6061 Résultats
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific(...)
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific(...)
Titre:
The realisms of Berenice Abbott: Documentary photography and political action
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
The realisms of Berenice Abbott: Documentary photography and political action
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
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Publication:
novembre 2010
novembre 2010
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Monographies photo
Monographies photo
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$61.00
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Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of "in-between" time that fascinates Walead Beshty and supplies material for his photographs. "In-between time" applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition, plants, weeds and vegetation on(...)
$61.00
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Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of "in-between" time that fascinates Walead Beshty and supplies material for his photographs. "In-between time" applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition, plants, weeds and vegetation on(...)
Titre:
Walead Beshty: natural histories
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Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of "in-between" time that fascinates Walead Beshty and supplies material for his photographs. "In-between time" applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition, plants, weeds and vegetation on isolated highway medians, or abandoned shopping malls. More recently, Beshty's adventures in "the in-between" have become a means of production, as he makes creative use of such mundane procedures as air travel or sending a package. This monograph presents a ten-year overview of Walead Beshty's approach to photographic and sculptural representation, and contains newly commissioned essays by Suzanne Hudson and Nicolas Bourriaud, as well as a conversation between Bob Nickas and Beshty.
Walead Beshty: natural histories
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Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of "in-between" time that fascinates Walead Beshty and supplies material for his photographs. "In-between time" applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition, plants, weeds and vegetation on isolated highway medians, or abandoned shopping malls. More recently, Beshty's adventures in "the in-between" have become a means of production, as he makes creative use of such mundane procedures as air travel or sending a package. This monograph presents a ten-year overview of Walead Beshty's approach to photographic and sculptural representation, and contains newly commissioned essays by Suzanne Hudson and Nicolas Bourriaud, as well as a conversation between Bob Nickas and Beshty.
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livres
livres
Publication:
juin 2011
juin 2011
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Monographies photo
Monographies photo
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and(...)
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and(...)
Titre:
Un sedicesimo 23: borderlands
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and burns. Gianluigi Colin works with the precision of an archaeologist to highlight fragments of words, signs and figures within the fissures of our everyday existence. Gianluigi Colin was born in Pordenone in 1956. For many years he has been conducting artistic research touching upon two systems that only appear different: words and pictures. His work is an investigation of the meaning of representation, the importance of memory, and the layering of vision.
Un sedicesimo 23: borderlands
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and burns. Gianluigi Colin works with the precision of an archaeologist to highlight fragments of words, signs and figures within the fissures of our everyday existence. Gianluigi Colin was born in Pordenone in 1956. For many years he has been conducting artistic research touching upon two systems that only appear different: words and pictures. His work is an investigation of the meaning of representation, the importance of memory, and the layering of vision.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Illustration
Illustration
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the(...)
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the(...)
Titre:
Franco Fontana: life in photos
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the opportunity to create unforgettable images that are universally praised.Franco Fontana was born in Modena, in 1933, where he lives and works. His works are displayed in many private and public collections all over the world, including the MoMA, New York; Metropolitan Museum, Tokyo; Pushkin Museum of Fine Arts, Moscow; Palazzo Reale, Milan; and Maison Europeenne de la Photographie, Paris. His works have been published in more than sixty books in various editions and languages.
Franco Fontana: life in photos
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the opportunity to create unforgettable images that are universally praised.Franco Fontana was born in Modena, in 1933, where he lives and works. His works are displayed in many private and public collections all over the world, including the MoMA, New York; Metropolitan Museum, Tokyo; Pushkin Museum of Fine Arts, Moscow; Palazzo Reale, Milan; and Maison Europeenne de la Photographie, Paris. His works have been published in more than sixty books in various editions and languages.
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livres
livres
Publication:
avril 2015
avril 2015
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Monographies photo
Monographies photo
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livres
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Halka / Haiti: 18°48'05
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
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Résumé:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
Titre:
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
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livres
Publication:
juillet 2015
juillet 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$43.95
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This illustrated book examines a series of color photographs by Los Angeles- based artist James Welling, who turned to the painter Andrew Wyeth for inspiration. As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest(...)
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This illustrated book examines a series of color photographs by Los Angeles- based artist James Welling, who turned to the painter Andrew Wyeth for inspiration. As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest(...)
