24946 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Antas, Porto
Antas, Porto
Numéro de référence:
CD034.S1.1974.PR03
Description:
This project series contains reproductions of drawings and photographs displayed in the exhibit to document the Antas neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the SAAL Brigade intervened at the heart of an urban area which then became subject to redevelopments after the construction of the first units. The original proposal and the completed phases contrast the scale of later operations and change the perception of the original project. Nonetheless, the architectural design addressed a difficult terrain, and maintained the specificities of the urban 'ilhas' (islands) by incorporating a vernacular character, which the residents appropriated and transformed even further overtime. (The SAAL Process, Housing in Portugal 1974–76) The project architect Pedro Ramalho worked for SAAL/North with Aires Pereira, Augusto Costa, Francisco M. Lima, José Lencastre, Lídia Costa, Pedro B. Araújo, Teresa Fonseca, Vítor Bastos and the residents' association Antas, that was founded on Septermber 1st, 1975. The first phase of the project included 32 dwellings and the second, 50 dwellings. The operation began in October 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, implementation plans, axonometric views and photographic material. The original drawings and photographs were produced in 1975 and 1976 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR03
Description:
This project series contains reproductions of drawings and photographs displayed in the exhibit to document the Antas neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the SAAL Brigade intervened at the heart of an urban area which then became subject to redevelopments after the construction of the first units. The original proposal and the completed phases contrast the scale of later operations and change the perception of the original project. Nonetheless, the architectural design addressed a difficult terrain, and maintained the specificities of the urban 'ilhas' (islands) by incorporating a vernacular character, which the residents appropriated and transformed even further overtime. (The SAAL Process, Housing in Portugal 1974–76) The project architect Pedro Ramalho worked for SAAL/North with Aires Pereira, Augusto Costa, Francisco M. Lima, José Lencastre, Lídia Costa, Pedro B. Araújo, Teresa Fonseca, Vítor Bastos and the residents' association Antas, that was founded on Septermber 1st, 1975. The first phase of the project included 32 dwellings and the second, 50 dwellings. The operation began in October 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, implementation plans, axonometric views and photographic material. The original drawings and photographs were produced in 1975 and 1976 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975-1976
1975-1976
Titre:
Antas, Porto
Actions:
CD034.S1.1974.PR03
Description:
This project series contains reproductions of drawings and photographs displayed in the exhibit to document the Antas neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the SAAL Brigade intervened at the heart of an urban area which then became subject to redevelopments after the construction of the first units. The original proposal and the completed phases contrast the scale of later operations and change the perception of the original project. Nonetheless, the architectural design addressed a difficult terrain, and maintained the specificities of the urban 'ilhas' (islands) by incorporating a vernacular character, which the residents appropriated and transformed even further overtime. (The SAAL Process, Housing in Portugal 1974–76) The project architect Pedro Ramalho worked for SAAL/North with Aires Pereira, Augusto Costa, Francisco M. Lima, José Lencastre, Lídia Costa, Pedro B. Araújo, Teresa Fonseca, Vítor Bastos and the residents' association Antas, that was founded on Septermber 1st, 1975. The first phase of the project included 32 dwellings and the second, 50 dwellings. The operation began in October 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, implementation plans, axonometric views and photographic material. The original drawings and photographs were produced in 1975 and 1976 and were reproduced in 2015 for the exhibit.
