5778 Résultats
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livres
livres
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Description:
4 volumes : illustrations, plans ; 22 cm
- Bibliothèque main 40457 | 6510; ID:89-B1028 | v. 1 | Disponible
- Bibliothèque main 40456 | 6510; ID:89-B1028 | v. 2 | Disponible
- Bibliothèque main 40455 | 6510; ID:89-B1028 | v. 3 | Disponible
- Bibliothèque main 40454 | 6510; ID:89-B1028 | v. 4 | Disponible
Description:
4 volumes : illustrations, plans ; 22 cm
Auteur:
- Storer, James, 1771-1853.,
- Brewer, J. N. (James Norris),
- Storer, H. S. (Henry Sargant), 1795-1837.
Sujet:
- Cathedrals Great Britain History.,
- Bishops Great Britain.,
- Cathédrales Grande-Bretagne Histoire.,
- Évêques Grande-Bretagne.,
- Bishops.,
- Cathedrals.,
- Great Britain Church history.,
- Grande-Bretagne Histoire religieuse.,
- Great Britain.,
- Church history.,
- History.
Publication:
London : Published by Rivingtons, Murray, Hatchard, Clarke, Taylor, and Sherwood, Neely, and Jones, 1814-1819.
London : Published by Rivingtons, Murray, Hatchard, Clarke, Taylor, and Sherwood, Neely, and Jones, 1814-1819.
Titre:
History and antiquities of the cathedral churches of Great Britain : Illustrated with a series of highly-finished engravings, exhibiting general and particular views, ground plans, and all the architectural features and ornaments in the various styles of building used in our ecclesiastical edifices / by James Storer.
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Description:
4 volumes : illustrations, plans ; 22 cm
History and antiquities of the cathedral churches of Great Britain : Illustrated with a series of highly-finished engravings, exhibiting general and particular views, ground plans, and all the architectural features and ornaments in the various styles of building used in our ecclesiastical edifices / by James Storer.
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Exemplaires:
- Bibliothèque main 40457 | 6510; ID:89-B1028 | v. 1 | Disponible
- Bibliothèque main 40456 | 6510; ID:89-B1028 | v. 2 | Disponible
- Bibliothèque main 40455 | 6510; ID:89-B1028 | v. 3 | Disponible
- Bibliothèque main 40454 | 6510; ID:89-B1028 | v. 4 | Disponible
Description:
4 volumes : illustrations, plans ; 22 cm
Classification:
livres
livres
Publication:
London : Published by Rivingtons, Murray, Hatchard, Clarke, Taylor, and Sherwood, Neely, and Jones, 1814-1819.
London : Published by Rivingtons, Murray, Hatchard, Clarke, Taylor, and Sherwood, Neely, and Jones, 1814-1819.
Auteur:
- Storer, James, 1771-1853.,
- Brewer, J. N. (James Norris),
- Storer, H. S. (Henry Sargant), 1795-1837.
Sujet:
- Cathedrals Great Britain History.,
- Bishops Great Britain.,
- Cathédrales Grande-Bretagne Histoire.,
- Évêques Grande-Bretagne.,
- Bishops.,
- Cathedrals.,
- Great Britain Church history.,
- Grande-Bretagne Histoire religieuse.,
- Great Britain.,
- Church history.,
- History.
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livres
livres
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Description:
142 pages : chiefly illustrations (some color), maps ; 29 cm
Description:
142 pages : chiefly illustrations (some color), maps ; 29 cm
Auteur:
Sujet:
- Malaspina, Alessandro, 1754-1809 Travel Pictorial works.,
- Malaspina, Alessandro, 1754-1809.,
- Expedición Malaspina (1789-1794),
- Expedición Malaspina,
- Voyages around the world Pictorial works.,
- Scientific expeditions Pictorial works.,
- Art.,
- Medicine History 18th century.,
- Photography.,
- Expeditions,
- Expeditions history,
- History, 18th Century,
- History, 20th Century,
- Science history,
- Voyages autour du monde Ouvrages illustrés.,
- Expéditions scientifiques Ouvrages illustrés.,
- Médecine Histoire 18e siècle.,
- Médecine Histoire 20e siècle.,
- Photographie.,
- Medicine,
- Scientific expeditions,
- Travel,
- Voyages around the world,
- Spain,
- Photograph,
- Pictorial Work,
- photographs.,
- illustrated books.,
- Photographs,
- Illustrated works,
- History,
- Pictorial works,
- Photographies.,
- Ouvrages illustrés.
