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$112.50
(disponible sur commande)
Résumé:
From the end of the fifteenth century to the closing years of the seventeenth, England underwent radical social change. English architecture changed radically as well, and the homes of the gentry were transformed as members of this class grew in numbers, wealth, and importance. This abundantly illustrated book provides for the first time a full account of the houses(...)
Houses of the Gentry 1480-1680
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$112.50
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From the end of the fifteenth century to the closing years of the seventeenth, England underwent radical social change. English architecture changed radically as well, and the homes of the gentry were transformed as members of this class grew in numbers, wealth, and importance. This abundantly illustrated book provides for the first time a full account of the houses that were built and inhabited by the upper classes during this rich and fascinating period. Architectural historian Nicholas Cooper explores hundreds of gentry houses, some well known and others far less familiar, and considers their evolution in the light of economic, political, and social changes of the age. The book begins with a discussion of the members of the gentry class, their increasing influence, notions of gentility, and evolving attitudes toward the art of architecture and the craft of building. Cooper then traces changes in the architecture and layout of many specific upper class houses and shows how broader social trends and needs were reflected in such developments as the reception of classicism and the evolution of the new types of plans. This book is a treasury of information about English upper-class houses of 1480 to 1680, and about the attitudes and motives of those who built, owned, and lived in them.
livres
décembre 1999, New Haven
Histoire jusqu’à 1900
livres
$67.50
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This engaging and well illustrated book takes us back to the domestic world of the landed gentry in seventeenth-century England. Relating countless stories and case histories drawn from a wide range of primary sources, the book describes the physical environment, staffing, and functioning of gentry households, the inhabitants and their activities, and the role of(...)
The World of the Country House in Seventeenth-Century England
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This engaging and well illustrated book takes us back to the domestic world of the landed gentry in seventeenth-century England. Relating countless stories and case histories drawn from a wide range of primary sources, the book describes the physical environment, staffing, and functioning of gentry households, the inhabitants and their activities, and the role of these houses in the social and economic life of their localities. J. T. Cliffe begins by exploring the exterior and inter-ior of houses and the outbuildings, parks, and gardens that surrounded them. He then investigates the people who lived in the country houses and the relationships between them. He provides colorful details about the responsibilities of the squire and his wife; the duties, remuneration, food, clothing, accommodation, and treatment of servants; and the special duties of estate stewards, coachmen, chaplains, and tutors. Cliffe explains various aspects of housekeeping, such as the tradition of hospitality and the factors militating against it. He also discusses other kinds of activity: religious practices; outdoor sports and indoor pastimes, including music and billiards; and such intellectual pursuits as antiquarian research, poetry, and scientific experiments. He concludes with a fascinating survey of scandal in the world of the gentry, telling of domestic strife, financial disaster, lunacy, and other disasters that marred this idyllic existence.
livres
août 1999, New Haven
Histoire jusqu’à 1900
périodiques
$32.00
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Perspecta 31 examines the relationship between architectural design and structural engineering through the processes and products of both disciplines. The contributing architects, engineers, and historians explore how structures reflect both the professions and(...)
Perspecta 31 : reading structures
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Perspecta 31 examines the relationship between architectural design and structural engineering through the processes and products of both disciplines. The contributing architects, engineers, and historians explore how structures reflect both the professions and the cultures that produce them. The authors' common approach to structure, which carefully considers context, reveals the politics, economic influences, design ideas, and chance circumstances that influence its configuration. The resulting series of articles and case studies shows how one can understand structures that are embedded in architecture. The journal looks specifically at issues of collaboration between architects and engineers. It also addresses the relationship of structural form to materials, the transition from conceptual to actual structures, and the cultural history of architectural and industrial structures. Reflecting the theme of structure as process, the journal documents an ongoing conversation between the editors, contributors, and others. The twelve articles are followed by short responses, and major themes emerging from the articles are identified and explored by the editors. The journal concludes with the results of an informal survey of architects on the role of structure in the design process. Contributors include Thomas H. Beeby, Eric DeLony, Gregory K. Dreicer, Hugh Dutton, Lucie Fontein, Antonio Juarez, Guy Nordenson, Alan Organschi, Tom F. Peters, Herman D. J. Spiegel, Carles Vallhonrat, Peter D. Waldman.
périodiques
mai 2000, Cambridge
Revues
livres
$36.95
(disponible en magasin)
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This book, conceived as a project at the Architectural Association in London, leads a narrative through a series of architectural drawings, texts and images. At its core lies an urban proposal for the transformation of one of London's biggest and most congested traffic intersections,(...)
Yellow rhythms : a roundabout for London
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This book, conceived as a project at the Architectural Association in London, leads a narrative through a series of architectural drawings, texts and images. At its core lies an urban proposal for the transformation of one of London's biggest and most congested traffic intersections, Vauxhall Cross, into a giant cross-Thames roundabout. In this book episodes of urban life, political measures and financial strategies contrast with the architectural and urban proposals that are weaved into its form. An allegorical reading of the rhythm of the junction's traffic control system structures the book: green, yellow and red episodes alternate with one another in a repetitive succession and use Levebre's analytical system of 'Rhythmanalysis' to interpret contemporary London as a force-field of rhythms with different scales and durations. Those rhythms, by which the social, political and economic powers manifest themselves, are shown to act upon the site and the individuals within it. If the rhythm of the traffic lights stands for a system of successive incidents, the transformation of the site into a roundabout suggests continuous flow capable of liberating and utilizing these urban forces. The book ends therefore by suggesting a strategic proposal in which the inner area of the roundabout becomes a laboratory, a speculative arena for the testing of alternative urban futures.
livres
octobre 1999, Rotterdam
Théorie de l’urbanisme
$62.00
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"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet(...)
Mute icons: pressing dichotomy in contemporary architecture
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"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet engaging architectural images. No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object and building, absolute and unstable, anticipated and strange, manifest and withdrawn, such is the dichotomy of mute icons. Dwelling in the paradox between silence and sign and aiming to debunk a false dichotomy between critical discourse, a pursue of formal novelty and the attainment of social ethics, "Mute icons" reaffirms the cultural need and socio-political relevance of the architectural image, suggesting a much-needed resolution to the present but incorrect antagonism between formal innovation, social responsibility and economic austerity. Intersecting relevant historical antecedents and polemic theoretical speculations with original design concepts and provocative representations of P-A-T-T-E-R-N-S recent work, the book aspires to stimulate authentic speculations on the real.
Théorie de l’architecture
$22.00
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How does the world form itself? How does it create itself as a world? And how do we understand the role of the visual in this regard? Most responses to these questions within cultural theory and visual culture refer to the rise of globalization, thus highlighting the acceleration of exchanges, the proliferation of information and communication devices, and the(...)
Visual cultures as world forming
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How does the world form itself? How does it create itself as a world? And how do we understand the role of the visual in this regard? Most responses to these questions within cultural theory and visual culture refer to the rise of globalization, thus highlighting the acceleration of exchanges, the proliferation of information and communication devices, and the multiplication of globally circulated goods and images that characterize the world we live in. "Visual cultures as world forming" takes a different approach by focusing on the taking place of the world, a creative act that knows no economic return. This taking place does not lead to more proliferation of goods, additional financial exchanges, further communications, or an increase in the distribution of visual material, but leads to the continued "worlding" of the world. This approach is predominantly, but not exclusively, inspired by the work of Jean-Luc Nancy. Through a reading of his work and of some of his contemporaries both inside and outside of the Western canon, Madani and Martinon attempt to expose how the world—and the world of visual culture in particular—creates itself and the ways in which each one of us is embodying this creation without economy.
Théorie/ philosophie
$44.00
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Cities are becoming increasingly fragmented materially, socially, and spatially. From broken toilets and everyday things, to art and forms of writing, fragments are signatures of urban worlds and provocations for change. In "Fragments of the city," Colin McFarlane examines such fragments, what they are and how they come to matter in the experience, politics, and(...)
Fragments of the city: making and remaking urban worlds
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Cities are becoming increasingly fragmented materially, socially, and spatially. From broken toilets and everyday things, to art and forms of writing, fragments are signatures of urban worlds and provocations for change. In "Fragments of the city," Colin McFarlane examines such fragments, what they are and how they come to matter in the experience, politics, and expression of cities. How does the city appear when we look at it through its fragments? For those living on the economic margins, the city is often experienced as a set of fragments. Much of what low-income residents deal with on a daily basis is fragments of stuff, made and remade with and through urban density, social infrastructure, and political practice. In this book, McFarlane explores infrastructure in Mumbai, Kampala, and Cape Town; artistic montages in Los Angeles and Dakar; refugee struggles in Berlin; and the repurposing of fragments in Hong Kong and New York. Fragments surface as material things, as forms of knowledge, as writing strategies. They are used in efforts to politicize the city and in urban writing to capture life and change in the world's major cities. "Fragments of the city" surveys the role of fragments in how urban worlds are understood, revealed, written, and changed.
Théorie de l’urbanisme
$67.95
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In the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread(...)
Dividing Paris: Urban renewal and social inequality 1852-1870
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In the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread destruction in the historic center, displacing thousands of poor residents and polarizing the urban fabric. Drawing on newspapers, memoirs, and other archival materials, da Costa Meyer explores how people from different social strata?both women and men?experienced the urban reforms implemented by the Second Empire. As hundreds of tenements were destroyed to make way for upscale apartment buildings, thousands of impoverished residents were forced to the periphery, which lacked the services enjoyed by wealthier parts of the city. Challenging the idea of Paris as the capital of modernity, da Costa Meyer shows how the city was the hub of a sprawling colonial empire extending from the Caribbean to Asia, and exposes the underlying violence that enriched it at the expense of overseas territories. This book brings to light the contributions of those who actually built and maintained the impressive infrastructure of Paris, and reveals the consequences of colonial practices for the city's cultural, economic, and political life.
Théorie de l’urbanisme
livres
Description:
307 pages : illustrations (chiefly color), maps (chiefly color) ; 24 cm
Rotterdam : 010 Publishers, 2009.
The urban connection : an actor-relational approach to urban planning / Luuk Boelens.
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307 pages : illustrations (chiefly color), maps (chiefly color) ; 24 cm
livres
Rotterdam : 010 Publishers, 2009.
livres
Description:
xvi, 300 pages, 8 unnumbered pages of plates : illustrations (some color), maps (some color), charts ; 26 cm
Washington, DC : Island Press, [2015]
The end of automobile dependence : how cities are moving beyond car-based planning / Peter Newman and Jeffrey Kenworthy.
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xvi, 300 pages, 8 unnumbered pages of plates : illustrations (some color), maps (some color), charts ; 26 cm
livres
Washington, DC : Island Press, [2015]