13682 Résultats
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livres
livres
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Publication:
Institute of Network Cultures 2014
Institute of Network Cultures 2014
Classification:
livres
livres
Publication:
Institute of Network Cultures 2014
Institute of Network Cultures 2014
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livres
livres
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Description:
viii, 122 pages : illustrations (some color) ; 25 cm
Description:
viii, 122 pages : illustrations (some color) ; 25 cm
Auteur:
Sujet:
- Architectural photography.,
- Photographie d'architecture.,
- Photography Special subjects Architecture
Publication:
Oxford ; Boston : Focal Press, 1995.
Oxford ; Boston : Focal Press, 1995.
Titre:
Architectural photography / Michael G. Harris.
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Description:
viii, 122 pages : illustrations (some color) ; 25 cm
Architectural photography / Michael G. Harris.
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Description:
viii, 122 pages : illustrations (some color) ; 25 cm
Classification:
livres
livres
Publication:
Oxford ; Boston : Focal Press, 1995.
Oxford ; Boston : Focal Press, 1995.
Auteur:
Sujet:
- Architectural photography.,
- Photographie d'architecture.,
- Photography Special subjects Architecture
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livres
livres
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Description:
xxxvii, 388 pages : illustrations ; 24 cm
Description:
xxxvii, 388 pages : illustrations ; 24 cm
Auteur:
- Beecher, Catharine Esther, 1800-1878,,
- Stowe, Harriet Beecher, 1811-1896,,
- Tonkovich, Nicole.
Sujet:
- Home economics.,
- Health.,
- Économie domestique.,
- Santé.,
- home economics.,
- health.,
- Huishoudkunde.,
- Vrouwen.
Publication:
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Titre:
The American woman's home / Catherine E. Beecher and Harriet Beecher Stowe ; edited and with an introduction by Nicole Tonkovich.
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Description:
xxxvii, 388 pages : illustrations ; 24 cm
The American woman's home / Catherine E. Beecher and Harriet Beecher Stowe ; edited and with an introduction by Nicole Tonkovich.
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Description:
xxxvii, 388 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Auteur:
- Beecher, Catharine Esther, 1800-1878,,
- Stowe, Harriet Beecher, 1811-1896,,
- Tonkovich, Nicole.
Sujet:
- Home economics.,
- Health.,
- Économie domestique.,
- Santé.,
- home economics.,
- health.,
- Huishoudkunde.,
- Vrouwen.
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livres
livres
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Description:
20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
Description:
20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
Auteur:
- Lomazzo, Giovanni Paolo, 1538-1600,,
- Trattato dell'arte de la pittura,
- Ponte, Paolo Gottardo da, active 1568-1600,,
- Tini, Pietro, -approximately 1588,,
- Charles Emmanuel I, Duke of Savoy, 1562-1630,
Sujet:
- Art Early works to 1800.,
- Art Ouvrages avant 1800.,
- Art,
- Early works,
- Woodcuts Italy Milan 1581-1590.,
- Decorations Italy Milan 1581-1590.,
- Vellum bindings (Binding),
- Labels (Binding),
- Marbled papers (Binding),
- Stained edges (Binding),
- Quarto format (Printing) Italy 16th century.,
- Colophons (Printing) Italy 16th century.,
- Printers' devices (Printing) Italy 16th century.,
- Signatures (Printing) Italy 16th century.,
- Signature registers (Printing) Italy 16th century.,
- Integral errata lists (Printing) Italy 16th century.,
- Signing irregularities (Printing) Italy 16th century.,
- Catchwords (Printing) Italy 16th century.,
- Pagination errors (Printing) Italy 16th century.,
- Inscriptions (Provenance) 17th century.,
- Ink stamps (Provenance)
Publication:
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
Titre:
Trattato dell'arte della pittura, scoltura, et architettura / di Gio. Paolo Lomazzo milanese pittore, diuiso in sette libri. Ne' quali si discorre de la proportione, de' moti, de' colori, de' lumi, de la prospettiua, de la prattica de la pittura, et finalmente de le istorie d'essa pittura. Con vna tauola de' nomi de tutti li pitttori [sic], scoltori, architetti, & matematici antichi, & moderni.
