5568 Résultats
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xiv, 279 pages : illustrations, maps, plans ; 25 cm.
Description:
xiv, 279 pages : illustrations, maps, plans ; 25 cm.
Auteur:
- Osborne, Robin, 1957-,
- Cunliffe, Barry W.,,
- Turton, Mary,,
- British Academy.
Sujet:
- Urbanization Mediterranean Region History.,
- Human settlements Mediterranean Region History.,
- Social archaeology Mediterranean Region.,
- Human settlements,
- Social archaeology,
- Urbanization,
- Stadtforschung,
- Verstädterung,
- Gründung,
- Stadt,
- Urbanisme Mediterrània, Regió Fins al 476.,
- Assentaments humans Mediterrània, Regió Fins al 476.,
- Arqueologia Mediterrània, Regió Fins al 476.,
- Cities and towns, Ancient Mediterranean Region.,
- Urbanization Mediterranean Region History To 500.,
- Mediterranean Region History To 476.,
- Méditerranée, Région de la Histoire Jusqu'à 476.,
- Mediterranean Region,
- Mittelmeerraum,
- Mediterrània, Regió Història Fins al 476.,
- Mediterranean Region Population To 500.,
- Mediterranean Region Antiquities.,
- Internum Mare.,
- Mediterranean urbanization,
- Kongress London 2001.,
- History
Publication:
Oxford : Oxford University Press for the British Academy, ©2005.
Oxford : Oxford University Press for the British Academy, ©2005.
Titre:
Mediterranean urbanization, 800-600 BC / edited by Robin Osborne & Barry Cunliffe.
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xiv, 279 pages : illustrations, maps, plans ; 25 cm.
Mediterranean urbanization, 800-600 BC / edited by Robin Osborne & Barry Cunliffe.
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xiv, 279 pages : illustrations, maps, plans ; 25 cm.
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livres
livres
Publication:
Oxford : Oxford University Press for the British Academy, ©2005.
Oxford : Oxford University Press for the British Academy, ©2005.
Auteur:
- Osborne, Robin, 1957-,
- Cunliffe, Barry W.,,
- Turton, Mary,,
- British Academy.
Sujet:
- Urbanization Mediterranean Region History.,
- Human settlements Mediterranean Region History.,
- Social archaeology Mediterranean Region.,
- Human settlements,
- Social archaeology,
- Urbanization,
- Stadtforschung,
- Verstädterung,
- Gründung,
- Stadt,
- Urbanisme Mediterrània, Regió Fins al 476.,
- Assentaments humans Mediterrània, Regió Fins al 476.,
- Arqueologia Mediterrània, Regió Fins al 476.,
- Cities and towns, Ancient Mediterranean Region.,
- Urbanization Mediterranean Region History To 500.,
- Mediterranean Region History To 476.,
- Méditerranée, Région de la Histoire Jusqu'à 476.,
- Mediterranean Region,
- Mittelmeerraum,
- Mediterrània, Regió Història Fins al 476.,
- Mediterranean Region Population To 500.,
- Mediterranean Region Antiquities.,
- Internum Mare.,
- Mediterranean urbanization,
- Kongress London 2001.,
- History
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$52.50
(disponible en magasin)
Résumé:
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as(...)
$52.50
(disponible en magasin)
Résumé:
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as(...)
