A+U 618 : Columbia
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This issue offers an inside look at the architecture, landscape, and cities of Colombia, a land of fabulous natural beauty that has used architecture as a key agent in rebuilding its cities and civil society following decades of strife. A photo essay by Camilo Echavarría shows how travels through the tropical region reveal a homogenous, abstract passage of time, where(...)
A+U 618 : Columbia
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This issue offers an inside look at the architecture, landscape, and cities of Colombia, a land of fabulous natural beauty that has used architecture as a key agent in rebuilding its cities and civil society following decades of strife. A photo essay by Camilo Echavarría shows how travels through the tropical region reveal a homogenous, abstract passage of time, where architecture is conditioned by various landscapes and geographic diversity. Medellín-based architect and guest editor Camilo Restrepo Ochoa leads this journey through Colombia, showing works by fourteen practices across three generations, and neighbourhoods that are reinvigorated through mobility and urban space.
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Dixit n° 04 : On process /
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Dans ce quatrième numéro de la revue critique Dixit, les voix des architectes Jan Kinsbergen et David Klemmer se confrontent, sous la forme d'un atlas visuel dichotomique, autour du thème du processus. L'ambition dite ultime du chantier réel ne marque que le début d'un autre processus d'appropriation, d'analyse du cycle de vie et de changement. Ce n'est pas le projet(...)
Dixit n° 04 : On process /
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Dans ce quatrième numéro de la revue critique Dixit, les voix des architectes Jan Kinsbergen et David Klemmer se confrontent, sous la forme d'un atlas visuel dichotomique, autour du thème du processus. L'ambition dite ultime du chantier réel ne marque que le début d'un autre processus d'appropriation, d'analyse du cycle de vie et de changement. Ce n'est pas le projet finalisé, mais plutôt la matière première qui trace le processus.
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On nous rapporte que le hall du musée Fodor d'Amsterdam dans lequel se situe la scène, le 9 novembre 1972 en soirée, est « enfumé, bruyant et bondé », que l'auditoire rassemblé se fait entendre par de « fréquentes vociférations ». Le centre de cette arène fiévreuse est la rencontre de deux graphic designers, de deux graphistes, de deux typographes, Wim Crouwel et Jan Van(...)
Faire : Regarder le graphisme n° 38. Special Issue – A debate: Jan van Toorn, Wim Crouwel
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On nous rapporte que le hall du musée Fodor d'Amsterdam dans lequel se situe la scène, le 9 novembre 1972 en soirée, est « enfumé, bruyant et bondé », que l'auditoire rassemblé se fait entendre par de « fréquentes vociférations ». Le centre de cette arène fiévreuse est la rencontre de deux graphic designers, de deux graphistes, de deux typographes, Wim Crouwel et Jan Van Toorn, dans un pays où leur voix porte, où leur pensée est importante. Une rencontre, une conversation, ou plutôt une confrontation, une controverse, un débat selon le terme qui lui sera consacré, qui caractérise les représentations de notre discipline dans les années 1980 et qui pourrait avoir encore quelque écho aujourd'hui.
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Le dernier numéro est maintenant disponible à la librairie.
Les cahiers de l'école de Blois n.20
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Le dernier numéro est maintenant disponible à la librairie.
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After the traumatic experience of the previous year, 2021 was the year of overcoming the pandemic and of preparing for a long-awaited return to normalcy. The AV Monographs Yearbook goes over the most important events of the period, gathering twenty-four buildings that represent the best architecture constructed in Spain. Aside from a few large-scale works, like the(...)
AV Monographs 243-244: Spain Yearbook 2022
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After the traumatic experience of the previous year, 2021 was the year of overcoming the pandemic and of preparing for a long-awaited return to normalcy. The AV Monographs Yearbook goes over the most important events of the period, gathering twenty-four buildings that represent the best architecture constructed in Spain. Aside from a few large-scale works, like the Córdoba Library by Paredes Pedrosa or the Celta FC Sports City by Irisarri Piñera, the selection clearly reflects how the climate crisis has become a top priority for architects, especially the younger ones, who choose sustainable materials like wood, used in the apartments by Peris Toral and by Bosch Capdeferro, in the fire station by Josep Ferrando, or in the small social pavilion by Behark.
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Nouveau Projet 22
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Le dernier numéro est maintenant disponible à la librairie.
Nouveau Projet 22
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Le dernier numéro est maintenant disponible à la librairie.
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OASE 85 examines how the cultural changes of our era affect architecture and urban planning, in essays by Michiel Dehaene and Els Vervloessem, John Habraken, Thierry Lagrange, Yeoryia Manolopoulou, Dimitri Messu, Erik and Ronald Rietveld, Iris Schutten, Hannes Schwertfeger and Tom Vandeputte.
Oase #85: productive uncertainty, indeterminacy in spatial design, planning and management
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OASE 85 examines how the cultural changes of our era affect architecture and urban planning, in essays by Michiel Dehaene and Els Vervloessem, John Habraken, Thierry Lagrange, Yeoryia Manolopoulou, Dimitri Messu, Erik and Ronald Rietveld, Iris Schutten, Hannes Schwertfeger and Tom Vandeputte.
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Oase #86 Barok / Baroque
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In OASE 86, the architecture of the baroque is revisited and assessed with specific regards to its relevance for modern and contemporary architecture. On the basis of several historical studies, this issue examines how the complex geometric compositions, surface treatments and semantic operations of the baroque might be connected to contemporary design practice.
Oase #86 Barok / Baroque
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In OASE 86, the architecture of the baroque is revisited and assessed with specific regards to its relevance for modern and contemporary architecture. On the basis of several historical studies, this issue examines how the complex geometric compositions, surface treatments and semantic operations of the baroque might be connected to contemporary design practice.
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"Open" 22 investigates how transparency and secrecy are intertwined in modern-day society and explores how they relate to the public and the civic, using WikiLeaks as a test case. The contributors consider transparency as fetish and the ideal of the free flow of information.
Open 22, Transparency : publicity and secrecy in the age of Wikileaks
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"Open" 22 investigates how transparency and secrecy are intertwined in modern-day society and explores how they relate to the public and the civic, using WikiLeaks as a test case. The contributors consider transparency as fetish and the ideal of the free flow of information.
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Cabinet 45: Games
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In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D.(...)
Cabinet 45: Games
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In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D. Graham Burnett on games played by game theorists; Barbara Levine and Jessica Helfand on dexterity games; James Trainor on the lost world of “adventure” playgrounds; Dana Katz on Brian Eno and Peter Schmidt’s “Oblique Strategies”; an interview with Bertell Ollman, inventor of the board game “Class Struggle”; and Jeff Dolven on poems as games. Elsewhere in the issue: Helen Larsson on the history of applause; Wayne Koestenbaum’s legendary “Legend” column; Naomi Muller on eating the zoo animals in Berlin during World War II; Jeremy Crichton on “spite” houses; and much more.
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