dessins
Quantité:
35 presentation drawing(s)
DR2004:1085
Description:
plans, sections, design development drawings, axonometrics, conceptual drawings, sketches, elevations, site plans, perspectives, measured sketches, possibly consultant's drawings, and structural drawings
Plans, sections, design development drawings, axonometrics
Actions:
DR2004:1085
Description:
plans, sections, design development drawings, axonometrics, conceptual drawings, sketches, elevations, site plans, perspectives, measured sketches, possibly consultant's drawings, and structural drawings
dessins
Quantité:
35 presentation drawing(s)
dessins
ARCH269540
Description:
- This volume contains computer graphics for the Galaxy Toyama Gymnasium, including interior perspectives and wireframes of the roof. Also includes a letter to Shoei Yoh.
Galaxy Toyama 1992
Actions:
ARCH269540
Description:
- This volume contains computer graphics for the Galaxy Toyama Gymnasium, including interior perspectives and wireframes of the roof. Also includes a letter to Shoei Yoh.
dessins
documents textuels
Quantité:
6 textual record(s)
ARCH266204
Description:
This group consists of promotional leaflets for the Palais des Congrès de Montréal. The leaflets are illustrated with elevations, sections, perspectives and photographic views of the building.
Promotional documents for the Palais des Congrès de Montréal
Actions:
ARCH266204
Description:
This group consists of promotional leaflets for the Palais des Congrès de Montréal. The leaflets are illustrated with elevations, sections, perspectives and photographic views of the building.
documents textuels
Quantité:
6 textual record(s)
dessins
ARCH270957
Description:
Contains details, elevations, perspectives, plans and sections. Includes as well a few textual records, among them a project description (Memoria) with specifications and budget.
March 2004
Portfolio containing mostly plans for the project Helipuerto Forum, Barcelona, Spain
Actions:
ARCH270957
Description:
Contains details, elevations, perspectives, plans and sections. Includes as well a few textual records, among them a project description (Memoria) with specifications and budget.
dessins
March 2004
photographies
Quantité:
12 photocollage(s)
ARCH266124
Description:
The Centre Simard project is sponsored by Léon Simard.
Photographs of the model of the Centre Simard in Lac à l'Eau Claire
Actions:
ARCH266124
Description:
The Centre Simard project is sponsored by Léon Simard.
photographies
Quantité:
12 photocollage(s)
dessins
Quantité:
42 design development drawing(s)
AP140.S2.SS1.D36.P2
Description:
alternative site plans and floor plans for multiuse room, sections, some rendered, several interior and exterior perspectives and some exterior axonometrics, including sketches
Alternative site plans and floor plans for multiuse room
Actions:
AP140.S2.SS1.D36.P2
Description:
alternative site plans and floor plans for multiuse room, sections, some rendered, several interior and exterior perspectives and some exterior axonometrics, including sketches
dessins
Quantité:
42 design development drawing(s)
dessins
AP140.S2.SS1.D89.P6
Description:
Also includes several rendered, axonometrics, perspectives, sections and area diagrams for alternative schemes for site layout, buildings and landscape, some early conceptual drawings
circa 1988-1989
Design development drawings, including several sketch and schematic site plans, Compton Verney Opera Competition, Compton Verney, United Kingdom
Actions:
AP140.S2.SS1.D89.P6
Description:
Also includes several rendered, axonometrics, perspectives, sections and area diagrams for alternative schemes for site layout, buildings and landscape, some early conceptual drawings
dessins
circa 1988-1989
Projet
AP056.S1.1989.PR02
Description:
This project series documents interior design for Main Street of Hasbro Headquarters in Pawtucket, Rhode Island from 1989-1991. The office identified the project number as 8902. This project consisted of the interiors of the company's headquarters for an area of the building known as Main Street. This was the first in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. Main Street was a wide corridor which spanned the length of the building, acting as a central artery for activity. The corridor was flooded with natural light from the original saw tooth skylights on the ceiling and lantern-like offices lined the sides. Small rooms were positioned in the corridor, including the main conference room with a large curved wall, a reception area and two smaller conference rooms. Maple screens, translucent glass and steel were the prominent materials used for Main Street. The project is recorded through drawings dating from 1987-1988. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and furniture drawings. Many of the plans focus on the design of the executive bathroom.
1989-1992
Hasbro Headquarters Main Street, Pawtucket, Rhode Island (1989-1991)
Actions:
AP056.S1.1989.PR02
Description:
This project series documents interior design for Main Street of Hasbro Headquarters in Pawtucket, Rhode Island from 1989-1991. The office identified the project number as 8902. This project consisted of the interiors of the company's headquarters for an area of the building known as Main Street. This was the first in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. Main Street was a wide corridor which spanned the length of the building, acting as a central artery for activity. The corridor was flooded with natural light from the original saw tooth skylights on the ceiling and lantern-like offices lined the sides. Small rooms were positioned in the corridor, including the main conference room with a large curved wall, a reception area and two smaller conference rooms. Maple screens, translucent glass and steel were the prominent materials used for Main Street. The project is recorded through drawings dating from 1987-1988. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, details, and furniture drawings. Many of the plans focus on the design of the executive bathroom.
Project
1989-1992
Projet
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
1986-1992
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Project
1986-1992
Projet
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
1988-1991
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Project
1988-1991