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xi, 203 pages : illustrations ; 22 cm.
Cambridge, UK ; Malden, MA : Polity, 2013.
The city / Deborah Stevenson.
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xi, 203 pages : illustrations ; 22 cm.
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Cambridge, UK ; Malden, MA : Polity, 2013.
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viii, 312 pages : illustrations ; 25 cm
Cambridge, Mass. : Harvard University Press, 1994.
The cultures of collecting / edited by John Elsner and Roger Cardinal.
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viii, 312 pages : illustrations ; 25 cm
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Cambridge, Mass. : Harvard University Press, 1994.
livres
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171 pages illustrations, plans 26 cm
New York, A.S. Barnes [1965]
Romanticism and American architecture.
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171 pages illustrations, plans 26 cm
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New York, A.S. Barnes [1965]
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xiv, 475 pages : illustrations, maps ; 28 cm
Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2019.
The art of classic planning : building beautiful and enduring communities / Nir Haim Buras.
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xiv, 475 pages : illustrations, maps ; 28 cm
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Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2019.
Grafts: writings on plants
$32.50
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Résumé:
Taking as his starting point the simple vegetal conception of grafting, Michael Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended(...)
Grafts: writings on plants
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$32.50
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Résumé:
Taking as his starting point the simple vegetal conception of grafting, Michael Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended to preserve, improve, and modify both the grafted materials and the body that receives them. To graft is to create unlikely encounters, hybrid mixes, and novel surfaces. Moving across disciplinary lines, "Grafts" combines the lessons of plant science with the history of philosophy, semiotics, literary compositions, and political theory. Co-authoring some of the texts with other philosophers, plant scientists and artists, Marder allows their insights to be grafted onto his own, and vice versa.
$44.95
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Résumé:
EOOS takes forty kitchen utensils and uses them to reconfigure the entire world of the kitchen. Away from the well-trodden path of design theory and design history - with all its stylistic histories and theories borrowed from sociology and ethnography - EOOS deploys Poetical Analysis to describe the creative process of design and usage of objects. This design philosophy(...)
juillet 2008, New York
EOOS The Cooked Kitchen a poetical analysis
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$44.95
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Résumé:
EOOS takes forty kitchen utensils and uses them to reconfigure the entire world of the kitchen. Away from the well-trodden path of design theory and design history - with all its stylistic histories and theories borrowed from sociology and ethnography - EOOS deploys Poetical Analysis to describe the creative process of design and usage of objects. This design philosophy seeks out intuitive images, rituals and myths serving as a point of departure for the creative process. Ancient myths meet with today's high tech. EOOS is able to do justice to the complex background of theory and practice.
$54.00
(disponible en magasin)
Résumé:
The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture(...)
Style and solitude: The history of an architectural problem
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$54.00
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The term 'style' has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is 'no longer alone'—in architecture actually work? How was it used and what did it mean? In ''Style and solitude,'' Mari Hvattum seeks to understand the apparent death of style, returning to its birthplace in the late eighteenth century, and charting how it grew to influence modern architectural discourse and practice. As Hvattum explains, German thinkers of the eighteenth and nineteenth century offered competing ideas of what style was and how it should be applied in architecture. From Karl Friedrich Schinkel’s thoughtful eclecticism to King Maximilian II’s attempt to capture the zeitgeist in an architectural competition, style was at the center of fascinating experiments and furious disputes. Starting with Johann Joachim Winckelmann’s invention of the period style and ending a century later with Gottfried Semper’s generative theory of style, Hvattum explores critical debates that are still ongoing today.
Théorie de l’architecture
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''Feminist designer'' brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design(...)
Feminist designer: On the personal and the political in design
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''Feminist designer'' brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design is not just about who does design—it is about how we do design and why. Feminist frameworks for design activism are now more relevant than ever, as they emphasize collaborative processes that aim to disrupt and dismantle power hierarchies while centering feminist ways of knowing and doing. ''Feminist designer'' contains essays, case studies, and dialogues by 43 contributors from 16 different countries. It engages a wide variety of design disciplines, from graphic design to disability design to algorithmic design, and explores key feminist themes, such as power, knowledge, care, plurality, liberation, and community. Through diverse, sometimes conflicting, intersectional perspectives, this book contributes new design methods informed by a multiplicity of feminisms that confront design’s patriarchal origins while ushering in new pathways for making critical and meaningful change.
Théorie du design
livres
Cartographic cinema
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
Cartographic cinema
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$31.50
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
livres
décembre 2006, Minneapolis, London
Théorie de l’architecture
New York global: Critical writings and proposals 1970-2020. Housing, infrastructure, pedagogy
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Framed by the period of the Great Acceleration, these writings and projects represent a critical commentary on the state of architecture and urbanism and their causal role in global metamorphosis. On the eve of Plunz’s status as Emeritus at Columbia University, "New York global" bridges five decades of his pedagogical commitment to question the cannons of the design(...)
New York global: Critical writings and proposals 1970-2020. Housing, infrastructure, pedagogy
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$64.00
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Framed by the period of the Great Acceleration, these writings and projects represent a critical commentary on the state of architecture and urbanism and their causal role in global metamorphosis. On the eve of Plunz’s status as Emeritus at Columbia University, "New York global" bridges five decades of his pedagogical commitment to question the cannons of the design and urbanism fields and their relationship to the contemporary built environment. Global urbanization serves as a backdrop for a heightened consideration of the intermingling of housing, infrastructure, and pedagogy, as he negotiates the evolution of mainstream theory and praxis in architecture and planning. Through interviews, syllabi excerpts, essays, discussions, and projects, New York City is projected as a lens for understanding the potential for metropolises everywhere to serve as firewalls against dystopic social inequities and ecological adversity. In questioning the discourse surrounding urban research and action, Plunz engages with the primordial question of "urban" itself. This book is not a cautionary tale, but rather an assemblage of timestamped evidence toward understanding our current condition. Closely studying the very tools that have fostered today’s environmental and societal consequences, each segment contributes to understanding engagement with a post-accelerated future.
Théorie de l’architecture