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This book is a cutting edge study exploring the field of the conception and the tectonic making of place as it impinges in, and thus changes, the site in which it is set. It examines the attitudes to both nature and the built environment of the designer, the client and the society in which an intervention (be it architecture, landscape design or a piece of art) is made.(...)
Constructing place : mind and matter
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This book is a cutting edge study exploring the field of the conception and the tectonic making of place as it impinges in, and thus changes, the site in which it is set. It examines the attitudes to both nature and the built environment of the designer, the client and the society in which an intervention (be it architecture, landscape design or a piece of art) is made. The legacy of the Modernist view of nature and the environment is also addressed, and the degree to which such ideas continue to impinge on contemporary interventions is assessed. These topics are addressed through the methodologies of history, theory, philosophy and psychology. The book forges new collaborative ideas in an interdisciplinary way, including essays on architecture, planning, landscape and philosophy (particularly applied aesthetics).
Théorie de l’architecture
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To celebrate the centenary of the first garden city at Letchworth, the Town and Country Planning Association has iniciated the republication in facsimile form of the very scarce original first edition of To-Morrow. It is accompanied by a running scholarly commentary on the text, and by a newly-written editorial introduction and postscript, jointly written by three(...)
Théorie de l’urbanisme
septembre 2003, London, New York
To-morrow : a peaceful path to real reform
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To celebrate the centenary of the first garden city at Letchworth, the Town and Country Planning Association has iniciated the republication in facsimile form of the very scarce original first edition of To-Morrow. It is accompanied by a running scholarly commentary on the text, and by a newly-written editorial introduction and postscript, jointly written by three commentators on Howard's life and work.
Théorie de l’urbanisme
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James and Nancy Duncan look at how the aesthetics of physical landscapes are fully enmeshed in producing the American class system. Focusing on an archetypal upper class American suburb--Bedford in Westchester County, NY--they show how the physical presentation of a place carries with it a range of markers of inclusion and exclusion.
Théorie de l’urbanisme
décembre 2003, London
Landscapes of privilege : the politics of the aesthetic in an American suburb
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James and Nancy Duncan look at how the aesthetics of physical landscapes are fully enmeshed in producing the American class system. Focusing on an archetypal upper class American suburb--Bedford in Westchester County, NY--they show how the physical presentation of a place carries with it a range of markers of inclusion and exclusion.
Théorie de l’urbanisme
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This extensively revised and updated Second Edition features 50 writings (of which 41 are new) organized into 10 sections that explore themes such as symbolic economies and new urban spaces; the culture industry; culture and technologies; everyday lives; contesting identity; boundaries and transgressions; utopias and dystopias; and possible urban futures.
Théorie de l’urbanisme
décembre 2003, London
The city cultures reader, second edition
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This extensively revised and updated Second Edition features 50 writings (of which 41 are new) organized into 10 sections that explore themes such as symbolic economies and new urban spaces; the culture industry; culture and technologies; everyday lives; contesting identity; boundaries and transgressions; utopias and dystopias; and possible urban futures.
Théorie de l’urbanisme
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The highway has become the buyway. Along the millions of miles the public travels, advertisers spend billions on images of cola, cars, vodka, fast food, and swimming pools that blur past us, catching our fleeting attention and turning the landscape into a corridor of commerce. A smart, succinct, and visually compelling history of the billboard in America, Buyways traces(...)
Buyways : billboards, automobiles and the american landscape
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The highway has become the buyway. Along the millions of miles the public travels, advertisers spend billions on images of cola, cars, vodka, fast food, and swimming pools that blur past us, catching our fleeting attention and turning the landscape into a corridor of commerce. A smart, succinct, and visually compelling history of the billboard in America, Buyways traces how the outdoor advertising industry changed the face of American commercialism. Taking us from itinerant bill-stickers of circus posters in the 19th century to the blinking, beeping, 3-D eyesores of today, Gudis argues that roadside advertising has turned the landscape itself into a commodity to be bought and sold as advertising space.
Théorie du paysage
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L’ouvrage aborde toutes les notions de l’urbanisme et se veut : Exhaustif : l’ouvrage s’est délibérément affranchi d’une conception restrictive de l’urbanisme, pour intégrer des notions désormais aussi fondamentales que l’aménagement du territoire et la protection de l’environnement, tout en abordant les nombreux mécanismes administratifs nés de l’enchevêtrement des(...)
Dictionnaire de l'urbanisme : 800 mots, actes et procédures
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L’ouvrage aborde toutes les notions de l’urbanisme et se veut : Exhaustif : l’ouvrage s’est délibérément affranchi d’une conception restrictive de l’urbanisme, pour intégrer des notions désormais aussi fondamentales que l’aménagement du territoire et la protection de l’environnement, tout en abordant les nombreux mécanismes administratifs nés de l’enchevêtrement des législations. Le dictionnaire propose ainsi plus de 800 entrées thématiques. Pratique : une rubrique « doctrine » renvoie aux travaux faisant autorité dans le domaine de la notion développée. En outre, de nombreux renvois invitent, à la fin de chaque article, à se renseigner sur les thèmes connexes adéquats appropriés. Rationnel : chaque terme est restitué dans son contexte historique, économique, fiscal et politique. Le régime juridique attaché à chaque notion est clairement expliqué, avec la référence précise aux textes en vigueur et à la jurisprudence la plus récente.
Théorie de l’urbanisme
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Gilles Clément, le plus célèbre paysagiste français, inventeur du jardin en mouvement, grand voyageur et écrivain, a choisi de nous raconter l'histoire de quelques-unes de ces plantes exotiques que nous retrouvons aujourd'hui dans nos jardins
Éloge des vagabondes : herbes, arbres et fleurs à la conquête du monde
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Gilles Clément, le plus célèbre paysagiste français, inventeur du jardin en mouvement, grand voyageur et écrivain, a choisi de nous raconter l'histoire de quelques-unes de ces plantes exotiques que nous retrouvons aujourd'hui dans nos jardins
Théorie du paysage
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the(...)
Artificial love : a story of machines and architecture
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the world around him. Artificial Love weaves together three stories about architecture into one. The first, about machines as architecture, leads to speculations about technology and the human condition and to the assertion that machines are the sculptures of today. The second story is about the ways that architecture reflects the tribal and personal desires of those who make it. In the West, ideas of community, multiculturalism, and globalization compete furiously, leaving architecture to exist as it always has, as the past in the present. The third story features individual people experiencing their lives in the context of architecture. Here, Shepheard borrows the rhetorical device of Shakespeare's seven ages of man to propose that each person's life imitates the accumulating history of the human species. Shepheard's version of the history of humans is a technological one, in which machines become sculpture and sculpture becomes architecture. For Shepheard, our machines do not separate us from nature. Rather, our technology is our nature, and we cannot but be in harmony with nature. The change that we have wrought in the world, he says, is a wonderful and powerful thing.
Théorie de l’architecture
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"Megaprojects and Risk" provides the first detailed examination of the phenomenon of megaprojects. It is a fascinating account of how the promoters of multi-billion dollar megaprojects systematically and self-servingly misinform parliaments, the public and the media in order to get projects approved and built. It shows, in unusual depth, how the formula for approval is an(...)
Théorie de l’architecture
janvier 2003, Cambridge
Megaprojects and risk: an anatomy of ambition
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"Megaprojects and Risk" provides the first detailed examination of the phenomenon of megaprojects. It is a fascinating account of how the promoters of multi-billion dollar megaprojects systematically and self-servingly misinform parliaments, the public and the media in order to get projects approved and built. It shows, in unusual depth, how the formula for approval is an unhealthy cocktail of underestimated costs, overestimated revenues, undervalued environmental impacts and overvalued economic development effects. This results in projects that are extremely risky, but where the risk is concealed from MPs, taxpayers and investors. The authors not only explore the problems but also suggest practical solutions drawing on theory, experience and hard, scientific evidence from the several hundred projects in twenty nations and five continents that illustrate the book. Accessibly written, it will be the standard reference for students, scholars, planners, economists, auditors, politicians and interested citizens for many years to come.
Théorie de l’architecture
livres
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"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to(...)
Suspensions of perception: attention, spectacle, and modern culture
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"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
livres
août 2001, Cambridge
Théorie de l’architecture