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238 pages : illustrations ; 22 cm
Berkeley : University of California Press, 2000.
Engineering in the ancient world / J.G. Landels.
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238 pages : illustrations ; 22 cm
livres
Berkeley : University of California Press, 2000.
livres
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3 volumes : illustrations ; 24 cm.
Los Angeles, CA : Semiotext(e), [2011-2016], South Pasadena, CA : Semiotext(e), ©2011-2018
Spheres / Peter Sloterdijk ; translated by Wieland Hoban.
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3 volumes : illustrations ; 24 cm.
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Los Angeles, CA : Semiotext(e), [2011-2016], South Pasadena, CA : Semiotext(e), ©2011-2018
$36.00
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Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory,(...)
Afterimage of empire: photography in nineteenth-century India
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Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment. The author scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.
Théorie de la photographie
livres
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xiv, 271 pages : illustrations (some color) ; 25 cm
Chicago : University of Chicago Press, 1998.
What gardens mean / Stephanie Ross.
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xiv, 271 pages : illustrations (some color) ; 25 cm
livres
Chicago : University of Chicago Press, 1998.
Slogans and batteries
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Architects are a controversial bunch. Each new theory is heralded by a slogan that advertises its difference from what went before, piling complexity upon confusion. In this collection of very short essays - b he thinks of them as poems - Paul Shepheard investigates the flurries of meaning that the slogans invoke. He also looks at the Building Regulations and the Material(...)
Slogans and batteries
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Architects are a controversial bunch. Each new theory is heralded by a slogan that advertises its difference from what went before, piling complexity upon confusion. In this collection of very short essays - b he thinks of them as poems - Paul Shepheard investigates the flurries of meaning that the slogans invoke. He also looks at the Building Regulations and the Material World; and uncovers an inclusive theory of architecture, implied rather than explicit, residing in the fragments.
Littérature et poésie
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Caroline Constant examines diverse approaches to landscape in the work of architects practicing in Europe and the United States between 1915 and the mid-1980s. Case studies highlight landscapes in the public realm rather than the private garden, which had been a primary focus of much Western landscape theory and practice during the early decades of the century. These(...)
The modern architectural landscape
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Caroline Constant examines diverse approaches to landscape in the work of architects practicing in Europe and the United States between 1915 and the mid-1980s. Case studies highlight landscapes in the public realm rather than the private garden, which had been a primary focus of much Western landscape theory and practice during the early decades of the century. These landscapes do more than accommodate the functional needs of the evolving mass society in parks, playgrounds, and places of assembly; they give formal expression to Modern Movement social and political ideologies, engaging the symbolic potential of the modern landscape—particularly in its ability to take on new, more democratic forms of social organization. Approaching landscape as an essential component of modern architecture’s constructive endowment of material with social value, The Modern Architectural Landscape focuses on the precise material forms and ideological underpinnings of landscapes conceived by architects, revealing them as salient to the formulation of both modern architecture and the modern landscape.
Théorie du paysage
Ways of knowing cities
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Technology mediates how we know and experience cities, and the nature of this mediation has always been deeply political. Today, the production and deployment of data is at the forefront of projects to grasp and reshape urban life. ''Ways of knowing cities'' considers the role of technology in generating, materializing, and contesting urban epistemologies- tracing an arc(...)
Ways of knowing cities
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Technology mediates how we know and experience cities, and the nature of this mediation has always been deeply political. Today, the production and deployment of data is at the forefront of projects to grasp and reshape urban life. ''Ways of knowing cities'' considers the role of technology in generating, materializing, and contesting urban epistemologies- tracing an arc from ubiquitous sites of ''smart'' urbanism, to discrete struggles over infrastructural governance, to forgotten histories of segregation now naturalized in urban algorithms, to exceptional territories of border policing. Bringing together architects, urbanists, artists, and scholars of critical migration studies, media theory, geography, anthropology, and literature, the essays stage a deeply interdisciplinary conversation, interrogating the ways in which certain ways of knowing are predicated on the erasure of others. In this opening, the book engages the information systems that structure urban space and social life in it, historically and in the present moment, to imagine alternative practices and generate new critical perspectives on spatial research.
Théorie de l’urbanisme
CCRU: Writings 1997–2003
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Meshing together fiction, number theory, voodoo, philosophy, anthropology, palate tectonics, information science, semiotics, geotraumatics, occultism, and other nameless knowledges, in these pages the incomplete evidence gathered by explorers including Burroughs, Blavatsky, Lovecraft, Jung, Barker, J.G. Ballard, William Gibson, and Octavia Butler, but also the testimony(...)
CCRU: Writings 1997–2003
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Meshing together fiction, number theory, voodoo, philosophy, anthropology, palate tectonics, information science, semiotics, geotraumatics, occultism, and other nameless knowledges, in these pages the incomplete evidence gathered by explorers including Burroughs, Blavatsky, Lovecraft, Jung, Barker, J.G. Ballard, William Gibson, and Octavia Butler, but also the testimony of more obscure luminaries such as Echidna Stillwell, Oskar Sarkon, and Madame Centauri, are clarified and subjected to systematic investigation, comparison, and assessment so as to gauge the real stakes of the Time-War still raging behind the collapsing facade of reality. One of the most compelling and unnerving collective research enterprises to have surfaced in the twentieth century, the real pertinence of the CCRU's work is only now beginning to reveal itself to an unbelieving world. To plunge into the tangled mesh of these conspiracies, weird tales, numerical plagues, and suggestive coincidences is to test your sense of reality beyond the limits of reasonable tolerance-to enter the sphere of unbelief, where demonic currents prowl, where fictions make themselves real. Hyperstition.
Théorie de l’art
$63.50
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic(...)
Repair: Sustainable design futures
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic futures. Thematically expansive and richly illustrated, with over 125 visuals, this volume features an international, interdisciplinary group of contributors from across the design spectrum whose voices and artwork speak to how we might address our broken social and physical worlds. Organized around reparative thinking and practices, the book includes 30 long and short chapters, photo essays, and interviews that focus on multiple responses to fractured systems, relationships, cities, architecture, objects, and more. ''Repair'' will encourage students, academics, researchers, and practitioners in art, design and architecture practice and theory, cultural studies, environment and sustainability, to discuss, engage, and rethink the act of repair and its impact on our society and environment.
Théorie du design
$63.50
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This book brings together key works of the noted architect and architectural theorist Christopher Alexander (1936–2022), many of which have not been published before. The book contains twenty-five essays and other works, many chosen from the newly organized Christopher Alexander archive, providing a window into the ideas and thought process of one of the most innovative(...)
Théorie de l’architecture
septembre 2022
Early and unpublished writings of Christopher Alexander: Thinking, building, writing
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This book brings together key works of the noted architect and architectural theorist Christopher Alexander (1936–2022), many of which have not been published before. The book contains twenty-five essays and other works, many chosen from the newly organized Christopher Alexander archive, providing a window into the ideas and thought process of one of the most innovative architectural thinkers of the twentieth century. The items span Alexander’s fifty-year career, beginning with an early version of his PhD dissertation based on fieldwork in India, continuing to fifteen years in the development of "A Pattern Language", one of the best-selling books in the history of architecture, and proceeding to the writing of "The Nature of Order", Alexander’s four-volume masterwork, and beyond. The writings combine theory and descriptions of practice, and together support a blueprint for the development of a new, humane way of building, while also providing a window into the mind of an extraordinary thinker, teacher and professional.
Théorie de l’architecture