16290 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP156.S5
Description:
La série documente les photographies de Chandigarh et de l'Inde prises par Pierre Jeanneret et d'autres photographes et reproduites pour diverses expositions en Europe et en Inde, donc une exposition au Musée des Beaux-Arts de Besançon en 1971. Le matériel dans cette série a été produit entre 1951 et 1965. La série comprend des photographies montées sur carton ou sur aluminium. Series documents the photographs of Chandigarh and India taken by Pierre Jeanneret and other photographs and reproduced for various exhibitions in Europe and India, including an exhibition at the Musée des Beaux-Arts in Besançon in 1971. The material in this series was produced between 1951 and 1965. The serie contains photographs mounted on board or on aluminum.
AP156.S5
Description:
La série documente les photographies de Chandigarh et de l'Inde prises par Pierre Jeanneret et d'autres photographes et reproduites pour diverses expositions en Europe et en Inde, donc une exposition au Musée des Beaux-Arts de Besançon en 1971. Le matériel dans cette série a été produit entre 1951 et 1965. La série comprend des photographies montées sur carton ou sur aluminium. Series documents the photographs of Chandigarh and India taken by Pierre Jeanneret and other photographs and reproduced for various exhibitions in Europe and India, including an exhibition at the Musée des Beaux-Arts in Besançon in 1971. The material in this series was produced between 1951 and 1965. The serie contains photographs mounted on board or on aluminum.
Personnes et institutions:
Date:
1951-1965
1951-1965
Titre:
Photographies de Chandigarh et de l’Inde reproduites pour expositions = Photographs of Chandigarh and India reproduced for exhibitions
Actions:
AP156.S5
Description:
La série documente les photographies de Chandigarh et de l'Inde prises par Pierre Jeanneret et d'autres photographes et reproduites pour diverses expositions en Europe et en Inde, donc une exposition au Musée des Beaux-Arts de Besançon en 1971. Le matériel dans cette série a été produit entre 1951 et 1965. La série comprend des photographies montées sur carton ou sur aluminium. Series documents the photographs of Chandigarh and India taken by Pierre Jeanneret and other photographs and reproduced for various exhibitions in Europe and India, including an exhibition at the Musée des Beaux-Arts in Besançon in 1971. The material in this series was produced between 1951 and 1965. The serie contains photographs mounted on board or on aluminum.
Photographies de Chandigarh et de l’Inde reproduites pour expositions = Photographs of Chandigarh and India reproduced for exhibitions
Actions:
AP156.S5
Description:
La série documente les photographies de Chandigarh et de l'Inde prises par Pierre Jeanneret et d'autres photographes et reproduites pour diverses expositions en Europe et en Inde, donc une exposition au Musée des Beaux-Arts de Besançon en 1971. Le matériel dans cette série a été produit entre 1951 et 1965. La série comprend des photographies montées sur carton ou sur aluminium. Series documents the photographs of Chandigarh and India taken by Pierre Jeanneret and other photographs and reproduced for various exhibitions in Europe and India, including an exhibition at the Musée des Beaux-Arts in Besançon in 1971. The material in this series was produced between 1951 and 1965. The serie contains photographs mounted on board or on aluminum.
Niveau de description archivistique:
Série 5
Série 5
Date:
1951-1965
1951-1965
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S6.SS1.D2
Description:
Le dossier documente les entrevues accordées par Jacqueline Jeanneret au sujet de sa vie, de sa famille, dont sur Le Corbusier et Pierre Jeanneret, ainsi qu'à propos de l'Immeuble Clarté réalisé par Le Corbusier à Genève, en Suisse. Le matériel dans ce dossier a été produit vers 1970. Le dossier contient des documents textuels et un disque optique d'une entrevue radiophonique. File documents interviews of Jacqueline Jeanneret about her life, her family, including about Le Corbusier and Pierre Jeanneret and also about the Immeuble Clarté designed by Le Corbusier in Geneva, in Switzerland. The material in this file was produced around 1970. The file contains textual records and a optical disk of a radio interview.