Titre:
Things beyond ressemblance: James Welling photographs
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This illustrated book examines a series of color photographs by Los Angeles- based artist James Welling, who turned to the painter Andrew Wyeth for inspiration. As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest watercolors in the 1960s through his recent photographs. Shot on location in Pennsylvania and Maine-in the same areas where Wyeth painted throughout his life--this major series includes photographs from 2010 through 2014. In addition to including never-before-seen works from the completed Wyeth series, the book explores the mechanisms of influence of one artist upon another- even across media--ranging from subconscious borrowings to more direct appropriations.
Things beyond ressemblance: James Welling photographs
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This illustrated book examines a series of color photographs by Los Angeles- based artist James Welling, who turned to the painter Andrew Wyeth for inspiration. As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest watercolors in the 1960s through his recent photographs. Shot on location in Pennsylvania and Maine-in the same areas where Wyeth painted throughout his life--this major series includes photographs from 2010 through 2014. In addition to including never-before-seen works from the completed Wyeth series, the book explores the mechanisms of influence of one artist upon another- even across media--ranging from subconscious borrowings to more direct appropriations.
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livres
Publication:
septembre 2015
septembre 2015
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Monographies photo
Monographies photo
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Black in place : the spatial aesthetics of race in a post-Chocolate City / Brandi Thompson Summers.
Black in place : the spatial aesthetics of race in a post-Chocolate City / Brandi Thompson Summers.
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xxi, 232 pages : illustrations, map ; 25 cm
Description:
xxi, 232 pages : illustrations, map ; 25 cm
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Chapel Hill : The University of North Carolina Press, [2019]
Chapel Hill : The University of North Carolina Press, [2019]
Titre:
Black in place : the spatial aesthetics of race in a post-Chocolate City / Brandi Thompson Summers.
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xxi, 232 pages : illustrations, map ; 25 cm
Black in place : the spatial aesthetics of race in a post-Chocolate City / Brandi Thompson Summers.
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xxi, 232 pages : illustrations, map ; 25 cm
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livres
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Chapel Hill : The University of North Carolina Press, [2019]
Chapel Hill : The University of North Carolina Press, [2019]
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Description:
301 pages : illustrations (some color), plans ; 28 cm
Description:
301 pages : illustrations (some color), plans ; 28 cm
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Berlin : Hatje Cantz Verlag GmbH, [2019]
Berlin : Hatje Cantz Verlag GmbH, [2019]
Titre:
Richard Neutra : the story of the Berlin houses 1920-1924 / editor, Harriet Roth ; translations, Paul Bewicke.
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301 pages : illustrations (some color), plans ; 28 cm
Richard Neutra : the story of the Berlin houses 1920-1924 / editor, Harriet Roth ; translations, Paul Bewicke.
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301 pages : illustrations (some color), plans ; 28 cm
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Berlin : Hatje Cantz Verlag GmbH, [2019]
Berlin : Hatje Cantz Verlag GmbH, [2019]
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Description:
viii, 246 pages : illustrations ; 24 cm
Description:
viii, 246 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press, ©2001.
Cambridge, Mass. : MIT Press, ©2001.
Titre:
Architecture in the age of printing : orality, writing, typography, and printed images in the history of architectural theory / Mario Carpo ; translated by Sarah Benson.
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viii, 246 pages : illustrations ; 24 cm
Architecture in the age of printing : orality, writing, typography, and printed images in the history of architectural theory / Mario Carpo ; translated by Sarah Benson.
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viii, 246 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press, ©2001.
Cambridge, Mass. : MIT Press, ©2001.
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Description:
118 pages : color illustrations, plans ; 33 cm
Description:
118 pages : color illustrations, plans ; 33 cm
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Cologne : W. König ; New York, NY : Distributed outside Europe though DAP/Distributed Art Publishers, ©2002.
Cologne : W. König ; New York, NY : Distributed outside Europe though DAP/Distributed Art Publishers, ©2002.
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Hiroshi Sugimoto : architecture of time / [edited by Eckhard Schneider].
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118 pages : color illustrations, plans ; 33 cm
Hiroshi Sugimoto : architecture of time / [edited by Eckhard Schneider].
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118 pages : color illustrations, plans ; 33 cm
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livres
livres
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Cologne : W. König ; New York, NY : Distributed outside Europe though DAP/Distributed Art Publishers, ©2002.
Cologne : W. König ; New York, NY : Distributed outside Europe though DAP/Distributed Art Publishers, ©2002.
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