13682 Résultats
Classification:
livres
livres
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$118.00
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Résumé:
The first issue of the legendary architecture journal "Pencil Points" appeared in 1920 as "a journal for the drafting room." Born out of "The Architectural Review", and merged with "Progressive Architecture" in 1943, "Pencil Points" became the leading voice in architectural and graphic design when modernism flourished, introducing key players from America and Europe. It(...)
$118.00
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Résumé:
The first issue of the legendary architecture journal "Pencil Points" appeared in 1920 as "a journal for the drafting room." Born out of "The Architectural Review", and merged with "Progressive Architecture" in 1943, "Pencil Points" became the leading voice in architectural and graphic design when modernism flourished, introducing key players from America and Europe. It(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 1900, New York
janvier 1900, New York
Titre:
Pencil points reader : a journal for the drafting room, 1920-1943
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$118.00
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The first issue of the legendary architecture journal "Pencil Points" appeared in 1920 as "a journal for the drafting room." Born out of "The Architectural Review", and merged with "Progressive Architecture" in 1943, "Pencil Points" became the leading voice in architectural and graphic design when modernism flourished, introducing key players from America and Europe. It also established the agenda in architectural theory: multivolume pieces by John Harbeson, Talbot Hamlin, Hugh Ferris, and others dealt with major issues that are still relevant today - architectural education and practice, small-house design and portable housing, city planning, and the influence (or not) of modernism. Items like George Nelson's series of reports from Europe in the early 1930's, H. Van Buren Magonigle's diatribes against modernism, and a glossary of École des Beaux-Arts terms sit side-by-side with the best architectural drawings and photographs of the 20th century. "Pencil Points Reader" re-publishes the most important essays from the journal's 23 years, arranged chronologically, and offers an insider's introduction by John Morris Dixon, the former executive editor of "Progressive Architecture".
Pencil points reader : a journal for the drafting room, 1920-1943
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$118.00
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Résumé:
The first issue of the legendary architecture journal "Pencil Points" appeared in 1920 as "a journal for the drafting room." Born out of "The Architectural Review", and merged with "Progressive Architecture" in 1943, "Pencil Points" became the leading voice in architectural and graphic design when modernism flourished, introducing key players from America and Europe. It also established the agenda in architectural theory: multivolume pieces by John Harbeson, Talbot Hamlin, Hugh Ferris, and others dealt with major issues that are still relevant today - architectural education and practice, small-house design and portable housing, city planning, and the influence (or not) of modernism. Items like George Nelson's series of reports from Europe in the early 1930's, H. Van Buren Magonigle's diatribes against modernism, and a glossary of École des Beaux-Arts terms sit side-by-side with the best architectural drawings and photographs of the 20th century. "Pencil Points Reader" re-publishes the most important essays from the journal's 23 years, arranged chronologically, and offers an insider's introduction by John Morris Dixon, the former executive editor of "Progressive Architecture".
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$32.95
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Résumé:
Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of(...)
$32.95
(disponible sur commande)
Résumé:
Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
avril 2001, Cambridge, Mass.
avril 2001, Cambridge, Mass.
Titre:
The historiography of modern architecture
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$32.95
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Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of buildings to books - has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.
The historiography of modern architecture
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$32.95
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Résumé:
Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of buildings to books - has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.
Classification:
livres
livres
Publication:
avril 2001, Cambridge, Mass.
avril 2001, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Andy Warhol: blow job
Andy Warhol: blow job
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In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of(...)
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In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of(...)
Titre:
Andy Warhol: blow job
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In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques—the use of the close-up, the general use of camera movement, and the complete theatrical mise en scène—(especially when compared to the Godardian cinéma vérité of the time) make the materiality of the film process, its making and viewing, ineluctably present. An important experimental filmmaker, Gidal has had retrospectives at the London Film-Maker's Co-op; the Centre Pompidou, Paris; the National Film Theatre, London, as well as in Japan and San Francisco. He taught advanced film theory at the Royal College of Art, London, from 1971-1983.
Andy Warhol: blow job
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In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques—the use of the close-up, the general use of camera movement, and the complete theatrical mise en scène—(especially when compared to the Godardian cinéma vérité of the time) make the materiality of the film process, its making and viewing, ineluctably present. An important experimental filmmaker, Gidal has had retrospectives at the London Film-Maker's Co-op; the Centre Pompidou, Paris; the National Film Theatre, London, as well as in Japan and San Francisco. He taught advanced film theory at the Royal College of Art, London, from 1971-1983.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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In 1975 Bas Jan Ader disappeared at sea while trying to sail from the East Coast of the United States to Europe as part of a project titled In Search of the Miraculous. The circumstances of his disappearance have led many interpreters to identify Ader (as a person) with the role of the tragic romantic hero. The cult status of the artist as a hero whose work is(...)
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In 1975 Bas Jan Ader disappeared at sea while trying to sail from the East Coast of the United States to Europe as part of a project titled In Search of the Miraculous. The circumstances of his disappearance have led many interpreters to identify Ader (as a person) with the role of the tragic romantic hero. The cult status of the artist as a hero whose work is(...)
Titre:
Bas Jan Ader: in the search of the miraculous
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In 1975 Bas Jan Ader disappeared at sea while trying to sail from the East Coast of the United States to Europe as part of a project titled In Search of the Miraculous. The circumstances of his disappearance have led many interpreters to identify Ader (as a person) with the role of the tragic romantic hero. The cult status of the artist as a hero whose work is authenticated through his death, however, has obscured the fact that Ader's art was a critical investigation of precisely those romantic motives his persona has now come to be identified with. This book unpicks these ties in Ader's work in order to highlight the specific and unique way in which Ader explores the existential and emotional with an artistic approach that is as conceptual and analytic as it is poetic and personal. Jan Verwoert lives in Hamburg and works as a freelance writer. He is a member of the advisory board of the Kunstverein Munich and Guest Professor of Contemporary Art and Theory at the Academy of Umeå.
Bas Jan Ader: in the search of the miraculous
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In 1975 Bas Jan Ader disappeared at sea while trying to sail from the East Coast of the United States to Europe as part of a project titled In Search of the Miraculous. The circumstances of his disappearance have led many interpreters to identify Ader (as a person) with the role of the tragic romantic hero. The cult status of the artist as a hero whose work is authenticated through his death, however, has obscured the fact that Ader's art was a critical investigation of precisely those romantic motives his persona has now come to be identified with. This book unpicks these ties in Ader's work in order to highlight the specific and unique way in which Ader explores the existential and emotional with an artistic approach that is as conceptual and analytic as it is poetic and personal. Jan Verwoert lives in Hamburg and works as a freelance writer. He is a member of the advisory board of the Kunstverein Munich and Guest Professor of Contemporary Art and Theory at the Academy of Umeå.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Rewriting Alberti
Rewriting Alberti
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Much has been written about Renaissance architect Leon Battista Alberti’s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has often been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In ''Rewriting Alberti'', architect Peter Eisenman suggests, however, that(...)
$45.95
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Much has been written about Renaissance architect Leon Battista Alberti’s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has often been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In ''Rewriting Alberti'', architect Peter Eisenman suggests, however, that(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2025
octobre 2025
Titre:
Rewriting Alberti
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$45.95
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Résumé:
Much has been written about Renaissance architect Leon Battista Alberti’s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has often been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In ''Rewriting Alberti'', architect Peter Eisenman suggests, however, that Alberti provoked a radical discourse beyond the part-to-whole dialogue featured in his Ten Books of Architecture. Eisenman’s in-depth analysis of Alberti’s five built works reveals a disjunction between the architect’s buildings and theoretical writings, suggesting a new relationship of form to meaning based on the fragmentation of homogeneous space. ''Rewriting Alberti'' includes contributions by Pier Vittorio Aureli, Mario Carpo, and Daniel Sherer. Carpo, an architectural historian and critic, theorizes that Alberti’s work initiated an idea of the discipline as a notational system akin to contemporary computational logics. By way of comparison, Sherer, an architectural historian, reconsiders critic Manfredo Tafuri’s readings of Alberti, and architect and theorist Aureli draws on Alberti to propose another idea of the architectural “project.”
Rewriting Alberti
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Much has been written about Renaissance architect Leon Battista Alberti’s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has often been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In ''Rewriting Alberti'', architect Peter Eisenman suggests, however, that Alberti provoked a radical discourse beyond the part-to-whole dialogue featured in his Ten Books of Architecture. Eisenman’s in-depth analysis of Alberti’s five built works reveals a disjunction between the architect’s buildings and theoretical writings, suggesting a new relationship of form to meaning based on the fragmentation of homogeneous space. ''Rewriting Alberti'' includes contributions by Pier Vittorio Aureli, Mario Carpo, and Daniel Sherer. Carpo, an architectural historian and critic, theorizes that Alberti’s work initiated an idea of the discipline as a notational system akin to contemporary computational logics. By way of comparison, Sherer, an architectural historian, reconsiders critic Manfredo Tafuri’s readings of Alberti, and architect and theorist Aureli draws on Alberti to propose another idea of the architectural “project.”
Classification:
livres
livres
Publication:
octobre 2025
octobre 2025
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly(...)
$30.00
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Résumé:
Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly(...)
Titre:
The Aesthetics of equity: notes on race, space, architecture, and music
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Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today. Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture. Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
The Aesthetics of equity: notes on race, space, architecture, and music
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Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today. Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture. Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
Classification:
livres
livres
Publication:
octobre 2007
octobre 2007
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$42.95
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract(...)
$42.95
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 1977, New Haven / London
septembre 1977, New Haven / London
Titre:
Body, memory, and architecture
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$42.95
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract two-dimensional drawings, they often find themselves in conflict with a general and undebated assumption that architecture is a highly specialized system with a set of prescribed technical goals, rather than a sensual social art historically derived from experiences and memories of the human body. "Body, memory, and architecture" traces the significance of the body from its place as the divine organizing principle in the earliest built forms to its near elimination from architectural thought in this century. The authors draw on contemporary models of spatial perception as well as on body-image theory in arguing for a return of the body to its proper place in the architectural equation. With a contribution by Robert J. Yudell.
Body, memory, and architecture
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$42.95
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Résumé:
As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract two-dimensional drawings, they often find themselves in conflict with a general and undebated assumption that architecture is a highly specialized system with a set of prescribed technical goals, rather than a sensual social art historically derived from experiences and memories of the human body. "Body, memory, and architecture" traces the significance of the body from its place as the divine organizing principle in the earliest built forms to its near elimination from architectural thought in this century. The authors draw on contemporary models of spatial perception as well as on body-image theory in arguing for a return of the body to its proper place in the architectural equation. With a contribution by Robert J. Yudell.
Classification:
livres
livres
Publication:
septembre 1977, New Haven / London
septembre 1977, New Haven / London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$105.00
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he(...)
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he(...)
Titre:
The psychologizing of modernity
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$105.00
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principal focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and post-war America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and, most recently, to theory. Included are discussions of writers such as Heinrich Wölfflin, Ludwig Volkmann, John Dewey, Vincent Scully and Richard Arnheim, among others. The Psychologizing of Modernity is a broad and erudite study of the evolution of modern aesthetic thinking in the fields of art and architectural history. Chapter Contents Introduction; 1. The Art of Psychologizing; 2. The Theater of Self and the Crisis of Historiography; 3. The Body Ethos; 4. The visualist ethos; 5. The social ethos; 6. The literary ethos; 7. Shadows and mirrors; Conclusion.
The psychologizing of modernity
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$105.00
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principal focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and post-war America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and, most recently, to theory. Included are discussions of writers such as Heinrich Wölfflin, Ludwig Volkmann, John Dewey, Vincent Scully and Richard Arnheim, among others. The Psychologizing of Modernity is a broad and erudite study of the evolution of modern aesthetic thinking in the fields of art and architectural history. Chapter Contents Introduction; 1. The Art of Psychologizing; 2. The Theater of Self and the Crisis of Historiography; 3. The Body Ethos; 4. The visualist ethos; 5. The social ethos; 6. The literary ethos; 7. Shadows and mirrors; Conclusion.
Classification:
livres
livres
Publication:
novembre 1998, Cambridge
novembre 1998, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$67.50
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Résumé:
Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of(...)
$67.50
(disponible sur commande)
Résumé:
Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 1999, Cambridge, Mass.
juillet 1999, Cambridge, Mass.
Titre:
The historiography of modern architecture
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Prix:
$67.50
(disponible sur commande)
Résumé:
Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of buildings to books - has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.
The historiography of modern architecture
Actions:
Prix:
$67.50
(disponible sur commande)
Résumé:
Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of buildings to books - has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.
Classification:
livres
livres
Publication:
juillet 1999, Cambridge, Mass.
juillet 1999, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$25.00
(disponible en magasin)
Résumé:
What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst(...)
$25.00
(disponible en magasin)
Résumé:
What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst(...)
Titre:
Uneasy listening: notes on hearing and being heard
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Prix:
$25.00
(disponible en magasin)
Résumé:
What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst and a violin maker, Uneasy Listening is a dialogue between two very different kinds of professional listener: the former working with speech, the latter with musical instruments. Beginning as total strangers, Anouchka Grose and Robert Brewer Young embark on an engaging, entertaining, and winding meditation on communication that weaves together wide-ranging references from across psychoanalytic theory, philosophy, contemporary politics and culture. As they discuss the differences, similarities, and resonances between their practices, they run up against some of the illuminating difficulties of dialogue itself. The result is a kind of awkward duet in which two thinkers and practitioners accommodate, interrupt, and perplex each other in an attempt to say something about what listening means.
Uneasy listening: notes on hearing and being heard
Actions:
Prix:
$25.00
(disponible en magasin)
Résumé:
What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst and a violin maker, Uneasy Listening is a dialogue between two very different kinds of professional listener: the former working with speech, the latter with musical instruments. Beginning as total strangers, Anouchka Grose and Robert Brewer Young embark on an engaging, entertaining, and winding meditation on communication that weaves together wide-ranging references from across psychoanalytic theory, philosophy, contemporary politics and culture. As they discuss the differences, similarities, and resonances between their practices, they run up against some of the illuminating difficulties of dialogue itself. The result is a kind of awkward duet in which two thinkers and practitioners accommodate, interrupt, and perplex each other in an attempt to say something about what listening means.
Classification:
livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Théorie/ philosophie
Théorie/ philosophie