Antas, Porto
Actions:
CD034.S1.1974.PR03
Description:
This project series contains reproductions of drawings and photographs displayed in the exhibit to document the Antas neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the SAAL Brigade intervened at the heart of an urban area which then became subject to redevelopments after the construction of the first units. The original proposal and the completed phases contrast the scale of later operations and change the perception of the original project. Nonetheless, the architectural design addressed a difficult terrain, and maintained the specificities of the urban 'ilhas' (islands) by incorporating a vernacular character, which the residents appropriated and transformed even further overtime. (The SAAL Process, Housing in Portugal 1974–76) The project architect Pedro Ramalho worked for SAAL/North with Aires Pereira, Augusto Costa, Francisco M. Lima, José Lencastre, Lídia Costa, Pedro B. Araújo, Teresa Fonseca, Vítor Bastos and the residents' association Antas, that was founded on Septermber 1st, 1975. The first phase of the project included 32 dwellings and the second, 50 dwellings. The operation began in October 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, implementation plans, axonometric views and photographic material. The original drawings and photographs were produced in 1975 and 1976 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975-1976
1975-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Personnes et institutions:
Date:
1983-1992
1983-1992
Titre:
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Niveau de description archivistique:
Project
Project
Date:
1983-1992
1983-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
circa 1978-2018
circa 1978-2018
Titre:
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1978-2018
circa 1978-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1980.PR03
Description:
This project series documents the site consultancy and construction of the College of Nurses of Ontario in Toronto from 1980-1982. The office identified the project number as 8003. This project consisted of a building with a three-storey office space and atrium on the east side and a single-storey council chamber on the west side. The project was adapted to fit its surroundings, which had a residential landscape to the west and commercial zoning to the east. The building was 2536 square meters in size and cost approximately $5.2 million. In 1982, the design won a Canadian Architect Award of Excellence. However, some judges later stated that design changes made during construction had destroyed the original concept and the finished building lacked the polish of the original proposal. The project is recorded through drawings, photographs and textual records dating from 1980-1985. A large part of these drawings are reprographic copies arranged within the textual materials. There is also one presentation board of sections and elevations. Photographs show the project site and construction progress of the building. The textual records include construction invoices, correspondence, change orders, calculations, site reports, minutes of meetings, design notes and the program for the opening of the building.
AP018.S1.1980.PR03
Description:
This project series documents the site consultancy and construction of the College of Nurses of Ontario in Toronto from 1980-1982. The office identified the project number as 8003. This project consisted of a building with a three-storey office space and atrium on the east side and a single-storey council chamber on the west side. The project was adapted to fit its surroundings, which had a residential landscape to the west and commercial zoning to the east. The building was 2536 square meters in size and cost approximately $5.2 million. In 1982, the design won a Canadian Architect Award of Excellence. However, some judges later stated that design changes made during construction had destroyed the original concept and the finished building lacked the polish of the original proposal. The project is recorded through drawings, photographs and textual records dating from 1980-1985. A large part of these drawings are reprographic copies arranged within the textual materials. There is also one presentation board of sections and elevations. Photographs show the project site and construction progress of the building. The textual records include construction invoices, correspondence, change orders, calculations, site reports, minutes of meetings, design notes and the program for the opening of the building.
Personnes et institutions:
Date:
1980-1985
1980-1985
Titre:
College of Nurses of Ontario, Consultancy on Site Selection, Toronto (1980-1982)
Actions:
AP018.S1.1980.PR03
Description:
This project series documents the site consultancy and construction of the College of Nurses of Ontario in Toronto from 1980-1982. The office identified the project number as 8003. This project consisted of a building with a three-storey office space and atrium on the east side and a single-storey council chamber on the west side. The project was adapted to fit its surroundings, which had a residential landscape to the west and commercial zoning to the east. The building was 2536 square meters in size and cost approximately $5.2 million. In 1982, the design won a Canadian Architect Award of Excellence. However, some judges later stated that design changes made during construction had destroyed the original concept and the finished building lacked the polish of the original proposal. The project is recorded through drawings, photographs and textual records dating from 1980-1985. A large part of these drawings are reprographic copies arranged within the textual materials. There is also one presentation board of sections and elevations. Photographs show the project site and construction progress of the building. The textual records include construction invoices, correspondence, change orders, calculations, site reports, minutes of meetings, design notes and the program for the opening of the building.