AP156.S6.SS1.D2
Description:
Le dossier documente les entrevues accordées par Jacqueline Jeanneret au sujet de sa vie, de sa famille, dont sur Le Corbusier et Pierre Jeanneret, ainsi qu'à propos de l'Immeuble Clarté réalisé par Le Corbusier à Genève, en Suisse. Le matériel dans ce dossier a été produit vers 1970. Le dossier contient des documents textuels et un disque optique d'une entrevue radiophonique. File documents interviews of Jacqueline Jeanneret about her life, her family, including about Le Corbusier and Pierre Jeanneret and also about the Immeuble Clarté designed by Le Corbusier in Geneva, in Switzerland. The material in this file was produced around 1970. The file contains textual records and a optical disk of a radio interview.
Personnes et institutions:
Date:
circa 1970
circa 1970
Titre:
Entrevues de Jacqueline Jeanneret = Interviews of Jacqueline Jeanneret
Actions:
AP156.S6.SS1.D2
Description:
Le dossier documente les entrevues accordées par Jacqueline Jeanneret au sujet de sa vie, de sa famille, dont sur Le Corbusier et Pierre Jeanneret, ainsi qu'à propos de l'Immeuble Clarté réalisé par Le Corbusier à Genève, en Suisse. Le matériel dans ce dossier a été produit vers 1970. Le dossier contient des documents textuels et un disque optique d'une entrevue radiophonique. File documents interviews of Jacqueline Jeanneret about her life, her family, including about Le Corbusier and Pierre Jeanneret and also about the Immeuble Clarté designed by Le Corbusier in Geneva, in Switzerland. The material in this file was produced around 1970. The file contains textual records and a optical disk of a radio interview.
Entrevues de Jacqueline Jeanneret = Interviews of Jacqueline Jeanneret
Actions:
AP156.S6.SS1.D2
Description:
Le dossier documente les entrevues accordées par Jacqueline Jeanneret au sujet de sa vie, de sa famille, dont sur Le Corbusier et Pierre Jeanneret, ainsi qu'à propos de l'Immeuble Clarté réalisé par Le Corbusier à Genève, en Suisse. Le matériel dans ce dossier a été produit vers 1970. Le dossier contient des documents textuels et un disque optique d'une entrevue radiophonique. File documents interviews of Jacqueline Jeanneret about her life, her family, including about Le Corbusier and Pierre Jeanneret and also about the Immeuble Clarté designed by Le Corbusier in Geneva, in Switzerland. The material in this file was produced around 1970. The file contains textual records and a optical disk of a radio interview.
Niveau de description archivistique:
Dossier 2
Dossier 2
Date:
circa 1970
circa 1970
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
Personnes et institutions:
Date:
1973-1977
1973-1977
Titre:
Multivisions, bus didactiques et Laboratoire de synthèse et de Créations Audio-visuelles (LISCA) = Multivisions, didactic bus and Laboratoire de synthèse et de Créations Audio-visuelles (LISCA)
Actions:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
Multivisions, bus didactiques et Laboratoire de synthèse et de Créations Audio-visuelles (LISCA) = Multivisions, didactic bus and Laboratoire de synthèse et de Créations Audio-visuelles (LISCA)
Actions:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
Niveau de description archivistique:
Dossier 3
Dossier 3
Date:
1973-1977
1973-1977
Personnes et institutions:
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1854-1858, printed 1854-1858
1854-1858, printed 1854-1858
Titre:
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
1854-1858, printed 1854-1858
1854-1858, printed 1854-1858
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Personnes et institutions:
Date:
circa 1980-1990
circa 1980-1990
Titre:
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Niveau de description archivistique:
Project
Project
Date:
circa 1980-1990
circa 1980-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1986.PR02
Description:
This project series documents the Parque Urbano in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number 41/80. The office assigned the date 1986 to this project. The project files document a competition for the Salemi urban park. The park was supposed to create a link between the oldest and newest parts of town. The park included two entrances, a new water line, a fence, a path that embraces the topography of the site, a path that links the new town and the Cappuccini Convent, a belvedere and a water pathway. It also contained a terrace with a theater, bar and skating ring. The project was not realized. Documenting this project are studies and site plans. Textual material includes competition documentation and correspondence. Photographs and negatives document the project site.
