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Inside-Out Art Museum Archive Books 2021
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Inside-Out Art Museum Archive Books 2021
$54.95
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
Photography against the grain: essays and photo works 1973-1983
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
Théorie de la photographie
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Thirty years after its publication, The Death and Life of Great American Cities was described by The New York Times as "perhaps the most influential single work in the history of town planning....[It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of(...)
The Death and life of great American cities
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Thirty years after its publication, The Death and Life of Great American Cities was described by The New York Times as "perhaps the most influential single work in the history of town planning....[It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of traditional planning theory can still be read for pleasure even by those who long ago absorbed and appropriated the book's arguments." Jane Jacobs, an editor and writer on architecture in New York City in the early sixties, argued that urban diversity and vitality were being destroyed by powerful architects and city planners. Rigorous, sane, and delightfully epigrammatic, Jacobs's small masterpiece is a blueprint for the humanistic management of cities.
Théorie de l’urbanisme
The society of the spectacle
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Translated by Donald Nicholson-Smith. Few works of political and cultural theory have been as enduringly provocative as Guy Debord's "The society of the spectacle". From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in(...)
The society of the spectacle
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Translated by Donald Nicholson-Smith. Few works of political and cultural theory have been as enduringly provocative as Guy Debord's "The society of the spectacle". From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture.
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1 online resource.
[Place of publication not identified] : Raven Row, 2014.
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[Place of publication not identified] : Raven Row, 2014.
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Description:
285 pages ; 16 cm
New York : Princeton Architectural Press, 2015.
Bruno Munari : square, circle, triangle.
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Description:
285 pages ; 16 cm
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New York : Princeton Architectural Press, 2015.
$53.95
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Ron Kasprisin has written a book for students of planning and urban design that reconnects the process of designing with outcomes on the ground, and puts thinking about design back at the heart of what planners do. The book identifies the elements and principles of composition and explores compositional order and structure as they relate to the meaning and functionality(...)
Urban design: the composition of complexity
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Ron Kasprisin has written a book for students of planning and urban design that reconnects the process of designing with outcomes on the ground, and puts thinking about design back at the heart of what planners do. The book identifies the elements and principles of composition and explores compositional order and structure as they relate to the meaning and functionality of cities. It discusses new directions and methods, outlines the importance of both buildings and the open spaces between them. Mixing accessible theory, practical examples and carefully designed exercises in composition from simple to complex settings, this publication is a textbook for classrooms and design studios across the full spectrum of planning and urban studies fields. Not only filled with illustrations and graphics of projects, it gives students tools to enable them to sketch, draw, design and above all, to think.
Théorie de l’urbanisme
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In the 1920s, the urban theory of Ludwig Hilberseimer (1885–1967) redefined architecture’s relationship to the city. His proposal for a high-rise city, where leisure, labor and circulation would be vertically integrated, both frightened his contemporaries and offered a trenchant critique of the dynamics of the capitalist metropolis. Hilberseimer’s Groszstadt-architektur(...)
Metropolisarchitecture and selected essays
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In the 1920s, the urban theory of Ludwig Hilberseimer (1885–1967) redefined architecture’s relationship to the city. His proposal for a high-rise city, where leisure, labor and circulation would be vertically integrated, both frightened his contemporaries and offered a trenchant critique of the dynamics of the capitalist metropolis. Hilberseimer’s Groszstadt-architektur (Metropolisarchitecture) is presented here for the first time in English translation. Two additional essays frame this international cross-section of metropolitan architecture: “Der Wille zur Architektur” (The Will to Architecture) and “Vorschlag zur City-Bebauung” (Proposal for City-Building). The propositions assembled here encourage us to reconsider mobility, concentration and the scale of architectural intervention in our own era of urban expansion. This is the second title in the GSAPP Sourcebooks series, devoted to recovering and translating overlooked texts on architecture and the city.
Théorie de l’architecture
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The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we(...)
Resonance: a sociology of the relationship to the world
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The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world. Applying his theory of resonance to many domains of human activity, Rosa describesthe full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to therealms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance.
Théorie/ philosophie
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the(...)
Design by accident: for a new history of design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
Théorie du design