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Titre:
Architectural acoustics
Architectural acoustics
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$40.50
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Architectural Acoustics provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
$40.50
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Architectural Acoustics provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
Titre:
Architectural acoustics
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$40.50
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Architectural Acoustics provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
Architectural acoustics
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$40.50
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Architectural Acoustics provides the fundamental theory and understanding of acoustics and applications of effective detailing for specific building types and conditions in an accessible and clear technical guide.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Acoustique
Acoustique
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livres
livres
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$25.95
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Résumé:
The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and(...)
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Résumé:
The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and(...)
Publication:
mars 2020
mars 2020
Titre:
Spacing philosophy: Lyotard and the idea of the exhibition
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The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatériaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades.
Spacing philosophy: Lyotard and the idea of the exhibition
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$25.95
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Résumé:
The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatériaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades.
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livres
livres
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mars 2020
mars 2020
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xxxvii, 388 pages : illustrations ; 24 cm
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xxxvii, 388 pages : illustrations ; 24 cm
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Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
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The American woman's home / Catherine E. Beecher and Harriet Beecher Stowe ; edited and with an introduction by Nicole Tonkovich.
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Description:
xxxvii, 388 pages : illustrations ; 24 cm
The American woman's home / Catherine E. Beecher and Harriet Beecher Stowe ; edited and with an introduction by Nicole Tonkovich.
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xxxvii, 388 pages : illustrations ; 24 cm
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Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
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viii, 122 pages : illustrations (some color) ; 25 cm
Description:
viii, 122 pages : illustrations (some color) ; 25 cm
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Oxford ; Boston : Focal Press, 1995.
Oxford ; Boston : Focal Press, 1995.
Titre:
Architectural photography / Michael G. Harris.
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viii, 122 pages : illustrations (some color) ; 25 cm
Architectural photography / Michael G. Harris.
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viii, 122 pages : illustrations (some color) ; 25 cm
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livres
livres
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Oxford ; Boston : Focal Press, 1995.
Oxford ; Boston : Focal Press, 1995.
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Open Humanities Press 2022
Open Humanities Press 2022
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livres
livres
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Open Humanities Press 2022
Open Humanities Press 2022
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livres
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Institute of Network Cultures 2014
Institute of Network Cultures 2014
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livres
livres
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Institute of Network Cultures 2014
Institute of Network Cultures 2014
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livres
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Titre:
Un-Learning Ecologies: Workbook Art Education in the Ecological Crisis [electronic resource].
Un-Learning Ecologies: Workbook Art Education in the Ecological Crisis [electronic resource].
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Migros Museum für Gegenwartskunst ZHdK 2021
Migros Museum für Gegenwartskunst ZHdK 2021
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livres
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Migros Museum für Gegenwartskunst ZHdK 2021
Migros Museum für Gegenwartskunst ZHdK 2021
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
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In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
Titre:
Trattato dell'arte della pittura, scoltura, et architettura / di Gio. Paolo Lomazzo milanese pittore, diuiso in sette libri. Ne' quali si discorre de la proportione, de' moti, de' colori, de' lumi, de la prospettiua, de la prattica de la pittura, et finalmente de le istorie d'essa pittura. Con vna tauola de' nomi de tutti li pitttori [sic], scoltori, architetti, & matematici antichi, & moderni.
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
Trattato dell'arte della pittura, scoltura, et architettura / di Gio. Paolo Lomazzo milanese pittore, diuiso in sette libri. Ne' quali si discorre de la proportione, de' moti, de' colori, de' lumi, de la prospettiua, de la prattica de la pittura, et finalmente de le istorie d'essa pittura. Con vna tauola de' nomi de tutti li pitttori [sic], scoltori, architetti, & matematici antichi, & moderni.
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
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In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
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Thinking photography
Thinking photography
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$38.95
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Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
$38.95
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Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
Titre:
Thinking photography
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$38.95
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"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Thinking photography
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$38.95
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Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Classification:
livres
livres
Publication:
avril 2003, New York
avril 2003, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Prix:
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
Titre:
The last picture show : artists using photography 1960 - 1982
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$63.00
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In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
The last picture show : artists using photography 1960 - 1982
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$63.00
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Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
Classification:
livres
livres
Publication:
novembre 2003, Minneapolis
novembre 2003, Minneapolis
Sujet:
Théorie de la photographie
Théorie de la photographie