AP178.S1.1986.PR02
Description:
This project series documents the Parque Urbano in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number 41/80. The office assigned the date 1986 to this project. The project files document a competition for the Salemi urban park. The park was supposed to create a link between the oldest and newest parts of town. The park included two entrances, a new water line, a fence, a path that embraces the topography of the site, a path that links the new town and the Cappuccini Convent, a belvedere and a water pathway. It also contained a terrace with a theater, bar and skating ring. The project was not realized. Documenting this project are studies and site plans. Textual material includes competition documentation and correspondence. Photographs and negatives document the project site.
Personnes et institutions:
Date:
1984-1987
1984-1987
Titre:
Parque Urbano [Urban park], Salemi, Italy (1986)
Actions:
AP178.S1.1986.PR02
Description:
This project series documents the Parque Urbano in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number 41/80. The office assigned the date 1986 to this project. The project files document a competition for the Salemi urban park. The park was supposed to create a link between the oldest and newest parts of town. The park included two entrances, a new water line, a fence, a path that embraces the topography of the site, a path that links the new town and the Cappuccini Convent, a belvedere and a water pathway. It also contained a terrace with a theater, bar and skating ring. The project was not realized. Documenting this project are studies and site plans. Textual material includes competition documentation and correspondence. Photographs and negatives document the project site.
Parque Urbano [Urban park], Salemi, Italy (1986)
Actions:
AP178.S1.1986.PR02
Description:
This project series documents the Parque Urbano in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number 41/80. The office assigned the date 1986 to this project. The project files document a competition for the Salemi urban park. The park was supposed to create a link between the oldest and newest parts of town. The park included two entrances, a new water line, a fence, a path that embraces the topography of the site, a path that links the new town and the Cappuccini Convent, a belvedere and a water pathway. It also contained a terrace with a theater, bar and skating ring. The project was not realized. Documenting this project are studies and site plans. Textual material includes competition documentation and correspondence. Photographs and negatives document the project site.
Niveau de description archivistique:
Project
Project
Date:
1984-1987
1984-1987
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D33
Description:
File documents unexecuted renovations, site upgrading, and new landscaping features, for the restaurant, The Pantiles, on London Road, in Bagshot, Surrey, England. The client was Michael W. Druitt. Alterations and additions to the restaurant include the addition of a bar and lounge, private dining room, new boiler room, fixed seating, a new charcoal grill, folding doors, and a wall display unit. The file contains survey plans, sketches that illustrate proposed interior renovations and a complete sequence of drawings numbered 1 to 5. Material in this file was produced between 1960 and 1962. Based on the content of the file, Mrs. M.T. Druitt was the director, and Mrs. H. Lovell-Green was the managing director of the Pantiles Tea Barn, Limited. File contains design development drawings and textual records.
AP144.S2.D33
Description:
File documents unexecuted renovations, site upgrading, and new landscaping features, for the restaurant, The Pantiles, on London Road, in Bagshot, Surrey, England. The client was Michael W. Druitt. Alterations and additions to the restaurant include the addition of a bar and lounge, private dining room, new boiler room, fixed seating, a new charcoal grill, folding doors, and a wall display unit. The file contains survey plans, sketches that illustrate proposed interior renovations and a complete sequence of drawings numbered 1 to 5. Material in this file was produced between 1960 and 1962. Based on the content of the file, Mrs. M.T. Druitt was the director, and Mrs. H. Lovell-Green was the managing director of the Pantiles Tea Barn, Limited. File contains design development drawings and textual records.
