-steel chair become the most famous anonymous figure(...)
Titre:
Original Bauhaus Catalogue
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Prix:
$79.00
(disponible sur commande)
Résumé:
The Bauhaus existed for only 14 years in Germany, but for the past 100 years its ideas have been passed on and its products relaunched, imitated, and further developed. Using 14 famous, familiar, or forgotten objects, this book offers 14 case studies. It examines questions such as how did the woman sitting on the tubular-steel chair become the most famous anonymous figure from the Bauhaus; whether the Haus am Horn in Weimar has a secret twin; and why the tea infusers by Marianne Brandt which were created as prototypes for industrial production always remained one-of-a-kind pieces. This book presents art and design from the Bauhaus-Archiv's collection, along with exceptional loans from international collections. It sheds light on how unique work and series, remake and original are inseparably linked in the history of the Bauhaus. This is because Bauhaus artists did not see art and technology as opposed to each other. Instead, they used technical innovations to create exceptional works of art, and they took serial production into account from the moment they began drafting their designs. Reproductions, re-editions, and remakes have made the Bauhaus the 20th century's most influential school of architecture, design, and art, and this book offers a new take on the Bauhaus legacy.
Original Bauhaus Catalogue
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Prix:
$79.00
(disponible sur commande)
Résumé:
The Bauhaus existed for only 14 years in Germany, but for the past 100 years its ideas have been passed on and its products relaunched, imitated, and further developed. Using 14 famous, familiar, or forgotten objects, this book offers 14 case studies. It examines questions such as how did the woman sitting on the tubular-steel chair become the most famous anonymous figure from the Bauhaus; whether the Haus am Horn in Weimar has a secret twin; and why the tea infusers by Marianne Brandt which were created as prototypes for industrial production always remained one-of-a-kind pieces. This book presents art and design from the Bauhaus-Archiv's collection, along with exceptional loans from international collections. It sheds light on how unique work and series, remake and original are inseparably linked in the history of the Bauhaus. This is because Bauhaus artists did not see art and technology as opposed to each other. Instead, they used technical innovations to create exceptional works of art, and they took serial production into account from the moment they began drafting their designs. Reproductions, re-editions, and remakes have made the Bauhaus the 20th century's most influential school of architecture, design, and art, and this book offers a new take on the Bauhaus legacy.
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livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Modernisme
Modernisme
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livres
livres
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$20.00
(disponible en magasin)
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Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be(...)
$20.00
(disponible en magasin)
Résumé:
Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be(...)
Titre:
Amp - the mark of the volcano : artengo + pastrana
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$20.00
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Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be considered neither minimalist nor traditionalist, was the congenial mixture of four elements: their expressionist creative impulse, their deep roots in their home environment, the Canary Islands, their sculptural approach to architecture and the creative use of concrete as design element in combination with local materials. These vital aspects of their architecture also characterize the latest works of AmP, which are always the result of exact observations of space and locality. The Aedes exhibition’s focus is on the athletics stadium in Tenerife which was completed this year. Fitted like a giant earth and stone embankment into the suburban context, it represents at the same time a master piece of modern high-tech architecture. The two residential towers in Añaza, 2007, which have already gained landmark character and are an example of an offbeat approach to council housing in Spain, appear like giant concrete sculptures with their slightly bent shape and their odd-sized windows irregularly dispersed throughout the façade. Other projects are the court house in Santa Cruz, 2007 (competition entry), the extension building Cabildo, 2007 and a school in Orotawa, 2005. The competition entry for the harbour area in Los Cristianos, 2007, illustrates the sensitive approach of Felipe Artengo Rufino und José Pastrana within the urban context, achieving a user- friendly transformation of this area where the city meets the sea, for residents as well as for tourist. A fundamental principle of AmP would be to understand a place as a sediment of geological and climatic forces, of industrial, agrarian and urban residue, permeated by sociological and cultural components. Closeness to their environment and the means at their disposal enable Felipe Artengo Rufino and José Pastrana to do research in situ and thus create a clearly defined architecture. The scenic variety of the islands, in which light plays an essential role, has a strong influence on their design process. The effects of time on their work are vital to AmP. The aging process of their favourite materials concrete, stone and timber fosters a continuous natural change which accentuates the power of architecture and makes the formal and structural aspects become even more evident in the course of time.
Amp - the mark of the volcano : artengo + pastrana
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Prix:
$20.00
(disponible en magasin)
Résumé:
Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be considered neither minimalist nor traditionalist, was the congenial mixture of four elements: their expressionist creative impulse, their deep roots in their home environment, the Canary Islands, their sculptural approach to architecture and the creative use of concrete as design element in combination with local materials. These vital aspects of their architecture also characterize the latest works of AmP, which are always the result of exact observations of space and locality. The Aedes exhibition’s focus is on the athletics stadium in Tenerife which was completed this year. Fitted like a giant earth and stone embankment into the suburban context, it represents at the same time a master piece of modern high-tech architecture. The two residential towers in Añaza, 2007, which have already gained landmark character and are an example of an offbeat approach to council housing in Spain, appear like giant concrete sculptures with their slightly bent shape and their odd-sized windows irregularly dispersed throughout the façade. Other projects are the court house in Santa Cruz, 2007 (competition entry), the extension building Cabildo, 2007 and a school in Orotawa, 2005. The competition entry for the harbour area in Los Cristianos, 2007, illustrates the sensitive approach of Felipe Artengo Rufino und José Pastrana within the urban context, achieving a user- friendly transformation of this area where the city meets the sea, for residents as well as for tourist. A fundamental principle of AmP would be to understand a place as a sediment of geological and climatic forces, of industrial, agrarian and urban residue, permeated by sociological and cultural components. Closeness to their environment and the means at their disposal enable Felipe Artengo Rufino and José Pastrana to do research in situ and thus create a clearly defined architecture. The scenic variety of the islands, in which light plays an essential role, has a strong influence on their design process. The effects of time on their work are vital to AmP. The aging process of their favourite materials concrete, stone and timber fosters a continuous natural change which accentuates the power of architecture and makes the formal and structural aspects become even more evident in the course of time.
