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This book starts with basic information on color practices and fundamentals, and then delves more deeply into theory and application on a project-by-project basis. Illustrated with real-world projects and case studies.
Color works: best practices for graphic designers
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This book starts with basic information on color practices and fundamentals, and then delves more deeply into theory and application on a project-by-project basis. Illustrated with real-world projects and case studies.
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OASE 88 examines the role of the architecture exhibition as a site of production. Bridging theory and practice, and relating historical examples to contemporary concerns, it considers the exhibition as a medium for experimentation.
Oase 88 : exhibitions showing and producing architecture
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OASE 88 examines the role of the architecture exhibition as a site of production. Bridging theory and practice, and relating historical examples to contemporary concerns, it considers the exhibition as a medium for experimentation.
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The building
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For nearly fifty years “the building” has primarily been viewed as a means rather than an end within architectural history and theory. This volume presents an alternative to that trend by reconceiving it as a central discursive category in its own right. Contributors—including architects and academics from world-renowned institutions—offer insightful discussions of key(...)
octobre 2016
The building
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For nearly fifty years “the building” has primarily been viewed as a means rather than an end within architectural history and theory. This volume presents an alternative to that trend by reconceiving it as a central discursive category in its own right. Contributors—including architects and academics from world-renowned institutions—offer insightful discussions of key architectural structures conceived in Europe, Asia, and the U.S.A. over the last three decades. In doing so they propel architectural thinking’s importance as a domain of knowledge. Further, in exploring those structures through a number of questions both intra- and meta-disciplinary, this book suggests ways in which buildings can trigger conceptual frameworks whose influence extends well beyond architecture. A balanced text-to-image ratio caters to readers in both practice and academia.
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This compilation of texts written since 1986 reveals a parallel activity to Alejandro Zaera-Polo's professional life. The book is like a sniper's log, a register of events for the purpose of accumulating experience for future missions, be it academic or professional, trying to identify tendencies and to assess performances, rather than to establish truth. Written for(...)
juillet 2012
The sniper's log : architectural chronicles of Generation X
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This compilation of texts written since 1986 reveals a parallel activity to Alejandro Zaera-Polo's professional life. The book is like a sniper's log, a register of events for the purpose of accumulating experience for future missions, be it academic or professional, trying to identify tendencies and to assess performances, rather than to establish truth. Written for different media and formats (professional magazines, speaking engagements, and academic presentations), the texts are thread together as part of a biographical experience that reveals that theory is here primarily instrumental and seeks efficiency rather than truth. We do not theorise because we want to understand the deep truths of the world, but because we need to organise the realm where we operate, understand how reality works and find an effective way to perform within it.
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In ''Designs for the Pluriverse'' Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues(...)
Designs for the pluriverse: Radical interdependence, autonomy, and the making of world
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In ''Designs for the Pluriverse'' Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues for the development of an 'autonomous design' that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design’s principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.
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Confounded by global warming and in search of an affirmative politics that links ecology with social change, Matt Hern and Am Johal set off on a series of road trips to the tar sands of northern Alberta—perhaps the world's largest industrial site, dedicated to the dirty work of extracting oil from Alberta's vast reserves. Seamlessly combining travelogue, sophisticated(...)
mars 2018
Global warming and the sweetness of life: a Tar Sands tale
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Confounded by global warming and in search of an affirmative politics that links ecology with social change, Matt Hern and Am Johal set off on a series of road trips to the tar sands of northern Alberta—perhaps the world's largest industrial site, dedicated to the dirty work of extracting oil from Alberta's vast reserves. Seamlessly combining travelogue, sophisticated political analysis, and ecological theory, speaking both to local residents and to leading scholars, the authors propose a new understanding of ecology that links the domination of the other-than-human world to the domination of humans by humans. They argue that any definition of ecology has to start with decolonization and that confronting global warming requires a politics that speaks to a different way of being in the world—a reconstituted understanding of the sweetness of life.
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viii, 208 pages ; 23 cm
London ; New York : Routledge, 1990.
The romance of culture in an urban civilization : Robert E. Park on race and ethnic relations in cities / Barbara Ballis Lal.
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viii, 208 pages ; 23 cm
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London ; New York : Routledge, 1990.
October 159
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Latest issue in store! At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation.
October 159
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Latest issue in store! At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation.
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In this essay, professor Peter G. Rowe gives an overall description of how new technologies transformed the field of architectural design, addressing issues such as the precision and incompleteness of information, schema theory and heuristics.
Design thinking in the digital age
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In this essay, professor Peter G. Rowe gives an overall description of how new technologies transformed the field of architectural design, addressing issues such as the precision and incompleteness of information, schema theory and heuristics.
Architecture numérique
October 138 : digital art
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Issue 138 : Digital art
October 138 : digital art
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Issue 138 : Digital art
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