Personnes et institutions:
Date:
1960-[1962]
1960-[1962]
Titre:
Restaurant, Bagshot
Actions:
AP144.S2.D33
Description:
File documents unexecuted renovations, site upgrading, and new landscaping features, for the restaurant, The Pantiles, on London Road, in Bagshot, Surrey, England. The client was Michael W. Druitt. Alterations and additions to the restaurant include the addition of a bar and lounge, private dining room, new boiler room, fixed seating, a new charcoal grill, folding doors, and a wall display unit. The file contains survey plans, sketches that illustrate proposed interior renovations and a complete sequence of drawings numbered 1 to 5. Material in this file was produced between 1960 and 1962. Based on the content of the file, Mrs. M.T. Druitt was the director, and Mrs. H. Lovell-Green was the managing director of the Pantiles Tea Barn, Limited. File contains design development drawings and textual records.
Restaurant, Bagshot
Actions:
AP144.S2.D33
Description:
File documents unexecuted renovations, site upgrading, and new landscaping features, for the restaurant, The Pantiles, on London Road, in Bagshot, Surrey, England. The client was Michael W. Druitt. Alterations and additions to the restaurant include the addition of a bar and lounge, private dining room, new boiler room, fixed seating, a new charcoal grill, folding doors, and a wall display unit. The file contains survey plans, sketches that illustrate proposed interior renovations and a complete sequence of drawings numbered 1 to 5. Material in this file was produced between 1960 and 1962. Based on the content of the file, Mrs. M.T. Druitt was the director, and Mrs. H. Lovell-Green was the managing director of the Pantiles Tea Barn, Limited. File contains design development drawings and textual records.
Niveau de description archivistique:
File 33
File 33
Date:
1960-[1962]
1960-[1962]
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD041.S4
Description:
This series documents two projects by the firm Vecsei/Panzini Architects. In 1980, Eva Hollo Vecsei and Michelange Panzini opened the firm Vecsei/Panzini Architects. The firm closed in 1984 when Eva and André Vecsei opened their own practice, Vecsei Architects. During while working together Vecsei and Panzini designed the Sternthal residence, Westmount, Québec (1982), a low-rise office building on De Maisonneuve Boulevard, Montréal, Québec (circa 1983), and The Quebec Bar Association Headquarters, Montréal, Québec (circa 1984). This series includes documents for the Sternthal residence and the low-rise office building on De Maisonneuve Boulevard. Collection material in this series was produced between 1980 and 1984. Documents include architectural records, such as presentation and design development drawings, and as well as a clipping.
CD041.S4
Description:
This series documents two projects by the firm Vecsei/Panzini Architects. In 1980, Eva Hollo Vecsei and Michelange Panzini opened the firm Vecsei/Panzini Architects. The firm closed in 1984 when Eva and André Vecsei opened their own practice, Vecsei Architects. During while working together Vecsei and Panzini designed the Sternthal residence, Westmount, Québec (1982), a low-rise office building on De Maisonneuve Boulevard, Montréal, Québec (circa 1983), and The Quebec Bar Association Headquarters, Montréal, Québec (circa 1984). This series includes documents for the Sternthal residence and the low-rise office building on De Maisonneuve Boulevard. Collection material in this series was produced between 1980 and 1984. Documents include architectural records, such as presentation and design development drawings, and as well as a clipping.
