6048 Résultats
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206 pages : chiefly illustrations (some color) ; 28 x 24 cm
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206 pages : chiefly illustrations (some color) ; 28 x 24 cm
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Ostfildern : Hatje Cantz, 2002.
Ostfildern : Hatje Cantz, 2002.
Titre:
Alexander Rodchenko : spatial constructions = Raumkonstruktionen / Galerie Gmurzynska ; [translations: Michael Eldred, Gerlinde Weber-Niesta].
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Description:
206 pages : chiefly illustrations (some color) ; 28 x 24 cm
Alexander Rodchenko : spatial constructions = Raumkonstruktionen / Galerie Gmurzynska ; [translations: Michael Eldred, Gerlinde Weber-Niesta].
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Description:
206 pages : chiefly illustrations (some color) ; 28 x 24 cm
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livres
livres
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Ostfildern : Hatje Cantz, 2002.
Ostfildern : Hatje Cantz, 2002.
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audio
audio
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2017.
[Place of publication not identified] : The Funambulist, 2017.
Titre:
European Femonationalism and Domestic Violence Against Women.
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1 online resource.
European Femonationalism and Domestic Violence Against Women.
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1 online resource.
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audio
audio
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[Place of publication not identified] : The Funambulist, 2017.
[Place of publication not identified] : The Funambulist, 2017.
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livres
livres
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Primary Information Art Workers Coalition 2008
Primary Information Art Workers Coalition 2008
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livres
livres
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Primary Information Art Workers Coalition 2008
Primary Information Art Workers Coalition 2008
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livres
livres
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edition fink 2009
edition fink 2009
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livres
livres
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edition fink 2009
edition fink 2009
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livres
livres
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Anamika.
Anamika.
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1 online resource.
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[Place of publication not identified] : Nat Pyper, 2026.
[Place of publication not identified] : Nat Pyper, 2026.
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livres
livres
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[Place of publication not identified] : Nat Pyper, 2026.
[Place of publication not identified] : Nat Pyper, 2026.
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périodiques
périodiques
Prix:
$32.95
(disponible en magasin)
Résumé:
The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’(...)
$32.95
(disponible en magasin)
Résumé:
The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’(...)
Titre:
Errant Journal #8 : Against visibility (or, the right to opacity)
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$32.95
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The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’ can be read as a proposition of refusal of the paradigm of visibility and access that permeates all areas of western thinking. At a moment in which representation and uncovering ‘'lost'’ histories are trending, Errant asks what is being erased in a world where everything must always be visible. When Édouard Glissant proclaimed the right to opacity, he sought not to be reduced or to be measured against an ideal scale in order to be understood and accepted. Expanding from this, ''Against Visibility'' looks into the ways in which unlearning imperialism also includes unlearning the ideal of visibility itself.
Errant Journal #8 : Against visibility (or, the right to opacity)
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$32.95
(disponible en magasin)
Résumé:
The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’ can be read as a proposition of refusal of the paradigm of visibility and access that permeates all areas of western thinking. At a moment in which representation and uncovering ‘'lost'’ histories are trending, Errant asks what is being erased in a world where everything must always be visible. When Édouard Glissant proclaimed the right to opacity, he sought not to be reduced or to be measured against an ideal scale in order to be understood and accepted. Expanding from this, ''Against Visibility'' looks into the ways in which unlearning imperialism also includes unlearning the ideal of visibility itself.
Classification:
périodiques
périodiques
Publication:
novembre 2025
novembre 2025
Sujet:
Revues
Revues
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livres
livres
Titre:
Violent images
Violent images
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$39.95
(disponible en magasin)
Résumé:
Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and(...)
$39.95
(disponible en magasin)
Résumé:
Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and(...)
Publication:
novembre 2025
novembre 2025
Titre:
Violent images
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$39.95
(disponible en magasin)
Résumé:
Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and Violence in News Media and Photography" (Roland Bleiker and Emma Hutchison); transgressive image-making practices (Monica M. Haller), and more. All the contributors critically examine established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. Continuing Giulia Cordin and Eva Leitolf's exploration begun with ''Landscape with(out) Locus'', ''Violent Images'' explores the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it. It illustrates the need for a more critical and engaged approach to visual representation and communication in the context of local and global conflicts and crises.
Violent images
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Prix:
$39.95
(disponible en magasin)
Résumé:
Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and Violence in News Media and Photography" (Roland Bleiker and Emma Hutchison); transgressive image-making practices (Monica M. Haller), and more. All the contributors critically examine established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. Continuing Giulia Cordin and Eva Leitolf's exploration begun with ''Landscape with(out) Locus'', ''Violent Images'' explores the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it. It illustrates the need for a more critical and engaged approach to visual representation and communication in the context of local and global conflicts and crises.
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livres
livres
Publication:
novembre 2025
novembre 2025
Classification:
périodiques
périodiques
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$34.95
(disponible sur commande)
Résumé:
A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge(...)
$34.95
(disponible sur commande)
Résumé:
A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge(...)
Titre:
The senses & society : vol. 01, issue 01, march 2006
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$34.95
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A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge developments in art, design and architecture. Every volume contains something for and about each of the senses, both singly and in all sorts of novel configurations. Shaped by culture, gender and class, the senses mediate between mind and body, idea and object, self and environment. The senses are increasingly extended beyond the body through technology, and catered to by designers and marketers, yet persistently elude all efforts to capture and control them. Artists now experiment with the senses in bold new ways, disrupting conventional canons of aesthetics. Simply put, sensation is fundamental to our experience of the world.
The senses & society : vol. 01, issue 01, march 2006
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$34.95
(disponible sur commande)
Résumé:
A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge developments in art, design and architecture. Every volume contains something for and about each of the senses, both singly and in all sorts of novel configurations. Shaped by culture, gender and class, the senses mediate between mind and body, idea and object, self and environment. The senses are increasingly extended beyond the body through technology, and catered to by designers and marketers, yet persistently elude all efforts to capture and control them. Artists now experiment with the senses in bold new ways, disrupting conventional canons of aesthetics. Simply put, sensation is fundamental to our experience of the world.
Classification:
périodiques
périodiques
Publication:
mars 2006, Brighton
mars 2006, Brighton
Sujet:
Revues
Revues
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livres
livres
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$35.00
(disponible sur commande)
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Water is both a friend and an enemy of Rotterdam. Rotterdam was founded near the water. Thanks to the water Rotterdam has a major port. Everyone in the Netherlands knows the image of the skyline of Rotterdam near the river. The fact that water can also be a threat to the city becomes clear in the title of the second International Architecture Biennale: ‘The(...)
$35.00
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Résumé:
Water is both a friend and an enemy of Rotterdam. Rotterdam was founded near the water. Thanks to the water Rotterdam has a major port. Everyone in the Netherlands knows the image of the skyline of Rotterdam near the river. The fact that water can also be a threat to the city becomes clear in the title of the second International Architecture Biennale: ‘The(...)
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Titre:
Rotterdam waterstad 2035 : international architectuur biënnale Rotterdam 2005
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$35.00
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Water is both a friend and an enemy of Rotterdam. Rotterdam was founded near the water. Thanks to the water Rotterdam has a major port. Everyone in the Netherlands knows the image of the skyline of Rotterdam near the river. The fact that water can also be a threat to the city becomes clear in the title of the second International Architecture Biennale: ‘The Flood’. Rotterdam Waterstad 2035 is the joint project of three parties for the second International Architecture Biennale Rotterdam. The content is created on the basis of a joint vision by experts of various disciplines. Apart from this book, there is a model and an exhibition. The model is a representation of 'Rotterdam Waterstad 2035' made by Werkplaats Vincent de Rijk. The model is part of an exhibition called ‘The Dutch Water City’ (‘De Hollandse Waterstad’). The publication Rotterdam Waterstad 2035 presents a complete overview of all the results of the project.
Rotterdam waterstad 2035 : international architectuur biënnale Rotterdam 2005
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$35.00
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Résumé:
Water is both a friend and an enemy of Rotterdam. Rotterdam was founded near the water. Thanks to the water Rotterdam has a major port. Everyone in the Netherlands knows the image of the skyline of Rotterdam near the river. The fact that water can also be a threat to the city becomes clear in the title of the second International Architecture Biennale: ‘The Flood’. Rotterdam Waterstad 2035 is the joint project of three parties for the second International Architecture Biennale Rotterdam. The content is created on the basis of a joint vision by experts of various disciplines. Apart from this book, there is a model and an exhibition. The model is a representation of 'Rotterdam Waterstad 2035' made by Werkplaats Vincent de Rijk. The model is part of an exhibition called ‘The Dutch Water City’ (‘De Hollandse Waterstad’). The publication Rotterdam Waterstad 2035 presents a complete overview of all the results of the project.
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livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Classification:
livres
livres
Titre:
Alick Phiri: Lusaka Street
Alick Phiri: Lusaka Street
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$55.00
(disponible en magasin)
Résumé:
Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own(...)
$55.00
(disponible en magasin)
Résumé:
Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own(...)
Titre:
Alick Phiri: Lusaka Street
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Prix:
$55.00
(disponible en magasin)
Résumé:
Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.
Alick Phiri: Lusaka Street
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Prix:
$55.00
(disponible en magasin)
Résumé:
Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.
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livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Monographies photo
Monographies photo