Publication:
[Barcelona] : Turner ; New York : Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers, ©2010.
[Barcelona] : Turner ; New York : Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers, ©2010.
Titre:
The Malaspina Expedition : a scientific and political voyage around the world, 1789-1794 / Javier Reverte [and others] ; [English translation, Mike Escárzaga].
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Description:
142 pages : chiefly illustrations (some color), maps ; 29 cm
The Malaspina Expedition : a scientific and political voyage around the world, 1789-1794 / Javier Reverte [and others] ; [English translation, Mike Escárzaga].
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Description:
142 pages : chiefly illustrations (some color), maps ; 29 cm
Classification:
livres
livres
Publication:
[Barcelona] : Turner ; New York : Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers, ©2010.
[Barcelona] : Turner ; New York : Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers, ©2010.
Auteur:
Sujet:
- Malaspina, Alessandro, 1754-1809 Travel Pictorial works.,
- Malaspina, Alessandro, 1754-1809.,
- Expedición Malaspina (1789-1794),
- Expedición Malaspina,
- Voyages around the world Pictorial works.,
- Scientific expeditions Pictorial works.,
- Art.,
- Medicine History 18th century.,
- Photography.,
- Expeditions,
- Expeditions history,
- History, 18th Century,
- History, 20th Century,
- Science history,
- Voyages autour du monde Ouvrages illustrés.,
- Expéditions scientifiques Ouvrages illustrés.,
- Médecine Histoire 18e siècle.,
- Médecine Histoire 20e siècle.,
- Photographie.,
- Medicine,
- Scientific expeditions,
- Travel,
- Voyages around the world,
- Spain,
- Photograph,
- Pictorial Work,
- photographs.,
- illustrated books.,
- Photographs,
- Illustrated works,
- History,
- Pictorial works,
- Photographies.,
- Ouvrages illustrés.
Classification:
livres
livres
Titre:
Paysages contemporains
Paysages contemporains
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Prix:
$59.95
(disponible sur commande)
Résumé:
L'ouvrage "Paysages contemporains" propose une analyse approfondie et inédite du paysagisme aujourd'hui. Au cours des dix dernières années, la création architecturale du XXe siècle, à la fois urbaine et rurale, s'est enrichie des préoccupations propres au XXIe siècle liées aux conséquences des changements écologiques et climatiques sur notre environnement naturel. Cette(...)
$59.95
(disponible sur commande)
Résumé:
L'ouvrage "Paysages contemporains" propose une analyse approfondie et inédite du paysagisme aujourd'hui. Au cours des dix dernières années, la création architecturale du XXe siècle, à la fois urbaine et rurale, s'est enrichie des préoccupations propres au XXIe siècle liées aux conséquences des changements écologiques et climatiques sur notre environnement naturel. Cette(...)