Personnes et institutions:
Date:
circa 1980-1984
circa 1980-1984
Titre:
Vecsei / Panzini Architects (1980-1984)
Actions:
CD041.S4
Description:
This series documents two projects by the firm Vecsei/Panzini Architects. In 1980, Eva Hollo Vecsei and Michelange Panzini opened the firm Vecsei/Panzini Architects. The firm closed in 1984 when Eva and André Vecsei opened their own practice, Vecsei Architects. During while working together Vecsei and Panzini designed the Sternthal residence, Westmount, Québec (1982), a low-rise office building on De Maisonneuve Boulevard, Montréal, Québec (circa 1983), and The Quebec Bar Association Headquarters, Montréal, Québec (circa 1984). This series includes documents for the Sternthal residence and the low-rise office building on De Maisonneuve Boulevard. Collection material in this series was produced between 1980 and 1984. Documents include architectural records, such as presentation and design development drawings, and as well as a clipping.
Vecsei / Panzini Architects (1980-1984)
Actions:
CD041.S4
Description:
This series documents two projects by the firm Vecsei/Panzini Architects. In 1980, Eva Hollo Vecsei and Michelange Panzini opened the firm Vecsei/Panzini Architects. The firm closed in 1984 when Eva and André Vecsei opened their own practice, Vecsei Architects. During while working together Vecsei and Panzini designed the Sternthal residence, Westmount, Québec (1982), a low-rise office building on De Maisonneuve Boulevard, Montréal, Québec (circa 1983), and The Quebec Bar Association Headquarters, Montréal, Québec (circa 1984). This series includes documents for the Sternthal residence and the low-rise office building on De Maisonneuve Boulevard. Collection material in this series was produced between 1980 and 1984. Documents include architectural records, such as presentation and design development drawings, and as well as a clipping.
Niveau de description archivistique:
Series
Series
Date:
circa 1980-1984
circa 1980-1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP149.S1.1972.PR02
Description:
File related to Minimum Cost Housing Group's projects about sulphur concrete for low-cost housing between 1972 and 1975, including the Saddle Lake Indian Reserve project, in Alberta, in 1974. Various projects that led to publications about sulphur concrete in housing, including "Sulphur Concrete and Very Low-cost Housing" (September 1974) and "Patent Survey, 1859-1974. The Use of Elemental Sulphur in Building" (April 1975). The material in this file was produced between 1973 and 1975. The file contains textual records, including dummies for the publications "Sulphur Concrete and Very Low-cost Housing" and "Patent Survey, 1859-1974. The Use of Elemental Sulphur in Building", and photographs, including photographs used in the publications. The file also includes samples of sulphur concrete bricks and printing plates.
AP149.S1.1972.PR02
Description:
File related to Minimum Cost Housing Group's projects about sulphur concrete for low-cost housing between 1972 and 1975, including the Saddle Lake Indian Reserve project, in Alberta, in 1974. Various projects that led to publications about sulphur concrete in housing, including "Sulphur Concrete and Very Low-cost Housing" (September 1974) and "Patent Survey, 1859-1974. The Use of Elemental Sulphur in Building" (April 1975). The material in this file was produced between 1973 and 1975. The file contains textual records, including dummies for the publications "Sulphur Concrete and Very Low-cost Housing" and "Patent Survey, 1859-1974. The Use of Elemental Sulphur in Building", and photographs, including photographs used in the publications. The file also includes samples of sulphur concrete bricks and printing plates.
Personnes et institutions:
Date:
1973-1975
1973-1975
Titre:
Sulphur Concrete for Low-Cost Housing
Actions:
AP149.S1.1972.PR02
Description:
File related to Minimum Cost Housing Group's projects about sulphur concrete for low-cost housing between 1972 and 1975, including the Saddle Lake Indian Reserve project, in Alberta, in 1974. Various projects that led to publications about sulphur concrete in housing, including "Sulphur Concrete and Very Low-cost Housing" (September 1974) and "Patent Survey, 1859-1974. The Use of Elemental Sulphur in Building" (April 1975). The material in this file was produced between 1973 and 1975. The file contains textual records, including dummies for the publications "Sulphur Concrete and Very Low-cost Housing" and "Patent Survey, 1859-1974. The Use of Elemental Sulphur in Building", and photographs, including photographs used in the publications. The file also includes samples of sulphur concrete bricks and printing plates.