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Description:
20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
Trattato dell'arte della pittura, scoltura, et architettura / di Gio. Paolo Lomazzo milanese pittore, diuiso in sette libri. Ne' quali si discorre de la proportione, de' moti, de' colori, de' lumi, de la prospettiua, de la prattica de la pittura, et finalmente de le istorie d'essa pittura. Con vna tauola de' nomi de tutti li pitttori [sic], scoltori, architetti, & matematici antichi, & moderni.
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Description:
20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
Classification:
livres
livres
Publication:
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
Auteur:
- Lomazzo, Giovanni Paolo, 1538-1600,,
- Trattato dell'arte de la pittura,
- Ponte, Paolo Gottardo da, active 1568-1600,,
- Tini, Pietro, -approximately 1588,,
- Charles Emmanuel I, Duke of Savoy, 1562-1630,
Sujet:
- Art Early works to 1800.,
- Art Ouvrages avant 1800.,
- Art,
- Early works,
- Woodcuts Italy Milan 1581-1590.,
- Decorations Italy Milan 1581-1590.,
- Vellum bindings (Binding),
- Labels (Binding),
- Marbled papers (Binding),
- Stained edges (Binding),
- Quarto format (Printing) Italy 16th century.,
- Colophons (Printing) Italy 16th century.,
- Printers' devices (Printing) Italy 16th century.,
- Signatures (Printing) Italy 16th century.,
- Signature registers (Printing) Italy 16th century.,
- Integral errata lists (Printing) Italy 16th century.,
- Signing irregularities (Printing) Italy 16th century.,
- Catchwords (Printing) Italy 16th century.,
- Pagination errors (Printing) Italy 16th century.,
- Inscriptions (Provenance) 17th century.,
- Ink stamps (Provenance)
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livres
livres
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Description:
xix, 416 pages ; 24 cm
Description:
xix, 416 pages ; 24 cm
Auteur:
Sujet:
- Deutsch,
- Imagination Musikgruppe : London,
- BMBF-Statusseminar,
- Imagination History.,
- Enlightenment.,
- Romanticism Great Britain.,
- Romanticism Germany.,
- Empiricism History.,
- Creation (Literary, artistic, etc.),
- Enlightenment History.,
- Empiricism history,
- Imagination history,
- Creativity history,
- Imagination Histoire.,
- Siècle des Lumières Histoire.,
- Romantisme Grande-Bretagne.,
- Romantisme Allemagne.,
- Empirisme Histoire.,
- Création littéraire.,
- Siècle des Lumières.,
- Enlightenment (18th-century western movement),
- Empiricism,
- Imagination,
- Romanticism,
- Englisch,
- Literatur,
- Romantik,
- Theorie,
- Creativiteit.,
- Verbeelding.,
- Verbeeldingskracht.,
- Verlichting (cultuurgeschiedenis),
- Romantiek.,
- Germany,
- Great Britain,
- Großbritannien,
- Imagination Theories of Western European writers 1700-1850.,
- History
Publication:
Cambridge, Massachusetts : Harvard University Press, 1981.
Cambridge, Massachusetts : Harvard University Press, 1981.
Titre:
The creative imagination : Enlightenment to Romanticism / James Engell.
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Description:
xix, 416 pages ; 24 cm
The creative imagination : Enlightenment to Romanticism / James Engell.
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Description:
xix, 416 pages ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Massachusetts : Harvard University Press, 1981.
Cambridge, Massachusetts : Harvard University Press, 1981.