Titre:
Paysages contemporains
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Prix:
$59.95
(disponible sur commande)
Résumé:
L'ouvrage "Paysages contemporains" propose une analyse approfondie et inédite du paysagisme aujourd'hui. Au cours des dix dernières années, la création architecturale du XXe siècle, à la fois urbaine et rurale, s'est enrichie des préoccupations propres au XXIe siècle liées aux conséquences des changements écologiques et climatiques sur notre environnement naturel. Cette perspective remet en cause l'ordre des priorités dans le domaine de la conception du paysage. Historiquement, les paysagistes ont toujours collaboré ; avec les architectes et les ingénieurs. Plus récemment, ce sont les œuvres et installations des artistes et sculpteur du Land Art qui ont enrichi les projets contemporains. Paysages contemporains présente des créations récent de Bernard Lassus, Lawrence Halprin, George Hargreav Associates, Itsuko Hasegawa, Martha Schwartz, Colvin & Moggridge, Peter Latz & Partners, entre autres, ainsi ; que celles de concepteurs plus jeunes mais reconnus comme Danadjieva & Koenig Associates, Mikyoung Kim,: Gross Max, Jacqueline Osty, Bat Figueras et Toru Mitani. L'auteur explique également dans quelle mesure les nouvelles données environnementales ont permis de repenser les différentes pratiques du XXIe siècle, à travers les œuvres d'architectes aussi éminents que Daniel Libeskind (avec Lützow 7), Juhani Pallasmaa, Hans Hollein, Ernric Miralles, Chris Wilkinson ou Glenn Murcutt. Dans son introduction, Michael Spens interroge les références historiques et modernistes ; il montre que les réalisations contemporaines s'inspirent souvent d'une documentation historique plaçant l'homme dans son environnement à travers des peintures, des dessins, certains sujets majeurs mais aussi la nature elle-même. Il défini quatre catégories clés de la conception du paysage, divisant l'ouvrage en autant de chapitres : les parcs, l'architecture comme paysage, les jardins paysagers, et les interventions urbaines. Dans chaque chapitre, des études de cas illustrées de projets tels que les jardins botaniques de Barcelone, le jardin ETA Hoffmann du Musée juif de Berlin et la promenade plantée sur le Viaduc des arts à Paris, tous réalisés depuis 1990, ouvrent le débat sur les critères du paysagisme à travers les divers enjeux de l'urbanisme.
Paysages contemporains
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Prix:
$59.95
(disponible sur commande)
Résumé:
L'ouvrage "Paysages contemporains" propose une analyse approfondie et inédite du paysagisme aujourd'hui. Au cours des dix dernières années, la création architecturale du XXe siècle, à la fois urbaine et rurale, s'est enrichie des préoccupations propres au XXIe siècle liées aux conséquences des changements écologiques et climatiques sur notre environnement naturel. Cette perspective remet en cause l'ordre des priorités dans le domaine de la conception du paysage. Historiquement, les paysagistes ont toujours collaboré ; avec les architectes et les ingénieurs. Plus récemment, ce sont les œuvres et installations des artistes et sculpteur du Land Art qui ont enrichi les projets contemporains. Paysages contemporains présente des créations récent de Bernard Lassus, Lawrence Halprin, George Hargreav Associates, Itsuko Hasegawa, Martha Schwartz, Colvin & Moggridge, Peter Latz & Partners, entre autres, ainsi ; que celles de concepteurs plus jeunes mais reconnus comme Danadjieva & Koenig Associates, Mikyoung Kim,: Gross Max, Jacqueline Osty, Bat Figueras et Toru Mitani. L'auteur explique également dans quelle mesure les nouvelles données environnementales ont permis de repenser les différentes pratiques du XXIe siècle, à travers les œuvres d'architectes aussi éminents que Daniel Libeskind (avec Lützow 7), Juhani Pallasmaa, Hans Hollein, Ernric Miralles, Chris Wilkinson ou Glenn Murcutt. Dans son introduction, Michael Spens interroge les références historiques et modernistes ; il montre que les réalisations contemporaines s'inspirent souvent d'une documentation historique plaçant l'homme dans son environnement à travers des peintures, des dessins, certains sujets majeurs mais aussi la nature elle-même. Il défini quatre catégories clés de la conception du paysage, divisant l'ouvrage en autant de chapitres : les parcs, l'architecture comme paysage, les jardins paysagers, et les interventions urbaines. Dans chaque chapitre, des études de cas illustrées de projets tels que les jardins botaniques de Barcelone, le jardin ETA Hoffmann du Musée juif de Berlin et la promenade plantée sur le Viaduc des arts à Paris, tous réalisés depuis 1990, ouvrent le débat sur les critères du paysagisme à travers les divers enjeux de l'urbanisme.
Classification:
livres
livres
Publication:
mars 2005, Paris
mars 2005, Paris
Sujet:
Jardins
Jardins
Classification:
livres
livres
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Prix:
$24.95
(disponible sur commande)
Résumé:
The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated(...)
$24.95
(disponible sur commande)
Résumé:
The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated(...)
Titre:
Badlands : new horizons in landscape
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Prix:
$24.95
(disponible sur commande)
Résumé:
The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated the natural landscape with art, movement, and performance; and in the 1990s, Eco-Artists collaborated with scientists to address sustainability, pollution, and politics. "Badlands" explores the latest manifestations of artists’ fascination with the earth, gathering work by contemporary artists who approach landscape through history, culture, and science. "Badlands", which accompanies an exhibition at MASS MoCA, approaches landscape as a theme with variations, grouping artists and their art (which is shown in 150 color illustrations) by category : Historians, who recontextualize the history of landscape depiction; Explorers, who explore the environment and our place within it; Activists and Pragmatists, who alert us to problems in the natural world and suggest solutions; and the Aestheticists, who look at the beauty found in nature. Each section begins with an essay : Gregory Volk maps the evolution of the genre from the Hudson River School to Earth Art; Ginger Strand examines the relationship between man and landscape through our cultural history; Tensie Whelan discusses environmental science, sustainability, and climate change; and Denise Markonish considers the new genre of landscape that emerges from the work displayed in Badlands. As a physical object, Badlands supports the values represented by its intellectual and artistic content: it was produced using FSC (Forest Stewardship Council) certified techniques including paper, printing, and inks. Artists: Robert Adams, Vaughn Bell, Boyle Family, Melissa Brown, Center for Land Use Interpretation, Leila Daw, Gregory Euclide, J. Henry Fair, Mike Glier, Anthony Goicolea, Marine Hugonnier, Paul Jacobsen, Mitchell Joachim/ Terreform, Nina Katchadourian, Jane Marsching, Alexis Rockman, Ed Ruscha, Joseph Smolinski, Yutaka Sone, Jennifer Steinkamp, Mary Temple. Copublished with MASS MoCA
Badlands : new horizons in landscape
Actions:
Prix:
$24.95
(disponible sur commande)
Résumé:
The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated the natural landscape with art, movement, and performance; and in the 1990s, Eco-Artists collaborated with scientists to address sustainability, pollution, and politics. "Badlands" explores the latest manifestations of artists’ fascination with the earth, gathering work by contemporary artists who approach landscape through history, culture, and science. "Badlands", which accompanies an exhibition at MASS MoCA, approaches landscape as a theme with variations, grouping artists and their art (which is shown in 150 color illustrations) by category : Historians, who recontextualize the history of landscape depiction; Explorers, who explore the environment and our place within it; Activists and Pragmatists, who alert us to problems in the natural world and suggest solutions; and the Aestheticists, who look at the beauty found in nature. Each section begins with an essay : Gregory Volk maps the evolution of the genre from the Hudson River School to Earth Art; Ginger Strand examines the relationship between man and landscape through our cultural history; Tensie Whelan discusses environmental science, sustainability, and climate change; and Denise Markonish considers the new genre of landscape that emerges from the work displayed in Badlands. As a physical object, Badlands supports the values represented by its intellectual and artistic content: it was produced using FSC (Forest Stewardship Council) certified techniques including paper, printing, and inks. Artists: Robert Adams, Vaughn Bell, Boyle Family, Melissa Brown, Center for Land Use Interpretation, Leila Daw, Gregory Euclide, J. Henry Fair, Mike Glier, Anthony Goicolea, Marine Hugonnier, Paul Jacobsen, Mitchell Joachim/ Terreform, Nina Katchadourian, Jane Marsching, Alexis Rockman, Ed Ruscha, Joseph Smolinski, Yutaka Sone, Jennifer Steinkamp, Mary Temple. Copublished with MASS MoCA
Classification:
livres
livres
Publication:
septembre 2008, North Adams
septembre 2008, North Adams
Sujet:
Jardins
Jardins
Classification:
livres
livres
Prix:
$37.50
(disponible sur commande)
Résumé:
Drivers in the nation's capital face a host of hazards: high-speed traffic circles, presidential motorcades, jaywalking tourists, and bewildering signs that send unsuspecting motorists from the Lincoln Memorial into suburban Virginia in less than two minutes. And parking? Don't bet on it unless you're in the fast lane of the Capital Beltway during rush hour. Little(...)
$37.50
(disponible sur commande)
Résumé:
Drivers in the nation's capital face a host of hazards: high-speed traffic circles, presidential motorcades, jaywalking tourists, and bewildering signs that send unsuspecting motorists from the Lincoln Memorial into suburban Virginia in less than two minutes. And parking? Don't bet on it unless you're in the fast lane of the Capital Beltway during rush hour. Little(...)
Titre:
The Great Society subway : a history of the Washington Metro
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Prix:
$37.50
(disponible sur commande)
Résumé:
Drivers in the nation's capital face a host of hazards: high-speed traffic circles, presidential motorcades, jaywalking tourists, and bewildering signs that send unsuspecting motorists from the Lincoln Memorial into suburban Virginia in less than two minutes. And parking? Don't bet on it unless you're in the fast lane of the Capital Beltway during rush hour. Little wonder, then, that so many residents and visitors rely on the Washington Metro, the 106-mile rapid transit system that serves the District of Columbia and its inner suburbs. In the first comprehensive history of the Metro, Zachary M. Schrag tells the story of the Great Society subway from its earliest rumblings to the present day, from Arlington to College Park, Eisenhower to Marion Barry. Unlike the pre–World War II rail systems of New York, Chicago, and Philadelphia, the Metro was built at a time when most American families already owned cars, and when most American cities had dedicated themselves to freeways, not subways. Why did the nation's capital take a different path? What were the consequences of that decision? Using extensive archival research as well as oral history, Schrag argues that the Metro can be understood only in the political context from which it was born: the Great Society liberalism of the Kennedy, Johnson, and Nixon administrations. The Metro emerged from a period when Americans believed in public investments suited to the grandeur and dignity of the world's richest nation. The Metro was built not merely to move commuters, but in the words of Lyndon Johnson, to create "a place where the city of man serves not only the needs of the body and the demands of commerce but the desire for beauty and the hunger for community." Schrag scrutinizes the project from its earliest days, including general planning, routes, station architecture, funding decisions, land-use impacts, and the behavior of Metro riders. The story of the Great society subway sheds light on the development of metropolitan Washington, postwar urban policy, and the promises and limits of rail transit in American cities.
The Great Society subway : a history of the Washington Metro
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Prix:
$37.50
(disponible sur commande)
Résumé:
Drivers in the nation's capital face a host of hazards: high-speed traffic circles, presidential motorcades, jaywalking tourists, and bewildering signs that send unsuspecting motorists from the Lincoln Memorial into suburban Virginia in less than two minutes. And parking? Don't bet on it unless you're in the fast lane of the Capital Beltway during rush hour. Little wonder, then, that so many residents and visitors rely on the Washington Metro, the 106-mile rapid transit system that serves the District of Columbia and its inner suburbs. In the first comprehensive history of the Metro, Zachary M. Schrag tells the story of the Great Society subway from its earliest rumblings to the present day, from Arlington to College Park, Eisenhower to Marion Barry. Unlike the pre–World War II rail systems of New York, Chicago, and Philadelphia, the Metro was built at a time when most American families already owned cars, and when most American cities had dedicated themselves to freeways, not subways. Why did the nation's capital take a different path? What were the consequences of that decision? Using extensive archival research as well as oral history, Schrag argues that the Metro can be understood only in the political context from which it was born: the Great Society liberalism of the Kennedy, Johnson, and Nixon administrations. The Metro emerged from a period when Americans believed in public investments suited to the grandeur and dignity of the world's richest nation. The Metro was built not merely to move commuters, but in the words of Lyndon Johnson, to create "a place where the city of man serves not only the needs of the body and the demands of commerce but the desire for beauty and the hunger for community." Schrag scrutinizes the project from its earliest days, including general planning, routes, station architecture, funding decisions, land-use impacts, and the behavior of Metro riders. The story of the Great society subway sheds light on the development of metropolitan Washington, postwar urban policy, and the promises and limits of rail transit in American cities.
Classification:
livres
livres
Publication:
février 2006, Baltimore
février 2006, Baltimore
Sujet:
Structures d’ingénierie
Structures d’ingénierie
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livres
livres
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Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
Sujet:
Dessin d’architecture
Dessin d’architecture
Publication:
octobre 1999, New York
octobre 1999, New York
Titre:
Infinite perspectives : two thousand years of three-dimensional mapmaking
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Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Infinite perspectives : two thousand years of three-dimensional mapmaking
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Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Classification:
livres
livres
Publication:
octobre 1999, New York
octobre 1999, New York
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
livres
livres
Titre:
Accidental gravity : residents, travelers, and the landscape of memory / Bernard Quetchenbach.
Accidental gravity : residents, travelers, and the landscape of memory / Bernard Quetchenbach.
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Description:
ix, 226 pages ; 23 cm
Description:
ix, 226 pages ; 23 cm
Auteur:
Sujet:
- Nature and civilization United States.,
- Environmental protection Yellowstone National Park.,
- Nature et civilisation États-Unis.,
- Environnement Protection Yellowstone National Park.,
- LITERARY COLLECTIONS Essays.,
- BIOGRAPHY & AUTOBIOGRAPHY Personal Memoirs.,
- NATURE Essays.,
- Environmental protection.,
- Nature and civilization.,
- United States.,
- United States Yellowstone National Park.,
- Essay,
- Essays.,
- essays.,
- Essais.
Publication:
Corvallis, OR : Oregon State University Press, 2017., ©2017
Corvallis, OR : Oregon State University Press, 2017., ©2017
Titre:
Accidental gravity : residents, travelers, and the landscape of memory / Bernard Quetchenbach.
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Description:
ix, 226 pages ; 23 cm
Accidental gravity : residents, travelers, and the landscape of memory / Bernard Quetchenbach.
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Exemplaires:
Description:
ix, 226 pages ; 23 cm
Classification:
livres
livres
Publication:
Corvallis, OR : Oregon State University Press, 2017., ©2017
Corvallis, OR : Oregon State University Press, 2017., ©2017
Auteur:
Sujet:
- Nature and civilization United States.,
- Environmental protection Yellowstone National Park.,
- Nature et civilisation États-Unis.,
- Environnement Protection Yellowstone National Park.,
- LITERARY COLLECTIONS Essays.,
- BIOGRAPHY & AUTOBIOGRAPHY Personal Memoirs.,
- NATURE Essays.,
- Environmental protection.,
- Nature and civilization.,
- United States.,
- United States Yellowstone National Park.,
- Essay,
- Essays.,
- essays.,
- Essais.
Classification:
livres
livres
Exemplaires:
Description:
xiv, 254 pages : illustrations (some color), maps (some color) ; 26 cm
Description:
xiv, 254 pages : illustrations (some color), maps (some color) ; 26 cm
Auteur:
Sujet:
- Architecture, Roman.,
- Sculpture, Roman.,
- Architecture, Roman Designs and plans.,
- Agriculture, Ancient Rome.,
- Architecture History.,
- Art, Roman History.,
- Architecture romaine.,
- Sculpture romaine.,
- Architecture romaine Dessins et plans.,
- Agriculture ancienne Rome.,
- Architecture Histoire.,
- Art romain Histoire.,
- Agriculture, Ancient.,
- Architecture.,
- Art, Roman.,
- Bauplastik,
- Architektur,
- Romersk arkitektur.,
- Romersk skulptur.,
- Rome (Empire),
- Rom,
- Designs and plans.,
- Architectural drawings.,
- History.
Publication:
New Haven ; London : Yale University Press, [2016], ©2016
New Haven ; London : Yale University Press, [2016], ©2016
Titre:
The genesis of Roman architecture / John North Hopkins.
Actions:
Exemplaires:
Description:
xiv, 254 pages : illustrations (some color), maps (some color) ; 26 cm
The genesis of Roman architecture / John North Hopkins.
Actions:
Exemplaires:
Description:
xiv, 254 pages : illustrations (some color), maps (some color) ; 26 cm
Classification:
livres
livres
Publication:
New Haven ; London : Yale University Press, [2016], ©2016
New Haven ; London : Yale University Press, [2016], ©2016
Auteur:
Sujet:
- Architecture, Roman.,
- Sculpture, Roman.,
- Architecture, Roman Designs and plans.,
- Agriculture, Ancient Rome.,
- Architecture History.,
- Art, Roman History.,
- Architecture romaine.,
- Sculpture romaine.,
- Architecture romaine Dessins et plans.,
- Agriculture ancienne Rome.,
- Architecture Histoire.,
- Art romain Histoire.,
- Agriculture, Ancient.,
- Architecture.,
- Art, Roman.,
- Bauplastik,
- Architektur,
- Romersk arkitektur.,
- Romersk skulptur.,
- Rome (Empire),
- Rom,
- Designs and plans.,
- Architectural drawings.,
- History.
Classification:
livres
livres
Titre:
To wake the dead : a Renaissance merchant and the birth of archaeology / Marina Belozerskaya.
To wake the dead : a Renaissance merchant and the birth of archaeology / Marina Belozerskaya.
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Exemplaires:
Description:
308 pages : illustrations ; 22 cm
Description:
308 pages : illustrations ; 22 cm
Auteur:
Sujet:
- Ciriaco, d'Ancona, 1391-1452.,
- Cyriacus från Ancona, 1391-1452.,
- Cyriacus Anconitanus 1391-1452,
- Cyriacus (von Ancona),
- Archaeology History.,
- Archaeologists Italy Biography.,
- Classicists Italy Biography.,
- Travelers Mediterranean Region Biography.,
- Archéologie Histoire.,
- Archéologues Italie Biographies.,
- Spécialistes de lettres classiques Italie Biographies.,
- Archaeologists,
- Archaeology,
- Classicists,
- Intellectual life,
- Travelers,
- Resenärer medelhavsländerna renässansen biografi.,
- Arkeologi historia.,
- Italy Intellectual life 1268-1559.,
- Italie Vie intellectuelle 1268-1559.,
- Italy,
- Mediterranean Region,
- Italien intellektuellt liv historia renässansen.,
- Cyriacus von Ancona (1391 - 1455),
- Renaissance, Rezeption,
- Biography,
- Nonfiction.,
- Biographies,
- History,
- Biografie.
Publication:
New York : W.W. Norton & Co., ©2009.
New York : W.W. Norton & Co., ©2009.
Titre:
To wake the dead : a Renaissance merchant and the birth of archaeology / Marina Belozerskaya.
Actions:
Exemplaires:
Description:
308 pages : illustrations ; 22 cm
To wake the dead : a Renaissance merchant and the birth of archaeology / Marina Belozerskaya.
Actions:
Exemplaires:
Description:
308 pages : illustrations ; 22 cm
Classification:
livres
livres
Publication:
New York : W.W. Norton & Co., ©2009.
New York : W.W. Norton & Co., ©2009.
Auteur:
Sujet:
- Ciriaco, d'Ancona, 1391-1452.,
- Cyriacus från Ancona, 1391-1452.,
- Cyriacus Anconitanus 1391-1452,
- Cyriacus (von Ancona),
- Archaeology History.,
- Archaeologists Italy Biography.,
- Classicists Italy Biography.,
- Travelers Mediterranean Region Biography.,
- Archéologie Histoire.,
- Archéologues Italie Biographies.,
- Spécialistes de lettres classiques Italie Biographies.,
- Archaeologists,
- Archaeology,
- Classicists,
- Intellectual life,
- Travelers,
- Resenärer medelhavsländerna renässansen biografi.,
- Arkeologi historia.,
- Italy Intellectual life 1268-1559.,
- Italie Vie intellectuelle 1268-1559.,
- Italy,
- Mediterranean Region,
- Italien intellektuellt liv historia renässansen.,
- Cyriacus von Ancona (1391 - 1455),
- Renaissance, Rezeption,
- Biography,
- Nonfiction.,
- Biographies,
- History,
- Biografie.
Classification:
livres
livres
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare,(...)
$32.95
(disponible sur commande)
Résumé:
Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare,(...)
Publication:
août 2016
août 2016
Titre:
The book in history, the book as history
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare, Spenser, Milton, and others, this volume makes early modern literary studies and book history accessible and will be a core resource in the field for years to come.
The book in history, the book as history
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare, Spenser, Milton, and others, this volume makes early modern literary studies and book history accessible and will be a core resource in the field for years to come.
Classification:
livres
livres
Publication:
août 2016
août 2016