Sulphur Concrete for Low-Cost Housing
Actions:
AP149.S1.1972.PR02
Description:
File related to Minimum Cost Housing Group's projects about sulphur concrete for low-cost housing between 1972 and 1975, including the Saddle Lake Indian Reserve project, in Alberta, in 1974. Various projects that led to publications about sulphur concrete in housing, including "Sulphur Concrete and Very Low-cost Housing" (September 1974) and "Patent Survey, 1859-1974. The Use of Elemental Sulphur in Building" (April 1975). The material in this file was produced between 1973 and 1975. The file contains textual records, including dummies for the publications "Sulphur Concrete and Very Low-cost Housing" and "Patent Survey, 1859-1974. The Use of Elemental Sulphur in Building", and photographs, including photographs used in the publications. The file also includes samples of sulphur concrete bricks and printing plates.
Niveau de description archivistique:
Project
Project
Date:
1973-1975
1973-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1986.PR02
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for a courtyard at the Louis Brier Home and Hospital, located at the corner of Oak Street and West 41st Street in Vancouver, British Columbia. Oberlander worked on this project in 1986-1987. The project consisted in a courtyard garden for the elderly with a selection of edibles and flowers to create a place to sit for the residents. The project series contains sketches, design development drawings, including planters details, general landscape plans, and planting plans, some working drawings, such grading and planting plans, and reference drawings for the building from the architects Matsuzaki Wright Architects. The project is also documented through textual records, including correspondence, Oberlander's concept notes, specifications, cost estimates, plant selection documents and research material.
AP075.S1.1986.PR02
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for a courtyard at the Louis Brier Home and Hospital, located at the corner of Oak Street and West 41st Street in Vancouver, British Columbia. Oberlander worked on this project in 1986-1987. The project consisted in a courtyard garden for the elderly with a selection of edibles and flowers to create a place to sit for the residents. The project series contains sketches, design development drawings, including planters details, general landscape plans, and planting plans, some working drawings, such grading and planting plans, and reference drawings for the building from the architects Matsuzaki Wright Architects. The project is also documented through textual records, including correspondence, Oberlander's concept notes, specifications, cost estimates, plant selection documents and research material.
Personnes et institutions:
Date:
1986-1987
1986-1987
Titre:
Louis Brier Home and Hospital Courtyard, Vancouver, British Columbia (1986-1987)
Actions:
AP075.S1.1986.PR02
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for a courtyard at the Louis Brier Home and Hospital, located at the corner of Oak Street and West 41st Street in Vancouver, British Columbia. Oberlander worked on this project in 1986-1987. The project consisted in a courtyard garden for the elderly with a selection of edibles and flowers to create a place to sit for the residents. The project series contains sketches, design development drawings, including planters details, general landscape plans, and planting plans, some working drawings, such grading and planting plans, and reference drawings for the building from the architects Matsuzaki Wright Architects. The project is also documented through textual records, including correspondence, Oberlander's concept notes, specifications, cost estimates, plant selection documents and research material.
Louis Brier Home and Hospital Courtyard, Vancouver, British Columbia (1986-1987)
Actions:
AP075.S1.1986.PR02
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for a courtyard at the Louis Brier Home and Hospital, located at the corner of Oak Street and West 41st Street in Vancouver, British Columbia. Oberlander worked on this project in 1986-1987. The project consisted in a courtyard garden for the elderly with a selection of edibles and flowers to create a place to sit for the residents. The project series contains sketches, design development drawings, including planters details, general landscape plans, and planting plans, some working drawings, such grading and planting plans, and reference drawings for the building from the architects Matsuzaki Wright Architects. The project is also documented through textual records, including correspondence, Oberlander's concept notes, specifications, cost estimates, plant selection documents and research material.
Niveau de description archivistique:
Project
Project
Date:
1986-1987
1986-1987
Personnes et institutions:
