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Conventional representations reinforce its reading as an urban condition resulting from neoliberal capitalism. These forces have expanded the city grid and extruded its architectures as a laboratory of urban ideas. Yet, like many other coastal and insular conditions, twenty-first century Manhattan faces adverse Anthropogenic climate change. Stronger storm surges and sea(...)
New York geologics: Representations of Manhattan from the anthropocene
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Conventional representations reinforce its reading as an urban condition resulting from neoliberal capitalism. These forces have expanded the city grid and extruded its architectures as a laboratory of urban ideas. Yet, like many other coastal and insular conditions, twenty-first century Manhattan faces adverse Anthropogenic climate change. Stronger storm surges and sea level rise now demand that the island recalibrates its social and environmental positions. The city needs to consider once again its fluid archipelagic conditions inherited from glacial dynamics. With a focus on iconic city representations, the book examines distinct logics that try to make capitalist progress compatible with its territorial conditions. Even though these logics of land, water and ground – here called geologics – are perhaps less dominant than the dense urban culture and, therefore, less predominant in the representation of the city, they are still important to explain why Manhattan evolved to its current condition.
L'écologie de l'architecure
livres
House : black swan theory
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House brings us up-to-date on Holl's most recent residences and collects his best-known projects from the past including a total of fifteen of Holl's residential works. Rather than having an unvarying style, these houses aim at the sometimes elusive ideal of the specific. Each house tackles a different design challenge, using site as the physical and metaphysical(...)
House : black swan theory
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House brings us up-to-date on Holl's most recent residences and collects his best-known projects from the past including a total of fifteen of Holl's residential works. Rather than having an unvarying style, these houses aim at the sometimes elusive ideal of the specific. Each house tackles a different design challenge, using site as the physical and metaphysical foundation upon which to build. Fusing building and situation, Holl creates a unique expression in each home. Beautiful and innovative, the houses span the globe, ranging from a secluded location in Hawaii, to the Catskill Mountains of New York, to Martha's Vineyard, to the Hague in the Netherlands. Each project is accompanied by Holl's charming watercolor building studies as well as an insightful explanation of how he was inspired by the land upon which the house sits and how the sumptuous materials utilized reflect the spirit of the location.
livres
mai 2007, New York
Architecture, monographies
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Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of(...)
David Goldblatt: the last interview
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Accompanied by a selection of some of David Goldblatt’s (1930–2018) lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with the photographer conducted three months before his death in June 2018. Goldblatt was born in Randfontein—a mining town on the Witwatersrand gold reef—in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes.
Théorie de la photographie
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and(...)
Don't follow the wind: critical spatial practice 12
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public — the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades — a period that could extend beyond our lifetime. The book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean.
Théorie/ philosophie
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American Silence: The Photographs of Robert Adams examines Adams’s reverential act of looking at the world around him and the almost palpable silence of his photographs. It includes works that capture the sense of peace and harmony that the beauty of nature can instill in us, created through what Adams calls “the silence of light” of the American West (as seen on the(...)
American silence: The photographs of Robert Adams
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American Silence: The Photographs of Robert Adams examines Adams’s reverential act of looking at the world around him and the almost palpable silence of his photographs. It includes works that capture the sense of peace and harmony that the beauty of nature can instill in us, created through what Adams calls “the silence of light” of the American West (as seen on the prairie, in the woods, and by the ocean), as well as pictures that question our moral silence to the desecration of that beauty by consumerism, industrialization, and lack of environmental stewardship. The book features some 175 works from Adams’s most important projects and includes pictures of suburban sprawl, strip malls, highways, homes, and stores, as well as rivers and skies, the prairie and the ocean. While Adams’s photographs lament the ravages that have been inflicted on the land, they also pay homage to what remains.
Monographies photo
Mãe Luíza: Building optimism
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Over the past 30 years, the district of Mãe Luíza in Brazil's northeastern city of Natal developed from a desolate favela into a functioning community. From the first humanitarian aid to construction of a gymnasium, this persistent process is outlined in short articles and essays in the second part of this illustrated volume. The documentation demonstrates how(...)
