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"The architectural project" considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martínez emphasizes the distinction between an architectural project, created in the architect's mind(...)
janvier 2003, Coolege Station
The architectural project - number six : studies in architecture and culture
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"The architectural project" considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martínez emphasizes the distinction between an architectural project, created in the architect's mind and materialized as a set of drawings on paper, and the realized three-dimensional building. Corona-Martínez demonstrates how representation plays a substantial role in determining both the notion and the character of architecture, and he traces this relationship from the Renaissance into the Modern era, giving detailed considerations of Functionalism and Typology. His argument clarifies the continuity in the practice of design method through the nineteenth and twentieth centuries, a continuity that has been obscured by the emphasis on changing goals instead of design procedures.
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Through a collection of essays and case studies, ''Water Works'' shows over sixty careful responses to flooding, draught, pollution, extraction and other issues around freshwater. Divided into seven themes: Purity, Wild, Scale, Representation, Violence, Infrastructure and Commerce, ''Water Works'' allows us to learn from places and makers that build on the intricate(...)
Water works: Eco-social design
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Through a collection of essays and case studies, ''Water Works'' shows over sixty careful responses to flooding, draught, pollution, extraction and other issues around freshwater. Divided into seven themes: Purity, Wild, Scale, Representation, Violence, Infrastructure and Commerce, ''Water Works'' allows us to learn from places and makers that build on the intricate relationships between people and other life forms, materials and (infra)structures. Critically blending knowledge derived from craft, art, science and ecology, these works ask: what are sensible ways to embrace and connect with water? Through wading, floating, testing and tasting, how can we generate more desirable ecosocial relations? In facing large-scale engineering, climate change, privatization and other forms of water violence, these works are an invitation to design together with water as a site and medium for ecosocial renewal.
Architecture écologique
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Visual Explanations: Images and Quantities, Evidence and Narrative is about pictures of verbs, the representation of mechanism and motion, process and dynamics, causes and effects, explanation and narrative. Practical applications and examples include statistical graphics, charts for making important decisions in engineering and medicine, technical manuals, diagrams,(...)
janvier 1997, Cheshire, CT
Visual explanations : images and quantities, evidence and narrative
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Visual Explanations: Images and Quantities, Evidence and Narrative is about pictures of verbs, the representation of mechanism and motion, process and dynamics, causes and effects, explanation and narrative. Practical applications and examples include statistical graphics, charts for making important decisions in engineering and medicine, technical manuals, diagrams, design of computer interfaces and websites and on-line manuals, animations and scientific visualizations, techniques for talks, and design strategies for enhancing the rate of information transfer in print, presentations, and computer screens. The use of visual evidence in deciding to launch the space shuttle Challenger is discussed in careful detail. Video snapshots show redesigns of a supercomputer animation of a thunderstorm. The book is designed and printed to the highest standards, with luscious color throughout and four built-in flaps for showing motion and before/after effects.
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The codpiece was fashioned in the Middle Ages to close a revealing gap between two separate pieces of men’s tights. By the sixteenth century, it had become an upscale must-have accessory. This lighthearted, illustrated examination of its history pulls in writers from Rabelais to Shakespeare and figures from Henry VIII to Alice Cooper. Glover’s witty and entertaining prose(...)
Thrust: A spasmodic pictorial history of the codpiece in art
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The codpiece was fashioned in the Middle Ages to close a revealing gap between two separate pieces of men’s tights. By the sixteenth century, it had become an upscale must-have accessory. This lighthearted, illustrated examination of its history pulls in writers from Rabelais to Shakespeare and figures from Henry VIII to Alice Cooper. Glover’s witty and entertaining prose reveals how male vanity turned a piece of cloth into a bulging and absurd representation of masculinity itself. The codpiece, painted again and again by masters such as Titian, Holbein, Giorgione, and Bruegel, became a symbol of royalty, debauchery, virility, and religious seriousness—all in one. The first history of its kind, this book is a must-read for art historians, anthropologists, fashion aficionados, and readers looking for a good, long laugh.
Théorie de l’art
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has(...)
