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xv, 468 pages : illustrations, maps ; 25 cm
Bristol, UK ; Chicago, IL : Policy Press, 2015., ©2015
Global gentrifications : uneven development and displacement / edited by Loretta Lees, Hyun Bang Shin and Ernesto Lôpez-Morales.
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xv, 468 pages : illustrations, maps ; 25 cm
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Bristol, UK ; Chicago, IL : Policy Press, 2015., ©2015
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xiii, 389 pages ; 24 cm
New York : Columbia University Press, [2015]
Ecological economics for the anthropocene : an emerging paradigm / edited by Peter G. Brown and Peter Timmerman.
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xiii, 389 pages ; 24 cm
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New York : Columbia University Press, [2015]
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xi, 228 pages : illustrations (some color), maps (some color) ; 28 cm
Washington, D.C. : Dumbarton Oaks, Trustees for Harvard University, [2024], ©2024
Land back : relational landscapes of Indigenous resistance across the Americas / Heather Dorries and Michelle Daigle, editors.
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xi, 228 pages : illustrations (some color), maps (some color) ; 28 cm
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Washington, D.C. : Dumbarton Oaks, Trustees for Harvard University, [2024], ©2024
livres
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136 pages : illustrations, maps, portraits ; 19 x 25 cm
Chichester : Wiley-Academy, 2001.
Beyond the plan : the transformation of personal space in housing / Stephen Willats.
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136 pages : illustrations, maps, portraits ; 19 x 25 cm
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Chichester : Wiley-Academy, 2001.
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xv, 267 pages : illustrations (some color), maps ; 29 cm
Cambridge, U.K. ; New York : Cambridge University Press, 2002.
The monumental tombs of ancient Alexandria : the theater of the dead / Marjorie Susan Venit.
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xv, 267 pages : illustrations (some color), maps ; 29 cm
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Cambridge, U.K. ; New York : Cambridge University Press, 2002.
$39.99
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Résumé:
At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and(...)
Dreaming in books: the making of the bibliographic imagination in the romantic age
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
Théorie de l’architecture
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2018.
June 21, 2018 : Listening for Southwest Key in San Diego.
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2018.
$48.95
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Les villes confrontées à l'immigration ont-elles un autre avenir possible que celui, sans issue, d'une ségrégation spatiale chaque jour plus sévère? N'y a-t-il pas d'autre voie pour les métropoles européennes que la dérive vers le modèle américain des « gated communities » et des ghettos ethniques, véritable bombe sociale à retardement? Militant en faveur d'une urbanité(...)
Théorie de l’urbanisme
novembre 2022
Immigration et ségrégation spatiale : L'exemple de Marseille
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Les villes confrontées à l'immigration ont-elles un autre avenir possible que celui, sans issue, d'une ségrégation spatiale chaque jour plus sévère? N'y a-t-il pas d'autre voie pour les métropoles européennes que la dérive vers le modèle américain des « gated communities » et des ghettos ethniques, véritable bombe sociale à retardement? Militant en faveur d'une urbanité plus inclusive et pacifiée, un collectif d'urbanistes et d'architectes engagés livre ici le fruit de ses réflexions et expérimentations menées à Marseille, au cœur de certains des quartiers parmi les plus pauvres et délabrés d'Europe.Sous leur regard dépassionné et vierge de toute stigmatisation, les redoutés « Quartiers Nord?» de la cité phocéenne apparaissent pour ce qu'ils sont : le résultat d'une succession d'erreurs architecturales, urbanistiques et politiques. Et en conséquence, affirment les auteurs, si des solutions existent à la mise à l'écart des migrants et des plus démunis de la ville centre et de ses activités, c'est dans l'intervention architecturale et la révision des règlements urbains qu'il faut les chercher. Inventives, audacieuses, attaquant de front les aménageurs d'une urbanité capitaliste et exclusive, leurs propositions sont d'autant plus stimulantes qu'elles sont simples, efficaces et durables. Et si certaines sont ouvertement utopiques, elles ne le seront jamais plus que celles des architectes modernistes qui, dans les années soixante, ont conçu ces tours et ces barres dans l'idée d'exalter le bien-être de leurs habitants.
Théorie de l’urbanisme
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How do you experience a public space? Do you feel safe? Seen? Represented? The response to these questions may differ based on factors including your race, age, ethnicity, or gender identity. In the architecture and design professions, decisions about the articulation of public spaces and who may be honored in them have often been made by white men. How do designers(...)
Empathic design: perspectives on creating inclusive spaces
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How do you experience a public space? Do you feel safe? Seen? Represented? The response to these questions may differ based on factors including your race, age, ethnicity, or gender identity. In the architecture and design professions, decisions about the articulation of public spaces and who may be honored in them have often been made by white men. How do designers rethink design processes to produce works that hold space for the diversity of people using them? In "Empathic design," designer and architecture professor Elgin Cleckley brings together leaders and visionary practitioners in architecture, urban design, planning, and design activism to help explore these questions. Cleckley explains that empathic designers need to approach design as iterative, changing, and shifting to say, "we see you", "we hear you". Part of an emerging design framework, empathic designers work with and in the communities affected. They acknowledge the full history of a place and approach the lived experience and memories of those in the community with respect. Early chapters explore broader conceptual approaches, proposing definitions of empathy in the context of design, disrupting colonial narratives, and making space for grief. Other chapters highlight specific design projects, including the Harriet Tubman Memorial in Newark, The Camp Barker Memorial in Washington, D.C., the Freedom Center in Oklahoma City, and the Charlottesville Memorial for Peace and Justice.
Théorie du design
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" Unboxed : engagements in social space " is a collection of critical essays about and by artists who work across the borders of art, architecture and performance. This collection is loosely based upon the lecture series that Gallery 101 and the Carleton University School of Architecture co-hosted throughout the fall and winter of 2002-2003. The goal of that series(...)
Unboxed : engagements in social space
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" Unboxed : engagements in social space " is a collection of critical essays about and by artists who work across the borders of art, architecture and performance. This collection is loosely based upon the lecture series that Gallery 101 and the Carleton University School of Architecture co-hosted throughout the fall and winter of 2002-2003. The goal of that series (entitled "unboxed : dialogues on art & architecture") was, in part, to engage both architecture students and practicing visual artists with this vital yet under-explored arena of interstitial practices. The anthology, which is an attempt to further broaden the audience for this work and thereby increase the number of potential participants, includes transcriptions of lectures by international artists : Vito Acconci, Lucy Orta, Jan-Erik Andersson and Marko Peljhan, as well as commissioned essays by Canadian artists: Ana Rewakowicz, Eduardo Aquino, Marie-Paule Macdonald, Jean-François Prost, Luc Lévesque, Steve Topping, and Adrian Blackwell. Each text adds a mode of thinking about notions of space; directing us to consider the local and social connections between individuals and environments and, in their variety, they mirror the various ways we move in and around communities, rural and urban. Together, forming a challenging, engaging and accessible anthology that enlightens our way of seeing and our sense of being. It provides rare and exceptional information on interdisciplinary practices for students in art and architecture departments everywhere.
Théorie de l’urbanisme