Titre:
Iconophages: A history of ingesting images
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$52.50
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Résumé:
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. "Iconophages" aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
Iconophages: A history of ingesting images
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$52.50
(disponible en magasin)
Résumé:
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. "Iconophages" aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
Classification:
livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Théorie de l’art
Théorie de l’art
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Description:
xxi, 346 pages : illustrations, maps ; 26 cm
Description:
xxi, 346 pages : illustrations, maps ; 26 cm
Auteur:
Sujet:
- Augustus, Emperor of Rome, 63 B.C.-14 A.D.,
- Augustus, Emperor of Rome, 63 B.C.-14 A.D. Contributions in city planning.,
- Augustus Römisches Reich, Kaiser v63-14,
- Bibel Römerbrief,
- City planning Italy Rome History.,
- Architecture, Roman Italy Rome.,
- Civic improvement Rome.,
- City planning Rome.,
- Villes Aménagement et assainissement Rome.,
- Urbanisme Rome.,
- Architecture romaine Italie Rome.,
- 15.52 Roman Empire.,
- Civic improvement,
- Architecture, Roman,
- Buildings,
- City planning,
- Städtebau,
- Topografie,
- Stadtbild,
- Stedelijke omgeving.,
- Romeinse oudheid.,
- Architecture and state Rome Augustus, 30 B.C.-14 A.D.,
- Rome (Italy) Buildings, structures, etc.,
- Rome (Italy) History To 476.,
- Rome History Augustus, 30 B.C.-14 A.D.,
- Rome Histoire 30 av. J.-C.-14 (Auguste),
- Rome (Italie) Histoire Jusqu'à 476.,
- Rome (Empire),
- Italy Rome,
- Rome (Italy) City planning Augustus, 30 B.C.-14 A.D.,
- Rome (Italy) Antiquities.,
- Rom.,
- Geschichte 0052AC-0014,
- History
Publication:
Cambridge ; New York : Cambridge University Press, 1996.
Cambridge ; New York : Cambridge University Press, 1996.
Titre:
The urban image of Augustan Rome / Diane Favro.
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xxi, 346 pages : illustrations, maps ; 26 cm
The urban image of Augustan Rome / Diane Favro.
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xxi, 346 pages : illustrations, maps ; 26 cm
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livres
livres
Publication:
Cambridge ; New York : Cambridge University Press, 1996.
Cambridge ; New York : Cambridge University Press, 1996.
Auteur:
Sujet:
- Augustus, Emperor of Rome, 63 B.C.-14 A.D.,
- Augustus, Emperor of Rome, 63 B.C.-14 A.D. Contributions in city planning.,
- Augustus Römisches Reich, Kaiser v63-14,
- Bibel Römerbrief,
- City planning Italy Rome History.,
- Architecture, Roman Italy Rome.,
- Civic improvement Rome.,
- City planning Rome.,
- Villes Aménagement et assainissement Rome.,
- Urbanisme Rome.,
- Architecture romaine Italie Rome.,
- 15.52 Roman Empire.,
- Civic improvement,
- Architecture, Roman,
- Buildings,
- City planning,
- Städtebau,
- Topografie,
- Stadtbild,
- Stedelijke omgeving.,
- Romeinse oudheid.,
- Architecture and state Rome Augustus, 30 B.C.-14 A.D.,
- Rome (Italy) Buildings, structures, etc.,
- Rome (Italy) History To 476.,
- Rome History Augustus, 30 B.C.-14 A.D.,
- Rome Histoire 30 av. J.-C.-14 (Auguste),
- Rome (Italie) Histoire Jusqu'à 476.,
- Rome (Empire),
- Italy Rome,
- Rome (Italy) City planning Augustus, 30 B.C.-14 A.D.,
- Rome (Italy) Antiquities.,
- Rom.,
- Geschichte 0052AC-0014,
- History
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Description:
viii, 157 pages : illustrations, maps, plans ; 24 cm
Description:
viii, 157 pages : illustrations, maps, plans ; 24 cm
Auteur:
Sujet:
- Architecture, Domestic Italy Pompeii (Extinct city),
- Architecture, Roman Italy Pompeii (Extinct city),
- Land use Italy Pompeii (Extinct city),
- City and town life Italy Pompeii (Extinct city),
- Excavations (Archaeology) Italy Campania.,
- Archaeology.,
- Architecture romaine Italie Pompéi (Ville ancienne),
- Utilisation du sol Italie Pompéi (Ville ancienne),
- Vie urbaine Italie Pompéi (Ville ancienne),
- Fouilles (Archéologie) Italie Campanie.,
- Archéologie.,
- archaeology.,
- 15.34 classical archaeology.,
- Architecture, Domestic,
- Architecture, Roman,
- City and town life,
- Excavations (Archaeology),
- Land use,
- Manners and customs,
- Archeologie.,
- Excavations (Archaeology) Italy Pompeii.,
- Extinct cities Italy.,
- Architecture domestique Italie Pompéi (ville ancienne),
- Archéologie Italie Pompéi (ville ancienne),
- Pompeii (Extinct city),
- Pompeii (Extinct city) Social life and customs.,
- Pompéi (Ville ancienne),
- Pompéi (Ville ancienne) Mœurs et coutumes.,
- Italy Campania,
- Italy Pompeii (Extinct city),
- Pompeji,
- Pompeii (Extinct city) Antiquities.,
- Pompéi (ville ancienne)
Publication:
Oxford [England] : Oxbow Books, 1997., Oakville, CT, USA : David Brown Book Company, 1997.