Auteur:
Sujet:
- Deutsch,
- Imagination Musikgruppe : London,
- BMBF-Statusseminar,
- Imagination History.,
- Enlightenment.,
- Romanticism Great Britain.,
- Romanticism Germany.,
- Empiricism History.,
- Creation (Literary, artistic, etc.),
- Enlightenment History.,
- Empiricism history,
- Imagination history,
- Creativity history,
- Imagination Histoire.,
- Siècle des Lumières Histoire.,
- Romantisme Grande-Bretagne.,
- Romantisme Allemagne.,
- Empirisme Histoire.,
- Création littéraire.,
- Siècle des Lumières.,
- Enlightenment (18th-century western movement),
- Empiricism,
- Imagination,
- Romanticism,
- Englisch,
- Literatur,
- Romantik,
- Theorie,
- Creativiteit.,
- Verbeelding.,
- Verbeeldingskracht.,
- Verlichting (cultuurgeschiedenis),
- Romantiek.,
- Germany,
- Great Britain,
- Großbritannien,
- Imagination Theories of Western European writers 1700-1850.,
- History
Classification:
livres
livres
Prix:
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
Titre:
The last picture show : artists using photography 1960 - 1982
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Prix:
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
The last picture show : artists using photography 1960 - 1982
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$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
Classification:
livres
livres
Publication:
novembre 2003, Minneapolis
novembre 2003, Minneapolis
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Thinking photography
Thinking photography
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$38.95
(disponible sur commande)
Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
$38.95
(disponible sur commande)
Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
Titre:
Thinking photography
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Prix:
$38.95
(disponible sur commande)
Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Thinking photography
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Prix:
$38.95
(disponible sur commande)
Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Classification:
livres
livres
Publication:
avril 2003, New York
avril 2003, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$41.00
(disponible sur commande)
Résumé:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
$41.00
(disponible sur commande)
Résumé:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
Titre:
Luigi Ghirri: the complete essays, 1973-1991
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$41.00
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Résumé:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Luigi Ghirri: the complete essays, 1973-1991
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Prix:
$41.00
(disponible sur commande)
Résumé:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Classification:
livres
livres
Publication:
juillet 2016
juillet 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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Prix:
$39.95
(disponible sur commande)
Résumé:
"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of(...)
$39.95
(disponible sur commande)
Résumé:
"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of(...)
Publication:
août 2018
août 2018
Titre:
Our voices: indigeneity and architecture
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Prix:
$39.95
(disponible sur commande)
Résumé:
"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.
Our voices: indigeneity and architecture
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Prix:
$39.95
(disponible sur commande)
Résumé:
"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.
Classification:
livres
livres
Publication:
août 2018
août 2018
Classification:
livres
livres
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Description:
118 pages : illustrations, photographs, folded maps ; 19 cm
Description:
118 pages : illustrations, photographs, folded maps ; 19 cm
Auteur:
Sujet:
- Angkor Cambodia.,
- Angkor (Extinct city),
- Angkor (Ville ancienne),
- Cambodia Angkor (Extinct city),
- Angkor.
Publication:
Hong Kong ; London ; New York : Oxford University Press, 1963.
Hong Kong ; London ; New York : Oxford University Press, 1963.
Titre:
Angkor : an introduction / translated and edited by Emily Floyd Gardiner. Photographys by George Bliss.
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Description:
118 pages : illustrations, photographs, folded maps ; 19 cm
Angkor : an introduction / translated and edited by Emily Floyd Gardiner. Photographys by George Bliss.
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Description:
118 pages : illustrations, photographs, folded maps ; 19 cm
Classification:
livres
livres
Publication:
Hong Kong ; London ; New York : Oxford University Press, 1963.
Hong Kong ; London ; New York : Oxford University Press, 1963.
Auteur:
Sujet:
- Angkor Cambodia.,
- Angkor (Extinct city),
- Angkor (Ville ancienne),
- Cambodia Angkor (Extinct city),
- Angkor.