Logements collectifs
mars 2022
Mãe Luíza: Building optimism
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Over the past 30 years, the district of Mãe Luíza in Brazil's northeastern city of Natal developed from a desolate favela into a functioning community. From the first humanitarian aid to construction of a gymnasium, this persistent process is outlined in short articles and essays in the second part of this illustrated volume. The documentation demonstrates how transformation was achieved step by step with the help of many, laying the groundwork for ongoing progress. Less crime, better education, and a fairer society – much has been accomplished and even more is possible for the future. A story by author Paulo Lins (“City of God”) tells the stirring tale of the establishment of the Brazilian favela Mãe Luíza. Fleeing drought and deadly heat, the people there fought for a piece of land to call their own, hoping for a better life. Thanks to their optimism and solidarity, their vision gradually took shape.
Logements collectifs
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This book, the first by the design and research practice Material Cultures, assembles a series of short essays and conversations exploring the cultures, systems, and infrastructures that shape the architectural industry and the destructive ecologies it fosters. The building practices dominating contemporary architecture are rooted in the exploitation of people and the(...)
octobre 2022
Material reform, material cultures
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This book, the first by the design and research practice Material Cultures, assembles a series of short essays and conversations exploring the cultures, systems, and infrastructures that shape the architectural industry and the destructive ecologies it fosters. The building practices dominating contemporary architecture are rooted in the exploitation of people and the degradation of our landscapes. Here, Paloma Gormley, Summer Islam, and George Massoud explore how this has come about and how alternative systems, with holistic approaches to the built environment, might be formulated. It presents a set of instructive and challenging perspectives drawing directly on the dialogues and tensions Material Cultures encounter in their day-to-day work. Texts centred around key concepts including labour, time, maintenance, language, land, and touch are interwoven with a visual essay reckoning with the processes that have transformed industrialised landscapes at different scales of experience and resolution.
$18.00
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark,(...)
Martin Hogue: [Fake] Fake estates, reconsidering Gordon Matta-Clak's fake estates
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark, one of the most important American conceptual artists of the 1970s, had purchased the Queens properties with the goal of highlighting neglected architectural environments that make up the urban and suburban fabric. Hogue's drawings, collages, and photographs that make up this book articulates those moments when conventions for establishing the location and the precise boundaries of a site produce a conceptual "excess of surveying", inviting speculation as to the value and purpose of land and revealing the conceptual potential of "real" sites- even small and unusable ones without architectural potential.
Dwelling for intervals
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Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in(...)
Dwelling for intervals
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Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in Rotterdam, The Netherlands. Finally, the project became a roving para-site called “Knock on Woods” which has temporarily staked claim to land in Holland, France, Portugal, Berlin, Japan, and Canada. Dwelling for Intervals is an independent state, a sculpture, a series of collaborations, an international artist residency, a wilderness, a tree house, a travelling circus and a relative site/situation for temporary doing and undoing. The publication documents both the sites and the on-site work of the residents.
Expositions collectives
Fallen empires
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Extensively covered by the media, debated by the governments of the world and claimed by vying religions, Israel is a remarkable case study for understanding the rise and fall of empires. By highlighting the country's historic architecture and its highly contentious ruins, Israeli photographer Shai Kremer (born 1974) questions how these sites figure today in the discourse(...)
Fallen empires
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Extensively covered by the media, debated by the governments of the world and claimed by vying religions, Israel is a remarkable case study for understanding the rise and fall of empires. By highlighting the country's historic architecture and its highly contentious ruins, Israeli photographer Shai Kremer (born 1974) questions how these sites figure today in the discourse of the Israeli-Palestinian conflict and the future of the nation. This publication invites viewers to consider new relationships between the histories and identities assembled and disassembled in the creation of modern Israel. As Kremer explains, “Israel is overloaded with sediments of past empires. More than half of the current IDF (Israel Defense Forces) strongholds rest on the ruins of military sites of former empires. The recycling of these spaces, from one conqueror to the next, shows how most empires tried to conquer and rule this land, with one similar outcome: they eventually failed.”
Monographies photo