Classification:
livres
livres
Publication:
juillet 2007, Berlin
juillet 2007, Berlin
Sujet:
petits formats
petits formats
Classification:
livres
livres
Prix:
$57.95
(disponible sur commande)
Résumé:
Maine-Montparnasse et la Défense sont des opération emblématiques représentatives de la nouvelle définition du rapport entre ville et architecture qui se met en place après la guerre. La concentration démographique, la décentralisation des industries et l'avènement du secteur tertiaire obligent à remodeler des structures urbaines inadaptées à la circulation, aux modes de(...)
$57.95
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Résumé:
Maine-Montparnasse et la Défense sont des opération emblématiques représentatives de la nouvelle définition du rapport entre ville et architecture qui se met en place après la guerre. La concentration démographique, la décentralisation des industries et l'avènement du secteur tertiaire obligent à remodeler des structures urbaines inadaptées à la circulation, aux modes de(...)
Titre:
Paris - ville moderne : Maine-Montparnasse et la Défense 1950-1975
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Maine-Montparnasse et la Défense sont des opération emblématiques représentatives de la nouvelle définition du rapport entre ville et architecture qui se met en place après la guerre. La concentration démographique, la décentralisation des industries et l'avènement du secteur tertiaire obligent à remodeler des structures urbaines inadaptées à la circulation, aux modes de déplacement et à la vitesse, préoccupations majeures des années 50. Cette nécessité de modernisation va de pair avec une montée de l'interventionnisme étatique qui a débuté sous le gouvernement de Vichy, en réaction à l'urbanisme incontrôlé de la périphérie parisienne. À partir de 1959, des plans directeurs successifs établissent les inventaires des opérations à entreprendre : destruction d'îlots insalubres, percement d'axes de circulation, remembrements. Cette politique, qui fait table rase du passé, trouve ses fondements aussi bien dans les thèses rationnalistes développées par Le Corbusier dans la Charte d'Athènes et dans les conclusions du rapport Buchanan pour Londres, que dans les projets utopiques d'Hugh Ferriss ou de Norman Bel Geddes. La dalle, sol artificiel maîtrisé par la technique, apparaît comme le socle idéal de la ville du futur. Des premiers dessins très schématiques, montrant les systèmes de circulation, sur lesquels les immeubles apparaissent de manière abstraite, aux réalisations du milieu des années 70, on voit à travers les phases successives de ces projets le concept d'une ville sur dalle naître, évoluer, puis disparaître, marquant la fin d'une époque optimiste où l'on croyait possible de modifier les conditions de la vie urbaine. Virginie Lefebvre, architecte, docteur en histoire de l'art est lecturer à la Graduate School of Design de l'Université de Harvard et membre du groupe de recherche sur l'architecture et les infrastructures (GRAI).
Paris - ville moderne : Maine-Montparnasse et la Défense 1950-1975
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Prix:
$57.95
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Résumé:
Maine-Montparnasse et la Défense sont des opération emblématiques représentatives de la nouvelle définition du rapport entre ville et architecture qui se met en place après la guerre. La concentration démographique, la décentralisation des industries et l'avènement du secteur tertiaire obligent à remodeler des structures urbaines inadaptées à la circulation, aux modes de déplacement et à la vitesse, préoccupations majeures des années 50. Cette nécessité de modernisation va de pair avec une montée de l'interventionnisme étatique qui a débuté sous le gouvernement de Vichy, en réaction à l'urbanisme incontrôlé de la périphérie parisienne. À partir de 1959, des plans directeurs successifs établissent les inventaires des opérations à entreprendre : destruction d'îlots insalubres, percement d'axes de circulation, remembrements. Cette politique, qui fait table rase du passé, trouve ses fondements aussi bien dans les thèses rationnalistes développées par Le Corbusier dans la Charte d'Athènes et dans les conclusions du rapport Buchanan pour Londres, que dans les projets utopiques d'Hugh Ferriss ou de Norman Bel Geddes. La dalle, sol artificiel maîtrisé par la technique, apparaît comme le socle idéal de la ville du futur. Des premiers dessins très schématiques, montrant les systèmes de circulation, sur lesquels les immeubles apparaissent de manière abstraite, aux réalisations du milieu des années 70, on voit à travers les phases successives de ces projets le concept d'une ville sur dalle naître, évoluer, puis disparaître, marquant la fin d'une époque optimiste où l'on croyait possible de modifier les conditions de la vie urbaine. Virginie Lefebvre, architecte, docteur en histoire de l'art est lecturer à la Graduate School of Design de l'Université de Harvard et membre du groupe de recherche sur l'architecture et les infrastructures (GRAI).
Classification:
livres
livres
Publication:
octobre 2003, Paris
octobre 2003, Paris
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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Description:
373 pages : illustrations ; 33 cm
Description:
373 pages : illustrations ; 33 cm
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Publication:
London ; New York : Phaidon Press, 2013.
London ; New York : Phaidon Press, 2013.
Titre:
Art & place : site-specific art of the Americas.
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Description:
373 pages : illustrations ; 33 cm
Art & place : site-specific art of the Americas.
Actions:
Exemplaires:
Description:
373 pages : illustrations ; 33 cm
Classification:
livres
livres
Publication:
London ; New York : Phaidon Press, 2013.
London ; New York : Phaidon Press, 2013.
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