Oxford [England] : Oxbow Books, 1997., Oakville, CT, USA : David Brown Book Company, 1997.
Titre:
Sequence and space in Pompeii / edited by Sara E. Bon and Rick Jones.
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Description:
viii, 157 pages : illustrations, maps, plans ; 24 cm
Sequence and space in Pompeii / edited by Sara E. Bon and Rick Jones.
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viii, 157 pages : illustrations, maps, plans ; 24 cm
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Publication:
Oxford [England] : Oxbow Books, 1997., Oakville, CT, USA : David Brown Book Company, 1997.
Oxford [England] : Oxbow Books, 1997., Oakville, CT, USA : David Brown Book Company, 1997.
Auteur:
Sujet:
- Architecture, Domestic Italy Pompeii (Extinct city),
- Architecture, Roman Italy Pompeii (Extinct city),
- Land use Italy Pompeii (Extinct city),
- City and town life Italy Pompeii (Extinct city),
- Excavations (Archaeology) Italy Campania.,
- Archaeology.,
- Architecture romaine Italie Pompéi (Ville ancienne),
- Utilisation du sol Italie Pompéi (Ville ancienne),
- Vie urbaine Italie Pompéi (Ville ancienne),
- Fouilles (Archéologie) Italie Campanie.,
- Archéologie.,
- archaeology.,
- 15.34 classical archaeology.,
- Architecture, Domestic,
- Architecture, Roman,
- City and town life,
- Excavations (Archaeology),
- Land use,
- Manners and customs,
- Archeologie.,
- Excavations (Archaeology) Italy Pompeii.,
- Extinct cities Italy.,
- Architecture domestique Italie Pompéi (ville ancienne),
- Archéologie Italie Pompéi (ville ancienne),
- Pompeii (Extinct city),
- Pompeii (Extinct city) Social life and customs.,
- Pompéi (Ville ancienne),
- Pompéi (Ville ancienne) Mœurs et coutumes.,
- Italy Campania,
- Italy Pompeii (Extinct city),
- Pompeji,
- Pompeii (Extinct city) Antiquities.,
- Pompéi (ville ancienne)
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2 pages ; ., 67, [1] pages, IX plates : frontispiece, illustrations (some color) ; 27 cm, 67 pages, IX leaves of plates : illustrations ; 27 cm
- Bibliothèque main 186691 | ID 1704 NA44.P978.A35; ID:88-B10609 | Disponible
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2 pages ; ., 67, [1] pages, IX plates : frontispiece, illustrations (some color) ; 27 cm, 67 pages, IX leaves of plates : illustrations ; 27 cm
Auteur:
Sujet:
- Architecture, Gothic.,
- Church architecture.,
- Architecture gothique.,
- Architecture chrétienne.,
- churches (buildings),
- Chron 1841.,
- Gothic architecture,
- Diaper grain cloth bindings England 1841.,
- Bindings.,
- engravings (prints),
- Wood engravings Color Specimens Great Britain 1841.,
- Gold blocked bindings Specimens Great Britain 1841.,
- Binders' tickets Specimens Great Britain 1841.,
- Gravures.
Publication:
London : John Weale, MCCMXLI [1841], London : Printed by W. Hughes
London : John Weale, MCCMXLI [1841], London : Printed by W. Hughes
Titre:
The true principles of pointed or Christian architecture : set forth in two lectures delivered at St. Marie's, Oscott / by A. Welby Pugin, architect, professor of ecclesiastical antiquities in that college.
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2 pages ; ., 67, [1] pages, IX plates : frontispiece, illustrations (some color) ; 27 cm, 67 pages, IX leaves of plates : illustrations ; 27 cm
The true principles of pointed or Christian architecture : set forth in two lectures delivered at St. Marie's, Oscott / by A. Welby Pugin, architect, professor of ecclesiastical antiquities in that college.
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- Bibliothèque main 186691 | ID 1704 NA44.P978.A35; ID:88-B10609 | Disponible
Description:
2 pages ; ., 67, [1] pages, IX plates : frontispiece, illustrations (some color) ; 27 cm, 67 pages, IX leaves of plates : illustrations ; 27 cm
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livres
livres
Publication:
London : John Weale, MCCMXLI [1841], London : Printed by W. Hughes
London : John Weale, MCCMXLI [1841], London : Printed by W. Hughes
Auteur:
Sujet:
- Architecture, Gothic.,
- Church architecture.,
- Architecture gothique.,
- Architecture chrétienne.,
- churches (buildings),
- Chron 1841.,
- Gothic architecture,
- Diaper grain cloth bindings England 1841.,
- Bindings.,
- engravings (prints),
- Wood engravings Color Specimens Great Britain 1841.,
- Gold blocked bindings Specimens Great Britain 1841.,
- Binders' tickets Specimens Great Britain 1841.,
- Gravures.
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livres
livres
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$71.95
(disponible sur commande)
Résumé:
Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of(...)
$71.95
(disponible sur commande)
Résumé:
Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of(...)
Titre:
Virtual art from illusion to immersion
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$71.95
(disponible sur commande)
Résumé:
Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype. Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art. His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
Virtual art from illusion to immersion
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Prix:
$71.95
(disponible sur commande)
Résumé:
Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype. Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art. His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
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livres
livres
Publication:
janvier 1900, Cambridge, Mass.
janvier 1900, Cambridge, Mass.
Sujet:
Épistémologie et réseau
Épistémologie et réseau
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Description:
x, 230 pages : illustrations, 1 map ; 25 cm.
Description:
x, 230 pages : illustrations, 1 map ; 25 cm.
Auteur:
- Laurie Rush -- Patty Gerstenblith -- Krysia Spirydowicz -- Julian Radcliffe -- Corine Wegener -- Joris D. Kila -- Martin Brown -- James Zeidler and Laurie Rush -- Laurie Rush -- Laurie Rush -- Paul R. Green -- Darrell C. Pinckney -- Diane C. Siebrandt -- Hugo Clarke -- Friedrich Schipper [and others] -- Stephan Zellmyeyer -- Sarah Parcak.,
- Rush, Laurie Watson, 1955-
Sujet:
- Convention for the Protection of Cultural Property in the Event of Armed Conflict (1954 May 14),
- Drill and minor tactics Case studies.,
- Archaeological sites Protection.,
- Cultural property Protection.,
- Military occupation Moral and ethical aspects.,
- Civil-military relations Case studies.,
- Armed Forces Civic action Case studies.,
- Iraq War, 2003-2011 Destruction and pillage.,
- Classical antiquities Destruction and pillage.,
- Military policy Moral and ethical aspects Case studies.,
- Exercice militaire Études de cas.,
- Occupation militaire Aspect moral.,
- Relations pouvoir civil-pouvoir militaire Études de cas.,
- Forces armées Utilisation publique Études de cas.,
- Guerre en Irak, 2003-2011 Destruction et pillage.,
- Antiquités gréco-romaines Destruction et pillage.,
- Politique militaire Aspect moral Études de cas.,
- Armed Forces Civic action.,
- Civil-military relations.,
- Destruction and pillage.,
- Drill and minor tactics.,
- Military policy Moral and ethical aspects.,
- Archäologie.,
- Kulturerbe.,
- Kulturgüterschutz.,
- Militär.,
- Iraq.,
- Case studies.
Publication:
Woodbridge ; Rochester, NY : Boydell Press, 2010.
Woodbridge ; Rochester, NY : Boydell Press, 2010.
Titre:
Archaeology, cultural property, and the military / edited by Laurie Rush.
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Description:
x, 230 pages : illustrations, 1 map ; 25 cm.
Archaeology, cultural property, and the military / edited by Laurie Rush.
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Description:
x, 230 pages : illustrations, 1 map ; 25 cm.
Classification:
livres
livres
Publication:
Woodbridge ; Rochester, NY : Boydell Press, 2010.
Woodbridge ; Rochester, NY : Boydell Press, 2010.
Auteur:
- Laurie Rush -- Patty Gerstenblith -- Krysia Spirydowicz -- Julian Radcliffe -- Corine Wegener -- Joris D. Kila -- Martin Brown -- James Zeidler and Laurie Rush -- Laurie Rush -- Laurie Rush -- Paul R. Green -- Darrell C. Pinckney -- Diane C. Siebrandt -- Hugo Clarke -- Friedrich Schipper [and others] -- Stephan Zellmyeyer -- Sarah Parcak.,
- Rush, Laurie Watson, 1955-
Sujet:
- Convention for the Protection of Cultural Property in the Event of Armed Conflict (1954 May 14),
- Drill and minor tactics Case studies.,
- Archaeological sites Protection.,
- Cultural property Protection.,
- Military occupation Moral and ethical aspects.,
- Civil-military relations Case studies.,
- Armed Forces Civic action Case studies.,
- Iraq War, 2003-2011 Destruction and pillage.,
- Classical antiquities Destruction and pillage.,
- Military policy Moral and ethical aspects Case studies.,
- Exercice militaire Études de cas.,
- Occupation militaire Aspect moral.,
- Relations pouvoir civil-pouvoir militaire Études de cas.,
- Forces armées Utilisation publique Études de cas.,
- Guerre en Irak, 2003-2011 Destruction et pillage.,
- Antiquités gréco-romaines Destruction et pillage.,
- Politique militaire Aspect moral Études de cas.,
- Armed Forces Civic action.,
- Civil-military relations.,
- Destruction and pillage.,
- Drill and minor tactics.,
- Military policy Moral and ethical aspects.,
- Archäologie.,
- Kulturerbe.,
- Kulturgüterschutz.,
- Militär.,
- Iraq.,
- Case studies.
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Description:
xix, 422 pages : illustrations, maps ; 29 cm.
Description:
xix, 422 pages : illustrations, maps ; 29 cm.
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Sujet:
- Borghese family.,
- Borghèse (Famille),
- Borghese, Scipione 1577-1633,
- Borghese Familie,
- Villa Mondragone (Monte Porzio Catone, Italy),
- Villa Mondragone (Frascati, Italie),
- Elite (Social sciences) Italy Frascati.,
- Architecture and society Italy Frascati.,
- Élite (Sciences sociales) Italie Frascati.,
- Architecture et société Italie Frascati.,
- Architecture and society,
- Elite (Social sciences),
- Manners and customs,
- Adelshaus,
- Architektur,
- Villa,
- Landschaftsplanung,
- Landhuizen.,
- Villa's.,
- Frascati (Italy) Social life and customs.,
- Frascati (Italie) Mœurs et coutumes.,
- Italy Frascati,
- Latium,
- Villa Mondragone,
- Frascati,
- Villa Mondragone (Italy)
Publication:
Cambridge, U.K. ; New York : Cambridge University Press : in association with the American Academy in Rome, 2002.
Cambridge, U.K. ; New York : Cambridge University Press : in association with the American Academy in Rome, 2002.
Titre:
Landscape and identity in early modern Rome : villa culture at Frascati in the Borghese era / Tracy L. Ehrlich.
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xix, 422 pages : illustrations, maps ; 29 cm.
Landscape and identity in early modern Rome : villa culture at Frascati in the Borghese era / Tracy L. Ehrlich.
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Description:
xix, 422 pages : illustrations, maps ; 29 cm.
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livres
Publication:
Cambridge, U.K. ; New York : Cambridge University Press : in association with the American Academy in Rome, 2002.
Cambridge, U.K. ; New York : Cambridge University Press : in association with the American Academy in Rome, 2002.
Auteur:
Sujet:
- Borghese family.,
- Borghèse (Famille),
- Borghese, Scipione 1577-1633,
- Borghese Familie,
- Villa Mondragone (Monte Porzio Catone, Italy),
- Villa Mondragone (Frascati, Italie),
- Elite (Social sciences) Italy Frascati.,
- Architecture and society Italy Frascati.,
- Élite (Sciences sociales) Italie Frascati.,
- Architecture et société Italie Frascati.,
- Architecture and society,
- Elite (Social sciences),
- Manners and customs,
- Adelshaus,
- Architektur,
- Villa,
- Landschaftsplanung,
- Landhuizen.,
- Villa's.,
- Frascati (Italy) Social life and customs.,
- Frascati (Italie) Mœurs et coutumes.,
- Italy Frascati,
- Latium,
- Villa Mondragone,
- Frascati,
- Villa Mondragone (Italy)
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Description:
xvii, 331 pages : illustrations ; 26 cm.
Description:
xvii, 331 pages : illustrations ; 26 cm.
Auteur:
Sujet:
- Montagu, Robert, 1634-1683 Travel Europe.,
- Hammond, William, approximately 1635-approximately 1685 Travel Europe.,
- Maynard, Banaster, Baron, approximately 1642-1718 Travel Europe.,
- Montagu, Robert, 1634-1683.,
- Hammond, William, approximately 1635-approximately 1685.,
- Maynard, Banaster, Baron, approximately 1642-1718.,
- Grand tours (Education),
- Grand tours (Education) Early works to 1800.,
- English Europe History 17th century.,
- Tours d'Europe (Éducation),
- Tours d'Europe (Éducation) Ouvrages avant 1800.,
- Anglais Europe Histoire 17e siècle.,
- grand tours.,
- English.,
- Travel.,
- Europe Description and travel Early works to 1800.,
- Europe.,
- Travel literature.,
- Correspondence.,
- Early works.,
- History.
Publication:
London : Hakluyt Society, 2004.
London : Hakluyt Society, 2004.
Titre:
The origins of the Grand Tour : the travels of Robert Montagu, Lord Mandeville (1649-1654) William Hammond, (1655-1658), and Banaster Maynard (1660-1663) / edited by Michael G. Brennan.
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Description:
xvii, 331 pages : illustrations ; 26 cm.
The origins of the Grand Tour : the travels of Robert Montagu, Lord Mandeville (1649-1654) William Hammond, (1655-1658), and Banaster Maynard (1660-1663) / edited by Michael G. Brennan.
Actions:
Exemplaires:
Description:
xvii, 331 pages : illustrations ; 26 cm.
Classification:
livres
livres
Publication:
London : Hakluyt Society, 2004.
London : Hakluyt Society, 2004.
Auteur:
Sujet:
- Montagu, Robert, 1634-1683 Travel Europe.,
- Hammond, William, approximately 1635-approximately 1685 Travel Europe.,
- Maynard, Banaster, Baron, approximately 1642-1718 Travel Europe.,
- Montagu, Robert, 1634-1683.,
- Hammond, William, approximately 1635-approximately 1685.,
- Maynard, Banaster, Baron, approximately 1642-1718.,
- Grand tours (Education),
- Grand tours (Education) Early works to 1800.,
- English Europe History 17th century.,
- Tours d'Europe (Éducation),
- Tours d'Europe (Éducation) Ouvrages avant 1800.,
- Anglais Europe Histoire 17e siècle.,
- grand tours.,
- English.,
- Travel.,
- Europe Description and travel Early works to 1800.,
- Europe.,
- Travel literature.,
- Correspondence.,
- Early works.,
- History.
Classification:
livres
livres
Actions:
Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
Sujet:
Dessin d’architecture
Dessin d’architecture
Publication:
octobre 1999, New York
octobre 1999, New York
Titre:
Infinite perspectives : two thousand years of three-dimensional mapmaking
Actions:
Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Infinite perspectives : two thousand years of three-dimensional mapmaking
Actions:
Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Classification:
livres
livres
Publication:
octobre 1999, New York
octobre 1999, New York
Sujet:
Dessin d’architecture
Dessin d’architecture