Théorie de l’architecture
juillet 2020
Race and modern architecture: a critical history from Enlightenment to the present
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality — from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants — 'Race and Modern Architecture' challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
Théorie de l’architecture
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Two-dimensional floor plans, elevations and cross-sections are fundamental to the construction of all buildings. Perspective drawings provide a three-dimensional expression of the architect's ideas. In order to communicate architectural concepts and realize them, drawing that present objects on a reduced scale remain indispensable- for both builders and clients- even in(...)
Architecture-drawn: from the Middle Ages to the present
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Two-dimensional floor plans, elevations and cross-sections are fundamental to the construction of all buildings. Perspective drawings provide a three-dimensional expression of the architect's ideas. In order to communicate architectural concepts and realize them, drawing that present objects on a reduced scale remain indispensable- for both builders and clients- even in an age of CAD and BIM. This richly illustrated book explores the developmental history of the architectural drawing and in the process provides a comprehensive insight into the fascinating world of this medium of representation. The images it contains are certainly not restricted to austere technical drawings. It repeatedly surprises with highly impressive examples of visual invention that display a genuine artistic quality. It is a convincing plea for ever new ways of drawing architecture and thereby imagining future worlds.
Dessin d’architecture
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Recently opened to the public for the first time, the home of the Futurist artist Giacomo Balla is depicted and inventoried in this book. The apartment in Rome in which Balla lived with his family for over 30 years was covered with lively murals, painted furniture, decorated utensils and clothes, as well as preparatory drawings, stage designs, toys and other works by the(...)
Giacomo Balla: Casa Balla. From the house to the universe and back again
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Recently opened to the public for the first time, the home of the Futurist artist Giacomo Balla is depicted and inventoried in this book. The apartment in Rome in which Balla lived with his family for over 30 years was covered with lively murals, painted furniture, decorated utensils and clothes, as well as preparatory drawings, stage designs, toys and other works by the artist, together with paintings by his two daughters Luce and Elica. The numerous paintings by Balla kept in the apartment range from his early figurative period to the Futurist aesthetics of the 1910s and ’20s and a return to representation in the latter part of his life. Together they create a kaleidoscopic example of total design, reflecting the indissoluble link between art and life that lay at the root of Futurist thinking.
Design d’intérieur
Art after liberalism
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This publication is an account of creative practice at a moment of converging social crises. It is also an inquiry into emergent ways of living, acting, and making art in the company of others. The apparent failures of liberal thinking mark its starting point. No longer can the framework of the nation-state, the figure of the enterprising individual, and the premise of(...)
Art after liberalism
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This publication is an account of creative practice at a moment of converging social crises. It is also an inquiry into emergent ways of living, acting, and making art in the company of others. The apparent failures of liberal thinking mark its starting point. No longer can the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development be counted on to produce a world worth living in. No longer can talk of inclusion, representation, or a neutral public sphere pass for something like equality. It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, conscription, colonization, moral debt, and ecological devastation. Now we must decide what comes after.
Théorie de l’art
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'Documents on Raphael' is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning. Stefano Graziani's photographs explore the works of the artist from Urbino—with particular reference to his output as an architect—their transformation over time, and his own process that translated them(...)
Stefano Graziani: Documents on Raphael
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'Documents on Raphael' is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning. Stefano Graziani's photographs explore the works of the artist from Urbino—with particular reference to his output as an architect—their transformation over time, and his own process that translated them into images. Graziani puts variation before permanence and reflects on the very concept of the restoration, the archive, conservation, display, and of course the original, that last so dear to the photographic debate, especially considering that Raphael never saw any of his works as we see them today. Graziani's images, combined with reliable evidence regarding Raphael's production, refer back to the most iconic classical genres of representation: landscape and still life.
Monographies photo
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''Infinite realism'' brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection. In this exploration,(...)
Giovanni Chiaramonte: Realismo infinito
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''Infinite realism'' brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection. In this exploration, Italy offers a privileged vantage point: its territory, which appears as a stratification of cultures and civilizations, tells the story of the whole of the West at a glance. Italy is therefore a ''contemporary space,'' as it encompasses different eras that are visible simultaneously. The Italian landscape serves as the matrix for reading and understanding the West as a whole—its culture and destiny. It is the lens through which Chiaramonte explores.
Monographies photo