College of Nurses of Ontario, Consultancy on Site Selection, Toronto (1980-1982)
Actions:
AP018.S1.1980.PR03
Description:
This project series documents the site consultancy and construction of the College of Nurses of Ontario in Toronto from 1980-1982. The office identified the project number as 8003. This project consisted of a building with a three-storey office space and atrium on the east side and a single-storey council chamber on the west side. The project was adapted to fit its surroundings, which had a residential landscape to the west and commercial zoning to the east. The building was 2536 square meters in size and cost approximately $5.2 million. In 1982, the design won a Canadian Architect Award of Excellence. However, some judges later stated that design changes made during construction had destroyed the original concept and the finished building lacked the polish of the original proposal. The project is recorded through drawings, photographs and textual records dating from 1980-1985. A large part of these drawings are reprographic copies arranged within the textual materials. There is also one presentation board of sections and elevations. Photographs show the project site and construction progress of the building. The textual records include construction invoices, correspondence, change orders, calculations, site reports, minutes of meetings, design notes and the program for the opening of the building.
Niveau de description archivistique:
Project
Project
Date:
1980-1985
1980-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
Personnes et institutions:
Date:
1989-1990
1989-1990
Titre:
Creeds Store, Toronto (1989-1990)
Actions:
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
Creeds Store, Toronto (1989-1990)
Actions:
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
Niveau de description archivistique:
Project
Project
Date:
1989-1990
1989-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1979.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the British Columbia Institute of Technology (B.C.I.T.) site at the Discovery Parks Multi Tenant Facility, located on Willingdon Avenue, in Burnaby, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. Oberlander worked on the Discovery Parks B.C.I.T's site from 1979-1984 with Russell Vandiver Architects. The concept of B.C.I.T's site was to create a park like environment for an industrial research site. The site was surrounded by a woodland and included a wetland. To reflect the existing condition of her landscape design, Oberlander added a rentention pool and a restored woodland, creating a urban forest using native plants. The project was completed in 1982. The project series contains textual documents, such as correspondence with client and architects, financial documents, minutes of meetings, specifications and Oberlander's concept notes. The project is also documented through working drawings, including grading plans, irrigation plans, landscape plans and sites plans. It also included reference drawings of the site, photographs of the completed landscape and a mounted photographs of the a section of the landscape design by Oberlander.
AP075.S1.1979.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the British Columbia Institute of Technology (B.C.I.T.) site at the Discovery Parks Multi Tenant Facility, located on Willingdon Avenue, in Burnaby, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. Oberlander worked on the Discovery Parks B.C.I.T's site from 1979-1984 with Russell Vandiver Architects. The concept of B.C.I.T's site was to create a park like environment for an industrial research site. The site was surrounded by a woodland and included a wetland. To reflect the existing condition of her landscape design, Oberlander added a rentention pool and a restored woodland, creating a urban forest using native plants. The project was completed in 1982. The project series contains textual documents, such as correspondence with client and architects, financial documents, minutes of meetings, specifications and Oberlander's concept notes. The project is also documented through working drawings, including grading plans, irrigation plans, landscape plans and sites plans. It also included reference drawings of the site, photographs of the completed landscape and a mounted photographs of the a section of the landscape design by Oberlander.
Personnes et institutions:
Date:
1979-1990
1979-1990
Titre:
British Columbia Institute of Technology Multi Tenant Facility, Discovery Parks, Willingdon Site, Burnaby, British Columbia (1987-1984)
Actions:
AP075.S1.1979.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the British Columbia Institute of Technology (B.C.I.T.) site at the Discovery Parks Multi Tenant Facility, located on Willingdon Avenue, in Burnaby, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. Oberlander worked on the Discovery Parks B.C.I.T's site from 1979-1984 with Russell Vandiver Architects. The concept of B.C.I.T's site was to create a park like environment for an industrial research site. The site was surrounded by a woodland and included a wetland. To reflect the existing condition of her landscape design, Oberlander added a rentention pool and a restored woodland, creating a urban forest using native plants. The project was completed in 1982. The project series contains textual documents, such as correspondence with client and architects, financial documents, minutes of meetings, specifications and Oberlander's concept notes. The project is also documented through working drawings, including grading plans, irrigation plans, landscape plans and sites plans. It also included reference drawings of the site, photographs of the completed landscape and a mounted photographs of the a section of the landscape design by Oberlander.
British Columbia Institute of Technology Multi Tenant Facility, Discovery Parks, Willingdon Site, Burnaby, British Columbia (1987-1984)
Actions:
AP075.S1.1979.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the British Columbia Institute of Technology (B.C.I.T.) site at the Discovery Parks Multi Tenant Facility, located on Willingdon Avenue, in Burnaby, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. Oberlander worked on the Discovery Parks B.C.I.T's site from 1979-1984 with Russell Vandiver Architects. The concept of B.C.I.T's site was to create a park like environment for an industrial research site. The site was surrounded by a woodland and included a wetland. To reflect the existing condition of her landscape design, Oberlander added a rentention pool and a restored woodland, creating a urban forest using native plants. The project was completed in 1982. The project series contains textual documents, such as correspondence with client and architects, financial documents, minutes of meetings, specifications and Oberlander's concept notes. The project is also documented through working drawings, including grading plans, irrigation plans, landscape plans and sites plans. It also included reference drawings of the site, photographs of the completed landscape and a mounted photographs of the a section of the landscape design by Oberlander.
Niveau de description archivistique:
Project
Project
Date:
1979-1990
1979-1990
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Personnes et institutions:
Date:
1967-1988
1967-1988
Titre:
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Niveau de description archivistique:
sub-series
sub-series
Date:
1967-1988
1967-1988
Personnes et institutions:
Titre:
Orban & Litolff
Orban & Litolff
Actions:
Numéro de référence:
PH1986:0900.14
Description:
Album PH1986:0900.14 comprises 58 photographs of a private mansion located on square Frère-Orban and on Rue de la Science in Brussels, Belgium, designed by Michel Roux-Spitz. Photographs include 5 elevations of the building (PH1986:0900.14:001-PH1986:0900.14:004 are signed and dated by Michel Roux-Spitz), views of the building site, exterior views of the building, the courtyard, details of the windows and the doors. Interior views showing the staircases, living rooms with bookcases and furniture, fireplaces (one with ornamentation in bas-relief signed by A. Jamiot), several details of bas-relief ornamentations, 2 views of a dining room with a painted scene on walls and views of a hallway with a sculpture are included. Further research may confirm that some of these views are from the Litolff apartment referring to an apartment located on rue de Litolff in Paris, France.
PH1986:0900.14
Description:
Album PH1986:0900.14 comprises 58 photographs of a private mansion located on square Frère-Orban and on Rue de la Science in Brussels, Belgium, designed by Michel Roux-Spitz. Photographs include 5 elevations of the building (PH1986:0900.14:001-PH1986:0900.14:004 are signed and dated by Michel Roux-Spitz), views of the building site, exterior views of the building, the courtyard, details of the windows and the doors. Interior views showing the staircases, living rooms with bookcases and furniture, fireplaces (one with ornamentation in bas-relief signed by A. Jamiot), several details of bas-relief ornamentations, 2 views of a dining room with a painted scene on walls and views of a hallway with a sculpture are included. Further research may confirm that some of these views are from the Litolff apartment referring to an apartment located on rue de Litolff in Paris, France.
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ornement, sculpture
architecture, design d'intérieur, ornement, sculpture
Date:
1931-1936
1931-1936
Titre:
Orban & Litolff
Actions:
PH1986:0900.14
Description:
Album PH1986:0900.14 comprises 58 photographs of a private mansion located on square Frère-Orban and on Rue de la Science in Brussels, Belgium, designed by Michel Roux-Spitz. Photographs include 5 elevations of the building (PH1986:0900.14:001-PH1986:0900.14:004 are signed and dated by Michel Roux-Spitz), views of the building site, exterior views of the building, the courtyard, details of the windows and the doors. Interior views showing the staircases, living rooms with bookcases and furniture, fireplaces (one with ornamentation in bas-relief signed by A. Jamiot), several details of bas-relief ornamentations, 2 views of a dining room with a painted scene on walls and views of a hallway with a sculpture are included. Further research may confirm that some of these views are from the Litolff apartment referring to an apartment located on rue de Litolff in Paris, France.
Orban & Litolff
Actions:
PH1986:0900.14
Description:
Album PH1986:0900.14 comprises 58 photographs of a private mansion located on square Frère-Orban and on Rue de la Science in Brussels, Belgium, designed by Michel Roux-Spitz. Photographs include 5 elevations of the building (PH1986:0900.14:001-PH1986:0900.14:004 are signed and dated by Michel Roux-Spitz), views of the building site, exterior views of the building, the courtyard, details of the windows and the doors. Interior views showing the staircases, living rooms with bookcases and furniture, fireplaces (one with ornamentation in bas-relief signed by A. Jamiot), several details of bas-relief ornamentations, 2 views of a dining room with a painted scene on walls and views of a hallway with a sculpture are included. Further research may confirm that some of these views are from the Litolff apartment referring to an apartment located on rue de Litolff in Paris, France.
Date:
1931-1936
1931-1936
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ornement, sculpture
architecture, design d'intérieur, ornement, sculpture
Actions:
Numéro de référence:
PH1980:0657:001-288
Description:
This volume contains 285 photographs on 44 leaves, of designs commissioned by Graham Anderson Probst & White for the decoration of the buildings below. They date from 1927 to 1931, and most bear the approval marks of Mr. Alfred Shaw. Firms identified on the photographs include the Northwestern Terra Cotta Co., Flour City Ornamental Iron Co, and Havlick stone Co. The designs, executed in plaster, were for doorways, panelling, cornices, plaques, ceilings, etc., for: The Morton Building, Chicago The Pittsfield Building, Chicago The Koppers Building 20 Wacker Drive Building (Civic Opera House) Merchandise Mart Northwestern National Bank, Minneapolis, Minn. Marshall Field Store, Oak Park, Illinois. Pennsylvania railroad Office Building, Philadelphia, Pa. Higbee Department Store (location?) and at least one unindentified building. J. Gregg 3/22/70" Note by J. Gregg, dated 3/22/70, typewritten on white paper glued on first page of album
PH1980:0657:001-288
Description:
This volume contains 285 photographs on 44 leaves, of designs commissioned by Graham Anderson Probst & White for the decoration of the buildings below. They date from 1927 to 1931, and most bear the approval marks of Mr. Alfred Shaw. Firms identified on the photographs include the Northwestern Terra Cotta Co., Flour City Ornamental Iron Co, and Havlick stone Co. The designs, executed in plaster, were for doorways, panelling, cornices, plaques, ceilings, etc., for: The Morton Building, Chicago The Pittsfield Building, Chicago The Koppers Building 20 Wacker Drive Building (Civic Opera House) Merchandise Mart Northwestern National Bank, Minneapolis, Minn. Marshall Field Store, Oak Park, Illinois. Pennsylvania railroad Office Building, Philadelphia, Pa. Higbee Department Store (location?) and at least one unindentified building. J. Gregg 3/22/70" Note by J. Gregg, dated 3/22/70, typewritten on white paper glued on first page of album
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Date:
1927-1931
1927-1931
Titre:
Album of architectural ornaments
Actions:
PH1980:0657:001-288
Description:
This volume contains 285 photographs on 44 leaves, of designs commissioned by Graham Anderson Probst & White for the decoration of the buildings below. They date from 1927 to 1931, and most bear the approval marks of Mr. Alfred Shaw. Firms identified on the photographs include the Northwestern Terra Cotta Co., Flour City Ornamental Iron Co, and Havlick stone Co. The designs, executed in plaster, were for doorways, panelling, cornices, plaques, ceilings, etc., for: The Morton Building, Chicago The Pittsfield Building, Chicago The Koppers Building 20 Wacker Drive Building (Civic Opera House) Merchandise Mart Northwestern National Bank, Minneapolis, Minn. Marshall Field Store, Oak Park, Illinois. Pennsylvania railroad Office Building, Philadelphia, Pa. Higbee Department Store (location?) and at least one unindentified building. J. Gregg 3/22/70" Note by J. Gregg, dated 3/22/70, typewritten on white paper glued on first page of album
Album of architectural ornaments
Actions:
PH1980:0657:001-288
Description:
This volume contains 285 photographs on 44 leaves, of designs commissioned by Graham Anderson Probst & White for the decoration of the buildings below. They date from 1927 to 1931, and most bear the approval marks of Mr. Alfred Shaw. Firms identified on the photographs include the Northwestern Terra Cotta Co., Flour City Ornamental Iron Co, and Havlick stone Co. The designs, executed in plaster, were for doorways, panelling, cornices, plaques, ceilings, etc., for: The Morton Building, Chicago The Pittsfield Building, Chicago The Koppers Building 20 Wacker Drive Building (Civic Opera House) Merchandise Mart Northwestern National Bank, Minneapolis, Minn. Marshall Field Store, Oak Park, Illinois. Pennsylvania railroad Office Building, Philadelphia, Pa. Higbee Department Store (location?) and at least one unindentified building. J. Gregg 3/22/70" Note by J. Gregg, dated 3/22/70, typewritten on white paper glued on first page of album
Date:
1927-1931
1927-1931
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
DR1999:0464
Description:
documents include,1VHS cassette, elevators/stairs information, 401 slides, 109 construction photographs (50 of Columbus Convention Center found and relocated), 7 transparencies of drawings, 4 of models, 24 of plans dated: November 1, 1989, 49 of September 15, 1989, 4 of September 2, 1990, 24 undated, 37 (8 X 10) prints, letter, drawings, DAAP program,trade catalogues, sketches, list of drawings, hand written notes, postcards
DR1999:0464
Description:
documents include,1VHS cassette, elevators/stairs information, 401 slides, 109 construction photographs (50 of Columbus Convention Center found and relocated), 7 transparencies of drawings, 4 of models, 24 of plans dated: November 1, 1989, 49 of September 15, 1989, 4 of September 2, 1990, 24 undated, 37 (8 X 10) prints, letter, drawings, DAAP program,trade catalogues, sketches, list of drawings, hand written notes, postcards
Personnes et institutions:
Date:
circa 1955 - 1996
circa 1955 - 1996
Titre:
VHS cassette, elevators/stairs information, slides, construction photographs
Actions:
DR1999:0464
Description:
documents include,1VHS cassette, elevators/stairs information, 401 slides, 109 construction photographs (50 of Columbus Convention Center found and relocated), 7 transparencies of drawings, 4 of models, 24 of plans dated: November 1, 1989, 49 of September 15, 1989, 4 of September 2, 1990, 24 undated, 37 (8 X 10) prints, letter, drawings, DAAP program,trade catalogues, sketches, list of drawings, hand written notes, postcards
VHS cassette, elevators/stairs information, slides, construction photographs
Actions:
DR1999:0464
Description:
documents include,1VHS cassette, elevators/stairs information, 401 slides, 109 construction photographs (50 of Columbus Convention Center found and relocated), 7 transparencies of drawings, 4 of models, 24 of plans dated: November 1, 1989, 49 of September 15, 1989, 4 of September 2, 1990, 24 undated, 37 (8 X 10) prints, letter, drawings, DAAP program,trade catalogues, sketches, list of drawings, hand written notes, postcards
Classification:
documents textuels, photographies
documents textuels, photographies
Date:
circa 1955 - 1996
circa 1955 - 1996
Personnes et institutions:
